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  • 17 minutes ago
SpiderNoir Episode 3 Engsub
Transcript
00:08I'm going to meet a new supplier at the docks tomorrow.
00:10It's not smart for you to go out in public until we know who tried to take you, huh?
00:14You were saying Flint's your bar yard.
00:15He protects me, and he's loyal.
00:17Are we here to talk about the fact that he turned into some kind of sand monster?
00:20It started about six months ago. It's been getting worse.
00:23This little guy right over here? Addison.
00:24Can't say I've ever seen him.
00:26He's the guy that burned down Selvamaine's mansion.
00:27I am a reporter working a story on James Addison's death.
00:31Jim's dead.
00:31He burned down the wrong house.
00:33I don't know who hired him. His wife, mate.
00:35I got a hunch that you wouldn't want the city's most ruthless gangster knowing that the money someone paid your
00:40husband to kill him was being spent on lobster and designer clothes.
00:45Mr. Carmody.
00:46Okay, Carmody. My rate's $10 a day plus.
00:48But you'll get pictures.
00:49Am I crazy, or is that the goddamn mayor of New York?
00:52Cops had an ambush set up for Selvamaine at the docks.
00:54Someone gave them a tip about a booze exchange.
00:56Cops were all set to catch the man himself in the act, but Selvamaine never showed.
01:01What the hell did I just do?
01:12So it's really settled.
01:13I'm not a fan of constantly decorating.
01:15I handled it. Selvamaine won't be back around here.
01:18You know, this would go quicker if either of you pitched in.
01:23Oh, you needed help with that.
01:25Seemed like a one-man job.
01:27It can't be that easy, can it?
01:28Not that I don't believe you, but...
01:30No, no. This was like that before.
01:33I am not talking about the desk and you know it.
01:37Oh, God.
01:38Imagine surviving a war just to be killed at home.
01:41Addison didn't die a banker.
01:43I mean, the guy torched things for a living.
01:45Besides, his wife knew exactly what he was up to.
01:48She seemed to be doing just fine living it up at the Jeffrey Hotel.
01:51No, who wouldn't?
01:53Son of a bitch.
01:55I met this guy at the Hooverville.
01:57He's the one who pointed me to Addison's widow.
02:00So he knows both Addison and Flint Marco.
02:04Two men with weird powers all of a sudden.
02:06What are the chances?
02:07Exactly.
02:08I'm gonna go find this guy again.
02:10Ask him some more questions.
02:14What are you thinking about over there?
02:17I'm thinking I want you to check if those three were ever POWs.
02:20Our units were segregated, so this guy couldn't have served directly with Addison and Flint.
02:25How come they're all in the same picture?
02:29You know, sometimes I think you forget I do this for a living.
02:32Can't imagine why.
02:40Bad Royley?
02:46I come in peace.
02:49Finborn.
02:50We haven't been formally introduced, but we have someone in common.
02:55In that case, welcome.
02:58What happened to your muscle?
02:59Couldn't find a woman to push around?
03:01I believe you owe the lady an apology.
03:08Come on, Riley.
03:09I've got a job for you.
03:19I'll take that apology now.
03:27I've got a job for you.
03:47I'll take that apology now.
03:49I'll take that apology.
03:51You see, somebody sent Addison to burn down my house.
03:57And I'm assuming the same somebody tipped off the cops
04:00about my booze shipment.
04:01Got any leads?
04:02You know it's probably someone on the inside.
04:07I thought it might be a guy on my payroll, Flint and Marco.
04:11He's been acting strange lately, too.
04:13But he didn't know about the shipment,
04:15so he's either in the clear or dead at the hands of the rat.
04:22I want you to find out who it is.
04:25Start with the police raid.
04:28Someone always gets paid,
04:30but the only thing you can trust is human nature.
04:37Remember, people lie, Riley.
04:42Only money tells the truth.
04:45A retainer.
04:48There'll be a bonus if you finish the job.
04:55So that's how you fixed it.
04:56We work for him now.
04:58Getting paid is better than getting murdered.
05:00Hard to argue with that.
05:02People lie.
05:03Only money tells the truth.
05:05The hell does that mean?
05:05Must be something rich people say at cocktail parties.
05:08Not that I'll ever know.
05:10Wait a minute.
05:13What?
05:14You didn't know they made bills that big?
05:18I heard a rumor there's even a hundred.
05:21Crafty bastard marks all of his bills.
05:23Do we still have any of that money from Cat Hardy?
05:25We oughta.
05:27Unless you've been sneaking off to gamble on our horses.
05:29He's marking mine.
05:32He's probably marking hers.
05:35Anything?
05:37Bingo.
05:37Yeah.
05:39Yeah.
05:51Yeah.
06:03That's right.
06:06Robert.
06:07Escape the madness, baby, manage it, so
06:09Run away, but something pulls me back into it
06:13Lately, I've been staring at a broken mirror
06:17Needing someone to come out
06:20Hey, baby, I need someone to save me now
06:26For all the pain I suffer
06:30And then everyone to raise me down
06:33Cause now all this fear has been tried to taste
06:39But you gave me my saving grace
07:10Newspapers, come get to newspapers
07:13Seven police injured in wild licorade on the dogs
07:17They're about to eat up the food room
07:20Newspapers
07:24Batmans, batmans
07:38Are you hurt, sir?
07:40Years ago, a car slug in the line of duty
07:42And your good colleagues at this very hospital
07:44Saved my leg
07:45God bless you all for the service you provide this city
07:48What's your name, sweetheart?
07:49Officer Batnick with the Patrolman's Benevolent Association
07:51Can I trouble you for the room numbers of the boys
07:54That came in from last night's raid?
07:56Patrolman Jones is right behind you
07:58Oh, thank you
08:04Patrolman Jones, officer Batnick with the Benevolent Association
08:07Quite the scene you walked into last night
08:09Raiding silverman ship, man
08:10You're a very brave man
08:12Doesn't feel like it
08:13Now, I'm here on behalf of the union
08:15To ensure that our city's esteemed officers
08:17Are properly compensated for their injuries
08:19After all, Patrolman only goes where he's told, right?
08:22As someone understands how it works
08:24You got no choice in the matter
08:26Been there, see?
08:28Orders are orders
08:29See?
08:30So who told you where to go?
08:34Sergeant Miller
08:36You know
08:37When things go wrong in the field
08:40The higher-ups wind up carrying the can
08:42For the injuries to their men
08:44Friend to friend
08:45You could be in federal trouble down the road
08:47Especially with guys like Jones
08:50Jones?
08:51What the hell did Jones say?
08:53These raids?
08:54They meant to take weeks to prep
08:55All we got was a measly couple of hours
08:57Pinning on these bullshit
08:58They want to blame anyone?
09:00You should be talking to...
09:01Lieutenant Dunn
09:02Now, let's just call it what it was
09:04A total shit show
09:05Brave men sent to ambush
09:07Our city's toughest mobster
09:09With little time or information
09:10Now lay injured all over this hospital
09:12Does that sound fair to them?
09:13I get orders like everybody else
09:15Think you can say no to the chief of police?
09:17I'd like to see you try
09:18Do I need to remind you
09:19That you're lying on your stomach
09:20With a bullet stuck in your ass?
09:23When the chief tells you
09:24These orders came straight from Mayor Morris
09:25There are no questions left to ask
09:28Mayor himself, huh?
09:33It's no good
09:34It's broken
09:35Two pay phones down this morning
09:37This one
09:37And the one across from the delicatessen
09:41If it ain't one thing, it's another
09:42Yeah
09:43I tell you when Harry
09:44You told me Gimbles was hiring?
09:45A race down here
09:46Did me decide to change my stocking
09:48And then I got on the subway
09:49And the guy goes 10 cents
09:51Get out of here
09:54Hello?
09:56Okay
09:56756 West 57
09:58Got it
09:58Thanks, Tanner
10:04I lied
10:11Excuse me, man
10:13I'm gonna make a time
10:25Hey, brother, you see what you guys
10:26Big black motherfucker about this time
10:31From authority of Mayor Morris
10:33Does the legal camps be cleared?
10:36Make day to meet you
10:38Move
10:42Get up
10:44Get over there
10:49Another ground
10:51Come on
11:01Come on
11:05Come on
11:06Get off
11:22Shit
11:23There's a monster
11:24Stop
11:27They're closer to him
11:28Get out
11:29What the hell?
11:39I'm reporting! I'm with the bugle!
11:41Who cares?
11:46Take it easy, pal.
11:47Get him!
12:10Hey. I'm looking for a guy. Carmody. You know him?
12:16Immense, unctuous, more pinniped than human.
12:19He's a pig?
12:21He's so pinniped-like, you wouldn't believe it.
12:26He's a big guy. Smells like sauerkraut.
12:30Well?
12:31You talking about Hicks? Apartment 4.
12:36Temperance begins with face.
12:46Oh, no.
12:47No!
12:48Ow!
12:50Ow!
12:51Ow!
12:51Ow!
12:56Gosh, I hope your arm's okay, but closing a door on a guy, is that how you treat a friend?
13:02That's not what we are.
13:03Here, I thought we could braid each other's hair. Now, I've got a few questions.
13:07Be a good boy, and I'll pay you for your trouble.
13:10Well, go on, then.
13:11Who hired you to get those photos of the mayor and Cat Hardy?
13:14Nobody hired me. I'm a smut merchant.
13:16Mayor cheats on wife with Lounsinger?
13:19During an election?
13:21Anybody would tell you that's a doozy.
13:23Would have gotten to myself, too, but...
13:26How'd you know it was happening?
13:27I got a tip from Morris' office that he scheduled a meeting with the girl.
13:31He called her?
13:32She called him.
13:34I'd meet with her, too, wouldn't you?
13:40I thought it'd be a gold mine.
13:42Sell him to the papers, you know, or the mayor himself.
13:46Get out of this shithole.
13:47Here we are.
13:51Is there a back way out of here?
14:03Ever heard of a telephone?
14:05Trying to save a nickel.
14:06Handsome N50.
14:08Is he thirsty, too?
14:10I won't say no.
14:19Somewhere in heaven.
14:28It's a bit much, isn't it?
14:29Doesn't feel like you.
14:31I imagine something with a bit more edge.
14:35Oh.
14:36So we're imagining things now.
14:39Find me someone who wouldn't.
14:44So...
14:45Have you found Flint?
14:47Working a few leads, but nothing, uh, concrete.
14:51Could've said that before I got you the drink.
14:53I can always find a reason to linger.
14:56Fact is, I had to take a pause on Flint.
14:59Silvermane turned up today and hired me to find a rat in his crew.
15:07You didn't like hearing that.
15:08The part where you're not doing the job I hired you for,
15:11or the part where you're working for Silvermane?
15:13I don't like either.
15:16You see, this place doesn't feel like me.
15:19Because it's not mine.
15:21There is nothing Silvermane didn't choose.
15:23And if he gave it to me,
15:26then he can take it all away.
15:28And then some.
15:30Any chance your boy Flint's involved in betraying him,
15:33and that's why he disappeared?
15:34No, Flint is loyal to a fault.
15:36And what about the mayor?
15:37What about him?
15:38Booze is silvermane's bread and butter.
15:39The mayor's calling for an end of prohibition,
15:41bragging about the raid.
15:42Doesn't look good.
15:43You fraternizing with the enemy the other night.
15:46I'm trying to help you.
15:48Anything you want to tell them?
15:49Sure.
15:50I'm scared.
15:52You would be too.
15:54Maybe you've forgotten,
15:55but Silvermane didn't get to where he is
15:57by being calm and rational.
16:00He'll get rid of 50 if it means he's sure he's got the one.
16:05It's too easy to get caught in the crossfire when that happens.
16:09Try to remember that.
16:11If not for me,
16:16then for you.
16:22You come in a distance.
16:24Come in.
16:35Come in.
16:37Come in.
16:38Come in.
16:39It's okay.
16:46It's okay.
16:47What is the hell?
16:49Riley, what are you doing here?
16:52Well, well, well, if it ain't Mr. Whiskers searching for some cheese.
16:57Now what the hell is that supposed to mean?
16:59Your boss sent you out looking for supers,
17:01but here you are instead covering your tracks,
17:03just like a rat, huh, Mr. Whiskers?
17:06You need to watch your mouth.
17:08I have heard that, yes.
17:09I don't care if Silverman hired you.
17:12I'm gonna find the rat and put him in the ground.
17:15Must sting not being trusted by the big boss anymore.
17:18He'll know he can trust me soon enough.
17:20Well, if you need a little help from a professional in that effort,
17:23I can speed things up a bit.
17:25Maybe even share what I find.
17:27Not for nothing, of course.
17:30There's nothing worse than a man that's only loyal to money.
17:38You find anything?
17:41I don't care whose favorite lounge singer they are.
17:43You come to me first.
17:50Come on, Gio.
18:04Nobody could stop him.
18:05I mean, at one point he had half a dozen cops on him,
18:07whacking him with knife sticks, but he was indestructible.
18:10Who?
18:11The guy from the picture.
18:13His name is Lonnie Lincoln.
18:14Turns out he's got powers, too.
18:17I mean, cops were attacking him,
18:18but he was swatting him off like it was nothing.
18:20And then Flint.
18:21My God, man, his hands were like boulders.
18:23Wait, wait, Flint?
18:25You're saying Flint Marco was there?
18:27He sure was.
18:28Say, can I borrow your dart fruit?
18:29I was the only reporter there, and the story is mine
18:32as long as nobody poaches it.
18:33This could be my ticket back to the bugle.
18:36Here's something for your story.
18:38Ben's hunch was right.
18:39Marco Addison and your Lincoln fellow were all POWs together.
18:44That photo Ben found was from the day they were rescued.
18:47Dark room photos right now.
18:57Hunch, huh?
18:59We both know three POWs from the same camp with super abilities
19:03isn't a coincidence, so what aren't you telling me?
19:06I can't get into it right now.
19:07Seriously.
19:08Suddenly you're not the only guy in New York with powers,
19:11and you can't get into it right now.
19:12I have to fix something.
19:14No, no, none of this cryptic shit.
19:16What the hell is going on?
19:17Silverman hired me to find the rat in his crew,
19:20and it's Cat Hardy.
19:21The singer?
19:23How do you know?
19:24She's been meeting with the mayor,
19:25and then he called for the raid.
19:27She's close with Flint, and he served with Addison.
19:29You sure?
19:30She's the only one who connects all the pieces.
19:32Wow, that's bold.
19:34Winston's only a step away,
19:35and if he finds out she was behind it,
19:38he'll kill her.
19:44I need Mary Addison's room number at the Jeffrey.
19:47I have a plan.
19:51That time's wrong, we know about it!
20:12That's what you're gonna have to say, sir!
20:13What are you saying, if that's what you're gonna have to say, sir?
20:14We know, sir, what's wrong!
20:15Three for a nickel.
20:44Get your goddamn paws off me.
20:46Take it easy, pal. Just try to make a living.
21:12I'd say don't be alarmed, Vera, but you don't appear to be.
21:15What do you want?
21:17The question is about your husband's last job.
21:19Specifically, who hired him.
21:21I'm not interested in talking. I wasn't with the last guy, and I'm not now.
21:25Even if you're the one in danger?
21:33Let me make this easier for you.
21:35What if I told you I knew that it was Cat Hardy?
21:41If I know, then the others will find out soon enough.
21:43Best thing you can do is leave town and fast.
21:46Silverman will kill you to get that information.
21:49Or pay me.
21:51I'm not stupid, mister.
21:53You're here for her, not me.
21:54And if you're protecting her, I've got a proposition for you.
21:58What's that?
21:59You pay me a thousand dollars, and I'm gone.
22:02A thousand?
22:04I don't even know what that looks like.
22:06Hmm.
22:07I bet Silverman has that, and then some.
22:10I'll just tell him it's Cat myself.
22:11Slow down.
22:13I'll get you your money.
22:16You just stay out of trouble until then.
22:34What a dump.
22:38Get the man a drink.
22:40Educate yourself.
22:41Try the green spots.
22:43Ten-year-old Irish pot still whiskey.
22:45Not which I used to, but I'm sure you can live with it.
22:54It'll do.
22:56You must think I'm out of touch.
22:59Money, power, not a lot of it going around right now,
23:02yet here you are in a castle tower.
23:05That's a testament to what you've built.
23:07Must be nice.
23:09Not having to look over your shoulder.
23:13I'm so unconcerned with your possessions,
23:15because you have so little.
23:17You'd be surprised at how much people will fight for what little they have.
23:23Do you know what entropy is, right?
23:26The universe trends to disorder.
23:28It can't help itself.
23:31All you can do is fight to keep the chaos from your door.
23:35But like I said, you're lucky.
23:38You don't have anything anyone wants to take.
23:42Maybe not.
23:45Well, here's some friendly advice all the same.
23:50Whoever the rat turns out to be, you can't be emotional about it,
23:54even if it breaks your heart.
23:56And if someone should come to you saying they have all the answers,
23:59know that they're lying.
24:04You know who it is, don't you?
24:05It doesn't matter what I know until I can prove it.
24:10Well, the quicker you prove it, the quicker they do.
24:15So what are you waiting for?
24:17Thanks for the drink.
24:18It was just what I needed.
24:26This is an exclusive, Walters.
24:28The bugle will be the only ones to have it.
24:30No one else is there.
24:31I'm the only one with these.
24:41How you been?
24:42You look good.
24:42I'm getting by.
24:44Say, listen, I was hoping that we...
24:45Oh, you still got the eye.
24:46I'll give you that.
24:47Well, I'm the same guy always, man.
24:50Tell me the story.
24:51So the cops came in frothing at the mouth.
24:54Now, Lincoln, he was just trying to help his neighbor.
24:57He and Marco, they're both veterans.
24:59But now, they're living in a Hooverville with these mysterious powers.
25:08Superpowers.
25:10Just like the spider before the asshole decided to take a powder.
25:13Someone should have told him a depression was coming.
25:16Now, you're bringing me two of them.
25:18The public can't get enough of this stuff.
25:20The papers will sell like crazy.
25:22Write it up.
25:23I want to go with this to the next edition.
25:25Say, am I getting my old desk back to write it at?
25:28Let's not run before we can walk, huh?
25:31For now, it'll be off the books.
25:34On the QT.
25:35But you keep bringing me more like this
25:37than we talk about bringing you back full time.
25:40Like those old spider days.
25:47Good to see you, Wicca Baldur's.
25:51Open or close?
25:52A close.
25:53Okay.
25:57Sir, I want you to be me.
25:58You know, like one of those guys in the movies.
26:00You know, Bogie, Cagney, Eddie G.
26:02You know, you can wear the hat.
26:04You can smoke a cigarette.
26:05You're cool.
26:06I want you to be cool.
26:07Hey!
26:09Focus.
26:09And quit casing my place.
26:11I ain't doing nothing.
26:12I need to rely on you, Frankie.
26:14Can I rely on you?
26:16I'm your man.
26:18I'll do what we do now.
26:21Bye.
26:21Bye.
26:29Bye.
26:33Bye.
26:34Bye.
26:36Bye.
26:38Bye.
26:38Bye.
26:38Bye.
26:42Bye.
26:43I don't know.
27:23Anything?
27:25He's been up there all night.
27:39Calling all junior detectives.
27:44Tonight's mystery hour is about to begin.
27:49I don't know.
27:50I don't know.
28:09I don't know.
28:19I don't know.
28:26I don't know.
28:53I don't know.
29:21Boys!
29:24Hey, boss?
29:29Well?
29:31The balcony door was open.
29:32No one's here.
29:34Think it was the wind.
29:36We'll check it again.
29:52All clear, boss.
29:57The balcony door was open.
30:17Come on.
30:32Come on.
30:46I thought you well.
30:53Why did I shoot you from running away?
30:56Well, how about kissing me for coming back?
31:12I'm having so scared of that.
31:14I don't know where you were.
31:16What was happening to you?
31:18It's all right.
31:19I never should have run, but I'm back now.
31:23Something has happened with Silvermane.
31:26I'll talk to him.
31:28Whatever it is, it can be fixed.
31:30No, no, I don't want to fix it,
31:31and I don't care about Silvermane.
31:33What?
31:33I don't care about what he wants.
31:35I don't care about what you think you owe him.
31:37I just want us to be together.
31:40If you love me...
31:42Don't start with that.
31:43If you really love me, you won't ask any questions.
31:47You'll just leave with me right now.
31:54Done?
31:56Really?
31:57Yeah.
31:59Like a bag.
32:01Like a bag.
32:17Are you okay?
32:20No.
32:21What's the matter?
32:22Why did you turn away from me?
32:24Nothing.
32:24It's nothing.
32:28No!
32:28No!
32:29No!
32:29Stop!
32:29Please!
32:31I can't!
32:32I can't!
32:35There's no turning it off.
32:37There's no fixing me.
32:39There has to be a way.
32:41We'll find a way.
32:48It's a fantasy.
32:49It's a fantasy.
32:52I'm kidding myself.
32:53I could have this life.
32:56I could have you.
33:05Help!
33:16You see this?
33:17They smashed up the cops.
33:20I'd have paid to see that.
33:22Riley?
33:23He didn't leave all night.
33:28That's right.
33:29Keep following me.
33:35I need you at the alcove today.
33:37I want you to keep an eye on Cat Hardy for me.
33:39And, uh, as promised.
33:43Look at me.
33:44You're not just working there.
33:46That's right.
33:46Now, if Miss Hardy goes anywhere,
33:48I want to know about it.
33:50You got it, boss.
33:52That's right, folks.
33:54Monsters in the streets.
33:55Get your coffee while they last.
33:58Monsters on the loose!
34:02That is not what I wrote.
34:05Monsters.
34:07A routine sweep of a city Hooverville
34:09revealed two violent monsters
34:11looking to harm all they came across.
34:12I never called them monsters.
34:14Only with the help of a heroic police force
34:17did the residents escape with their lives.
34:19See, that is not what happened.
34:21He took my name and put it on a bunch of lies.
34:26The pictures are great.
34:28What?
34:31One hundred.
34:32Two hundred.
34:33Three hundred.
34:34Four hundred.
34:35Five hundred.
34:36Six hundred.
34:37Seven hundred.
34:37Eight hundred.
34:38Nine hundred.
34:39A thousand.
34:43Deal's a deal.
34:44You know what to do.
34:52Oh, look at that.
34:53Shiny apples.
34:54Here.
34:54There you go.
34:56Grazie.
35:01Hey buddy, that was my foot.
35:03Excuse me.
35:04Come on, Bruce.
35:05Nice job.
35:17Hello?
35:18It's Ben.
35:19I need to see you.
35:20Why?
35:21I'll explain when I get there.
35:23Just stay put.
35:29Someone wants to talk to you.
35:30Well, I'm busy.
35:31They can wait.
35:33Don't hand my shoulder or lose your nose.
35:35It's the mayor.
35:40I want a line to the spider.
35:42The guy from five years ago?
35:44I thought he was dead.
35:46He's alive and well.
35:46I happen to know he's alive and well.
35:48Well, then you know more than I do.
35:50Look, don't play dumb with me, pal.
35:52Back in the day, you were always in the right place to snap a picture of the spider.
35:56Whatever your deal is with him, that's your business.
35:59You just tell your buddy that I need to talk to him.
36:02Crime is out of control.
36:04People are scared, and the city needs order.
36:07Is that why you're picking a fight with Silvermane?
36:09Didn't he bankroll your first campaign?
36:13Silvermane is a ruthless criminal who has squeezed this city long enough.
36:17Just get me in touch with the spider.
36:20Make yourself a new friend.
36:22I can't wait.
36:24I believe in you, Ben Reilly.
36:26Oh, my gosh.
36:27Thank you so much.
36:30Where the hell you been?
36:32She took a cab to Penn Station ten minutes ago.
36:37Just shush.
36:38Get out of your coming with me.
36:44Penn Station on the double.
37:01Cat!
37:04Why are you here?
37:05You really aren't a very good detective, are you?
37:07You don't strike me as the kind of woman who runs.
37:10Maybe I lost my last reason to stick around.
37:12What do you say we cut the fancy talk?
37:14You found Addison through Flint and paid him to bomb Silvermane's mansion.
37:17You tipped off Morris about the booze shipment.
37:19You're a Silvermane's rat.
37:20The only thing I don't know is why.
37:23You know your boys are all the same.
37:25You come up with your own little stories and you make everyone else fit up.
37:29Silvermane treats me like a damn doll.
37:31Flint thinks I'm afraid of him and you think I'm a killer.
37:34I am done with people telling me who I am and what I get to do.
37:38You ask me why I'm leaving?
37:39Hey, Reilly.
37:43There you are.
37:46Look, a bonus.
37:49I guess I am the luckiest guy in New York.
37:54You should have known you were in it together.
37:57Now the boss can take care of both of you.
38:04Move.
38:32You know Dick, I gotta give you credit.
38:35You came close.
38:38Too bad you couldn't get the Addison widow out of town.
38:41I only had to slap her around a little bit to get the truth.
38:44What a guy.
38:48A prick to the end, huh?
38:52Might be the only thing I like about you.
39:22I caught them both trying to skip town, boss.
39:25It looks like Reilly was in on it.
39:27The guy with all the answers.
39:34You didn't think you'd be seeing her again, did you?
39:38This is Addison's widow.
39:40She's also the only person that knows who hired her dearly deceased husband.
39:44She didn't want to talk, but, uh...
39:48She came around.
39:50Right?
39:53Hurry up.
39:55Unless you want to join your husband.
39:57This is Addison.
39:58Quiet!
40:01Let's hear what the widow has to say.
40:04He told me that it was Cat Hardy.
40:06That she paid him a thousand dollars to burn down your mansion.
40:10What'd I tell you, huh?
40:12You can dress up a stray dog however you like, it'll still bite you.
40:16It's all you've said.
40:19It's not true.
40:22It's not me.
40:24Lying to the end, huh?
40:26I always knew it was just a matter of time with you.
40:29It's a good story.
40:30I'll give you that.
40:32You got proof?
40:33Yeah.
40:35Show him.
40:36Come on.
40:43She couldn't quite manage to blow it all.
40:46Too bad, huh?
41:05Where does your money come from, Winston?
41:09From you?
41:11That's right.
41:12From me.
41:14And did you know that I mark all my bills?
41:20A different spot for every schmuck on my payroll.
41:25Guess where I mark yours?
41:29What?
41:32That's not possible.
41:37Yeah.
41:38There's nothing worse than a man who's only loyal to money.
41:41You son of a bitch.
41:44I bet Silvermane has that and then son, maybe I'll go talk to him.
41:49Crafty bastard marks all of his bills.
41:52You set me up.
41:54Pay my lawyer, really.
41:57Only money tells the truth.
42:01Here's him.
42:01He's threatened to kill me if I said otherwise.
42:04You lying, bitch.
42:05I'll rip your goddamn-
42:22You're good with a shovel, Riley.
42:25Why?
42:27We'll be needing another grave.
42:31Good to see you.
42:32You're too close
42:32you're too close.
42:34Let your spare rolls get rid of your enemies.
42:35You're too close.
42:49I'm not too close.
42:49You're too close.
42:49You're too close.
42:55You're too close.
42:58You're too close.
42:59I've got a cone.
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