00:00So inviting on stage, Nagashvind Daru.
00:04Choose in a world, chase in a world, I hear you.
00:06Thies in a world.
00:07Gattika, sir. Thies in a world of course.
00:09Chappatlo kodadamu.
00:10Hi, hi, hi, hi.
00:14Okay.
00:19Thank you, Andy.
00:20Thank you so much.
00:20Thank you, everybody.
00:21Thank you so much.
00:25Chala...
00:26Ande...
00:26Mammalga is speechless, don't you?
00:28But...
00:28I'm speechless in this situation.
00:30I'm speechless in this situation.
00:31Ever since...
00:32Paata, sir.
00:33Mata ratlet, sir.
00:35So...
00:36Ever since...
00:40Hey, Gautami.
00:42Gautami, Gautami.
00:44So this whole journey...
00:47I'm just trying to imagine...
00:49I'm just trying to imagine...
00:50Singitam, sir.
00:51First time, I've been in a family for a few years.
00:53I've been in a family for a few years.
01:00So seven years back, I thought if I just met that man once in my life and I shook his
01:04hand,
01:04that was enough.
01:05That was enough for me that I met somebody who was on the sets of Maya Bazaar, who directly
01:10saw Savitri Garu, who was scolded by KV Reddy Garu, who was, you know, who saw so much.
01:17He made Aditya 369, which, you know, Aditya 369, which, you know, Aditya 369, which I chose
01:40There is a larger plan, you know, you have to believe it's part of a plan.
01:57There's no other way to it.
02:00I mean, sure, I started it, maybe I was the one who pushed it forward, but I was, it was
02:07just, I was just clearing the way, Ante.
02:09All of you guys are the river that created the sea.
02:12So I am just thankful to all of you, actually, to begin with.
02:18Started with our writers, our writing room.
02:23I remember when we started in October, I think when I decided to make this film, Singhitam
02:30sir was a little down, he wasn't well, something, and I was like, sorry, you know, who are we
02:37to question what he wants to make?
02:38We'll just make it.
02:39Like, I mean, who is anybody to decide, like, what kind of movie works or doesn't work?
02:45So we thought we'll make it, and I said, I put October 31st, okay, December local, when
02:51I'm script JSC Jan shoot kelda, man, okay, chala pakat bandi plan to toucha, no, around
02:56one year later, other room lo, biscuit le din kundu, sir, that is zoom call jes kundu.
03:02Yeah, so we were doing the same thing, and, ade, mir annar gada, like, you were saying, like,
03:09I couldn't make head or tail out of it, honey.
03:11To be honest, even we couldn't make head or tail out of it.
03:13But we didn't know what the process was, Anwanda, because there was no process.
03:17And, first, dialogue raya la, kani, dialogue, part log unda burdu, part, dialogue log unda burdu.
03:22So, he pute, NJ ali, and we don't know what that is, he put Devigar ki bali, and, I mean,
03:27Devigar, me, first time, me, separate section on the, basically.
03:31So, and, then after that, yeah, and after that, it was slowly putting to the team together,
03:38like, he didn't, I just stopped it.
03:42And, and then slowly we got the team together, Mani, Sankal, slowly everybody else, Ankur,
03:50Arvin, Prakiti, the whole team came together.
03:52And, and, and the most important person that we needed to do was, needed to find, was confirmed
04:00by Shingitam, sir.
04:00That was Devi Siprasadgaru.
04:02And it was, and it was completely, and it was, I think there was some uppude pushpattu,
04:09sir.
04:09Pushpattu, ade avutani, full hype, everything was going on.
04:12And, I think there was some doubt, Devigar, chalap, busy gunter, gada, we don't know, we'll
04:15find, what is it, and kunter, Shingitam, sir, said, le, da, aine correct, aine correcti cinema,
04:20ken, kever, jay le, ru.
04:21And he was so sure about it.
04:24And, and, ade, ii cinema, eladiya lo, we genuinely didn't know, sir, sir used to keep telling
04:31us, there was never, there's never a movie like this, first time in the world, he'll
04:35ever jay le du, India lo, he'll always bring up one movie, which I can't remember, something
04:41of Scars baro, Amrila Alshar baro, which, so ade appu chepta ro, and, and I was like,
04:48okay, sir, you know, I love sir, I believe you will do it, but, I was like, musicals,
04:54chesunter, gada, antakot, manan jeshtanga, antakot, matal, patalan, kunna, but as we went
04:59into it, I realized that, nijanga yavar jay le, busi land, cinema, nijanga yavar jay le
05:04air busi land, cinema, it's really crazy, how, how did we make it happen, and I feel that,
05:10uh, I feel that the casting was one of the most important things, every, every, uh, person
05:18that we cast had a, either a personal or a video call interview with sir, and, uh, sir's
05:24the first thing sir would say was, uh, hello, amma, ekkanunchi, ekkanunchi, ekkanunchi,
05:30and he'll be like, pata, pata, pata, pata, he'll start, and the best part is all of you
05:35sang, like, Niveda sang, you sang, you sang, all of you guys sang immediately, no, you sang,
05:41you sang, yes, you did, you hummed something on, yeah, you sang, and that is, you had one
05:46tree behind you, and you told sir that, uh, either I call, whenever I feel down, I speak
05:52to my tree, and all that, and that's how we got one scene in the film also, so, and
05:57it's amazing, and sir picked the right people, and, uh, we, and I'm so glad that the whole
06:03world also has discovered you guys, along with, uh, Singitam sir, Aya, Nahilya, Shalini,
06:08you guys are amazing, I always thought you're amazing, but now the whole world also knows
06:12it, and, uh, Niveda, I always was a big fan, and I, that, your picture was there sometime
06:17back, it was, uh, it's beautiful, it's, I think, you, the best you've looked, uh, and,
06:23yeah, I love, and every time, I've seen the movie easily a hundred times, and every time
06:27we see that part, I'll randomly message someone, I'll message Sankal, I'll message
06:30Swapna, I'll message somebody saying, fuck, you're so good man in the film, but, yeah,
06:34anyway, so, uh, so I'll say that, and thank you so much, Rahul, it was so good, and just,
06:40just being part of it, making that whole thing, because there's a starting trouble, no, we started
06:44the shoot with you guys, so we're figuring it out, and, uh, and, yeah, I think, uh,
06:50general, uh, ander ki thanks, ander ki thanks, thank you that we're here, and, uh, you know,
06:56I, uh, uh, audience, audience ki, uh, eppudu okha, first okha doubt untunhandi, like, ee cinema
07:04haana, like, I'm saying, not a small movie, big movie, any movie, there'll be a doubt for
07:08the audience, ee, into, yaladi sun taro bauntundhaledo, there'll be one doubt, but as soon as,
07:12as soon as they go watch it, and there's a good word of mouth, wal ulta ipotar, they
07:17will come, they will drag ten people, they will get their entire flat, they will get
07:21their school, they will get pillalu pedda, and then diskal cinema disko staro, and I think
07:26after Mahanati, to an extent, I'm seeing that owning of the film, uh, here for Singitam
07:32sahar, it's a lot of goodwill that Singitam sahar has, it's the beauty, it's the innocence
07:36of all of these guys, it's the innocence of all of these people that translated on scene,
07:41like, a magic has happened on scene, on screen, and a magic ane d plan je le mo, and, uh,
07:47because we can't plan it, we can't do it again, so, so I'm glad we did it once for Sariga,
07:53and, uh, and then, uh, you know, uh, Singitam sahar, uh, his story, direction, everything,
08:00I was, I made sure we got whatever we needed, but, uh, if there is really somebody who deserves
08:07to be called, like, a director of this film, it's Devi C. Prasadgaru, I think music director,
08:13and, uh, Daniki, music director, because every dialogue, the emotion has to go through the music,
08:19and it's not easy, because in the last 10 days, I understand, like, every single thing which the
08:26audience might not know, but they will enjoy, that, that you had to go through, whether it is
08:30making people sing, whether it is going on tempo, we have to adjust all the struggle that you had to
08:38go through, to make sure that all this, it's, it's easy, you could have made real actors sing,
08:43and, I mean, real singers sing, but you made everyone sing, you got everything right, beautiful,
08:48last minute, I told sir, last, last three, four days, he said, uh,
09:00so that is so true, but those two songs and that climax is gold, it is literally gold, actually,
09:06so, so it's amazing, and, uh, I think that, sir, I don't even know how to,
09:12how to even, uh, poggitify you, but, yeah, but it's amazing, sir, it's great, it's great,
09:19and, uh, and I think, uh, the next person who is, who is the second direction pillar is Sankal,
09:26who is my Subbu, my Subbu, you can come on the stage, he's my, uh, never, uh, never did I
09:34think that,
09:35like, like, directing him ten years ago, I, we would come this, uh, one full circle where I'm
09:42shorter than him now, and, and, uh, and then he would be directing and then I would be like constantly,
09:50constantly, uh, torturing him about every shot, and, uh, I think it's great, I think, uh, it's,
09:57it's amazing, I, I think I said it somewhere that it's, it's SNS, no, Singitam, sir, and Sankal,
10:03were both, both on both sides of the thing, one person is, one person is 94 years old, one person
10:09is 24 years old, basically, and I'm just making sure this thing happens, and I'm, and the reason why
10:18this movie probably has the soul, and depth, and magic, along with being contemporary, and young,
10:27and, uh, uh, so relatable, is because these two minds came together, and, uh, that's, that's what
10:34makes this movie beautiful, and, uh, yeah, I think, uh, let's, uh, I'm gonna give this to Sankal to say
10:42a few words, and then you can call on your whole team. Hi, hi, hi.
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