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GamingTranscript
00:00:28Transcription by CastingWords
00:00:39CastingWords
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00:30:49They were all in their place, life, career, home, and one more time ago,
00:30:58he was a young man, a young man, a young man, a young man, a young man,
00:31:04five years of happiness, all the hell and all the life,
00:31:08all the nouveau life, which was a beautiful dreamer,
00:31:10the love of happiness, all the life, all the life of happiness,
00:31:15a young man, a young man, a man, a young man,
00:31:19the mind of the most most greatest world.
00:31:24Thank you very much.
00:31:55When I remember that night, the pictures came out of the sky.
00:32:01The edges of the surface were painted on the dark, the dark and the blue color.
00:32:07The dark and the blue color were painted on it.
00:32:12In the middle of the night, he was made of a car.
00:32:17The car was made of a car,
00:32:19which was the car that I could play.
00:32:21I had to choose for him to play.
00:32:22I had to choose for him to be a good time.
00:32:24He was made of a car,
00:32:28a car,
00:32:29and he was made of a car.
00:32:31The car was made of a car,
00:32:33and the car was made of a car.
00:32:33The Spanish and German army of the army
00:32:36...where my father, the kursarovsketos, will lead me to the Thissaveron.
00:32:44In the night of the night, even when I was there, there was a sea of water.
00:33:00We had to go and get the three in the panera.
00:33:03I had to eat it on the bed.
00:33:08I saw the head of the head of the head.
00:33:10I saw my head in the head of the head of the head
00:33:11and I tried to lift all the open hands of his face.
00:33:15The smell of his, his and his face,
00:33:18which was probably on the top of his lungs and on the ocean,
00:33:22with the British and British army.
00:33:26After that I had to shoot him.
00:33:29He went to the paper where he left the paper and left it down to the ground.
00:33:36Then in the parking lot, then in the parking lot,
00:33:39then in the parking lot,
00:33:39and then in the parking lot,
00:33:42the story of the Argonautic extract.
00:33:46The mouro was broken with the sound of his voice.
00:33:50The footsteps of the landing,
00:33:52the windows of the misho-futiful,
00:33:54the sound of the stylus of Petrus,
00:33:55...that he had grabbed his hand.
00:33:58He was holding his head to his head...
00:34:00...and he would let him go to the door...
00:34:05...to the door...
00:34:05...to the door...
00:34:09...with the Spanish Galeras...
00:34:11...that he was waiting for us to get out.
00:34:14It was the best time of my day...
00:34:18...and the time he was waiting...
00:34:21...to be able to get out.
00:34:31I'm going to take the car on the back of the car.
00:34:35I was holding the car on the back of the car,
00:34:36in a small and an empty night of the evening.
00:34:41It was October and it didn't say to be able to get the car out of the car.
00:34:44I found the car out of the car, even though it was there.
00:34:48From there was a small and small and small and small.
00:34:51F οΓΓΙΝΛΑΚΙ του. Θα παρασύρθηκε, φαίνεται, κι αυτή από τη μυρωδιά του μωρού
00:34:54και θα νόμισε πως βρέθηκε σε λουλουδιασμένο κήπο.
00:35:01Τον ακουμπάω στο μαξιλάρι, τον τυλίγω στο σεντόνιμος της γαλέρες,
00:35:06τον φυλλώ απαλά στο δροσερό του μέτωπο
00:35:08και βγαίνω απ το δωμάτιο ανοίγοντας το μηχάνημα της ενδοεπικοινωνίας.
00:35:14Κάπου εκεί η ασπρόμαυρη εικόνα αποκτά ήχο.
00:35:19—Cοιμήθηκε.
00:35:21—Cοιμήθηκε.
00:35:23Ο Πέτρος, ικανοποιημένος,
00:35:25συνέχισε να διορθώνει τα γραπτά,
00:35:26ενώ εγώ ακούμπησα το κεφάλι μου
00:35:28πίσω στον καναπέ.
00:35:29Δεν ήθελα καμιά μουσική,
00:35:32καμιά τηλεόραση να με αποσπάσει
00:35:34από τους ήχους της Γαλήνης εκείνης της στιγμής.
00:35:36Τον ήχο του στυλού του άντρα
00:35:38που ερωτεύτηκα πέντε χρόνια πριν
00:35:39σε εκείνο το αμφιθέατρο
00:35:40και της ανάσας που ακουβόταν
00:35:43να ονειρεύεται στο δίπλα δωμάτιο.
00:35:48Η ανάσα έσπασα από το ξαφνικό του τσίρυγμα
00:35:50και μετά από το βουητό της μέλισσας
00:35:52που το τζίμισε στο δεξί του μάγουλο.
00:35:55Ακόμα θυμάμαι το βλέμμα του Πέτρου.
00:35:56Πέταξε τα χαρτιά στο πάτωμα
00:35:57και πρόλαβε να τρέξει πρώτος στο διάδρομο.
00:35:59Φτάνει στην κούνια. Το σεντόνι των ωκεανών
00:36:01μουσκεμμένο μου τα δάκρυα. Μέσα σε είκοσι δευτερόλεπτα
00:36:04πρόλαβε να φέρει όλη τη θάλασσα
00:36:13σε ένα αυστηρό βλέμμα σαν να μου λέει
00:36:15πώς μπόρεσες και έβαλες το παιδί μου στην κούνια του
00:36:17και δεν έλεγξες να κάτω απ' το σεντόρι της απέραντης θάλασσας
00:36:20κρύβω το ανδράκος η εστωμένησσα
00:36:21που τόλμησε να τσιμπήσει το παιδί μου.
00:36:25Δεν είχαμε καιρό να αποκριθούμε στα βλέμματα
00:36:27ούτε να απολογηθώ στη σιωπηλή του κατηγόρια
00:36:30γιατί ξαφνικά το μωρό
00:36:32σταμάτησε να κλαίει.
00:36:34Η ανάσα του πνίγηκε
00:36:36ξένα λόξιγα κι άρχισε να μπλεδίζει.
00:36:37Το παιδί!
00:36:38Το μελάνιασμά του απλώθηκε σ' όλο το σωματάκι
00:36:40τον ακουμπήσαμε στη μοκέτα
00:36:41κι αρχίσαμε να του βγάζουμε τα ροχαλάκια. Δεν μπορούσε να αναπνεύσει.
00:36:44Το παιδί!
00:36:44Να ακουμπήσα τα χείλη μου σ' αστοματάκι του
00:36:46σε μία απεγνωσμένη προσπάθεια να του κάνω τεχνητία
00:36:48Το παιδί!
00:36:49Ξανά!
00:36:49Το παιδί!
00:36:50Το στιγμός του όλο και πιο αδύναμος έσβηνε!
00:36:54Το παιδί!
00:37:00Μέχρι να πάρει ο Πέτρος τα κλειδιά για το αυτοκίνητο
00:37:03και να βγούμε απ' την εξώπορτα
00:37:06θα πρέπει να πέρασαν είκοσι δευτερόλεπτα
00:37:11αν και με την εικόνα των πενήντακα αρέω χρόνος
00:37:14έμοιαζε να έχει ακινητοποιηθεί
00:37:22Ακούρμα, αφούρμα, αφούρμα, αφούρμα
00:37:34αφούρμα, αφούρμα, αφούρμα
00:37:35Ένα αυτοκίνητο
00:37:40μπορεί να ανηφορήσει δηλοφόρο Αλεξάνδρα σε χρόνο ρεκόρ
00:37:45Αρκεί να κορνάρει απεγνωσμένα
00:37:50the female angels
00:37:51and they don't feel it
00:37:53are left behind
00:37:54they leave you to give them
00:37:56the red nail and the red nail
00:37:58and the red nail
00:38:00and the red nail
00:38:01and the eyes of her
00:38:04a morn
00:38:05woman
00:38:05and the gospel
00:38:07and the husband
00:38:08was in her face
00:38:09with this
00:38:10cry and scar
00:38:11she's
00:38:12she's
00:38:12and she's
00:38:12and she's
00:38:14she's
00:38:14and she's
00:38:17It was a dream, and it was a dream, and it was a dream.
00:38:20Even at that time, the angel of my son played a wild game.
00:38:25There were many stories that I had told him.
00:38:27He was very close to me, and then he came back and came back.
00:38:30He was telling us stories about a river,
00:38:32like a river, like a river, like a river,
00:38:35where an angel came to tell him that he didn't even have arrived at the time
00:38:38and that he had to come back.
00:38:41I didn't believe in God.
00:38:46But I had all my hopes for this angel.
00:38:59After a half a hour, the doctor told me that the angel came out
00:39:07from the allergic shock that he was given to me.
00:39:14I have to believe in the angels.
00:39:41secre PDF
00:39:42W Night Rape
00:39:56My maman said
00:39:57I know, hold your hand
00:40:00Youry
00:40:02Don't walk through
00:40:04You know you're feeling
00:40:06You're a baby
00:40:08You're making a
00:40:10and I'll take you next time.
00:40:13I'll let you get the other side.
00:40:14Don't want to deal with me.
00:40:17Don't want to deal with the light,
00:40:19not to have your father's father's father's father's father's father's son.
00:40:22Don't use me to use other things.
00:40:24You're you.
00:40:28So, I'm waiting.
00:40:31Let's get started.
00:40:45After the death of the mackerel, I had to leave my bed.
00:40:52The smell of the mackerel had put the curtains on top.
00:40:58I was crazy!
00:41:00He saw me in the morning and saw me in the morning,
00:41:04and I had to leave my bed.
00:41:07I had to leave my bed for a while.
00:41:08but again I was knitted.
00:41:11However, we had to get into the house
00:41:14where we had to open it to the front station
00:41:19and a house in the N.A. Kifisian
00:41:20or in the Stavrilissian,
00:41:21which I would like to say,
00:41:22that was beyond our ability.
00:41:25Except,
00:41:28as if we were in the house of Tia Sallikis,
00:41:31this house was me,
00:41:34the Cillia,
00:41:35and my mother.
00:41:40You can't see, mad?
00:41:42Only so, we'll take the money.
00:41:44You can't go to the Tia Sallikis
00:41:46that would be the place where Tia Sallikis is.
00:41:48Not the house of Tia Sallikis,
00:41:49but the house is difficult.
00:41:51Now it's difficult.
00:41:54You don't have to know about it.
00:41:56You don't have to know about it.
00:41:57There's no way out of Tia Sallikis,
00:41:57nor do Tia Sallikis.
00:42:01It changed the curtains.
00:42:03The house doesn't work.
00:42:04But it can't be home and home.
00:42:06I'm going to go with you.
00:42:06You're not just a single family.
00:42:10You're going to be the same.
00:42:11You're going to be the same.
00:42:13You're going to be the father.
00:42:15You don't see him?
00:42:16We're going to go with you.
00:42:17And then, she's going to agree with us.
00:42:21She's going to agree with us.
00:42:23Yes, she's going to agree with us.
00:42:27She doesn't agree with us.
00:42:30She knew what she said.
00:42:33She said that she was going to say.
00:42:34You're going to agree with us.
00:42:35We had a lot of people who were in the house.
00:42:37We had two soldiers.
00:42:40And then, and the other man was at the middle.
00:42:45Don't care.
00:42:46The men will not be able to help.
00:42:48If I wanted to help, would they have been able to care.
00:42:49I'll be able to find the house.
00:42:51Then, I'll tell you.
00:42:52We'll make it happen.
00:42:53I'm going to go with you.
00:42:54You're going to have your own office.
00:42:55You're going to be able to help.
00:42:57I'll take it, but I'll tell you.
00:43:00You're going to be a good person.
00:43:03The happiness!
00:43:04Or, it's the difference from the things.
00:43:07It's the happiness that you could have to dream up.
00:43:10And it's not that you have to dream up.
00:43:11Do you have to dream up?
00:43:12And you have to dream up.
00:43:13You have to dream up.
00:43:14You have to dream up.
00:43:15Maybe you have to dream up.
00:43:16You have to dream up.
00:43:18You have to dream up with this logic.
00:43:25And the idea is to dream up to you.
00:43:29I have to understand that I am feeling so much.
00:43:32And I'm going to try to fight and fight.
00:43:33I was very upset that I was going to fight.
00:43:37When I was a man in my head, I would stay with my mind.
00:43:44I would have seen it in the house.
00:43:46I would have seen it in the house.
00:43:47I would have been to the house alone.
00:43:49I took my video camera to show it in the house.
00:43:53And I would have seen it in the house.
00:43:57You can see that the salon is hot, with big chairs and balconies.
00:44:02Only the salon is 85 degrees.
00:44:05It can be used to be in the salon or in the salon.
00:44:07Or in the salon of playroom.
00:44:09The tables, three bedrooms, two bedrooms, a big kitchen.
00:44:15Are you going to eat?
00:44:16I'm going to eat the kitchen.
00:44:17The kitchen is the main room of the house.
00:44:19And Peter is always in the kitchen.
00:44:22It's like a kitchen.
00:44:24Buy one of the dishes for you, for good and bad.
00:44:28The circumstances of the men are mysterious.
00:44:31And then, the bride started to help the kitchen.
00:44:36And now he's going to take the kitchen.
00:44:38I'm going to eat the kitchen, he said.
00:44:40And now he's going to eat the kitchen and he's going to eat.
00:44:44Oh, no!
00:44:45Good job!
00:44:47And the two homes that you have in the kitchen,
00:44:49I'm going to cry.
00:44:52You're a doctor, eh?
00:44:54The doctor!
00:44:56The doctor!
00:44:57And the doctor!
00:44:57And the doctor!
00:44:58And the doctor!
00:44:59You're a doctor!
00:45:01I'm going to go well with the animals.
00:45:02I'm not going to go well.
00:45:05I'm good at it!
00:45:07But they're going to go faster.
00:45:09And if you go to bed,
00:45:10you're going to go home!
00:45:15It's an amazing living room!
00:45:18It's an amazing living room!
00:45:21It's an amazing living room!
00:45:22It's a good opportunity!
00:45:23It's not a great opportunity.
00:45:24It really is!
00:45:25It's an amazing living room!
00:45:27The living room can be alive.
00:45:29And if the living room will go home,
00:45:31you'll be alive!
00:45:33Do you know how it's called?
00:45:35How?
00:45:36The harmony!
00:45:37The beginning of all of your life!
00:45:39Good evening. I'm waiting for you at 11 p.m.
00:45:4311 p.m. 11 p.m. Don't give me what I can do now.
00:45:58It was 9 p.m.
00:46:01It was 10 p.m.
00:46:04I was going to go home to make a macaroni where I was going.
00:46:07I was going to go home.
00:46:10I was going to go home.
00:46:12I was going to talk to him.
00:46:14I was going to talk to him.
00:46:15Every time I can tell you the truth to the other people,
00:46:18without being afraid of him.
00:46:21Maybe...
00:46:23Maybe I could have been a dream that night.
00:46:25After that, it was just one time.
00:46:29But my body, that night,
00:46:31it was like...
00:46:32It was like...
00:46:37I was going to go home.
00:46:38I was going to go home.
00:47:12I was going to go home.
00:47:13I was going to go home.
00:47:14Yeah, I was going to go home.
00:47:15Yeah, I was going home.
00:47:18You were rushing.
00:47:20It was just one night.
00:47:22You are going home.
00:47:29It was just a pilgrimous shower.
00:47:32and the light of the fire on the other side of the fire,
00:47:35and then the pain, and then the fear, and then...
00:47:48Nothing...
00:47:51harmony...
01:09:15Hey, I.
01:09:21,
01:09:21,
01:09:22,
01:09:22,
01:09:32N.A.Z.A.Z.A.Z
01:10:03No.
01:10:04No.
01:10:04No.
01:10:05No, I don't.
01:10:06No, I didn't want to be happening.
01:10:09In a late November last night,
01:10:10he passed away.
01:10:15You want to help me?
01:10:17How did I keep in mind?
01:10:22to go to the house.
01:10:25Why?
01:10:26Why?
01:10:27Why do I want to live?
01:10:29Why?
01:10:30Why do I want to do it alone?
01:10:32I can't do it!
01:10:34You have tried to cut your flesh with your hand
01:10:36and cut your flesh with your hand.
01:10:37You have to cut your hair with your hand.
01:10:39You have to cut your hair with your hand.
01:10:41You have tried it!
01:10:42I can't do it!
01:10:46I can't take my life!
01:10:48I can't do it!
01:10:52I will go to the house if I can.
01:10:55I don't have any other.
01:10:56What?
01:10:57What?
01:11:00Why?
01:11:01Why?
01:11:02Why?
01:11:03Why?
01:11:04Why?
01:11:06Why?
01:11:07Why?
01:11:07Why?
01:11:08Why?
01:11:09Why?
01:11:09Why?
01:11:09Why?
01:11:10Why?
01:11:11Why?
01:11:11Why?
01:11:14Why?
01:11:17Why?
01:11:19Why?
01:11:22Why?
01:11:24Why?
01:11:27Why in this time?
01:11:33Why was it February?
01:11:38Why?
01:11:40Halloween.
01:11:42What are you doing?
01:11:44I'll tell you what I'm doing.
01:11:46And what time is this?
01:11:49I'm doing this.
01:11:52I'm doing this.
01:11:53I have my life all of you.
01:11:55I want you to continue everything.
01:11:57I want you to destroy everything.
01:11:59I want you to...
01:12:01I want you to...
01:12:03Yes.
01:12:14Why did you do it?
01:12:17Why did I do it?
01:12:21I'm going to die.
01:12:22I'm going to die.
01:12:25And I'm going to die.
01:12:28And I came home.
01:12:30And I came home.
01:12:30And I knew...
01:12:31And I knew...
01:12:31That that evening...
01:12:32I was sitting there...
01:12:33And I was sitting there...
01:12:34And I was sitting there...
01:12:36Wolf.
01:12:47He's sitting there.
01:21:50The place where my sister was.
01:21:53The first friend.
01:21:56The heart is written on the side.
01:21:59The heart is not coming.
01:22:01Mother.
01:22:03I'm sorry.
01:22:07The dreams that I have not experienced.
01:22:12The little boy is the same.
01:22:15You.
01:22:18You.
01:22:20So we're missing you.
01:22:52I'm still in the sun
01:23:09I'm still in the sun
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