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00:08Hello, my name is Malik.
00:11I will welcome you all to a nice episode of one episode.
00:14Today we will get a good idea.
00:16I will know that the truth is inside me and inside you.
00:22This is a joy in which we can know about ourselves.
00:26Some people believe and not.
00:30But what is the truth?
00:32To tell us about this, Miss Tanya.
00:37Please welcome.
00:46Hello, Malik.
00:47Hello.
00:48Please, come here.
00:50Sure.
01:01Thank you so much.
01:02This is a big issue.
01:04Please tell us how to tell us the truth.
01:07All these are a part of this belief.
01:10Every thought and every decision is made possible for these truths.
01:14Okay, and our promise is a new one.
01:17Absolutely.
01:18Of course.
01:18Just like these stars, that's our destiny.
01:21Seeing these stars, I can know anyone else.
01:25So, our destiny is our destiny.
01:27We can't change this.
01:31Listening to me, I feel scared.
01:34Of course.
01:34I have to believe that...
01:36I want to learn your confidence.
01:39You have to give a statement to your own.
01:43Like...
01:43Like you tell me some things about me.
01:48Okay.
01:49But...
01:51But...
01:51There are some things,
01:53which we believe in all of us.
01:57Okay.
01:58Now, show your hand.
02:38No!
02:40No!
02:41What can happen?
02:41Do you believe in the interview?
02:43And do you believe in our studio?
02:45Do you believe in our studio?
02:47Do you believe in CID?
02:49No.
02:51No.
02:56What's that, Vivek?
02:58Are you frustrated?
03:00Are you nervous about the camera and lights?
03:04Yes.
03:05I'm nervous about the camera and lights.
03:06I'm nervous.
03:08Okay.
03:08Okay.
03:09Okay, Vivek.
03:09No problem.
03:09We're going to do a rehearsal in the interview.
03:13So that you have a habit of the camera and lights.
03:15Okay.
03:18Vivek, tell me, when did you come to CID?
03:21Maybe...
03:23Have you been here for five or six years?
03:25Okay.
03:26So, how do you live with CID officers?
03:29It's a little difficult.
03:31But...
03:31It's very funny.
03:33Vivek,
03:34ACP, Abhijit,
03:35and Daya Sir,
03:36and senior officers,
03:38tell us something about working with senior officers.
03:43See,
03:44working with them is a very big deal.
03:47Like everyone's family,
03:50they've taught me a lot.
03:52They've always been prepared for help.
03:54Very nice.
03:56But what's your real family?
03:58Does your mother and father feel scared?
04:00It feels like it.
04:01It feels like it.
04:02My mother always feels like my love.
04:06But she has a burden
04:07that I'm dealing with the work of society.
04:10Vivek,
04:12there's another very important question.
04:15And if I ask that question,
04:16I can't even know you from the studio.
04:19Okay.
04:20Please.
04:21I don't want to ask about marriage.
04:23All right?
04:24No, no.
04:25We're going to ask about marriage.
04:26But in the case.
04:27Please tell me about Freddy Sir.
04:32Freddy Sir?
04:33Yes.
04:35What's that, Vivek?
04:37Do you take the name of Freddy Sir
04:38or have you started laughing?
04:40That's it.
04:41Freddy Sir.
04:43Vivek,
04:45if you listen to Freddy Sir's name,
04:47what would happen to you?
04:51What would happen to you?
04:54please don't ask.
04:56Sorry.
05:01what's that, Vivek did?
05:04Can you tell me about this issue?
05:08What happened,
05:10what happened to you next year?
05:18What happened to you?
05:22What happened to you?
05:25The last day,
05:26and I also drive the car safely.
05:30Then, how will my death happen?
05:32I don't know this.
05:33It's great.
05:35If my death happens, I know this.
05:38But how will it happen, I don't know this.
05:40I've read your hand. I haven't read it.
05:43It's a surprise.
05:46Why did you read the wrong things in your life?
05:48It's not like watching a TV program.
05:51It shows everything.
05:54I don't die.
05:55I'll be afraid to see you in my life.
05:56Tanya ji.
05:58You and all of these people tomorrow,
06:01will dance to my home tomorrow.
06:08I'm going to die.
06:13I'm not going to die.
06:17I'm going to die.
06:20I'm going to die.
06:23I'm going to die.
06:24I'm not going to die.
06:25I'm going to die.
06:31What happened to the village?
06:36What happened to the village?
06:38What happened to the village?
06:41What happened to the village?
06:43Why did he say that?
06:44What happened?
06:49Vivek, I didn't have trust.
06:52We can do so much.
06:53I can enjoy it.
06:54If you have a funny joke, then what do you do?
06:58Really? Very nice, Vivek.
07:00I feel like you're completely comfortable.
07:03So, start the interview?
07:04Absolutely.
07:05Okay.
07:06So, I'll call my cameraman and the rest of the crew.
07:10Please.
07:25Raghini, what's going on?
07:28I don't know, Vivek, something is necessary to do with Vivek.
07:32What's going on?
07:36Brother, what's going on?
07:39Perhaps something happened on the other side.
07:47Take a minute, take a minute.
07:48Please, please.
07:49Ma'am, please, take a minute.
07:50Hey, what's going on?
07:52What's going on?
07:54Bye, sir.
07:55Bye, sir.
08:02Is he dead?
08:04Listen, I'm Inspector Vivek from CID.
08:10CID?
08:11Yes.
08:12Please, please, go back.
08:13Please, please.
08:15No body will not go out of this building.
08:18I'll tell you, I'll go out of this building.
08:19I'll tell you.
08:21All right?
08:22Please, please.
08:30Hello, sir.
08:31I'm talking to the future news channel.
08:33You guys come quickly.
08:35There's a dog here.
08:36A dog here.
08:37A dog?
08:39Are you sure that it's a dog?
08:41Who are you?
08:41Who are you?
08:43Sir, this is a famous astylozer, Tania.
08:46They told me that they are going to be dead.
08:53Taniaji.
08:55Taniaji.
09:09Taniaji.
09:12Taniaji.
09:13How are you?
09:13A dog on the boat.
09:27Mr. Malay.
09:29You have the big ones closed, right?
09:34Why did you close?
09:35Why are you doing that?
09:44The blood is so bad.
09:46Like a birth.
09:47Yes, sir.
09:49His death is very strange.
09:51That's why I called you.
09:53But his death is still a little before.
09:55Yes, sir.
10:00I feel like this blood is in a freezer.
10:02Sir, the blood is still here.
10:05And his death is still in front of everyone.
10:10The body is also affected.
10:12And if the body is less than 4-5 hours,
10:15then how quickly the body is affected?
10:23The eyes are affected.
10:25And the eyes are red.
10:28Sachin,
10:30this body is very bad.
10:33This case is going to be wrong with Dr. Salonke.
10:39Do it.
10:41Do it.
10:41Do it.
10:43Doctor, you should see this blood in this measure.
11:13Sir, there is another thing.
11:15What?
11:16That is Tanya, an astrologer.
11:19Malai was taking her interview.
11:21Both were sitting there and recording.
11:24In that, Malai showed her hand to Tanya.
11:27Tanya saw her hand and said,
11:29Malai is going to be your death.
11:31After that, all of them...
11:34His death was written.
11:37When he comes to death,
11:38he stays here.
11:40No one can put it to him.
11:43As you saw that man's hand,
11:46you knew that this man is going to go up.
11:50Yes.
11:51Can I tell you something about this?
11:53I will not tell you anything about it.
11:56We have seen a lot of people of Tantrikos.
11:59Do you understand?
12:00Jyotish Vidya is not a man.
12:02So, what is Jyotish Vidya?
12:04He is a man who is in his hand
12:05and is a man who is in his hand.
12:07What?
12:08I mean?
12:09He has told you that he is going to die.
12:12You are a man.
12:14You are a man, you are a man.
12:15What is that?
12:16Sir, it is possible that he is with a man.
12:18What are you saying?
12:20The death is in his hand.
12:22We are just a man.
12:24And I can't even call him death.
12:26So, Malai died.
12:26How did he die?
12:32How did he die?
12:34Can you see his hand yourself?
12:39Can you tell me what you are going to be with?
12:44No.
12:45I can tell you what is going to be with you.
12:49What is going to be with you?
12:51The lady officer will hold you all in front of us
12:53and take you to the CID van from here.
12:56And then, the CID Bureau will send you to the CID Bureau
12:59Until you don't know this,
13:01that the death of death is going to happen.
13:03You will arrest me.
13:04You will arrest me too.
13:05You will arrest me too.
13:05And take me too.
13:07What is my fault?
13:11That I will arrest you.
13:22What is this?
13:23Take me that głos.
13:26When she Milken hands me to him.
13:27When she was talking,
13:29She was talking.
13:32Supplying leadership both.
13:33Because I can tell her.
13:36Were you talking to a doctor?
13:38Yes.
13:38You're the truth, sir.
13:39If I'm a liar, why would I stop my mother?
13:45I was going to die, and I didn't love her to this story.
13:51Why did I want to die?
13:54What is this shame?
14:09Please.
14:14I'm going to die.
14:15I'm going to die.
14:17I'm going to die.
14:19I'm going to die.
14:53I'm going to die.
14:56How do you leave the house?
14:57What is the house that says?
15:00The house?
15:09Security!
15:11Security!
15:13What's up here?
15:14Security?
15:15I don't know, sir.
15:17I don't know.
15:18I don't know.
15:19Did you call the door?
15:25The door?
15:29Where are you from?
15:36Where are you from?
15:37Where are you from?
15:38Where are you from?
15:39Where are you from?
15:40Where are you from?
15:42Where are you from?
15:42You were here, right?
15:43Yes, sir.
15:44We were here.
15:45You were here, then?
15:46Where are you from?
15:46What was the show you were doing?
15:48That show you.
15:51Absolutely.
15:52I believe that...
15:53I want to keep your trust.
15:58Okay.
15:59I want to give a statement to your story.
16:03Give you some proof.
16:06Look at your hand.
16:08Let me show your hand.
16:21Can't it happen?
16:23It can't happen?
16:25I'm scared of you.
16:27I'm scared of you.
16:28Yes, it's the last day.
16:32One minute, let's pass.
16:36Let's go, sir.
16:40Let's go.
16:44Why are you looking at your car on your car?
16:46Sir, he's looking at the same time.
16:49He was looking at the same time.
16:59Sir, he's looking at the same time.
17:15What's the matter, sir?
17:17Malaya was very famous in his program.
17:22This was not his mind.
17:24Was this the plan?
17:25No, sir.
17:26There was no such plan.
17:27You mean this is a death?
17:29Malaya's body was buried.
17:31How is it?
17:32I don't know anything, sir.
17:34I'm just thinking about how to show without it.
17:42Malaya's mother is the one who knew Tania.
17:47Yes, sir.
17:48Sir, but I didn't know Tania's mother here.
17:53Can I ask all of you?
17:55Yes, sir.
17:55Sir, there was one girl who lived here.
17:58Who?
17:59Raghani.
18:00She was taking my interview.
18:02You can ask yourself.
18:03Yes, sir.
18:09Come on, sir.
18:12What?
18:14Malaya's body is dead.
18:17He's dead.
18:18I'm dead.
18:19I'm dead.
18:23I'm dead.
18:24Not by the way.
18:25You've got a blood from the open.
18:29I've seen it everywhere,
18:30but I'm not sure if it's gone,
18:32where the blood was gone.
18:32Where are you from?
18:43Under the ambulance is closed.
18:45There is no drainage exit.
18:47What happened to you?
18:49When I left the dead body and left out,
18:51I saw that there was a leak in front of the gate.
18:54There is no security guard.
18:55There is no security guard.
18:57There is no security guard.
18:58There is no security guard.
18:59There is no security guard.
19:02There is no security guard.
19:05There is no security guard.
19:06Where are you from?
19:07Where are you from?
19:09I mean, you went from the gate and didn't see you back.
19:13And that's the fact that someone has
19:15got a leak from where the leak is from.
19:18I know, sir.
19:19But they did not see anything.
19:24Did someone take a leak from the ambulance?
19:27No, sir.
19:29Maybe you could keep a leak from someone in a big hole.
19:32No, sir.
19:33You could not see anyone like this.
19:34Okay.
19:38Sir, how can this happen?
19:40Did someone take a leak and not see anyone?
19:42That's right.
19:44Sir, I've forgotten all of them.
19:45But everyone is the only answer.
19:47That no one has seen anything.
19:48Why are you not telling them?
19:49This is not clear.
19:49No, sir.
19:50But this is all a plan.
19:53If this gate opened,
19:54then the ambulance will go out of the gate.
19:56But no.
19:57The gate is closed.
19:58And there is no security guard.
20:00And I also went to see the security guard.
20:02There was no door in the ambulance.
20:04No, sir.
20:05Absolutely.
20:07This security guard...
20:10There is no security guard.
20:25You have to secure this gate.
20:27Yes, sir.
20:28Where?
20:28Well, sir.
20:29It's hot in the house.
20:30You say it's hot in the house.
20:31It's hot in the house.
20:32It's hot in the house.
20:32Sir, sir.
20:33I'm not saying anything.
20:33It's hot in the house.
20:36It's hot in the house.
20:38It's hot in the house.
20:38It's hot in the house.
20:39So, I'm sitting down a little.
20:40This is why I'm going to kill my body.
20:42It's been killed, sir.
20:43I'm not my hand.
20:44I'm not sure anything.
20:45You're in the house.
20:46You're in the house.
20:48No.
20:48I'm not.
20:49I had a phone.
20:50I had to attend her.
20:51I was sitting down a little.
20:53Phone?
20:54Missing?
20:55I don't know, sir.
20:57But when I arrived,
20:58my phone was cut off.
20:59I thought I was going to call home.
21:00So, I was waiting for a little.
21:02One minute.
21:03She told you that your phone came.
21:06She didn't tell you that who was the phone.
21:08No, sir.
21:10Okay.
21:13Why did you ask her?
21:14Who is she saying?
21:15Sir, because her friends and family are always calling.
21:18I don't ask for her.
21:19I'm not asking for her.
21:21Was she a girl or a girl?
21:24Sir, she was a girl.
21:25She was a girl?
21:26She was a girl?
21:27What did she say?
21:30What did she say?
21:31Yes.
21:32Yes.
21:33She told her to call Mahesh.
21:34Mahesh?
21:37Mahesh?
21:38Mahesh?
21:38Yes.
21:39Security guard.
21:40Think about it.
21:49Sorry, sir.
21:50Security guard.
21:52Security guard?
21:54Yes, sir.
21:55I think she told her to call her.
21:59Sir.
22:00Yes.
22:01I think she was getting a receptionist.
22:04No phone.
22:04I don't know how to call her.
22:06The caller called said...
22:09...
22:10...
22:10...
22:10...
22:11...
22:12...
22:13...
22:13...
22:13...
22:13...
22:13...
22:14The receptionist didn't even get the receptionist.
22:17If he had a friend of the watchman's phone, he said he'd call Mahesh.
22:21And the callers said he'd call the security guard from the gate.
22:27That girl's phone is on his TV station.
22:36Why didn't he call Aghani?
22:45Look, your reporter is where is Raghani?
22:51Who?
22:52Raghani?
22:53Raghani?
22:54There's no one here.
22:57Look, you probably don't know.
22:59Please check your records. Raghani, reporter.
23:03I've been working here for five years.
23:04I don't know who to know, sir.
23:08Who was that Raghani who was rehearsing in the interview room?
23:11Interview room?
23:12Yes.
23:12That was supposed to be closed.
23:14Look, that room was opened.
23:16I was rehearsing with Raghani.
23:19Look, you do something.
23:20You call Mr. Surir, Mr. Surir.
23:24I have to meet him.
23:25Okay, sir.
23:25Thanks.
23:45Mr. Surir, do you know my interview here?
23:49Your interview here?
23:51Yes.
23:52No, sir.
23:53I have something to tell you about this.
23:54Look, your reporter, Raghani, called me here in the interview.
23:57The camera was here.
23:59Raghani was sitting here, and I was here.
24:01I have to meet him.
24:01We started our conversation.
24:04Then, again, I don't understand that no one knows Raghani about this interview, but not even about this interview.
24:10Yes, sir.
24:11No one is a reporter named Raghani.
24:14And never been working here.
24:16I was in the same place.
24:17How did I do this?
24:18This is not the preparation for yourself.
24:21There will be something to happen here.
24:22Yes, sir.
24:24Malai was taking an interview here.
24:25Malai was in the other interview.
24:27Then, what was the interview here?
24:29After that interview, that was the other interview here.
24:32Okay.
24:35So, this room was empty.
24:37This was the thing that Raghani knew.
24:40So, she made all this plan.
24:43Mr. Sudir,
24:45there is no one of your TV station who told Raghani.
24:49Who is he?
24:51Is there any question to anyone?
24:53No, sir.
24:54No, sir.
24:54Who is there, Mr. Sudir?
24:56No, sir.
24:57Who is there?
25:05Who is there?
25:06Mr. Sudir, where is that man?
25:07Who was open the door that had opened the door?
25:10Where is that?
25:13Everything is known from him.
25:22Where is that?
25:22I don't know, sir.
25:24I don't know.
25:25Sir, he's sitting here.
25:26Maybe he's going outside.
25:28His name is Kamal.
25:30Kamal?
25:31Did he meet a maintenance man, Vivek?
25:33No, sir.
25:34But his name is Kamal.
25:35He should be here.
25:37Maybe he's a fraud.
25:39Sir, there's no doubt about it.
25:41But he's the employee here.
25:43Sir, you give me a little time.
25:44I'll take him out.
25:45Please.
25:46Relax, relax, Vivek.
25:46Don't go.
25:48You go and see.
25:49Come on, sir.
25:50Yes.
25:54Vivek.
25:56How do you know Ragini?
25:58Sir, actually.
25:59Ragini has called me.
26:01One interview.
26:03The last two weeks he was requesting.
26:05So I thought.
26:07Oh.
26:08It's all a planning.
26:10Oh.
26:11What do you mean, sir?
26:13I mean, he had to get the blood of his blood.
26:16And then he took his body.
26:20Sir.
26:20After that, he was a victim.
26:23But one thing I didn't understand.
26:25If he's a lawyer, why did he call me for an interview?
26:29Why, sir?
26:31Sir.
26:33This is the police.
26:35No.
26:36Where is she?
26:39Who was she?
26:42Who was she?
26:45Who was she?
26:47Who was she?
26:48Who was she?
26:49Who was she?
26:50She was telling her, she was telling her.
26:58Who was she?
26:59Who was she?
26:59How am I she?
27:00Why did you open the interview room for her?
27:02Sir, Malay Sir said that she would send her to the interview room.
27:07Malay?
27:08Malay?
27:08Malay's mother took advantage of her.
27:10You're not putting her on her head.
27:12No, sir.
27:13It's a proof to you.
27:14A proof?
27:18Yes, sir.
27:20One minute.
27:25Look at this.
27:28Malay Sir told her to send her to the girl there.
27:30He told her to set up her.
27:32This is her signature.
27:35That means...
27:36Malay Ragnini knows how to know Malay?
27:39Sir, I don't know.
27:41Malay Sir told me to meet Ragnini.
27:44He told me to send her to the office in the interview room.
27:49Sir, can't Malay also be involved with Ragnini?
27:53Malay and Ragnini have a connection between them?
27:56Malay Sir, why don't you get in there?
27:58Malay?
28:00Malay Sir, not trying to help her...
28:01Malay, too.
28:01Malay, no 15-0 isn't stromed.
28:01Galay Sir, understand.
28:01I don't know anything about Ragnini or her apoyo of her.
28:04Malay, I don't know anything about Ragnini is here.
28:06Malay Sir, blind because that's the only thing in there.
28:09Malay did not be left.
28:10Well, what about that one of us can get here?
28:11Malay Sir, what's the only description of Malinga?
28:11Malay will be left alone, then what about this one?
28:15Malay gets taken out of his Germany?
28:16Probably the supplemental person who will know T-f Looking a littleアod No action to suppose
28:25Are you still coming from Sanandar?
28:27Huh?
28:29Who are you from?
28:30I'll take a look at the windmill at 11 o'clock.
28:35Suranda!
28:38Suranda!
28:39Suranda!
28:40The TV is running from the zone.
28:42Then he is sleeping?
28:43Suranda!
28:46Suranda!
28:49Suranda!
28:50Suranda!
28:51Suranda!
28:51Suranda!
28:57Suranda!
28:58Suranda!
28:58Suranda!
28:59Something to do.
29:00You have to take a look at the door.
29:01Yes, but what happened?
29:03Did you take a look at the door?
29:04I don't know.
29:06Please come.
29:10Good job.
29:15Hello?
29:16Please tell me what happened.
29:19Excuse me?
29:20What happened?
29:21I was so scared.
29:22I was so scared.
29:24I was so scared.
29:25Come on.
29:28Come on.
29:29Come on.
29:31Come on.
29:32You're going to take a look.
29:35Come on.
29:40I'm so scared.
29:46I'm so scared.
29:48I'm so scared.
29:49No, you're so scared.
29:51Do you need something to check because I'm so scared.
30:03See you, see you.
30:09I'm so scared.
30:11Oh, you need to be saved.
30:18Come on.
30:18Come on.
30:19I'll see you.
30:19I can't go anywhere.
30:21I can't go anywhere?
30:22No, sir.
30:24Is this guy alone here?
30:27Who is this guy?
30:33Take me, take me.
30:36What is this?
30:42What is this?
31:06Is this guy alone?
31:10Is this guy alone?
31:12Yes, sir.
31:13But how did he get here?
31:14I've left him.
31:15I'll leave him alone.
31:16But if he killed him, I'll leave him alone.
31:17If he killed him, what'd he kill him?
31:21What is this?
31:22This stone's stone,
31:25the car and the other ones.
31:29Everything is the same.
31:31I don't want to see anything.
31:34The other side,
31:36the neckline, the neckline, the neckline, and the neckline.
31:38Yes, sir.
31:59The lock is totally fine.
32:03There's no reason to break the door.
32:08It's not like that.
32:10The one who kept the blood of Malay,
32:13has a chabby's house.
32:16The chabby opened the door,
32:18put the blood here,
32:20and the chup chap came out.
32:24But I don't understand one thing.
32:27He had to keep the blood of Malay's blood here.
32:30What?
32:36Who is this?
32:38The ragni is not here.
32:40Where is he?
32:42He went to his house.
32:44He went to his house.
32:44But the ragni is here.
32:46Sir, he is a resident of Malay.
32:47I gave him his house to his house.
32:50Oh.
32:51And when he went to his house?
32:53This morning at 12 o'clock.
32:56At 12 o'clock?
32:59The blood of Malay came out at 10 o'clock.
33:01And after two hours,
33:03she fell out at 12 o'clock.
33:05What?
33:06What?
33:07He was in the house.
33:08Where did he leave me?
33:10Sir,
33:10Is there a number of ragni's house?
33:12Yes, sir.
33:13Yes, sir.
33:14I'll give him.
33:16Let me tell you,
33:18that ragni has reached the house.
33:19Yes, sir.
33:23What is ragni's work?
33:24Sir, he's a researcher in the AC Research Lab.
33:28He's a company who has been to his house.
33:31He's a company who has been to his house.
33:33Sir,
33:34Ragni has been to his house again.
33:35He's not gone to his house.
33:38Hmm.
33:40He's also his dream.
33:45He's a failure of the Yes-P Bergiv 급 Doll.
33:50It was a personal reason why a nun didn't.
33:50We are a dog's driver.
33:50They have to leave us alone.
33:53You are out to be on your house too!
33:53It's Warehouses,
33:54No idea how sad to lie on hisacamal condition.
33:59But he doesn't feel very sad to lie on his chest.
34:00By the end of his chest,
34:01Nana asked The floor would notice you for telling us about this.
34:01The sacrifice of my chest being in our chest was signed.
34:04Next day of his breast being...
34:04The death of this man's death was...
34:05It was two hours ago.
34:07I saw it.
34:07I knew that when I came out of my head, I had a smile on my face.
34:13Then I thought that today's day is going to be very dangerous.
34:17Guys, I died two hours before this man.
34:21This man's death was on the television station.
34:25It was 10 hours before this man.
34:29I mean, it was 8 hours before this man.
34:32Look, once the forensic scientist told me that this man died two hours before this man,
34:37that means that this man died two hours before this man.
34:41How can this happen?
34:43He checked his blood on the television station.
34:47And he also died.
34:48Then his body was cold.
34:50Okay, let me tell you.
34:52Did you get anything in this body?
34:54No, he didn't get anything.
34:57No, Salunke, he was on the television station.
35:00Besides this, there was nothing else.
35:01Until he was sitting here.
35:03The only thing was sitting here, Tania,
35:05there was nothing there.
35:08No, Salunke, there was nothing in his body.
35:11I said there was nothing you should get.
35:14And the reason why his body was cold.
35:17Like a normal old man,
35:18tell me, Salunke,
35:19In our investigation, this man died in the morning at 10 o'clock.
35:23That means, he died 8 hours ago.
35:25And you're saying that his death was 2 hours ago.
35:29So, did this man died 8 hours ago and then died 2 hours ago?
35:41With the body, the pain of my heart is reduced.
35:46It is reduced.
35:49Did he die?
35:50According to the theory, yes.
35:55One more question.
35:56What?
35:58Look, here, the two signs are the signs of the injection.
36:05This man has given the injection from here.
36:10And that man died from that man.
36:14A man died from the injection?
36:16He gave the injection?
36:21The injection?
36:23Who?
36:25Who?
36:27Who gave the injection of the injection?
36:30Who?
36:32I have to ask something about Ragnini.
36:34Why is this CID behind Ragnini?
36:36Where, where?
36:37He came from.
36:38He came from.
36:39He came from the eye.
36:40He came from the eye.
37:00The eye?
37:02I took the injection of the injection.
37:05Hold on.
37:07I killed him.
37:09Watch the bottle.
37:10I killed him.
37:11He killed him.
37:14He killed him.
37:15He killed him.
37:20He killed him.
37:26He killed him.
37:30I don't know why he killed him.
37:31Yeah, sir.
37:31Open him.
37:31I'm going to get out of here.
37:34Ragini.
37:43Ragini.
37:48Oh my god.
37:52Ragini.
37:54Sir, Sir, his body is in the same way.
37:57He's in the same way.
38:02Sir, you're dead.
38:04I'm going to die because of his death.
38:15Everything is on its own.
38:18There's no other way in the lab.
38:20There's nothing to do with his hands.
38:36I don't want to die.
38:40I'm going to die from the phone record.
38:42The phone record was a few days before.
38:44Ragini was in the same way.
38:47It was the same.
38:49What do you think?
38:50If we got this chemical in the lab, what do we know about it?
38:54If we leave this chemical in this room, it will fall in the room.
38:59Okay.
39:01And if we inject this chemical in a human body, then it will fall in the body?
39:08The human body was also in the body.
39:11But after that, it was still alive.
39:12What if we get this chemical in this region?
39:14Yes.
39:16If we get this chemical in this series,
39:18then the body will fall in the body.
39:21However, his heart will fall in the body.
39:26Oh!
39:27So it means that the human body has fallen apart
39:31and the body has become normal.
39:34And the human body will be alive again?
39:36Yes, exactly.
39:36It's clear that Raghini and Malai both made a plan for this chemical.
39:45When he was falling on the ground,
39:47he was injected this chemical to him,
39:51so that his heart was working.
39:54Raghini had to change his face to change his clothes,
39:58knuckle and wick,
40:00which had to get him into the ambulance.
40:19He was happy to get the ambulance during the time.
40:22As the door closed the ambulance,
40:25he took off and moved away.
41:00The plan is exactly right and he will reach his home.
41:04I can't go back.
41:11How much is all it is so easy?
41:16And no one has got to be upset.
41:23In Antara Shriya Bazaar,
41:25the village of the village fell from $105.00 a barrel,
41:28and it fell from $73.63.
41:30$1.5 per barrel, but with $1.5 per barrel,
41:34the petrol companies are not prepared for me.
41:37Why are you not showing me the news on the last time?
41:41At that time, the price of $1.5 per barrel was $1.5 per barrel.
41:44They did not know what happened to me.
41:47I was scared to kill myself.
41:50And I was so scared.
41:53I got out of my death.
41:55Just look at it.
42:13Regini was waiting for her.
42:15And he gave Malai to me the injection.
42:18But the blood that Regini did not do.
42:22He called himself to Vivek at the radio station,
42:25because however, this was a publicity stunt.
42:28If there is something like a CID officer,
42:31then the issue is very big.
42:33Sir, if Ragini didn't open,
42:35then who is then open?
42:37Vivek, tell me.
42:39Sir, where was Ragini's falling?
42:42Sir, where was Ragini's falling?
42:43Sir, Ragini wasn't in the set.
42:44She was in the corridor.
42:46Because she had to keep her clothes in the ambulance.
42:48But everyone's heart of Malai's heart.
42:50She had to give her injection.
42:52So who gave her injection?
42:54Vivek, she didn't give her injection.
42:55Sir, Ragini and Malai
42:57have put her in the plan.
43:00And she was on the set.
43:03Yes, Diyan.
43:05You've understood who she is?
43:07It was time for her.
43:27Be careful.
43:28Who are you?
43:30How are you?
43:30Well, I'm good.
43:32But to ask such a question,
43:33you are here!
43:35Yes, I've been given a phone.
43:37How can I ask you to speak on the phone?
43:40No, there's no such thing.
43:43But...
43:44No, we thought that the situation we are in trouble,
43:47you can get out of here.
43:50I?
43:51Yes, you know all of us.
43:53So please, let us know that who is Rage Nigao Malay's phone?
43:59How do you know me?
44:00How do you know me?
44:01Okay, Tania ji, now...
44:02We are killed.
44:05You have to do something.
44:07I can't do anything.
44:09I mean...
44:11Your jyotish vidya failed.
44:13Why? Why did it fail?
44:15Because it seems like you have no knowledge about jyotish.
44:19You have to talk about chemicals and other things.
44:22What, Tania ji?
44:26You have lost your heart.
44:28I mean?
44:29You mean Tania ji ji, you have lost your heart.
44:33You have lost your heart.
44:35You have lost your heart.
44:36What about chemicals?
44:38That's not...
44:38Rage Nigao Malay's phone number is found in the list of the company's list.
44:43You have seen the whole thing?
44:45Do you see it?
44:46Do you see it or not?
44:50Do you see it?
44:51Do you see it?
45:00No, no, no, for the panel...
45:01What happened?
45:02Do you see it or not?
45:05Do you see it or not?
45:16Do you see it?
45:28I know.
45:28But you told me that at that time you were in the same area.
45:34Was it or not?
45:36Was it?
45:45When she tries to run, she has one disease.
45:55Yes, I killed her.
46:00I killed her.
46:02She gave her the injection to her home.
46:15And she didn't trust her.
46:17Because you were in her plans before.
46:20Yes.
46:21I told her that she would feel better than the injection.
46:26How did you kill her?
46:26How did you kill her?
46:27That day, I was with him in the lab.
46:30And I opened the container of chemical.
46:33And went out of the camera.
46:35And that chemical had to hurt him in the lab.
46:39But what did he do?
46:40Because of that chemical.
46:42Because of that chemical?
46:44Because of that chemical?
46:45Because of that chemical.
46:46Because of that chemical.
46:46Because of that chemical.
46:48But with my boyfriend, I got all the credit.
46:51I didn't get my name.
46:51And I didn't get my name.
46:52And of that chemical.
46:54And I got to take him.
46:54And I got to take him.
46:55I got to take him.
46:56And I got to take him.
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