00:00foreign
00:16foreign
00:18foreign
00:18की कोशिश की है ताकि आने वाली पीडिया इस संगीद से रूबरू हो सके इस लोका
00:24चार्ट से रूबरू हो सके और यह समझ सके कि हमें क्या विरासत मिले थी विनो जोशी
00:29जी से हम आपको रूबरू करवाएंगे जाजम फाउनेशन के जरीए यह लगातार इस
00:35When we are talking about this song, we will talk about the story of this song.
00:40When we talk about this song, we will talk about the story of Vino Ji.
00:46How much is this song? How is this song?
00:53that we have the greatest
00:54life of life.
00:56First let us talk about all the verses
00:59who are quoting us
01:00by talking to us.
01:02The verses we see are writing
01:09,
01:09What do we see during these verses?
01:21which they call them
01:23or which they call them
01:25which they call them
01:26which they call them
01:27which they call them
01:29and they all call them
01:31and this devotional music
01:33is where they call them
01:37how to create a body of a body of a body
01:38this was about 500-700 years ago
01:42so understanding the knowledge of this
01:45how to understand them
01:46how to describe them
01:49कैसे स्वर्द दिये गए हैं
01:51इसको जोडने के लिए
01:52जो कुछ knowledge उसमें उनके पास था
01:55कैसे उसमें wax बनाएं
01:57इसको adhesive के रूप में काम में लें
01:59और
02:00एक तरफ आप उसमें हवा भरते हैं
02:04फुल हवा हो जाती है
02:05खाट में ले लेते हैं
02:07और एक तरफ आप इसको बांसरी बनाके
02:10और सुर्क और धुने निकालते हैं
02:12ये वीजन विजडम साथ सो साल कुराना है
02:14मेरा ये मानना है
02:16अन्भू बताता है
02:17कि इन साथ सो वर्सों में
02:20आप Scottish
02:21देख सकते हैं वापस
02:24इस बैंड के रूप में
02:26लेकिन आप ऐसे वादे दुबारा साथ सो वर्सों में
02:29ये रिफाइन रूप है हमारे पास में
02:31तो दर्शकों की सहुलियत के लिए लिखानत आएंगे
02:33कि जिस स्कॉटिश की बात यहां पर की जा रही है
02:36वो ये रहा
02:37लेकिन परंपरागत यही है
02:38बूल यही है
02:39तो यह इसका परिशकर्त रूप है
02:41और उसका भी आपने
02:44राजस्तानी करण किया है
02:45लोग संगीत में
02:46है विदेशी बात यह लेकिन हमारी
02:48लोग कलाओं की लोग कलाकारों की इतनी
02:50खुवत है उनको संगीत का ऐसा
02:53नोलेज है कि उन्होंने उसका भी
02:55अपना सेशकर्ण तयार किया है
02:56छी आएफ बाट आप कहते हैं कि
02:58राजस्तान वढ़ारत विविताओं का है
03:01और भारत में जब राजस्तान की बात कहता है
03:03तो यह विविता है लोग आचल में भी बसती है
03:06यहां गडभेश के साथ में संगीत भी है
03:09རསྲན རོའོ རེན སྲབསསསསས ཆཁད འོསྲས རེྱསས རེགསས རེད རེད འོགསས འོའོ རེད ཕག དགསསསས རེྱསས
03:35foreign
03:40foreign
03:41foreign
03:42foreign
03:42we have to play with the song
03:42this is the song
03:44now you can see that if we talk about the song of the song
03:49then the song is the song
03:51no other song
03:53it will not be the song
03:55that it will be the song
03:58that we can play with the song
03:59so that our
04:00the song is the main reason
04:03because it is not made from the tree
04:06this is a fruit
04:07which we use in the kitchen
04:10this is a fruit
04:12this is a fruit
04:13this is growing
04:14but the one is the one along
04:17the fruit
04:17the fruit
04:18the fruit
04:18the fruit
04:19will be the first
04:26when one is its'
04:29fruit
04:33there is a fruit
04:34which is desiccate
04:35is that when it comes to the surface, it goes into the surface and then it goes into it.
04:41Then we can put it in the way.
04:42Now how can it be made of scientific knowledge?
04:48I want to show you a small small animal like a new animal.
04:53It's inside it.
04:56When you give it to the surface,
04:59ुपे काम आता है तो इस तरीके का अर्किटेक्चर बनाना संगीत वद्दे का और वो भी 700 साल पहले हमको
05:07उनके आगे नत्मस तक होना चाहिए आज इतने वर्सों की सम्रदित और साइंस के विज्ञान के इतने बड़े आविस्कार के
05:15बाद संगीत के वद्दे पिछले 500 साल म
05:24मैं यह सुरिंदा बात है अब मैं इस सुरिंदा बात देके मुश्किल से यह सुर्णईया लंगा बजाते हैं दो प्रकार
05:33के लंगे हमारे एक सारंगिये होते हैं पर एक सुर्णईया होते हैं सारंगिये होते हैं वो सारंगी बजाते हैं सिंधी
05:40या गुजरतन और गीत गात
05:47And that they make a marriage with one or two,
05:50they just become a marriage with one or two.
05:59With the right two продолжials,
06:02So when we do this,
06:05we are making a lot of people.
06:06I mean, this is as a pater.
06:08But this is not a pater, it isn't a pater.
06:10You will see that
06:12that was the traditional
06:14weapons that were made before.
06:16Now we are making a tree
06:18and we are taking a tree.
06:19At one point, this is the tree.
06:22It was made of tree.
06:23Then it was made of tree.
06:25It was made of knowledge.
06:27After the tree, you can see
06:28how hard it is, it has no sophisticated.
06:31But the tree also,
06:32all the trees are made of tree,
06:34and then the tree is made of tree,
06:34and then the tree is made of tree.
06:37Now I have a full
06:39Yes, I am going to show you the purpose of this.
06:44For example, from all the past, this is a great purpose.
06:48The people of the earth have been very proud of us.
06:51The people of the earth have been very proud of us.
06:54But, we have seen our Gavruddin.
06:56This is true of gold.
06:59Since this is the most important thing we have done.
07:07knowledge
07:08that people and people
07:10and people
07:11got to get
07:12the food
07:15and the food
07:16and the food
07:16and the food
07:17and the food
07:19so you have to get
07:20the desert
07:21to get the desert
07:21to get the desert
07:23so today
07:24traditional people
07:25and the people
07:26the most important
07:28is that
07:29they can't get the desert
07:31this is indigenous knowledge
07:32which is a PD
07:33which is another
07:33PD
07:33which is the same
07:34so this is the most
07:35metaphor
07:35that we have
07:39ुषिए के लिए पर वादी इंतर के और यह देख पा रहे है एक आदमी बजाता है कि यह वादी
07:53इंतर किया है कहा बजया जाता है
07:56because I don't know, I haven't seen it.
07:59Maybe you have seen it in any way or not.
08:02This is a change of three places.
08:03One person changes.
08:05What is it?
08:06What is it?
08:08Vinojji, go ahead.
08:09Look, this is the first time of Rajasthan.
08:15Now, in the prajian sastros,
08:17the sangeet of sastros,
08:18there are five people who have died.
08:22But this is like a tree.
08:24for like então
08:26it pojaw job
08:2822,92
08:30and among some people
08:31its name is definitely
08:34is still
08:35a wiser
08:35?
08:36holy pay
08:37uran
08:37his name
08:40is
08:41now
08:41your name
08:43and
08:44these
08:45they are
08:45famous
08:46Now it's one thing to do with it.
08:50In the past 5-7 years,
08:53it's hard to take 2 fingers or take 2 fingers.
08:57It's very easy to do with percussion.
08:59But this knowledge should be silenced.
09:02Dhuum Dadaqa is very rare.
09:04You will see Dhuum Dadaqa very rarely.
09:09Yes, the knowledge is that if you want to go to the foundation,
09:11you will have to go to the foundation of the foundation.
09:14We will also wear a natural dress.
09:16We will also wear a dance,
09:18and we will also wear a dance.
09:20But this knowledge should be made.
09:22Then we will go back.
09:24You can see more of these different objects.
09:27There is a big gallery here.
09:30It's called Yatra.
09:33You can see that one of these objects is called Yatra.
09:35You can see that one of these objects is called Yatra.
09:37What is this?
09:38What is this, what is this?
09:40This is called Yatra.
09:42It's called Yatra,
09:43and there's 26 km3 in Yatra.
09:46It's called Yatra as Galaling.
09:49They call Yatra.
09:51He is a warrior warrior of a man.
09:53It is called Yatra.
09:56It is called Yatra.
09:59It's called Yatra.
10:01It's called Yatra.
10:04They are closed but they are opened here.
10:07They have opened it.
10:09You can see all these things.
10:11I have seen this story in the past 25 years.
10:16I have seen three people.
10:17Now they have one group.
10:19They are 65-70 years old.
10:21I have a record.
10:23Where they are, where they are, where they are.
10:25So I want to say this.
10:27All of this is showing you all the time.
10:29But it is dark.
10:30This is dark.
10:30This is dark.
10:32It is a work in the Devi's presence.
10:36And it is very sacred.
10:39But this is the one you see.
10:42This is one group of three.
10:44But it is dark.
10:46This is dark.
10:48This is dark.
10:48This is dark.
10:53This is dark.
10:59It is dark.
11:00This is the mother's presence.
11:01It is dark.
11:04These are dark.
11:05this is dark.
11:08This is the same.
11:10This is the same way.
11:14So, you can see each instrument in a different way, but it is a devotional form for the divine,
11:24or for the divine, or for the divine, or for the divine, or for the divine divine,
11:30or for the divine divine.
11:32So most of the songs are made, they also feel French.
11:42We say people are第一, that this is really a religious commentary,
11:50if you think of a religious force a week,
11:59So you will see these long-term and long-term events in the Marwad.
12:04So you will see them in the Marwad, the Sindi, Sarengi, Surinda or Marwad.
12:07If you take them to the Meawat, then they are not a foreign instrument.
12:10Now in Meawat, there is no way to be a shikhawati, there is no way to be a shikhawati.
12:15So our regional aspect, that is why the Rajasthan, the people of the people of the Rajasthan,
12:21are very difficult and very difficult.
12:26...
12:26...
12:27...
12:27...
12:27...
12:27...
12:27...
12:27which are close to 33 people, who have lived and lived,
12:32who have lived and lived,
12:33no professional,
12:35there is no professional,
12:36who is a receiver and who wants to sing a dance,
12:40who is a devotion,
12:43who is a devotee,
12:43who is a devotee,
12:43who is a devotee,
12:45who is a devotee,
12:48who is a professional.
12:49There is a community music.
12:51You and we are playing gear,
12:54who is not playing money,
12:55particularly in the moment.
12:56Shekhawati has been living in Hooli and Gindra.
13:00It's just a community music for joy.
13:03When you come to our friends,
13:06we come to Dengal.
13:10Oh, the vibration is still there.
13:12So, in that way, there are 100-100, 200-200 people.
13:18Whether they are in this area,
13:21such as Suthar, Brahman, Milna,
13:24all the people are in it.
13:25I think it is important that our people,
13:28the culture of the world are one,
13:30and the other, the other people from the world.
13:34In fact, the music day,
13:36the culture of the people and the community
13:38will be told that the people
13:40will be saying that the people
13:41will be the same and that they will be the same.
13:44For ETV Bharat,
13:46peace and blessings be upon you.
Comments