- 3 jam yang lalu
Sadali dihadapkan pada keputusan yang sulit, seolah-olah dia harus memilih antara berpegang pada ingatan atau bergerak menuju awal yang baru.
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00:00:00My name is Sadali.
00:00:02I paint with words.
00:00:05Because sometimes, color can't describe everything.
00:00:13I was born in Bukit Tinggi.
00:00:15A cold city, but a warm heart.
00:00:19That's where I got to know the first beat of love.
00:00:22Arnazad.
00:00:26Sadali, became Mrs. Il's son-in-law.
00:00:34Then I went to Jogja.
00:00:37He said, there his dream was to be able to combine like Buna.
00:00:43I'm just looking for a room, Miss.
00:00:45Not a house.
00:00:46But what I rent is a house, not a room.
00:00:49But if I take a look first, is that okay, Miss?
00:00:51Of course.
00:00:52Who knows, maybe I'm not wrong and I'll find what I'm looking for?
00:00:54Do you know where this house is being rented from?
00:00:57Know from your news.
00:00:58Oh, you are this kid.
00:01:00My father and mother's child, Miss.
00:01:02Puno is really joking you.
00:01:05I'm red.
00:01:07I plant hope.
00:01:09But what grew was a new love.
00:01:14Red.
00:01:15This complicated and strong woman is the source of everything in my life.
00:01:20Paintings, writings, writings, also hopes.
00:01:28Armazza, I hope my letter doesn't reach you millions of light years away.
00:01:34You know, for starlight to reach Earth it has to travel millions of light years.
00:01:39When it arrives on Earth, its own star is already dead.
00:01:47But reality does not always align with expectations.
00:01:51The red disappeared, like in the earth's telang.
00:01:56I searched for him, but every trace I found stopped in silence.
00:02:04It seems like he really doesn't want to be found.
00:02:12Then, this is where my trouble is now.
00:02:15Hoping time can help forget.
00:02:18Even though it was quiet, I knew.
00:02:20What we want to forget is actually what remains the most.
00:02:29This is your first solo exhibition, bro, so you haven't had one yet, right?
00:02:33Yes, I have never had a solo exhibition.
00:02:36Always with other painters.
00:02:39The thing is, I'm scared alone.
00:02:41So, what will you be voicing in your upcoming solo exhibition, Mas Dalim?
00:02:47Still felt.
00:02:48Still darling, I give it to you.
00:02:54By not stopping how you reply.
00:03:06I'm starting to forget what it feels like to be anxious.
00:03:09I stopped worrying, stopped hoping.
00:03:12And finally, I stopped feeling anything.
00:03:16Whatever.
00:03:42And finally, I stopped stopping stopping stopping.
00:03:47Nas, what are you doing here?
00:03:51Mr. Akbar, does your boss like painting?
00:03:55Yes, this is what he wants to give a welcoming speech.
00:03:58Come on.
00:04:16This is a partner.
00:04:20Ah, sir.
00:04:23Mustafa.
00:04:24How are you?
00:04:25Yes, sir. This is my wife, sir.
00:04:27Hello, sir.
00:04:28Mother.
00:04:29Hello, Mom.
00:04:30How about it? Are we having fun?
00:04:31Exciting, exciting. So exciting.
00:04:34What's the atmosphere like?
00:04:35It's so much fun, isn't it?
00:04:36Yes
00:04:39How about we go inside?
00:04:40Come on, sir.
00:04:41Come on, come on.
00:04:42Come on.
00:04:48See you.
00:05:25That table is really thin.
00:05:28Scribble, then erase.
00:05:31Then I realized I had crossed it out again, then I erased it again.
00:05:34So don't delete it.
00:05:36Mr. Hal, that's a real scribble.
00:05:37Let's talk to my boss.
00:05:42And how far do you want to learn to paint?
00:05:46Just start, bro.
00:05:53Sir, I was just playing around.
00:05:55Yes, later when it's a holiday.
00:06:11Boo.
00:06:14Buong.
00:06:15Sadaali.
00:06:17Hey...
00:06:21Be healthy, Bud.
00:06:22Healthy, healthy.
00:06:24What?
00:06:26Want your pear?
00:06:28Bud.
00:06:29I haven't had a drink in a long time.
00:06:32Come on, just follow it.
00:06:34Wait a minute, please.
00:06:37Since when haven't you been drinking, Bud?
00:06:38An hour ago.
00:06:42Jakarta changed me for the better.
00:06:47Sir, thank you.
00:06:51You've been fine since you were still drinking, Bud.
00:07:07I met Ms. Mir in Jakarta.
00:07:17In Jakarta Rios, You.
00:07:20Possible...
00:07:21With its silence...
00:07:23We just passed each other for a moment.
00:07:40Mother!
00:07:47Mother!
00:07:49O!
00:07:51Why didn't you come home so late?
00:07:54Yes
00:07:56Mom, Miss.
00:07:57Who won the painting competition at school?
00:07:59It's not you, is it?
00:08:01Me, Mom.
00:08:02How is the painting?
00:08:03Extended at school.
00:08:05Wow...
00:08:06What are you painting?
00:08:08Your favorite object.
00:08:10What is your favorite object?
00:08:13Come on, wait.
00:08:16Oh, Pineapple.
00:08:18It's mother.
00:08:19Mother!
00:08:20Really?
00:08:21Mother is an endless source of inspiration.
00:08:24Wow, who said that?
00:08:26I am not telling you.
00:08:28Want to drink?
00:08:30Pineapple, huh?
00:08:31Yes
00:08:41Kikan.
00:08:42Hi, Jess.
00:08:43Hi, Kikan.
00:08:44Hi, Mom.
00:08:45Hi, sweetheart.
00:08:45How do you?
00:08:56What's wrong with your face?
00:08:58Normal.
00:08:58Study again with your dad.
00:09:01Yes.
00:09:03Okay, mom, go to the front.
00:09:05Yes
00:09:15Nas.
00:09:20Nas misses Buki, huh?
00:09:24Are you going there tomorrow?
00:09:27Nas always misses Buki, yeah.
00:09:31But there's no need to go there.
00:09:35Besides, I'm already busy.
00:09:46Or does Nas want to go on vacation?
00:09:49Hmm?
00:09:55Are you not busy anymore?
00:09:58Right?
00:09:59Nas wants to go on holiday, come on.
00:10:02His face immediately brightened up.
00:10:08When?
00:10:10And let me know.
00:10:12Wait, Mustafa can come here first from his office.
00:10:15Nas, you just come here first.
00:10:17We went for a walk together.
00:10:19Nas has just followed.
00:10:21Yes?
00:10:21Hmm, interesting.
00:10:23But is it allowed to be beautiful, yes, with Sudah?
00:10:26Just get treatment first, Nas.
00:10:30Well that's that then.
00:10:32Eh, your sigh, Nas.
00:10:34Why?
00:10:36Sigh people need a vacation.
00:10:40What is it, Fa?
00:10:43Fa, that's enough for now.
00:10:45Okay, Nas, just ask.
00:11:00Already.
00:11:02Already.
00:11:03Already.
00:11:04I've realized it.
00:11:10One first.
00:11:12The others followed.
00:11:23It's really you who painted this.
00:11:27There is no you in the painting.
00:11:38Two months.
00:11:39You have two months.
00:11:41That's not a long time.
00:11:44I'm driving now.
00:12:08Just me.
00:12:11Thank You.
00:12:15Yes, Dad?
00:12:25Nas!
00:12:30I miss you too.
00:12:32You are very beautiful.
00:12:33Nas too.
00:12:39Please.
00:12:41Thank you, Dad.
00:12:43So we only have a little time.
00:12:46Before Mustafa followed.
00:12:48Yes
00:12:49That's why I usually take leave.
00:12:51So we can go for a day trip, okay?
00:12:53Yes?
00:12:55Yes, come on.
00:13:00Your style.
00:13:01Still spoiled.
00:13:03Like this.
00:13:04Why did you let me go here first?
00:13:07Actually, Mustafa already wanted to go with me here.
00:13:11But it's just normal office business.
00:13:13Instead, he told me to postpone it.
00:13:15Nas, the child is willing.
00:13:17Nas immediately went to his family earlier.
00:13:18Spoiled style, Nas.
00:13:28I've realized that I still come here often.
00:13:35It's crazy that I'm holding back.
00:13:37Indai said to him.
00:13:38Hey.
00:13:39This woman you once sick is my friend.
00:13:45Nas, are you not hurt?
00:13:48Mr. Kien.
00:13:52I know you, Nas.
00:13:55That's why I'm confused.
00:13:56It's like Nas accepted Sudah Mustafa's proposal.
00:14:04Eat.
00:14:05Eat.
00:14:06Thank You.
00:14:12Should I speak?
00:14:19Miss Merah asked for my cellphone.
00:14:23He said who knows, he might need it later for his wedding.
00:14:29What you want to hear.
00:14:35Hopefully.
00:14:40All my attitudes.
00:14:45The best part.
00:14:51It wasn't long before I stopped looking for him.
00:14:55It means that it's been a long time since I had the desire to explain what happened 3 years ago.
00:15:00I am responsible.
00:15:05You just stay with me.
00:15:10There are many ways of life.
00:15:13Try it suddenly.
00:15:15Suddenly over there.
00:15:16Okay.
00:15:17Let.
00:15:26I want to wear that.
00:15:27All my attitudes.
00:15:29Pata is still here.
00:15:31One, two, ting.
00:15:33The best part.
00:15:34Something like that.
00:15:37From others.
00:15:51Mother.
00:15:52This morning I read the newspaper.
00:15:55There is Uncle Dali.
00:15:58Uncle Dali is having a solo exhibition here.
00:16:05Mother.
00:16:06Huh?
00:16:07Yes, I heard.
00:16:20Latifah?
00:16:22Hooray.
00:16:23Hooray, bro.
00:16:26Here you are finally.
00:16:28Hello, sir.
00:16:29Hello, miss.
00:16:30Sir, we want to join the painting class right away, sir. Can we?
00:16:33Oh, yes.
00:16:34Can.
00:16:36Come on, come on.
00:16:37Come on, come on.
00:16:37Come on, come on.
00:16:38Come on, come on.
00:16:38You still want to be able to.
00:16:40Study.
00:16:56This is also good.
00:16:58You should be sure, sis.
00:17:01Yes, sir.
00:17:07It's finished, right?
00:17:09Yes
00:17:10Still the same.
00:17:13The scent of confusion you bring here.
00:17:18Sir.
00:17:20Sir.
00:17:21Where are you going tonight?
00:17:22I'll come along.
00:17:26I'll come along.
00:17:44Grandma.
00:17:45The thing is, I've already decided to stop looking, stop being angry, stop missing.
00:17:57So how do I start it all, bro?
00:18:03It's hard, Dal. If you believe it, that woman won't come back.
00:18:15Who's talking to the woman?
00:18:17What other creature could make you like this, Tak?
00:18:21It could be a cat, or a worm.
00:18:27Now I ask you.
00:18:30Do you love the worm?
00:18:35Or do you hate this worm?
00:18:41No problem?
00:18:42Oh, that's lame. No wonder.
00:18:46Banyu Snewen, the artist is not ready for the exhibition.
00:18:53Love and hate are different, Dal.
00:18:59Even though you know that, you can't answer, Pok.
00:19:02Yes, but the difference between them is only a fraction of a centimeter, bro.
00:19:18Okay.
00:19:23This...
00:19:27Don't you want to take a motorbike taxi? I ​​saw one earlier, and it's there. You'll be late.
00:19:31Apparently, painting classes at Jarsana aren't held every day, Pok.
00:19:33So he can just come and come in.
00:19:36Okay.
00:19:36But tomorrow if you want to take me, just take the garden car, okay?
00:19:39Yes yes.
00:19:41What happens next?
00:20:10Mr. Dali, don't mess around anymore. Poor employees, they'll get scolded by their boss.
00:20:15Besides, if Mas Dali is scribbling, there has to be a signature, right?
00:20:17You're a nag.
00:20:20Tatiwa.
00:20:27Want to order food or drink?
00:20:29Mas Dali jus one.
00:20:31Juice?
00:20:32Surprise.
00:20:33Usually don't eat, don't drink, just slobber.
00:20:41Okay, mango juice.
00:20:45Why did I order that mango so badly?
00:20:47Isn't it that Mas Dali just wants to go in for some mango juice?
00:20:49Or do you want to give me one mango juice?
00:20:53Sir, that's enough.
00:21:03Sir.
00:21:13How are you, bro?
00:21:16Good.
00:21:17How are you?
00:21:20Fine.
00:21:25Father, mother, are you well?
00:21:28Praise be to Allah I'm healthy.
00:21:37Bro, come here alone.
00:21:51Bro, come here alone.
00:21:53Yes.
00:21:58Sir.
00:21:59What happened three years ago.
00:22:00Oh, Nasinda wants to talk about that.
00:22:01Yes, but we haven't had a chance to talk yet.
00:22:02Let's talk about other things first.
00:22:05Okay.
00:22:09Price of chili.
00:22:09The price of chilies is expensive now, huh?
00:22:16Yes, that's it.
00:22:17Rice too?
00:22:21Yes
00:22:21Yes, everything is expensive.
00:22:24Yes, but what does it matter to Udasa Dali.
00:22:27All can be bought by selling just one painting.
00:22:31Thank God, if there is still enough to buy chilies.
00:22:34Because of Sunar, my rest.
00:22:36Diana likes spicy food.
00:22:38Sunar? What do you like?
00:22:40Sunar likes bitter.
00:22:42That's why I like speeding up oranges.
00:22:44Skin.
00:22:45Sunar likes it.
00:23:00Sunar likes it.
00:23:03No.
00:23:03Broth.
00:23:04Skin.
00:23:05Broth.
00:23:06Broth.
00:23:06Broth.
00:23:07Broth.
00:23:08Broth.
00:23:08Broth.
00:23:09Broth.
00:23:17Have you got that inspiration, bro?
00:23:23It turns out there are many things in my life that are unfinished, Mar.
00:23:27And it should all be possible to solve it on canvas.
00:23:47Morning, Mom.
00:23:49Morning.
00:23:51That guy is reading the newspaper, he's annoyed that the newspaper is all political.
00:23:55Yesterday's newspaper?
00:24:00That's what Sadali said when met at the Darstana community arts house.
00:24:08So because of this, you suddenly want to join painting outside of school?
00:24:12Yes, who knows, maybe we'll meet.
00:24:14Don't you miss me?
00:24:16You.
00:24:18No.
00:24:21Do you know.
00:24:23Yes, why bother looking for yesterday's newspaper if you don't want to read the news about how easy it is?
00:24:28Yes, right?
00:24:33You are still small.
00:24:35Don't understand anything yet.
00:24:37Three years ago, I was even smaller.
00:24:40I don't understand.
00:24:43Fish.
00:24:44Mother.
00:24:46Well that's that then.
00:24:47If you really want to paint in Darstana,
00:24:51You're going alone, okay?
00:24:52I don't want to drop you off.
00:24:55Okay then.
00:24:56Me and Jessica.
00:25:02Fish.
00:25:03Yes?
00:25:04Let us both meet our own paths okay?
00:25:09Do you understand?
00:25:10No.
00:25:13He said he was already big.
00:25:14You should understand.
00:25:37What happened, Mom?
00:25:40Everything will feel wrong now.
00:25:42What's wrong?
00:25:43Yes, all of them.
00:25:44Who?
00:25:45What?
00:25:46We.
00:25:46We were wrong.
00:25:48Hmm?
00:25:51I don't want to use you just to get my attention, Sadani.
00:26:02You will only be trapped in my life which is already tangled.
00:26:07And I deliberately committed myself to what.
00:26:11Who knows, maybe I can reduce the tangle, Red.
00:26:22I just don't take advantage of myself there.
00:26:28They're walking.
00:26:29They have to go through the mess.
00:26:32I'll be trapped.
00:26:33They have to go through the mess.
00:26:55Thank You.
00:27:04Three years, Nas's business was easy to fail and collapsed overnight.
00:27:09So what is Nas's purpose in going to Jogja, Nas?
00:27:13It's not because you miss me, right?
00:27:20For three years, Nas' heart was beating, right?
00:27:26A pounding that didn't feel good at all.
00:27:29Just jump to conclusions.
00:27:31Because I already know everything.
00:27:34Yes, Nas came here to escape from the pounding like trufa.
00:27:39While Nas knows,
00:27:41here, near here is Udasa Dali.
00:27:46What kind of escape is that?
00:27:51Yes, Nas just needs a solution from Udasa Dali.
00:27:55Yes, so what?
00:27:57This was resolved last night.
00:27:59Instead, Nas kept delaying.
00:28:03Running away from memories.
00:28:06All the memories are brought here.
00:28:17I have to go to the airport soon.
00:28:20Actually Mustafa.
00:28:28Go straight to where, Udasa Dali.
00:28:31Yeah, I don't know.
00:28:33He said there was a mandate from his boss.
00:28:36Why didn't you invite me, Nah?
00:28:39Well, I don't want to go.
00:28:42I'm lazy if I join a job candidate like that.
00:28:45Well that's that then.
00:28:47Well then, I'll go back to work first.
00:29:11How could you forget, sir, by phone?
00:29:16Sorry, bro, yeah.
00:29:18Sorry too, sir.
00:29:20Mustafa, huh?
00:29:21It's okay.
00:29:23The important thing is that I didn't become a dusir.
00:29:25Please sit down, Dan.
00:29:27Yes.
00:29:27Have you worked with Mr Akbar for a long time?
00:29:29Yes, the last three years.
00:29:33The first time I met Mr. Akbar was at a collective exhibition in Singapore.
00:29:40He bought several paintings, including mine.
00:29:47Yes, that's why when I wanted to go to Jogja last year, he told me to stop by Magelang to visit you.
00:29:55Yes, he said. Who knows, maybe someone else will be chosen.
00:29:59He glanced at me, have you?
00:30:00Beautiful.
00:30:02He just asked for photos of your work, okay?
00:30:05That is if possible.
00:30:08I can give you my exhibition invitation, in two months.
00:30:12Oh yes.
00:30:13The exhibition is only two months away, right?
00:30:16Come on, sir.
00:30:18Thank You.
00:30:22So there are no paintings that you can show Mr. Akbar?
00:30:27If you wait a few more days, that's fine.
00:30:30You don't mind going to Magelang again, right?
00:30:33Yes.
00:30:34We'll have to meet again later.
00:30:38Sir, I definitely don't believe it.
00:30:40It turns out I don't paint.
00:30:42Well, he doesn't believe me in anything.
00:30:57No.
00:30:57This is good.
00:31:04Enjoy.
00:31:06Enjoy.
00:31:32Okay, here.
00:31:33Wait.
00:31:35Sir.
00:31:39Already.
00:31:41That's all, bro.
00:31:44Never mind.
00:31:46Just continue.
00:31:50Mas Banyu doesn't want to comment, what's the longer one?
00:31:56My job is to convince galleries and buyers.
00:32:04Not convincing artists.
00:32:34Not convincing artists.
00:32:35Yes.
00:33:04discussion.
00:33:05Enjoy.
00:33:36O.
00:33:40Oh, so this is what mother said earlier.
00:33:44It's your own fault.
00:33:47Again, mother is using these branches.
00:33:49Hi, terms.
00:33:55Hello, Amdali.
00:33:57Hi, Fish.
00:34:00That's dad's car.
00:34:03Are you coming with me?
00:34:04Yes, you don't want to be alone with your dad.
00:34:08Mother?
00:34:08Well, I...
00:34:09Mother used to live here.
00:34:12Amdali, later after this car business is finished,
00:34:15take mother home,
00:34:15I went first with Jessica's boss.
00:34:18Okay, right?
00:34:19Mother.
00:34:26Okay, there you go again.
00:34:27Ready, yeah.
00:34:29Bye.
00:34:31O.
00:34:31Thank you, Paul.
00:34:32Yeng.
00:34:33Bye, Mara.
00:34:35Bye.
00:34:36Bye, mom.
00:34:37Bye, honey.
00:34:43Who are they?
00:34:45My neighbor.
00:34:50Fish and Jessica have been best friends since we moved back.
00:34:56Fish feels he is so meti Jessica,
00:34:59because Jessica lives alone with her father,
00:35:03Fish lives alone with his mother's uncle.
00:35:12How are you?
00:35:40Fish lives alone with Uncle Balik.
00:35:42If I'm done, I can go home by myself connection.
00:35:45You don't have to take care of me, okay?
00:35:46I'll just accompany you, Merah. I'll deliver it later.
00:35:49Don't. My house is almost to Jogja. It's far.
00:35:57How far is your home from the past, Red?
00:36:01Don't realize it now.
00:36:06Yes, not now. But it will be possible later.
00:36:09In just one hour, your car will be finished.
00:36:30Bro, what about appearance?
00:36:32Yeah. Okay. Let's go through.
00:36:38There. There. There.
00:36:50Since when do you smoke?
00:36:55Since I rarely eat.
00:36:57Since when have you rarely eaten?
00:37:01Since my tongue can't taste anything?
00:37:03Since...
00:37:08Since...
00:37:09Bad habits must be stopped.
00:37:15Smoke?
00:37:17And don't eat.
00:37:19You'll be thin later.
00:37:21Not to mention lung disease.
00:37:27How about thinking about you, Red?
00:37:30Is that a bad habit?
00:37:36Are you still thinking about me?
00:37:44Thinking about you doesn't make my lungs hurt.
00:37:46But another pain.
00:38:04You definitely won't ask me to come in.
00:38:06It's already night, waiting for fish is disturbed.
00:38:09How about you, Mer?
00:38:11What?
00:38:15Still think about me sometimes.
00:38:17Not anymore?
00:38:29Mr. Dali remembers, okay?
00:38:32Should...
00:38:35You stop all your bad habits.
00:38:39Including thinking about me.
00:38:46Actually, that was the first thing I did.
00:38:49That's why after that I couldn't feel anything.
00:38:52Your reasons are trivial.
00:38:55How come it's just because of the woman that you become...
00:38:57Red.
00:38:58You.
00:39:01You are the reason for everything I do.
00:39:05And you are far from trivial, Red.
00:39:09If it makes you like this, it's sad.
00:39:21It's better if we don't meet again, Sadali.
00:39:47It's better if we don't meet again, Sadali.
00:39:56Thank You.
00:40:03Thank You.
00:40:08Thank You.
00:40:22Thank You.
00:40:31Thank You.
00:40:35Thank You.
00:40:52Thank You.
00:41:00Thank You.
00:41:08Thank You.
00:41:23Thank You.
00:41:42Thank You.
00:41:45Thank You.
00:41:47It's been a whole day since I've been going through these documents, Nas.
00:41:53Is it okay to go to work today?
00:41:55Bro, go for a walk with Nativa first.
00:41:58Yes.
00:42:02Tiva is busy.
00:42:10Nas is gone.
00:42:22Nas is lonely, sir.
00:42:25Yes, this is just a walk, Nas.
00:42:28Still, Nas himself.
00:42:30Well that's that then.
00:42:31Just come here again.
00:42:32Eat here.
00:42:33Accompany me to work.
00:42:35Yes?
00:42:39Everyone looks fine.
00:42:42Sis, paint, Sis.
00:42:44Here, Sis.
00:42:44Paint, Sis.
00:42:45Yes, sorry, Nas.
00:42:47Oh, I know.
00:42:49So I've realized it, G.
00:42:54Is it okay with Tiva?
00:42:56Yes, I want to finish what hasn't been finished yet.
00:43:00But the promise is finished, Nas.
00:43:02Yes.
00:43:10How?
00:43:12Having trouble?
00:43:16I actually can't draw, bro.
00:43:20Nothing.
00:43:21You are not here to learn to draw.
00:43:24But let out all the emotions.
00:43:28Through pictures.
00:43:31Yes, there are good and bad ones.
00:43:35Right or wrong.
00:43:38Come on.
00:43:39Okay, sir.
00:43:43Why?
00:43:48Why don't you say anything?
00:43:50Want to use Stubju?
00:43:51Yes.
00:43:52This is for the community children.
00:43:54Penungan if at home.
00:43:55Oh yes.
00:43:57Okay, thank you.
00:44:00Nas?
00:44:05Bro, are you here too?
00:44:09Yes
00:44:12I smell the scent of a complicated past
00:44:17It just smells like paint, bro.
00:44:25Just stay there, okay?
00:44:29Yes
00:44:54Bro, I want the color you wear to be red.
00:45:04It's not that I don't like flowers, bro.
00:45:09Yes
00:45:12Because it's easier to draw it than to maintain it.
00:45:20Thank You
00:45:27See you in the next video
00:45:27See you in the next video
00:45:50Continued...
00:45:53Periham?
00:46:03Periham?
00:46:05Periham?
00:46:29It's late at night, Nas
00:46:37Yes, Nas went to Manggelang himself, then helped Atifah at the restaurant, it was quite good
00:46:55Have you called and no one answered?
00:46:59Have you called?
00:47:09Sorry, Nas didn't realize, the restaurant wasn't visible at all, so Nas didn't open it.
00:47:20Yes uncle, it's okay, I've already apologized.
00:47:26I miss Nas too, hanging out with Nas
00:47:35Sorry, bro.
00:47:44Mas enjoy
00:47:46Thank you, sir.
00:47:48Yes
00:48:04Nas, you went to Manggelang with Lan earlier, so where have you been?
00:48:11The boss is thin
00:48:16Greetings to Mr. Akbar, Hida
00:48:18Oh yeah, I'll tell you later
00:48:23Dali
00:48:24Dali
00:48:29What is this?
00:48:31My wife's photo
00:48:32If possible, you can paint it
00:48:35Sorry, I didn't receive the order
00:48:43Dali
00:48:46I just want to make my wife the same
00:48:53Mr. Adali
00:48:55Any progress?
00:48:56There are guests, sir, but there is no progress.
00:48:58Lots
00:48:59Mustafa
00:49:02I'm taking my leave
00:49:05He said he was on his way earlier
00:49:13Who's that?
00:49:15A man who loves his wife very much
00:49:22Correct
00:49:25Brother
00:49:30Mas Banyu, look for me
00:49:31Okay, just stay
00:49:39I'm going straight to the cafe, okay?
00:49:40Yes
00:49:41Already?
00:49:46It should be here soon
00:49:50That
00:49:56Yes, Sir
00:49:57Okay
00:49:58Yes
00:49:59Yes
00:50:01Yes
00:50:01Maybe later, sir.
00:50:03Yes
00:50:04We'll meet later
00:50:05Yes, yes, yes
00:50:06Okay, okay
00:50:08Yes, Sir
00:50:09Yes
00:50:10Yes
00:50:11What a shame, huh?
00:50:12Yes, Sir
00:50:12Yes
00:50:14Yes
00:50:17Oh
00:50:18Okay sir
00:50:19Good, good, good
00:50:25Yes, Sir
00:50:26Yes, Sir
00:50:27So
00:50:28What do you think?
00:50:30That painting?
00:50:33Very aware
00:50:36Very aware
00:50:38It means
00:50:40What does it mean?
00:50:42I see
00:50:45Confusion and
00:50:47Suffering
00:50:51It's your father, Yu
00:50:53Who can translate
00:50:55You are the best at translating Sadali's works.
00:51:00But
00:51:01I think it would be more appropriate to call it
00:51:04Unfinished painting
00:51:06Ha ha ha
00:51:15You're welcome, Sis
00:51:26Yes
00:51:30Okay sir
00:51:30Fine
00:51:31I immediately clicked on the document
00:51:33Yes
00:51:36Yes, Sir
00:51:36Good, good, good, good
00:51:38Yes, Sir
00:51:41Thank you sir
00:51:50Sorry, Nas
00:51:52Mr. Berlim took a long time to call
00:51:57Delicious, Nas
00:52:06Nas
00:52:08Tomorrow
00:52:09I've finished some work first, Yu
00:52:12It's just noon
00:52:13We're walking
00:52:16Yes, Sok, Nas wants to go alone.
00:52:19Where to?
00:52:20Nas also needs to finish something before he goes home the day after tomorrow
00:52:24The day after tomorrow?
00:52:25We're still here for a few days, Nas.
00:52:28Just a few more days here, Nas
00:52:30Inak feels like a vacation, huh
00:52:32Nas
00:52:32I promised
00:52:35Tomorrow is the last time I work
00:52:37After that
00:52:38The day after tomorrow
00:52:44Nas
00:52:47Angry, Yu
00:52:48I've apologized, Nas
00:52:50I promised
00:52:51I promised
00:52:52Later
00:52:53Make a promise
00:52:54Already
00:53:01Sorry, Nas
00:53:05Nas
00:53:07Nas
00:53:09Nas
00:53:09Nas
00:53:15Nas
00:53:17Nas
00:53:18Nas
00:53:19Nas
00:53:19Nas
00:53:19Nas
00:53:19Nas
00:53:20US
00:53:20Nas
00:53:20Nas
00:53:37enjoy!
00:53:54I know I'm a bit of a disappointment
00:53:55because I haven't returned to Bukit Tinggi yet
00:53:57as promised
00:53:59I just found what I've been looking for
00:54:03new ideals and hopes
00:54:07it feels hard to leave it all behind now
00:54:12Sorry, I haven't had time to write a letter to Arnaza.
00:54:15if he gets bored waiting for my presence
00:54:17it doesn't matter if he wants to cancel our wedding
00:54:33Where are you going, mom?
00:54:34O
00:54:36there is a meeting with the restaurant owner
00:54:38one of our clients
00:54:40Mother
00:54:40Mother
00:54:42Mother
00:54:42Mother
00:54:42Mother
00:54:42Mother
00:54:42Mother
00:54:42Mother
00:54:49Mother
00:54:51Mother
00:55:06Mother
00:55:11Mother
00:55:22Mother
00:55:23Mother
00:55:23Mother
00:55:25Mother
00:55:41Mother
00:55:47Mother
00:55:52Mother
00:56:08Mother
00:56:09Mother
00:56:10Mother
00:56:10Mother
00:56:12Mother
00:56:12Mother
00:56:40Mother
00:56:42Nas comes home.
00:56:43In such a hurry.
00:56:45For Nas this has been too long.
00:57:00I want to apologize for what happened three years ago.
00:57:07Excuse me.
00:57:10Sorry, for ruining everything.
00:57:15Already.
00:57:18Yes
00:57:21The wound I caused Nas may not have healed yet.
00:57:31If we don't meet today.
00:57:39Indah will look for Nas to apologize.
00:57:48Yes
00:57:55I might be a budding teacher.
00:58:03Who?
00:58:05Who is that woman already...
00:58:08Are you still in touch with him?
00:58:25I really can't ask Nas to forgive me that quickly.
00:58:33But if Nas is angry...
00:58:36Nas can hit me now.
00:58:38I'm going around.
00:58:45Oh � university.
00:58:48I can.
00:58:48Ah.
00:58:50Ah.
00:58:52Ah.
00:58:53Ah.
00:58:54Ah.
00:58:55Ah.
00:58:58I don't know.
00:59:45Thank You.
00:59:57I don't need alcohol to get drunk on this world, Mom.
01:00:01This is a continuation of your story from yesterday.
01:00:11You're the cause of all this, Mom.
01:00:15Cave, ma'am.
01:00:17Yes
01:00:19You came here with everything.
01:00:22Yes, ma'am.
01:00:24Period.
01:00:25Hmm, Arnazza.
01:00:27Who else is Arnazza?
01:00:30Children of lepak holin.
01:00:33Oh, yeah, my gosh.
01:00:35That's the one who was matched with you, right?
01:00:38Then you just go.
01:00:48All the planets are revolving around you, Mom.
01:00:52You're so great, Dan.
01:00:56Being angry.
01:00:57Same?
01:01:00My own bill.
01:01:02Oh yes.
01:01:04That's how it should be.
01:01:06Maybe I really need to be angry so I can keep writing.
01:01:14Good.
01:01:16Life has too much of you.
01:01:18Miss Red.
01:01:21Or what's his name?
01:01:23Arnazza.
01:01:25Jusmong.
01:01:35Hello, Nas?
01:01:38Nas is about to go to bed.
01:01:40Oh, Nasa Dali.
01:01:44Huh?
01:01:45Nas is already in Jogja.
01:01:47At the club.
01:01:49Nas needs some alone time.
01:01:50What are you doing at the club like that, Nas?
01:01:53Nas really likes it.
01:01:56I've caught up, yo.
01:01:58No need, that's enough.
01:02:00Later Nas will come home alone.
01:02:02OK, if Nas just wants to know, go home quickly.
01:02:04I'm waiting at the hotel.
01:02:48It's already the fifth glass.
01:02:50Too much can also make you drunk.
01:02:56Love if there is too much too.
01:02:59Already.
01:03:00No need to continue.
01:03:01Stale.
01:03:07Miss Mer?
01:03:10It turns out you guys are still really stupid, huh?
01:03:13What kind of dream is this?
01:03:17What does akasa mean too?
01:03:19This is the first time, just finished meeting with the other one.
01:03:26Okay, I'll take my leave, okay?
01:03:29Grandpa Budi.
01:03:30Yes, Miss Mer.
01:03:31Mer.
01:03:33Mer.
01:03:35Red.
01:03:39You told me not to see you again.
01:03:42Yes
01:03:42You could have passed me and Budi earlier, but we reprimanded you that night.
01:03:47Just want to know how Budi is doing.
01:03:51But last night you gave me some news.
01:03:56Can we talk outside for a while?
01:04:08Lately, unfinished things from my past have been coming back into your life.
01:04:14Like all planned coincidences.
01:04:17Never planned.
01:04:20Universe.
01:04:23The finished plan was always a secret, I realized.
01:04:27You were the one who said that.
01:04:29Yes, it is.
01:04:31They say we don't need to be curious about the affairs of the universe.
01:04:43So what do you want now?
01:04:51I want to apologize.
01:04:54Then the incident happened three years ago.
01:04:58I have forgiven you.
01:05:04I heard you're getting married again.
01:05:08Yes
01:05:09Who is that man now?
01:05:14Not found yet.
01:05:21So I can still be developed by you.
01:05:26We'll see later, okay?
01:05:29It seems like it's too hasty to decide now.
01:05:35Let's just wait for the universe's plan.
01:05:42I'm used to Allah.
01:05:46So you feel okay for a few more years.
01:05:49You are old, realize that.
01:05:52Nothing.
01:05:55Let my age move closer to yours.
01:06:00Besides, in a few years, you will still be like this.
01:06:14No way, you.
01:06:17Well that's that then.
01:06:19I am home.
01:06:21I promised Kikan that I would bring him food.
01:06:23Jessica is also staying at home.
01:06:30Adali.
01:06:31Red.
01:06:33Stop teasing me.
01:06:34Then stop making me want you.
01:06:37Yeah stop wanting me.
01:06:40Ever been.
01:06:42But half of me died.
01:06:43There's still half left, right?
01:06:46The other half of life can only mourn the dead.
01:06:52You are a man, don't be a crybaby.
01:06:54What's wrong with a whiny guy?
01:06:56The important thing is that the reason for crying is clear.
01:07:01You're still the same as before.
01:07:03Always have a justification for all your actions.
01:07:09Only when I fall in love with you.
01:07:16I ran.
01:07:17Miss Mer.
01:07:19There was an incident.
01:07:20There was an incident in Bali.
01:07:22Bomb.
01:07:26Run, bud.
01:07:27Come on, sir.
01:07:29Bomb.
01:07:30This series of bombs triggered fires at the sari club, badis pub,
01:07:34and the Panin Bank building which is located right in front of the Sari Club.
01:07:38In addition, dozens of buildings within a radius of 10 to 20 meters from the location were severely damaged.
01:07:44As for the windows of hotels, shops,
01:07:46This is a large order earlier.
01:07:48Until.
01:07:51Shortly after the current fruit,
01:07:53The third explosion occurred about 100 meters from the office of the Pesulat Maka Serikat Birenon, Pasar.
01:08:01While in the club series and paris pub at 200 pernyawang,
01:08:05and 209 people who like simple wounds.
01:08:21I'm sorry.
01:08:23I'm sorry, I'm sorry.
01:08:26Jessica.
01:08:28What?
01:08:29What?
01:08:30What?
01:08:31What?
01:08:31What?
01:08:33What?
01:08:34What?
01:08:34What?
01:08:47Buda...
01:08:52Nas...
01:08:56Where have you been, Nas?
01:08:59Hmm?
01:09:04Are you worried, Nas?
01:09:41META
01:09:50META
01:09:53META
01:10:05Thank You.
01:10:31Thank You.
01:11:02Thank You.
01:11:04Thank You.
01:11:05Thank You.
01:11:37Who have I ever abandoned along the way?
01:11:40Arnazza, Red, now I know, it's not about going back to the past,
01:11:47but about finishing the final work on the painting about us.
01:11:54Nas, it's okay.
01:11:57Nas, it's okay.
01:11:58It is okay.
01:12:00How's the cafe?
01:12:04Afeqnya gets here, Nas.
01:12:07Immediately quiet.
01:12:09Ifa, who didn't want to go along with Nas Balikabuki.
01:12:12Yes, Allah.
01:12:15You guys know each other.
01:12:24We are friends since junior high school, and.
01:12:30Can we talk for a moment, Nas.
01:12:38Why did you go in, Nas?
01:12:50Nas, I'm not going home.
01:12:56truly.
01:12:57So true.
01:12:58So true.
01:12:58Absolutely antique.
01:13:01We.
01:13:12This is for your husband.
01:13:36For Nas, calm down little brother.
01:13:40That's great.
01:13:44Thank you very much.
01:13:54But...
01:13:56What do you still like about this?
01:14:00Where?
01:14:01This.
01:14:02This?
01:14:06Come on, who wrote this?
01:14:09Hang on a minute.
01:14:15Like this?
01:14:18Yes.
01:14:20For Nas, my little brother is separated.
01:14:21Already.
01:14:23Mustafa asked me to paint his wife.
01:14:28By making his wife happy.
01:14:34How can you not know?
01:14:37Because Nas is happy or not.
01:14:45Nas accepted Sudah Mustafa's proposal.
01:14:49Because I hope I can recover from heartache.
01:14:56Marriage isn't a hospital, bro.
01:15:03He can't heal all the pain that hasn't gone deep.
01:15:10It's like you already know about marriage.
01:15:15It's like you already know about marriage.
01:15:16What do you think marriage is?
01:15:22House.
01:15:27Have many rooms.
01:15:31Cupboard.
01:15:33Drawer.
01:15:35To save the heartache.
01:15:39Later when Nas comes home.
01:15:43His heart ached when he was left outside the house.
01:15:45Don't bring a bicycle.
01:15:48Moreover, I was hurt because of my punishment.
01:15:51Just hide it under the impression.
01:15:54Any other day it could be trampled to pieces.
01:15:59Already.
01:16:00Maybe the heartache can be covered up, Dah.
01:16:04But Nas realized his love for Sudah.
01:16:07Sour.
01:16:08Sour.
01:16:12It can be destroyed too.
01:16:15Then if Nas doesn't have love for Sudah.
01:16:18What's up, Dad?
01:16:19Sour.
01:16:25Ask Sudah Mustafa.
01:16:28He has so much love for Nas.
01:16:47See you again.
01:16:49Arnasa.
01:17:19Sour.
01:17:36I'm sorry I came suddenly.
01:17:46You always come suddenly.
01:17:51How are your exhibition preparations going?
01:17:54Postponed.
01:18:00The events in Bali had repercussions throughout the country.
01:18:03All over the world, sir.
01:18:11I think this plant is also sad along with the rest of the world.
01:18:17Pack.
01:18:22Paul, Jessica's father, became a victim.
01:18:25So Kika and I will take Jessica back to France to visit her grandparents.
01:18:39So?
01:18:41Come back here again, right?
01:18:44Not know.
01:18:46It all depends on Kikan.
01:18:49Jessica and her father don't get along.
01:18:52But this loss devastated him.
01:18:57And it turns out that it makes Kikan...
01:19:05Afraid.
01:19:06Afraid of what?
01:19:07Afraid of not being able to meet his father again.
01:19:11From France, Kikan will meet her father in America.
01:19:16Looking for, to be more precise.
01:19:21So?
01:19:23So...
01:19:25I will come along.
01:19:30Accompanying Kikan on her quest.
01:19:39So have you met?
01:19:45Kikan's search isn't just about her father.
01:19:48But it has a broader meaning than that.
01:19:53I'm sure you understand what I mean.
01:20:08Don't ask me to forget you, Mel.
01:20:14Forgetting you is my hardest task.
01:20:16What?
01:20:23So why didn't you get married back then, Sadal?
01:20:34That time I chose you.
01:20:38Dali will greatly disappoint his father and Amal.
01:20:48Dali will greatly disappoint his father and Amal.
01:20:56I really love Dali there.
01:21:08So what's your fate?
01:21:17Dali wants to cancel Dali's engagement with Mas.
01:21:21Excuse me.
01:21:30I'm back in Jogja.
01:21:34But I can't miss you.
01:21:39Choose.
01:21:45Two women at once.
01:21:49You are so great, Sadali.
01:21:54Bordoh.
01:21:56Not great.
01:21:58Yes
01:21:59Bordoh.
01:22:01And selfish.
01:22:13So what are your plans now, Sadali?
01:22:23I will stay here.
01:22:28So you know where to pretend not to look for me.
01:22:35It seems impossible for me.
01:22:37Ask you to forget me.
01:22:43But I ask.
01:22:46You don't have to wait for me, okay?
01:22:52Yes, I will probably be a grandmother when I get back.
01:22:58How old are you planning to be, grandma?
01:23:0190.
01:23:03You are 90 years old.
01:23:05I'm already 80 years old.
01:23:07I'm already a grandfather too.
01:23:08It's the same, there's no difference.
01:23:12So I will be introduced to your wife and children.
01:23:19Yes
01:23:46Meet this red.
01:23:48Yes
01:23:49Yes
01:23:50Yes
01:23:52Yes
01:23:55Yes
01:24:02Yes
01:24:04Yes
01:24:14Yes
01:24:19Yes
01:24:27Yes
01:24:37Thank you for watching
01:25:14Thank you for watching
01:25:43Thank you for watching
01:25:52Thank you for watching
01:25:59Thank you for watching
01:26:04Thank you for watching
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