- 2 days ago
Category
🎥
Short filmTranscript
00:00:10At the turn, it's Altavoy in the lead by a leg.
00:00:13Riviera Blue in second place.
00:00:14Swallow third.
00:00:16Swallow's pulling up.
00:00:17No.
00:00:18It's Altavoy.
00:00:19Altavoy's the winner.
00:00:21Riviera Blue second.
00:00:22Swallow third.
00:00:24Take it easy.
00:00:25Take it easy.
00:00:26Take it easy.
00:00:27Number five.
00:00:28Number five gentlemen.
00:00:41No, no.
00:00:42Number five, mister.
00:00:43Believe me, I used to be a jockey.
00:00:47Yeah?
00:00:48Yeah.
00:00:50Angelo.
00:00:50You tell me.
00:00:52He says he already bet another number.
00:00:54Yeah?
00:00:55Who do you like?
00:00:56Six.
00:00:57Ah, number six.
00:00:58Very smart.
00:00:58No, look in the fourth race.
00:01:02The man wants number six.
00:01:04Number six it is.
00:01:08Marron, let me.
00:01:12They're off.
00:01:14Carousel in the lead.
00:01:16Lightning streak, second position.
00:01:19Third, Fantasia.
00:01:20John Brown.
00:01:22Yalta.
00:01:24After the second furlong, number six, Carousel is still ahead.
00:01:29Yalta is dropping back.
00:01:32Now they're into the straight.
00:01:35The positions are unchanged.
00:01:37Carousel, number six.
00:01:39Followed by Lightning streak, number five.
00:01:43And Fantasia, number three.
00:01:46Carousel's still in the lead.
00:01:47Number five, Lightning streak is moving ahead to overtake the leading position.
00:01:53No, he's broken his stride.
00:01:57John Brown is moving up.
00:01:58But Carousel keeps ahead.
00:02:00Followed by John Brown.
00:02:01Galta at him.
00:02:05It's Carousel at number six.
00:02:07Carousel is the winner.
00:02:09John Brown, number one, second.
00:02:12And Galta, number seven, third.
00:02:15Carousel, number seven, third.
00:02:5225 to one.
00:02:53Congratulations.
00:02:55Congratulations to you.
00:02:57Here.
00:02:58Cash, please.
00:03:00Okay.
00:03:01See you at the gate.
00:03:34And where's my money?
00:03:36Che ne sapevo io?
00:03:38Che rompe?
00:03:40Andate a sentire.
00:03:41Se volete rifarvi, puntate su Luce.
00:03:44Alla qui.
00:03:44Va bene?
00:03:45Andate.
00:03:46Però se non vengo, parmi a fuoco.
00:03:50Io vado a giocare, ma qua torno.
00:03:52E come fai a sapere che arriva Luce?
00:03:55Non lo so.
00:03:56Ma che te ne vuote?
00:03:57Andiamo da Leonardo.
00:04:09You got a light?
00:04:14Keep your hands with you.
00:04:15We're going for a right.
00:04:20Move.
00:04:21Move.
00:04:26Io a Gallo non devo dire niente.
00:04:28Eh, io lo direi di persona.
00:04:33Dammi te.
00:04:35Oh!
00:04:41Oh!
00:05:0725 to 1, mister, 25 to 1, you're a winner.
00:05:12Look!
00:05:21What's this money?
00:05:23Belongs to him.
00:05:25He's a winner.
00:05:27He's a very lucky guy.
00:05:42And he's a very lucky guy.
00:05:44But in the meantime, from New York...
00:05:46There's a New Yorker right in the middle of your town, and you don't even know why.
00:05:50He wouldn't come voluntarily to tell me why.
00:05:54So I've arranged a friendly kidnapping, with the ransom being a little information.
00:06:00Be careful, General. Don't do anything that would let New York in on what we're doing.
00:06:05Don't worry.
00:06:07I just want us to be the only ones to have secrets.
00:06:11Mr. Gallo.
00:06:13Sorry.
00:06:15It's time to go and chat with the Americans.
00:06:21Where is he?
00:06:34We...
00:06:34He's dead.
00:06:36Dead?
00:06:38And you come straight to my house?
00:06:41Nobody's so we come in.
00:06:42I'm positive.
00:06:44Nobody.
00:06:44What's positive is that nobody's going to see you go out.
00:06:54No.
00:06:58No.
00:06:59No.
00:07:10Well, Angelo.
00:07:12Still want to get into the big league, yeah?
00:07:14I don't know what you're talking about.
00:07:17Well, I hope you never do.
00:07:19Who's the one over there?
00:07:22An American bodyguard.
00:07:25Some bodyguard.
00:07:26Well, now we wait.
00:07:28For what?
00:07:30I have a feeling that this gentleman's American friends are going to be sending over a Christmas present.
00:07:36In the form of a small honor.
00:07:38All right.
00:07:41No.
00:08:10I don't know.
00:08:12If I send another guy over, chances are they'll send him back in a box.
00:08:29You're not just going to let it go?
00:08:31No.
00:08:32Who am I going to send?
00:08:35I know.
00:08:38Peter Marciani.
00:08:45Peter Marciani is right.
00:08:49He's right.
00:08:51He's changed since they killed his brother.
00:08:53He's a different man now.
00:08:55I don't think he'll do it.
00:08:57I know you will.
00:08:59Lavoro perfetto.
00:09:01Not loving in the true girl
00:09:20I saw you might
00:09:24I thought it was so big, I turned the way
00:09:28And so it's funny, I'm going to leave
00:09:32And so I went up to light
00:09:35And so I thought I'd go to light
00:09:40So I'd go to the way
00:09:42And so I'd go to the right
00:09:45So I thought it was so bright
00:09:46I thought it was so bright
00:09:49And so I'd like to get out of the light
00:10:05Let's go.
00:10:23I'm not going to die, I'm not going to die, I'm not going to die, I'm not going to die,
00:10:31I'm not going to die, I'm not going to die, I'm not going to die, I'm not going to die.
00:10:36Peter Marciani è sempre l'uomo sul quale puoi contare.
00:10:41Ma da quando gli hanno ucciso il fratello è cambiato, non vuole più saperne.
00:10:48Accetterebbe, dici?
00:10:49Ne sono convinto.
00:10:52Vai.
00:11:22No.
00:11:22No.
00:11:23No.
00:11:34No.
00:11:35No.
00:11:35No.
00:11:35No.
00:11:45No.
00:11:46No.
00:12:10No.
00:12:13No.
00:12:24No.
00:12:27No.
00:12:30No.
00:12:37No.
00:12:57No.
00:12:58No.
00:12:59No.
00:13:00No.
00:13:14No.
00:13:15No.
00:13:16No.
00:13:17No.
00:13:19No.
00:13:30No.
00:13:31No.
00:13:32No.
00:13:33No.
00:15:34What do you mean, no way out here?
00:15:37Half of that is ours.
00:15:38Half of nothing is nothing, which is what we'll get if you two go in there and start shooting your
00:15:45mouths off.
00:15:49Now, you cannot get in without a pass, I'm sorry.
00:15:52I'm sure it is, but you have to have a pass, I'm telling you.
00:15:56You can't get in without a pass.
00:15:58Sorry.
00:16:20Where have you been, huh?
00:16:21I don't know how the inspector gets when you keep him waiting.
00:16:26It's not for the inspector.
00:16:28Okay, okay, okay.
00:16:31The inspector's in there.
00:16:33Thanks.
00:16:40Would you look at this?
00:16:51Who let you in?
00:16:53I let myself in.
00:16:55Let yourself out.
00:16:56Oh, inspector, listen.
00:16:58The money that the American won, part of it's mine.
00:17:01That money belongs to his heirs.
00:17:03If you want to talk to him about your commission, you can do so.
00:17:06But you have no legal claim to it.
00:17:08I earned it.
00:17:09You know how it works.
00:17:11You'll bet your ass I know how it works.
00:17:13If you don't want me to book you for it, you'll stop wasting my time.
00:17:16Look who just checked in at the Hotel Excelsior.
00:17:21So, that's the army, huh?
00:17:24Whoever had Leonardi killed might turn himself in when he finds out Marciani's looking for him.
00:17:30A professional killer comes into town under his own name and we find out about it from the hotel.
00:17:35Now, what the hell are the airport police doing?
00:17:38On strike?
00:17:39They're good at that.
00:17:41You, beat it!
00:17:42Out!
00:17:42Come on!
00:17:43Out!
00:17:44Come on!
00:17:44Come on, get out of here!
00:17:45Yeah, all right!
00:17:46Out!
00:17:46I'm going, I'm going!
00:17:47Ah, don't worry!
00:17:50Hey, you think this Peter Marciani will pay off Leonardi's debts?
00:17:53Sure, with a kick in the ass.
00:17:55Oh, and he must be a cop!
00:17:57Ah!
00:18:01Dio, dio, non ha pagato ni a me, e ne a te.
00:18:04Ma quali feste, champagne!
00:18:06Tutta beneficenza!
00:18:07Beneficenza per i poveri orfamelli!
00:18:09Vabbè, vabbè!
00:18:21Mr. Marciani!
00:18:23Mr. Marciani!
00:18:28I, uh, I'm Angelo.
00:18:31I heard you were in Naples and, um, well, uh, I came to see if I could do anything for
00:18:38you.
00:18:38Like what?
00:18:40What?
00:18:41I don't know.
00:18:43Neither do I.
00:18:45If you need me, I'll be at the track.
00:18:48That's where I was when they killed Mr. Leonardi!
00:18:56Coming up to the homestretch, Lady Hamilton, please.
00:19:01Rosalie.
00:19:02Rosalie is overtaking.
00:19:04Yes, Rosalie is the winner.
00:19:06Number three.
00:19:08Lady Hamilton, number five.
00:19:11Second.
00:19:12And Stuart, number two.
00:19:14Third.
00:19:14Look, take this, okay?
00:19:17Here.
00:19:18The lot on 13.
00:19:24Mr. Marciani, I didn't think I'd see you here.
00:19:27I was going to be an associate of Mr. Leonardi's.
00:19:30I like the way I can find things out.
00:19:32Yeah, what's that?
00:19:33Lots of things.
00:19:35Like the horses.
00:19:37Well, uh, this race, the favorite is...
00:19:41Yes, number one.
00:19:43Now he's a good horse.
00:19:45But, um, he's going to break stride in the south turn.
00:19:49Just you watch.
00:19:51Let me know him.
00:19:52Yeah?
00:19:53Take care of this gentleman.
00:20:06Here.
00:20:07Keep your eyes open, Dodo.
00:20:30They're at the starting gate.
00:20:32They're off.
00:20:34Number six.
00:20:36Following closely behind the rabat.
00:20:39Number one.
00:20:40He's moving up.
00:20:42Now, number one is in the lead.
00:20:45Rabat.
00:20:47Lucifer.
00:20:48And Paul.
00:20:50Wellington on the outside, number five.
00:20:54Wellington overtakes rabat.
00:20:57It's Wellington in the lead.
00:21:00Followed by Paul.
00:21:02And rabat over.
00:21:04Wellington maintains first place.
00:21:07Now rabat moves forward.
00:21:10They're halfway around the course now with rabat back to the lead.
00:21:17And now rabat over.
00:21:20And now rabat will help out.
00:21:23And we'll jump back to Wellington.
00:21:23And he's going to get them to win.
00:21:24And they're at 10 times.
00:21:25And they're going to get them.
00:21:33Number one breaks stride, number one, the favorite for this race is disqualified, number six, Lucifer takes the lead on
00:21:43the outside, from number one, Gladiator moves up, second place, Lucifer gets Lucifer wins, number six, second, Gladiator, number two,
00:21:57and third, Wellington, number five, why should you pay, well, twenty percent, two hundred thousand, ten percent, two coffees, Mr.
00:22:10Gallo, Mr. Gallo,
00:22:27Wolf of Italy, punto three, twelve, twelve, twelve, twelve, twelve, twelve, twelve, twelve, twelve, twelve, twelve, nine, four, one, five,
00:22:33four, one, five, five, six, five, three, nine, let's go with hats,
00:22:57Sure. Next time I have a horse, I want shot. I'll call for you right away.
00:23:09No, that came here for personal reasons.
00:23:27He's open like that. He's taking chances just to scare me.
00:23:34So that's two mistakes already.
00:23:38One, mechanics don't take chances.
00:23:40Two, I'm not scared.
00:23:43I know you're a sitting duck out here.
00:23:45Good way to get a look at the hunters.
00:23:49Mr. Marchani, I'll give you a good look at them.
00:23:52Meet me at the club around the corner from the hotel tonight.
00:23:58Look quite good.
00:24:00It's yesterday's.
00:24:03There's a long run from La Palma to the left.
00:24:06Cross of the defender,
00:24:08the head of Braglia.
00:24:09Massa works with a beautiful ball,
00:24:11and in the flight,
00:24:12he's in front of the opponent.
00:24:24Pronto.
00:24:26Chi?
00:24:50Who is it?
00:24:52It's me, Angelo.
00:24:53Hi.
00:24:55Annie, will you do me a favor?
00:24:57That depends.
00:25:02Annie, tonight there's an American coming to the club to see me.
00:25:06And you could help.
00:25:09I tell you what, later I'll go out there and take my clothes off right in front of him.
00:25:14How's that, huh?
00:25:17You're going to spend the night with him.
00:25:21Get out.
00:25:23Oh, come on.
00:25:25Come on, Annie.
00:25:25What's the difference if, uh...
00:25:27Angelo.
00:25:28Yeah?
00:25:29Now, you know I do a lot for my friends.
00:25:31But I've got to draw the line somewhere, so just forget it, hmm?
00:25:35Okay, Annie.
00:25:36Sorry.
00:25:37That's all right.
00:25:38It's not the first time.
00:25:40I tell you what.
00:25:41If you're a good boy, I'll let you take me to lunch tomorrow.
00:25:45That way you can tell me about your big meeting.
00:25:48It's a deal.
00:25:48Well, we'll be watching you.
00:25:56Ciao.
00:25:57Ciao.
00:26:01Ciao.
00:26:18Come with me.
00:26:19Hey, what is this?
00:26:20Where are we going?
00:26:21Where are you taking me?
00:26:26Sorry, we're full.
00:26:28Who better let him in?
00:26:29Yeah, who is he?
00:26:30A very important man.
00:26:32And this is his bodyguard.
00:26:33All right, go in.
00:26:34Come on.
00:26:35What are you waiting for?
00:26:36Have a good time.
00:26:50Well, take a look.
00:26:54Pretty, huh?
00:26:58Long story.
00:27:00What is this?
00:27:02What is this?
00:27:04You see the men in her life.
00:27:06Pasquale Russo.
00:27:07Kidnapper.
00:27:09Hunters.
00:27:13Nice work.
00:27:16Antonio Lopresti.
00:27:17Safecracker.
00:27:18His accomplice, Mario Mancuso.
00:27:20Kino Garagiola.
00:27:21Known as the chemist.
00:27:23Makes up bombs.
00:27:24Poison.
00:27:25Cook's morphine base.
00:27:29Ladies and gentlemen,
00:27:31it gives me great pleasure to present the lady you all came here to see.
00:27:34The one and only Lady Anne.
00:27:50Sposito Costello.
00:27:51Sposito Costello carries a Beretta, 765, and finger blades.
00:27:55And this is one of Gallo's hitmen, Gastonisauro.
00:29:28And he's coming over.
00:29:30I think you have an admirer, Mr. Lannock.
00:29:32Hello.
00:29:32Have a drink, please.
00:29:34I'll have some of yours.
00:29:42I'll have some of you.
00:29:42Yeah.
00:29:43Fight us up to the bank.
00:29:52What's the matter?
00:29:54Your big meeting already over?
00:29:56I guess so.
00:29:58I'm sure.
00:30:05If I were you, I'd shoot.
00:30:07You're worth double the life.
00:30:09If I were you, I'd still shoot.
00:30:11Go.
00:30:11Go on.
00:30:20If you got in my way, if you'd gotten yours, you'd have done the same.
00:30:24Move.
00:30:37Come on, girls.
00:30:38You're broke.
00:30:39Get your hands off me.
00:30:43Come on.
00:30:44Get this car out of here.
00:30:45You can't stop here.
00:30:47Well, gentlemen, thank you very much.
00:30:49Goodbye.
00:30:56You bulls are all alike.
00:30:58Any excuse.
00:30:59Don't do it.
00:31:00God damn it.
00:31:00You're coming from me.
00:31:01I ain't done nothing.
00:31:03I earn honest living.
00:31:04I'm no criminal.
00:31:05Hoover.
00:31:06I ain't done nothing.
00:35:51No
00:35:53Arrivederci come sa
00:35:55Angelo
00:35:55A forza di girare attorno al fuoco
00:35:57Finirai per bruciarti
00:36:01Io lo so dove stavi ieri sera
00:36:02E ti potrai anche mettere dentro
00:36:07Hai intenzione di farlo?
00:36:10No
00:36:12E non resterò neanche il tuo amico Marciani
00:36:14In fondo lui è un pubblico benefattore
00:36:17E farà un piacere anche a me
00:36:19Mi condurrà chi è dietro a questa storia
00:36:22Diglielo pure
00:36:23Capito?
00:36:25Digli anche che vi sorveglio
00:36:27Tutte e due
00:36:32Mova tenna
00:36:43A presto
00:36:45A presto
00:36:46Let's go.
00:36:53Let's go.
00:36:54Let's go.
00:36:57Let's go.
00:36:59Let's go.
00:36:59Let's go.
00:37:01Let's go.
00:37:01Let's go.
00:37:01OK.
00:37:05Go on.
00:37:10I've got two boys following him into the fish market.
00:37:27Shopping spree.
00:37:40Shopping spree.
00:37:44Hello.
00:37:45No.
00:37:45I was just looking for some dishes to throw out the window.
00:37:49To throw out the window.
00:37:52I guess you could have been to Naples for New Year's.
00:37:54It's crazy.
00:37:56We have firecrackers and people throw things out the windows.
00:37:59What about this?
00:38:01Yes, it's not bad.
00:38:02Let's try it.
00:38:03It's really awful, China.
00:38:07Well?
00:38:07It breaks nicely.
00:38:08Nice sound, too.
00:38:11What?
00:38:14What's he saying?
00:38:16He says it was a priceless antique.
00:38:18One of a kind.
00:38:20Tell him we'll take a half dozen just like it.
00:38:21Yes, sir.
00:38:25Yes, sir.
00:38:32Yes, sir.
00:38:37Yes, sir.
00:38:42You're talking about Angelo.
00:38:44I've known him for years.
00:38:45He's a friend of mine.
00:38:47He's very fond of me.
00:38:48I'm glad to hear it.
00:38:50You mean last night you left because you thought...
00:38:55Something like that.
00:38:56That's stupid.
00:39:23That's stupid.
00:39:24Bye.
00:39:50Hey, what's going on?
00:39:53What's going on?
00:39:54You had...
00:39:55You had two hoods following you.
00:40:02There were two cops, Angelo.
00:40:04Never take out the lady without the chaperone.
00:40:09Okay.
00:40:12Oh.
00:40:13Now you've had a good laugh.
00:40:15I'll get out of your way.
00:40:16Hey!
00:40:19People who work for me don't live until I tell them to.
00:40:23We need a car.
00:40:25Discreet and fast.
00:40:27Here, buy one.
00:40:30Okay, boss.
00:40:39I might have a little trouble finding boys to go after him.
00:40:43Marciani's a legend.
00:40:45Yeah?
00:40:46Well, so is the price I'm paying.
00:40:48Plenty.
00:40:49Look.
00:40:50My boy's had it.
00:40:51But they tried to bring him in alive.
00:40:55Tell yours not to make the same mistake.
00:40:57Right?
00:40:58Right.
00:40:59You know where I'll be.
00:41:00And let me know when you've got something organized.
00:41:07What is it?
00:41:08Your medicine, Mr. Marciani.
00:41:22What kind of medicine?
00:41:25All the better to see you with.
00:41:28Ah, the big bad wolf.
00:41:30What did you do with my granny?
00:41:31I sent her to buy some eye drops.
00:41:33Ha, ha, ha.
00:41:34Very funny.
00:41:40We have to go out and buy some more things to throw out the window.
00:41:43See anything in the room you like?
00:41:45You mean I can take anything in here?
00:41:47Sure.
00:41:48Why not?
00:41:49Ooh.
00:41:50Let's see.
00:41:52Ah, ha, ha.
00:41:54That looks like a great objet d'art.
00:41:58Now, what else?
00:42:12Peter!
00:42:18It's acid.
00:42:20Don't worry.
00:42:21I'm not about to be thrown out of the window.
00:42:24But you can add this to your collection.
00:42:27Come.
00:42:28I'll show you the rest.
00:42:39Uh, hold porto, please.
00:42:45Yes, Mr. Marciani.
00:42:46Yes, Mr. Marciani.
00:42:47I have it right here.
00:42:52I'm sorry, sir.
00:42:53But I thought it was best not to disturb you.
00:42:56Yes, sir.
00:42:56I'll send it right up.
00:42:59Room 430.
00:43:01How's this for my collection?
00:43:04A beauty.
00:43:22You don't expect me to believe that, do you?
00:43:24Why not?
00:43:25Lots of Italian Americans visit the whole country.
00:43:28To see where they might have been born.
00:43:30To look at the kind of people they might have become.
00:43:34Or to finish a family feud.
00:43:37You sure you're not hungry?
00:43:39No, no, no.
00:43:40We Italians have our evening meal in the evening, not in the late afternoon.
00:43:45Well, if you don't want to eat, what do you want?
00:43:47A little straight talk from you.
00:43:49About what?
00:43:49Well, to start with, about your brother.
00:43:53Now, I received a wire from New York this morning which says that Gennaro Gallo
00:43:58was the prime suspect in your brother's killing.
00:44:00Okay?
00:44:01They didn't have enough evidence for an indictment.
00:44:04And besides, Gallo was being deported on other charges,
00:44:07so the New York City police dropped the investigation.
00:44:10Now, over here, Gallo is a respectable citizen
00:44:15and he has a legitimate export business.
00:44:18He's watched so closely he couldn't do otherwise.
00:44:20Sounds to me like he's not being watched closely enough.
00:44:24Afraid you're right.
00:44:26Now, if I could get him for trying to have you killed,
00:44:28we'd be able to watch him through the bars of a cell.
00:44:31See?
00:44:32And you can tell your friends in New York that Gallo was arrested before you could get to him.
00:44:37The only people trying to kill me are those maniacs who usually licenses do.
00:44:41I'm a tourist.
00:44:44How would you like to tour one of our prisons for 10 or 15 years
00:44:47for the murder of two men in the subway last night?
00:44:51Arrest me.
00:44:52No, no.
00:44:54Gallo's hiding out someplace.
00:44:56And you're gonna leave me to him.
00:45:00You can do this voluntarily, then you're free to leave the country.
00:45:03If you don't, I'm gonna keep you here forever.
00:45:08Hello?
00:45:10Hello?
00:45:18Thanks.
00:45:38Hey.
00:45:44Hey!
00:45:45Hey!
00:45:47Hey!
00:45:51Hey, hey!
00:45:55Hey!
00:45:56Hey!
00:46:00Hey!
00:46:21What's happened to the car and stick close to me
00:46:50Keep the engine running and stay ready for anything
00:46:57May I help you
00:47:03Give me one of these
00:47:07Back it a bit
00:47:38That's all I need
00:47:40Get going will you
00:47:51Hold on
00:47:57Inspector told me you went out last night
00:47:59You always talk to cops
00:48:01I had to identify a friend of mine
00:48:02He was laid out on a slab in the morgue
00:48:05Yeah I'm sorry
00:48:07I saw that
00:48:08It was my fault
00:48:11You keep your mind on what you're doing
00:48:13Not on what you've done
00:48:27Watch it
00:48:32Attention all cars in Santa Lucia area
00:48:35Watch out for a white house Romero Giulia with Naples plate
00:48:55Hey you're blind or what
00:49:11Cut them off down below
00:49:20Ne abbiamo un'altra dietro
00:49:21Accelera
00:49:22Svento
00:49:39Alza
00:49:40Stiamo tallonando Giulia Bianca
00:49:42Segnalataci
00:49:43Proseguiamo per Villa Comunale
00:49:44Verso Mergelina
00:50:10Stiamo tallonando
00:50:16Oh, dear.
00:51:10Don't shoot! I want to talk to him!
00:51:31Oh, dear.
00:51:32Oh, dear.
00:51:36Oh, dear.
00:51:37Oh, dear.
00:51:47Oh, my God.
00:52:26Can't you go any faster, goddammit!
00:52:31Come on, let's break for it.
00:52:52Get up!
00:52:53Get up!
00:53:06Oh, my God's sake.
00:53:10Get up!
00:53:11Get up!
00:53:12Get up!
00:53:31Oh!
00:53:42Oh, my God.
00:54:26Where's Gennaro Gallo?
00:54:32I don't know.
00:54:38Convince him.
00:54:51Where's Gennaro Gallo?
00:54:53I don't know.
00:54:54Where is he?
00:54:56Where is Gallo?
00:55:14He told us what we want to know.
00:55:17Why kill him?
00:55:21So you couldn't tell that way now?
00:55:41Where's Gennaro Gallo?
00:55:45Where's Gennaro Gallo?
00:56:05Where's Gennaro Gallo?
00:56:15What's going to happen when they find that corpse at the cemetery?
00:56:19They're going to bury it.
00:56:25All right.
00:56:26Repeat what you're going to do.
00:56:30Well, first I call Annie.
00:56:32And?
00:56:32And I don't tell her where we are.
00:56:35No matter what.
00:56:38Then I go to the station, pick up the bag, and come right back.
00:56:45Okay?
00:56:48Here's your claim check.
00:56:50Thanks.
00:57:17Sure.
00:57:18Sure.
00:57:18Sure.
00:57:19He's fine.
00:57:20Gennaro Gallo, please tell me where he is.
00:57:22I can't.
00:57:23But listen.
00:57:23Will you do me a favor?
00:57:25Would you please tell him that I...
00:57:26He told me to tell you that he loves you very much.
00:57:29He did?
00:57:30He really did?
00:57:31He really said that?
00:57:32Yeah.
00:57:33He really did.
00:57:34And he means it.
00:57:35I'm very happy for you, Annie.
00:57:38That's very sweet of you.
00:57:40Take care now.
00:57:41Okay.
00:57:41You take care.
00:57:42Bye-bye.
00:57:43Gael?
00:57:44I'm his lawyer.
00:57:45All right.
00:57:46Go in.
00:57:55Who are you?
00:57:56I'm standing in for your lawyer, Ravelli.
00:57:58He's in court and can't come today.
00:58:02He sent me to settle this business.
00:58:09Finished already?
00:58:11No, but I need the arresting officer's report.
00:58:13How do I get downstairs?
00:58:14Just follow the corridor to the right.
00:58:18You're welcome.
00:58:28All right, now you get down here and just go through the mug shots.
00:58:31See if you can identify the lawyer.
00:58:34I'll get someone over to Ravelli's office.
00:58:38Well, what's going to happen to you?
00:58:39I don't know what's going to happen to you.
00:58:41I'm sure as hell not going to get a medal for it.
00:58:43I can tell you that.
00:58:45Now just get down here fast.
00:58:50The witness?
00:58:51Right.
00:58:57Uh, what do we do now?
00:58:59Well, you have to join him.
00:59:03I'm going to try to get a message to Gallo.
00:59:06Ah, the old man.
00:59:08Right again.
00:59:10I'll be at Gargiulo's.
00:59:13Keep smiling.
00:59:16Bye and Jeffrey.
00:59:17I'll come on to do in a minute.
00:59:20I'll go over to him.
00:59:27And the one you want to do.
00:59:33Oh, my God.
01:00:00Oh, my God.
01:00:32Oh, my God.
01:01:08Oh, my God.
01:01:09Ah, Signor Gaggiulo, I appreciate you seeing me.
01:01:17Signor Gaggiulo, I want to know where Gennaro Gallo is hiding.
01:01:29And
01:01:29Don't tell me that he has become an honest businessman. I mean, I know better than that. I
01:01:35Also know that Peter
01:01:39Marciani is looking for him for more than one reason
01:01:45At least you can help me get a message to Gallo
01:01:53Now
01:01:56The Americans want to see him dead now that I'm on to him
01:02:03Is he useful to this organization here?
01:02:07You see I have to bring in somebody for what's been going on here for everything that's been going on
01:02:13here. I
01:02:15Would settle for Marciani
01:02:22Then
01:02:26Then I would help Gallo save his business and his reputation
01:02:32If you'll help me set a trap
01:02:35Who knows it may even save his life
01:02:40So long
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01:06:26Where have you been?
01:06:29For a walk.
01:06:33How does it go?
01:06:34No problem.
01:06:36I had a car on my tail, but they didn't have a chance.
01:06:42Good.
01:06:44Go ahead, open it.
01:07:03Good.
01:07:04I don't know.
01:07:34Oh
01:07:45Jesus it does everything but pull its own trigger. That's just it
01:07:56Left nipple forgive me my lord and master
01:08:06Try that gun
01:08:09It's too easy turn your back to it hide the rifle in front of your body
01:08:18And when I say go you'll have exactly four seconds to turn
01:08:24Shoot and get behind that ball. All right, I'll count
01:08:30Go one
01:08:33Three
01:08:38Five six
01:08:42Not too bad, huh not too good
01:08:50Now look there are only three important things in this business the preparation the shot and the getaway
01:08:58Make a mistake in any one of them and you're dead or under arrest
01:09:04As for the targets, it's just another tin can
01:09:08When it's hit you don't even watch at all
01:09:11You're gone before it hits the ground
01:09:13You don't hate it. You're not even killing it because being dead from the moment you took the contract
01:09:22You're done
01:09:25You're done
01:09:26You're done
01:09:44You're done
01:09:47You're not killing him. He's already dead when he's committed.
01:10:19Come on, you can do it. No, I can't. You have to. Why do I have to?
01:10:27Because tonight, you're going to kill a man.
01:11:01Well, you must be very tough. Thank you, doctor.
01:11:09Goodbye, Miss Inspector. Thank you again. Well, that's good news now. No broken bones. How do you feel?
01:11:17I'm all right. And you didn't tell him anything, did you? I don't know anything.
01:11:24Well, Miss, you see, you just had a little lesson, a little taste of the kind of game that Marciana
01:11:29was playing.
01:11:31You got lucky. So far, he's been lucky, too, but at last, believe me.
01:11:39Now, if you want to see him alive again, you have to tell me where he is.
01:11:45Even if I did know, I wouldn't tell you. But I don't know.
01:11:49Well, then, identify the men who beat you up.
01:11:53I didn't see their faces very well.
01:11:56Oh, come on, Miss. Come on now. These men could lead me to the man that hired them.
01:12:06Sorry. I can't help you.
01:12:09You're sorry, huh? Is that the way you want it?
01:12:15All right.
01:12:18Now, the doctor says that you can leave the hospital.
01:12:21And that means that you are healthy enough to go to jail.
01:12:25And we will call it protective custody to start with.
01:12:32All right?
01:12:33And then if Marciani spills any more blood in this town, just one more drop.
01:12:38I'm going to book you as an accomplice.
01:12:41Is that clear?
01:12:42You understand?
01:12:46I'll send the car for you later.
01:13:11Sorry, you can't go with it.
01:13:36Well, I would like police protection for both of us, from now until tomorrow at noon, when we leave the
01:13:42hospital.
01:13:42And then we fly to New York.
01:13:44I'm afraid we're going to have to use two separate cells.
01:13:47That won't be necessary. I've arranged for a secluded cottage.
01:13:51Inspector, what is it?
01:13:54Nothing. Nothing.
01:13:59I'll see you later.
01:14:00Tira!
01:14:01Tira!
01:14:04Dai!
01:14:07Piano.
01:14:09Piano, piano!
01:14:14Ehi.
01:14:14Guarda cosa ho trovato in un capannone qui a Torre Spaccato.
01:14:17Sono fotografie di una villa di Napoli.
01:14:20Fuori al capannone era pieno di bossoli di un fucile di precisione.
01:14:23They would have done the bop of Capodanno in advance.
01:14:26The one of the car has done the bop.
01:14:28Hey guys, let's go!
01:14:53I don't think so. No. I don't want to stand in your way.
01:14:58Have a good party.
01:15:02Yeah, well I want to know how come he's in there while we're out here freezing our asses off.
01:15:06The guy's a killer, isn't he?
01:15:08He's an American.
01:15:13Move around.
01:15:27To us.
01:15:29To us and to our New Years.
01:15:39Peter, how much of your life have you spent being happy?
01:15:43The first six years.
01:15:46And the last three days.
01:15:48Me too, like a child. We are lucky, you know.
01:15:53I'm lucky.
01:16:02I guess it's time, isn't it?
01:16:05Yes, it's time.
01:16:26Hey, come here. Quick.
01:16:30The light. Something's up.
01:16:33Something's up all right. It's getting warmer.
01:16:38Goodbye, Peter.
01:16:57Goodbye, Peter.
01:16:58Goodbye, Peter.
01:17:02Goodbye, Peter.
01:17:02Hey.
01:17:04Look who's home for the holidays.
01:17:06What's this all about?
01:17:07You found him on the racetrack. Shooting horses.
01:17:10Hmm.
01:17:13One of these days, you're gonna put somebody's eye out with this.
01:17:19Sit down.
01:17:22Now, listen.
01:17:26Why...
01:17:27Why don't you get yourself a partner who can really shoot?
01:17:30So I missed once.
01:17:32So what?
01:17:33It's harder than it looks.
01:17:35I'll bet you that, uh, Angelo never misses, huh?
01:17:38I wouldn't know.
01:17:41You wouldn't know, is that so?
01:17:42You just don't want to admit that he's that good, is that right?
01:17:46Angelo's not so good. He's just a young, that's all.
01:17:49Boy, when I was his age...
01:17:50Where is he?
01:17:52I ain't seen him since the American condo time.
01:17:56Where would he go if he wanted to hide out?
01:17:57You can go free if you tell me.
01:18:01Well, uh...
01:18:04Used to try to take the girls on the beach.
01:18:10The beach.
01:18:15Beach.
01:18:34Chulos place.
01:18:36Hm.
01:18:38Jesus.
01:18:40That stupid little bastard.
01:18:45Get me through the countervalley.
01:18:47Listen, I want three cars downstairs immediately.
01:18:54Hello? Yes?
01:18:56Cannavali, listen. Any trouble yet?
01:18:58No, everything's just fine.
01:19:01All right, now you listen to me.
01:19:02If Marciani sticks his head out that door, you shoot that bastard, you understand?
01:19:06Sure, but don't you worry. He's not going to move.
01:19:09Okay, let him go.
01:19:12You, come with me.
01:19:48Come with me.
01:19:50Hey, come with me.
01:19:51Okay.
01:19:52Salute, eh?
01:19:53It's a good one, eh?
01:20:24If anyone gets there before I do, don't shoot the boy if you can help him.
01:20:46Shit.
01:20:48Why did you come?
01:20:49You wouldn't have shot him.
01:20:51You knew it.
01:20:52You always knew it.
01:20:54But you didn't.
01:20:56And now you know.
01:20:58Go home, Angelo.
01:21:00You think I'm just a scared kid?
01:21:03Well, you're wrong.
01:21:04I would have shot him.
01:21:06And I would have got away, too.
01:21:07I did everything just right.
01:21:10Yeah.
01:21:11Yeah.
01:21:12Well, think of this.
01:21:12There's a bunch of cops back at my cottage who will swear I've been there all evening.
01:21:18You've got nobody to swear for you.
01:21:20That's what's known as being set up.
01:21:22It happens all the time.
01:21:23Or maybe I wanted you here so the cops would find you.
01:21:26With a hole in your head.
01:21:28That I would have put there.
01:21:31That too happens all the time.
01:21:58That too happens all the time.
01:21:59That good, almost, most You can find fellas.
01:22:20I'll call you.
01:22:21You could be here.
01:22:21See my flock.
01:22:23I'm all, honey.
01:22:30You are not the killer. Be grateful for it.
01:23:12You are the killer.
01:23:32Peter.
01:23:38It's the night when people get rid of things they don't need anymore.
01:23:48I don't need you anymore.
01:24:20He got Gallop.
01:24:24Well, you fooled me, mister.
01:24:28In many ways.
01:24:30I almost believed you,
01:24:33Mr. Marciani.
01:24:52I'm not good.
01:24:53I'm not good.
01:24:57I'm not good.
01:25:14I'm not good.
01:25:20That's what I'm doing.
01:25:37so you were there when he got it he always used to work alone
01:25:46now what's all this about a message for me
01:25:51there's something you made up so you could ask for a job again you've got quite an imagination
01:25:58no peter knew that you paid gallo to kill his brother here's the message
01:26:16oh
01:26:17and
01:26:32and
01:26:33Let's go.
01:27:09You've made your choice.
01:27:11From now on, you'll work for us in Peter Marciani's place.
01:28:03You've made your choice.
01:28:32You've made your choice.
01:29:03You've made your choice.
01:29:17You've made your choice.
01:29:17You've made your choice.
01:29:17You've made your choice.
01:29:17You've made your choice.
01:29:17You've made your choice.
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