Skip to playerSkip to main content
  • 7 hours ago
Thirty years after the hit, Kim Basinger, producer Michael Uslan and actor Robert Wuhl recall tense table reads, alternate castings and convincing Hollywood the Dark Knight had potential.
Transcript
00:00I want you to do me a favor. I want you to tell all your friends about me.
00:04What are you?
00:06I'm Batman.
00:07To celebrate the impending 30th anniversary of Batman, The Hollywood Reporter is taking
00:12a look back at the 1989 film that kick-started a box office franchise which has seen its
00:16fair share of triumphs, tragedies and some very strong opinions as to who should don
00:21that mask and cape. The crazy thing is Batman almost never made it to the big screen.
00:25The film, which made a huge $411.5 million globally, took 10 years to come to fruition
00:31after being rejected from nearly every Hollywood studio, something which shocked Michael
00:35Uslan who had risked everything to purchase the rights to the film on October 3, 1979.
00:41Uslan had been teaching the world's first ever college-accredited course on comic books when
00:45he caught the attention of Sol Harrison, the vice president of DC Comics in New York, and
00:49was very quickly offered a job. However, when Uslan expressed his desire to buy the rights
00:54to the film property, Harrison pleaded with him to reconsider, saying,
00:57"...don't you understand that after Batman went off the air on TV, the brand became as
01:01dead as a dodo? Nobody's interested in Batman anymore."
01:05And so began the decade that Uslan refers to as a human endurance contest until Uslan
01:10and his business partner Benjamin Melnicka pitched their idea over the phone to Peter Goober,
01:14an executive at Casablanca Records, which was planning to launch a film division.
01:17Goober took to the duo's vision and agreed to put up the development money, instigating
01:22the project's journey to the big screen.
01:24Batman bounced around from studio to studio until finally landing at Warner Brothers
01:28with producer John Peters, and the team then turned to animator-turned-director Tim Burton,
01:32who was coming off of two box office hits, Pee-Wee's Big Adventure and Beetlejuice.
01:37Uslan remembers the key words that Burton told him regarding this Batman adaptation, explaining that,
01:41Tim said,
01:42"...this is not a movie about Batman. If we're going to do it seriously, this is a movie about Bruce
01:47Wayne."
01:48The drive to make a serious movie about the protector of Gotham City meant that the casting
01:52of comedic actor Michael Keaton in the titular role was met with intense backlash.
01:56In fact, tens of thousands of letters were sent to Warner Brothers' pictures in protest.
02:01Now you want to get nuts? Come on! Let's get nuts.
02:05Now at first, Uslan had the same mentality as the fans.
02:08I thought they were joking when they told me Michael Keaton was cast, he recalls.
02:11We've been at this for seven and a half years now to do a dark and serious Batman,
02:15and they appear to want to hire a comedian. But after seeing Keaton's performance in the
02:201988 addiction drama Clean and Sober, Uslan realized that the Mr. Mum actor was in fact
02:25the right person for the job.
02:26Keaton's casting proved to be just the first controversy in assembling the ensemble.
02:31Blade Runner Sean Young was originally cast in the role of Vicki Vale, the photographer
02:34and love interest for Bruce Wayne, but things took a turn after a table read in front of
02:38Warner Brothers executives. Recalls Robert Wool, who played the journalist Alexandra Knox in the film,
02:44more than a few of Sean's lines were lost in the rewrite and about halfway through she made a
02:47comment that,
02:50And then proceeded for the rest of the reading to read in a monosyllable, monotone voice.
02:55It sucked all the energy out of the room. After that, more Vicki Vale was added to the script,
03:00but the way she sabotaged the rest of the reading with all the brass there on the most expensive
03:04movie of all time, people's jobs are on the line. That was a really touchy moment.
03:09As it turns out, as principal photography was set to begin, Young had a horse riding accident
03:13that left her unable to perform the role. To some Warner Brothers executives, this was a
03:18blessing in disguise. The fact is, they were very happy to replace her, says Wool.
03:22Michelle Pfeiffer was producer John Peters' top choice to take over the role of Vicki Vale,
03:26but this option was shut down by Keaton himself as he and Pfeiffer had previously dated and broken up.
03:31Says Wool at the time,
03:32Michael told me he was trying to get back with his ex-wife. Keaton was firmly, and underlined firmly,
03:37against that, casting a Pfeiffer, and he and Peters got into it.
03:41In a classic case of things coming full circle, Pfeiffer of course went on to replace a pregnant
03:45Annette Bening in the Batman sequel, 1992's Batman Returns, portraying Selina Kyle slash
03:50Catwoman to much praise.
03:54And so the role of Vicki Vale went to Kim Basinger and she was immediately asked to fly to the
03:58set
03:59in London, bringing with her her own creative vision for the character and how she would fit into Gotham.
04:04I wanted her to be tough in the newsroom, but I wanted her to be feminine like Cinderella,
04:08Basinger says.
04:09In one scene, Vale lies about her weight in a line that would never fly today, but could fly
04:14under the radar in 1989.
04:16How much do you weigh?
04:18About 108, I think.
04:20I loved that moment in the movie when we're supposed to go up on the grapple gun and Batman
04:23asks Vicki's weight and she says, 108, Basinger says.
04:26Body shaming wasn't a thing then.
04:28You couldn't be skinny enough.
04:30It wasn't pro-curves like Kim Kardashian.
04:32I do love the joke with Vale and how Batman calls her out on it.
04:35Michael could always pull off that kind of dialogue.
04:38Not so easy to pull off, literally.
04:40Batman's rubber suit with Basinger expressing her sympathy for Keaton for having to wear it.
04:44I know they paid Michael well for the role, but that thing was built like a car.
04:48So heavy and hot, she recalls.
04:50He was in that all day for months, turning shoulder to shoulder to see.
04:54To read so much more on the making of 1989's Batman, head to THR.com.
04:58For The Hollywood Reporter News, I'm Lyndsey Rodrigues.
Comments

Recommended