Vadde Naveen & Rashi Singh With Transfer Trimurthulu Movie Team Q & A With Media

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Transcript

00:00Let's begin the Q&A session.

00:04The team of Transfer Trimurthulu, I wish you really the biggest blockbuster.

00:11Thank you so much, Nagandrup Margaru. Thank you so much.

00:16For two reasons, it's the first time I'm a debut director.

00:20So he needs all the success to continue in this career.

00:24I wish you all the very best.

00:26And really, the trailer is a very ungrossing trailer.

00:33Some interviewing, what's going on, what's going on, what's going on.

00:37That interest will sustain in the trailer.

00:39It will certainly give you a beautiful mileage.

00:43Now, if you have a question about it,

00:46I want to ask you a good following, a good image, a good hits.

00:54That's the truth.

00:56But there's a gap.

00:58Again, he's coming.

01:00So, there's a lot of people in the room.

01:02There's a lot of industry, there's a section of the audience.

01:07People are very eagerly waiting for that.

01:10The expectations of the waiting for the direction,

01:14you're making the character.

01:16How many people are impressed?

01:20How many people are impressed?

01:22How many people are impressed?

01:22As a director of the film, you're talking about.

01:29I can just say one thing. Sir, in the 10-12 years gap, one thing is that you are doing

01:36that experience in your mind.

01:40You are doing that experience in your mind and you are doing that experience in your mind.

01:53Regarding expectations and everything, this is 110% of the teaser, songs and trailers.

01:59So, expectations are not coming.

02:01So, expectations are coming from the content and the film is coming from the film.

02:05So, this is the vision of the film.

02:08The question and answer is that this film will be successful.

02:11So, I have confidence about this film.

02:15That it is going to meet each and every expectation on film and answer.

02:19Very good.

02:20As I said, you are making a good point.

02:24If you are making a script, if you are making a script,

02:28you are making a 100% sense and substance.

02:34Yes, sir.

02:34If you are making a point,

02:37you are treating and handling your hero character.

02:42We are looking at that.

02:44There are many hard-hitting characters.

02:47Some characters and maybe larger than life.

02:51Yes.

02:52The characterizations and other characterizations are coming from the audience.

02:54All kinds of films and influences that we are using.

02:58It's the only kind of film to be a little bit.

03:00So, that is the control of your role.

03:00Being is a young director, if you are also,

03:02you want to support your inspiration?

03:02Do you want to take a look at that angle?

03:05So, larger-than-life characters,

03:08now,

03:10the characters are in the same way.

03:13So, it's organic.

03:15So, organically,

03:16the characters are in the same way.

03:19So, the characters are in the same way.

03:21So, let's do this.

03:23In the film,

03:25the character doesn't serve the purpose.

03:29So, basically,

03:30the characters are in the same way.

03:32You know,

03:33the characters are in the same way.

03:36But,

03:37I don't want to go in that way, sir.

03:40I want to go with the content.

03:41But, that character is heading against the CM, Chief Minister.

03:51That's a larger point.

03:53True.

03:55So,

03:56I'm not impressed.

03:58So,

03:58you know,

03:59only the CM versus

04:00the knowledge that is зар给 Jazz.

04:02But,

04:03it's one of the world.

04:06Useful knowledge involved.

04:07you also need to go into this one way.

04:11When they feel the character,

04:17you know that picture is nivellable through.

04:20So,

04:21there's another point exactly asロ.

04:24Yes,

04:25now,

04:25there's a colour in mind.

04:25If you have a transfer in one transfer, it's not going to be done.

04:29Very good, very good.

04:30Rasi Singer.

04:33Hi.

04:34Hi, ma.

04:35Hi.

04:36Hi.

04:38Hi.

04:45Hi.

04:46Very good.

04:46My name is Naveen.

04:46You have a wife's character standing there.

04:48Yes.

04:49A wife's character, a family, yeah.

04:52Yes.

04:54Before this, my feeling is a similar character about this kind of character.

05:09Very relatable, very homely.

05:12and he has a lot of simple characters.

05:15After that, I had a feeling that I wanted to do the film.

05:20Now, there is a lot of impact on this story.

05:25The strength, Trimuthuru gets the strength, the peace from Lakshmi.

05:31And there is a lot of support throughout the journey.

05:33So, how family is important to one is shown in the film.

05:38Okay, thank you, all the very best.

05:40Thank you so much.

05:41Navin, you are going to attack the Chief Minister of the State.

05:57Or where the Chief Minister got puzzled.

06:01There is a character in the range.

06:05You are going to attack the arc, and you are going to the handle.

06:13So, in the background of CM and larger than life, the way of conducting and taking the film forward will

06:23be very naturalistic.

06:25The way of CM is the same as CM is the same as CM.

06:30In a system, a thriller will be dramatized in court room.

06:36The way of CM is the same as CM is the same as CM.

06:39So, in the background, you also have a miss out?

06:45That is what I am asking.

06:46Yeah, that is what I am asking.

06:48So, it is also suspense?

06:51Suspense is a lot of suspense.

06:52What next is a lot of suspense.

06:57But all the best, honestly, a lot of trailers are in the trailer.

07:00Thank you so much.

07:01Good luck.

07:06Thank you so much.

07:06You come back, your time will be a hit as well.

07:10What is that?

07:11From the 19th, the film looks popular.

07:15It is also popular.

07:18Can you talk about competition if you want to play well?

07:29So we will all have our own chair.

07:43We will all have our own chair.

07:50We will all have our own chair.

07:51We will all have our own chair.

07:55We will all be the same.

08:07So this is the answer.

08:32Definitely.

08:33Okay.

08:35Sir.

08:36Naveengar.

08:37Yeah.

08:37Sir, I've seen a few interviews.

08:40It's very realistic.

08:42Especially when you're a young person, you're a tough guy.

08:47You're an actor, you're coming back after a long time.

08:50You accept the audience.

08:52There's no doubt and curiosity.

08:57And the business is stressed out for the producer.

09:00What exactly is going in your mind?

09:04See, one part of the commercials, we are covered.

09:13If you're a restaurant, we run a lot of anxiety.

09:15Because the first audience will receive it.

09:21But we are very hopeful.

09:23My cinema, script-wise, content-wise, we are very strong.

09:30If the audience can convey it, then we are through.

09:35It will be good.

09:35Yeah.

09:35In fact, Zee is also a recommendation.

09:39The market is very tight.

09:41Yeah.

09:42Now most of it is going for pay-per-view.

09:44Out-right.

09:45It will be good.

09:46It will be good.

09:48It will be good.

09:50It will be good.

09:51That's a good sign.

09:52And we are more hopeful.

09:54All the best, sir.

09:55Looking forward.

09:55Thank you so much.

09:57Sir.

09:57Hi, sir.

09:59Thank you so much, sir.

10:00We all have to choose to choose the audience.

10:03So, we have all the film to go.

10:04And there was a dialogue that we have to transfer to the police station to the police station.

10:09We have to go to the police station.

10:10He is the hero.

10:11Yeah.

10:12We have a lot of scenes.

10:14The temple is not in the temple.

10:16So, we don't have to kill the ladies.

10:18Just a lot of questions.

10:20Thank you so much.

10:21Sir, what is the difference between the tennis gap and shooting time?

10:27Is there a lot of equipment that developed?

10:31It's a lot of technical, but the rest is the same.

10:33It's a lot of comfort and it's easy.

10:38Now, we have a global reach and varied reach, but we have a quality conscious.

10:46So, that is the change.

10:47That is why your combination is evergreen.

10:52And now you are all who is here and others.

10:54So, what does it take to the next time you let the combination of it?

10:57Definitely.

10:58I mean, why not to do that.

11:00We are definitely there.

11:02You are right.

11:03So, first of all, congrats.

11:06Thank you very much.

11:07Because before you chose three Roses so different.

11:10So, they are very different.

11:13So, they are not comparing.

11:15So, if you choose any type,

11:17then you choose any type.

11:21Is it your e-look or your e-look?

11:24No, it's not your e-look.

11:26Why?

11:27Why?

11:30Why is it your e-look?

11:32Why is it your e-look?

11:32Traditionally, always.

11:34Right?

11:34I am going to select that.

11:36That's the reason.

11:37So, when I was in the narration time,

11:39I had a lot of time with my mind.

11:42I was in the homely character.

11:44I had a performance.

11:46I had a glamour.

11:48I had a lot of that.

11:50I had a lot of that.

11:51I had a lot of that.

11:53Make-up.

11:54Hair.

11:55Hair.

11:55Simple.

11:56All these blouses said,

11:58Okay.

11:58I didn't add a word on my side.

12:03Now, I am also the most important director.

12:06Thank you sir.

12:09Thanks.

12:32Thank you sir.

12:36Thanks.

12:36Naveen,

12:39I had a great day.

12:41I have a lot of the judges who are during their events.

12:42I have a great job.

12:43I am going to make sure the judges are gone.

12:46I am going to make sure the judges are on the right spot.

12:47They are not going to make sure the judges are on the right spot.

12:48it is not a big deal to keep me.

12:51Every Friday,

12:52I do not have those,

12:56We have to fix the date and expect to see the film every Friday, every Friday.

13:07Not to expect yet, but a bunch of films.

13:10Yeah, a bunch of films, sir. But what is there to do? We have to go ahead with it.

13:16Next week, we can see you next week.

13:19That's great.

13:21Vijay Mas, you've got to see the steps that you're doing.

13:27There are signature steps.

13:29What are the steps that you're doing?

13:33A lot of people are doing this.

13:36You're getting shocked.

13:38You're getting shocked.

13:40Now, everyone's got everything.

13:43Now, everyone's got everything.

13:45Now there is a double energy.

13:47You have a lot of fun.

13:51You have to do these steps.

13:54You have to do some more grace.

13:58You have to do that song.

14:02You have to do your choreography.

14:05You have to do double energy.

14:08Thank you, Master.

14:10Thank you, Sir.

14:11Naveengar, Sir, you have a lot of promotions.

14:16How many promotions are you today?

14:19There are a lot of promotions.

14:22I will tell you about the example.

14:26I will tell you about the interview.

14:28Actually, the first launch of the TV is a trailer cut.

14:39Next to the theatre is a cinema.

14:41I will tell you about the print media.

14:45I will tell you about the interview.

14:47Other than that, I don't remember doing any promotions.

14:52I will tell you about the interview.

15:03They are the sequel team and the media.

15:05What kind of thing are you doing?

15:08So you are a fast journey!

15:09I would like to go with that.

15:09He is a bit better.

15:11Kamal Gharu?

15:14Is he a real sir?

15:17He is now a real sir.

15:19He is now a real sir.

15:22Kamal Sir?

15:25He is in a very good dialogue.

15:27Did he have to be very viral?

15:29No, there is a actor improvisation.

15:33I don't know the script is.

15:42It's an actor improvisation.

15:44It's not an actor improvisation.

15:47So, it's an improvisation.

15:49Well, it's a lot. Thank you.

15:51Thank you so much, brother.

15:51Naveen Garu,

15:55You look and energy are so fresh.

15:58So, how are you prepared?

16:00How are you prepared?

16:03Director Kamal, Master Vijay, or Fight Masters.

16:08So, that's how it worked.

16:14It looks fresh.

16:17So, it's a lot.

16:18So, your character is a strong audience.

16:23What are you doing?

16:25Firstly, Trimuthal Earthiness.

16:28Earthiness means simple and simple.

16:31There are a lot of light.

16:35So, I'm loving the Trimuthal character.

16:39So, if you connect with the audience,

16:40that's how you connect to the cinema.

16:41That's how you connect with the audience.

16:42Sir, when you connect with the dance,

16:43and you're doing the live,

16:44you're going to be mesmerizing.

16:46Grace isn't too strong.

16:48So, what are you doing here?

16:50What are you doing here, sir?

16:52I'm thinking about it.

16:54I'm thinking about it.

16:54Now, it's easy.

16:55You're doing great.

16:57You're doing great.

16:58You're doing great.

16:59You're doing great.

17:00No, sir.

17:01You're doing great.

17:02You're doing great.

17:02Yes, definitely.

17:03You're doing great.

17:05Thank you so much.

17:06Ron, Naveen Gar.

17:08Sir, that's interesting.

17:09The trial is quite interesting.

17:10Yes.

17:11There are some limitations for each actor.

17:14If only one person does a boundary,

17:15only doesn't need to be able to do it.

17:16Yes.

17:17Would you like to ask that actor break certain points?

17:21I guess there are the limitations that someone is doing better.

17:27However, I'm a better hero or an established running hero.

17:35And that's why I'm very conscious of the story and character,

17:38and as close to naturality as possible.

17:43Of course, if you have made a cinematic liberty,

17:47you can't get over the world,

17:50you can't get over the world,

17:51you can't get over the world,

17:52you can't get over the world.

17:57I think that is the plus.

17:59Yes.

18:00Because in movies, there are many family audiences,

18:02and love stories.

18:04In 10 years, the audience has a lot of difference.

18:08They have a lot of shock.

18:10They have a lot of issues.

18:11See, I feel like a Telugu audience,

18:13I feel like a family audience,

18:16anything fresh, I think they will see.

18:18That's my point.

18:20If they are doing a family cinema,

18:21and if they are doing a family cinema,

18:24they will not play.

18:25They will be repetitive.

18:27So, I feel like I'm feeling,

18:28a nice, engaging,

18:30and automatically,

18:31I think we have a lot of audience.

18:34Okay.

18:34Director,

18:36Sir, it's not a trial,

18:37but I doubt it is,

18:39this movie is a trial,

18:40so, it's one story,

18:41it's one story,

18:43so,

18:43it's one story,

18:45so,

18:45a family,

18:46it's one story,

18:47so,

18:48you can reference it,

18:48the other type of movie,

18:49so,

18:49and,

18:50you can reference it.

18:54If we were able to refer the movies,

19:00to refer it to,

19:00and to refer it to,

19:01and,

19:01honestly,

19:03we have a character,

19:03including our people,

19:06so,

19:07you can then refer it to the skin,

19:09so,

19:10like,

19:10natural flow in the type of references i think in literature so general out of the natural skill

19:16there okay no references done thank you thank you thank you so much to all our media friends and

19:24thank you

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