Aik Mohabbat Aur is a story of Khushbakht, a strong and determined ACP officer who has already seen the painful side of love. After a love marriage that couldn’t survive the test of time, she returns to her parents home with her young son and the scars of a broken relationship. Instead of comfort, she finds herself living under constant judgment, where her presence is often seen as a burden rather than a daughter seeking support. These experiences slowly make her lose faith in love and companionship. On the other side is Haroon, A principled journalist who believes in truth and depth rather than superficial choices. Pressured by his mother to settle down, He struggles to find someone who truly connects with his heart and values. His life takes an unexpected turn when a case brings him face to face with ACP Khushbakht.While working around the same investigation, Haroon is drawn to Khushbakht’s courage, dignity and the silent strength with which she carries her past. For Haroon, it becomes love but for Khushbakht, love is a chapter she believes has already ended. Now begins Haroon’s emotional journey to break the walls around Khushbakht's heart and prove that sometimes life gives a second chance.
Written by: Faiza Iftikhaar
Directed by: Farooq Rind
Produced by: Tehreem Chaudhary
Production: Multiverse Entertainment
Cast :
Ahad Raza Mir As Haroon Malik
Maya Ali As Khushbakht Naz
Hajra Yamin As Sonia Murtuza
Noor ul Hassan As Haroon Father
Munazza Arif As Haroon Mother
Sachal Afzal As Haseeb
Hani Taha As Seema
Dodi khan As Khushbakht's Husband
Samiya Mumtaz As Khushbakht's Mother
Yousuf Bashir Qureshi As Khushbakht's Father
Fajar Sheikh As Khushbakht's Sister
Ayzil As Khushbakht's Daughter
Qudsia Ali As Maham
Abbas Ashraf As Faris
Saqib Sameer As Haroon Friend
Omair Rana As Channel Owner
Shamyl Khan As Chaudhary (Politician)
Rehan Sheikh As Commissioner Islamabad & Others...
#aikmohabbataur
#ahadrazamir
#mayaali
#pakistanidrama
Digitally Presented By Lifebuoy Shampoo
#Lifebuoyshampoo #Jarhsemazboot
Digitally Powered By Happilac Paints
#HappilacPaints, #Happilac
Digitally Associated By Vince Nurtural Hair Color
#vincecare #vincecareoffical
Written by: Faiza Iftikhaar
Directed by: Farooq Rind
Produced by: Tehreem Chaudhary
Production: Multiverse Entertainment
Cast :
Ahad Raza Mir As Haroon Malik
Maya Ali As Khushbakht Naz
Hajra Yamin As Sonia Murtuza
Noor ul Hassan As Haroon Father
Munazza Arif As Haroon Mother
Sachal Afzal As Haseeb
Hani Taha As Seema
Dodi khan As Khushbakht's Husband
Samiya Mumtaz As Khushbakht's Mother
Yousuf Bashir Qureshi As Khushbakht's Father
Fajar Sheikh As Khushbakht's Sister
Ayzil As Khushbakht's Daughter
Qudsia Ali As Maham
Abbas Ashraf As Faris
Saqib Sameer As Haroon Friend
Omair Rana As Channel Owner
Shamyl Khan As Chaudhary (Politician)
Rehan Sheikh As Commissioner Islamabad & Others...
#aikmohabbataur
#ahadrazamir
#mayaali
#pakistanidrama
Digitally Presented By Lifebuoy Shampoo
#Lifebuoyshampoo #Jarhsemazboot
Digitally Powered By Happilac Paints
#HappilacPaints, #Happilac
Digitally Associated By Vince Nurtural Hair Color
#vincecare #vincecareoffical
Category
📺
TVTranscript
00:00Why don't you live without you? Why don't you live without you?
00:06If you're not, you're only in your own way
00:41You're in your own way
00:56Good morning Harun
00:58What happened to you?
01:01You too?
01:02It was about 5 o'clock.
01:05It was about 5 o'clock.
01:07Yesterday, I told you to sleep in the morning.
01:11It's about 4 o'clock recording and 6 o'clock on-air.
01:15My name is Malaket 8, Malaket 6.
01:18I got a very difficult time for the interview.
01:21It was before the press conference.
01:23That's why I'm thinking about 6 o'clock on-air.
01:26And even in the press conference, everyone will tell you.
01:30And my dear,
01:32if people will read in the news,
01:34then who will listen to Malaket 8?
01:37Who will listen to the news?
01:39The news?
01:42In today's news, who is reading?
01:44Is it fast?
01:46Make a coffee.
01:48Make a coffee.
01:49Make a coffee.
01:50I don't know how to explain it.
01:52I don't know how to explain it.
01:55Where are you?
01:56How much have I done?
02:00I don't know how to 16 o'clock.
02:04I've killed Nepal at last,
02:05See what am I looking at.
02:08How about what am I doing?
02:13I've been meaning.
02:13I've been dying in the enlightenment and bịp família,
02:17I'm addressing regards no damage.
02:18Well, I'm dating the redemption tax.oked
02:22people with respect to realms.
02:44Ah, can you tell me how much time of your conference is your Karmani?
02:54Good.
02:55Okay, that's right.
02:58What hotel do you stay in there?
03:00How much security is there?
03:05Why?
03:06Why is there not?
03:08You send security right now.
03:11Please, Karmani's team and request them
03:15that after the conference and after the conference,
03:17we will raise them.
03:19Actually, you will talk to me with Karmani.
03:27I will talk to you with my assistant commissioner.
03:29Assalamualaikum sir.
03:31I'm speaking to you with the assistant commissioner.
03:54Come on, brother.
03:57Come on, come on, come on, come on, come on.
04:00So, Karmani is ready for the interview.
04:02I was going to call you and tell you that you can't meet Karmani with you.
04:05I can't do it.
04:07I mean, I can't give an interview.
04:10Well, because the time and the rate of the interview was set.
04:15It's actually out there.
04:16Before the press conference, it's not going to be direct.
04:19Because of the security reason, there's a lot of pressure on it.
04:22There's a lot of pressure on it.
04:24Let's go, I thought that this pressure can handle it.
04:28Let's go.
04:29Yeah.
04:30But the media, that's when the press conference can't afford it.
04:39Let's go, Nabil.
04:43You're not going to be in the media.
04:45You're not going to be in the call.
04:48You're going to be in the conference.
04:48I'm going to be in the conference.
04:50And I'm going to be in the conference.
04:52I'm giving information.
04:53Tell me.
05:00Hey, what are you doing, you're doing?
05:04Mom, why are you showing her cartoons so long?
05:08You mean it?
05:09Yes, that's it.
05:10Okay.
05:12Now, you'll give me my daughter to my daughter.
05:14Let's do something.
05:15Let's do something.
05:17Let's do something.
05:17It's not good.
05:18She's not giving her daughter.
05:20You've already set her screen time, right?
05:22What?
05:23Give it to me.
05:24Give it to me.
05:25Where is my mother?
05:26She's a jailer.
05:27Study time, screen time, bed time.
05:31Plana time, plana time.
05:33She's also giving her attention to her.
05:38The child is very fun.
05:40Yes?
05:42Yes.
05:42Oh, what?
05:43What should she be doing?
05:45It's a simple job.
05:47It's a very difficult job.
05:48It's a difficult job?
05:49And before I get the food,
05:51it's a difficult job.
05:51It's a difficult job to live.
06:10Yes, let's start.
06:15Are you doing a blackmail?
06:17Ah, ah, ah.
06:18My mother is a victim?
06:20I'm saving you from blackmail.
06:22Oh, thank you.
06:23You are the heritage of our city.
06:26How much are you for school?
06:28There are a list of you in this school.
06:29I have a list of them.
06:30Which too?
06:31Look, look, if you get caught by someone,
06:34you don't need to change your face.
06:36If I say something, you will make it a headline.
06:39Easy.
06:41Everything is off the record.
06:45I'm watching your show for two years.
06:46I know when you're off the record,
06:49or when you're on the record.
06:50Nabeel, you're our fans.
06:53Sir, I'm going to show you.
06:55Very good.
06:56So, Nazreen.
07:01Action!
07:03The government is going to be a result of the government.
07:08Some faces come.
07:10Some faces come.
07:11Some faces come.
07:12Some faces come.
07:14Some faces come.
07:16Some faces come.
07:16Some faces come.
07:19Cut!
07:21What is this?
07:23This sticker?
07:24It's not allocated.
07:26Where are those?
07:28Some faces come.
07:30Please.
07:31Sir, you know, what is the situation in the city?
07:35I've sent the security of the government.
07:38I've sent the security of the government.
07:43Sir, I've sent all the instructions to them.
07:48They've ignored everything.
07:50And now they're sitting on a channel and they're giving an interview.
07:58Yes, sir.
07:59Okay, sir.
08:01Right.
08:12Yes, my dear.
08:14You're from the previous school?
08:16Yes, I've come to my mom.
08:18I've come.
08:18Thanks.
08:21You're giving an interview with your parents.
08:21Yes.
08:21Yeah.
08:24Okay.
08:25Mama is in the office, right?
08:27She tells us about the house.
08:29I have a daughter, so please send me a car, Chef.
08:32Okay, ma'am.
08:34We are in the meeting at the headquarters, right?
08:36Yes, ma'am.
08:37Okay.
08:39Yes, Sahira, I'm leaving.
08:42I won't wait for a long time.
08:44I'll have to leave.
08:46My child.
08:48My child.
08:49My child.
08:50My child.
08:52My child.
08:55My child.
08:56My child.
08:56Peace be upon you.
08:57Oh my God.
08:58Peace be upon you.
08:59Peace be upon you.
09:01Peace be upon you.
09:01I thought I would surprise you.
09:03I didn't record the recording today.
09:04So I'm alive.
09:06Very good.
09:08Where are you from?
09:09You know, they are in the desert,
09:11so they are out of the desert.
09:13Oh, it's a great day.
09:15What's the name of you?
09:18Harun, before you come,
09:19you told me to tell me.
09:20I had something good with you.
09:22Actually, I went to Mrs. Qureshi with Mrs. Qureshi.
09:25So, don't tell me.
09:26Ma'am will not tell you anything.
09:28If Faris had a chicken and a mixed sauce,
09:31so he made it.
09:32Chicken?
09:33What's that?
09:33Let's go.
09:34Where will Faris come from?
09:35I don't know.
09:37Oh.
09:38She is crying.
09:39Ma'am.
09:40Are you okay?
09:42Yeah.
09:43I'm okay.
09:47Let's go.
09:47Let's go.
09:49Let's go.
09:49Fajr has a heart.
09:53You checked your sugar, Ma'am.
09:56I do so much.
09:58And walk?
09:59Oh, Saira.
10:01My son,
10:02give me a cake.
10:04Yes, Ma'am.
10:06Why are you doing this job?
10:08I've just got to meet you for 10 minutes.
10:09I've got to ask you for your pleasure.
10:12If you've come,
10:13if you've come,
10:15you can eat food too.
10:16How long have you been to?
10:19You've done so much for yourself.
10:21Three, four, five, six, seven...
10:25Oh, my son.
10:26They've come.
10:28My son.
10:32I'm sorry, Ma'am.
10:33I'm sorry.
10:36I'm sorry, Ma'am.
10:39No.
10:42My son,
10:44I'm sorry.
10:44I'm sorry.
10:47I'm sorry.
10:47I'm not sorry.
10:48I've never said anything.
10:49I've never said anything to you.
10:50I've never said anything.
10:51I've never said anything.
10:51You and your surprises, Harun.
10:53Before you come,
10:55I'll make your own thing.
10:55I'll make your own thing.
10:58I told you,
10:59then you wouldn't go shopping.
10:59I'll make your own thing.
11:01So,
11:01I had to go shopping for myself.
11:03I told you,
11:04Mrs. Koreshi's son.
11:07She's married to her son.
11:08She said,
11:09I'll make your own thing.
11:11Hmm.
11:12Oh, oh.
11:13How long have you come?
11:15Now,
11:15I'm going to make your own thing
11:17to make your own thing.
11:20Ma'am.
11:22I've made your own thing.
11:23What?
11:24Oh, hello.
11:25I've been 4 years old.
11:25I've been 4 years old.
11:27But,
11:28I've been 15 years old.
11:30I've been 15 years old.
11:33I've been 15 years old.
11:34I've been 15 years old.
11:34I've been 15 years old.
11:35When will you come to my mind?
11:40Yes.
11:41I've been 15 years old.
11:42I've been 15 years old.
11:43I remember your father,
11:44I told you,
11:44and your sister to your friend.
11:47So,
11:47he's asking him to answer.
11:50Do you have to answer?
11:52Yes.
11:53So,
11:53it's the answer in my way.
11:54Come on.
11:54I don't know how to do it.
11:56You have to do it in your entire life.
12:00Your brother is a father of a child.
12:03Mashallah.
12:04And you don't have to do it.
12:07Where are you going now?
12:10What's your benefit from you?
12:12Does your health affect your health?
12:15Anyway, I'm going to call you Abba Jaan...
12:18...that you have a favor of your family.
12:21I don't know.
12:27I'm going to call you that girl.
12:29Hmm.
12:31I don't understand this story, but I can understand...
12:35...why are you doing this?
12:38It's a very good girl.
12:39No, it's not a good girl.
12:41It's not that I don't have to do it.
12:45It's a good girl.
12:48Yes.
12:49She's a very good girl.
12:52But what can you do if you're good?
12:56And you can find a little brother...
12:59...with your little brother...
12:59...with whom you can find a good girl.
13:00...with whom you can find a good girl.
13:05It's a very good girl.
13:06Give me a good girl.
13:08One bite!
13:10One bite!
13:11One bite!
13:12One bite!
13:12One bite!
13:13Give me a nugget and fry it.
13:14What's wrong with you?
13:15Do you want to fry it and take it?
13:17No, I don't want to.
13:19Don't take it so much.
13:21No one can take it at home.
13:23That's why we're telling you to leave it with us.
13:27What else?
13:29What's the situation at home?
13:30What's the situation at home?
13:32What do you think I'll keep up with you?
13:34Yes, don't you.
13:35Leave it here.
13:37Or the school is close to it.
13:39No.
13:39What's that?
13:40If it comes a little while...
13:41...we're still alive.
13:43We're still alive.
13:43We're still alive at our house.
13:47How good is it?
13:48With it?
13:50With it?
13:52You feel like it's a lot of pain.
13:55You don't want to see it with me.
13:59You didn't want to see it with me.
14:03You were just like this.
14:05You were just like this.
14:05To come back to my father's house.
14:08To leave the father's father.
14:11To keep the child's child.
14:13To keep it.
14:30The child is ready to die.
14:32When I desire to see it.
14:35No.
14:42Is he too.
14:43My love is so sweet
14:45Where there is no one in my life
14:50My love is so sweet
14:55I am so sweet
14:58The love of the love
15:02The love of the love
15:05The love of the love
15:06The love of the love
15:38Oh
15:46Cana MENİ KADAR GEL
16:18You don't have to do anything today, okay?
16:21Good behave.
16:23This one.
16:26You killed me, right?
16:29I'll let you do it.
16:30Paka, thank you.
16:32I was late to drop it at Seema's house.
16:35Where do you drop it?
16:37Seema's house.
16:38No.
16:39No.
16:39She's going to leave my mother's house.
16:42Why are you joking?
16:45You're wrong with your mother, right?
16:47No.
16:48You're not like that.
16:49Seema's house is in my office, right?
16:52Why do you hate your mother's house?
16:54Do you know your mother's house?
16:56Who knows?
16:59It's about one day.
17:00I'll come tomorrow tomorrow.
17:02I'll ask her.
17:04Yes.
17:04I'm going to leave my mother's house.
17:07What are you doing now?
17:09I'm going to leave my bag.
17:13This is such a good bag.
17:15So that you don't know from the old bag.
17:18Saira.
17:19Why are you doing that?
17:20I'm going to leave my mother.
17:21Please, come here.
17:22I'm not going to leave my mother.
17:24You're dirty.
17:26You're dirty.
17:26Get up.
17:27Shamish.
17:27What are you doing, Saira?
17:29Just do it.
17:30Just do it.
17:31Just do it.
17:31You're good.
17:33Use it.
17:34Let's go.
17:36Come on.
17:37What are you doing?
17:39This is.
17:43Come on.
17:45Come on.
17:48Come on.
18:05What are you doing now?
18:07How are you doing?
18:08I'm already waiting for you.
18:08I'm going to leave my mother's house.
18:09Why did you tell me about the third guest?
18:10So, what?
18:11He's going to leave my house.
18:13He's going to do this?
18:14He's going to leave my house now.
18:15What are you doing now?
18:17What did you do?
18:18I'm going to leave my house.
18:19Oh, you did.
18:20You were talking about the last time.
18:21What the time did you do?
18:22I was going to ask for a second guest.
18:23I'll ask for a second guest.
18:25Thank you, Saira.
18:28You're a mankers. Why do you keep using the metal and marches?
18:32Do you know that? It's a blood pressure.
18:35Well, we'll show you the rating.
18:38Oh, your boss will be happy.
18:40My boss?
18:41I think we'll call Hummah Mehtaab.
18:46The show will be good.
18:47Hummah Mehtaab? Advocate?
18:50There's no question.
18:52Every time they give social media calls for me.
18:56Then we'll call Mehtaab.
18:57Then we'll call the rating.
18:59Call it. Call it. Call it.
19:01Show time is over. Don't do it.
19:02So you make up and sit down?
19:04This is serious.
19:06Khafur, you've seen all the things we've seen.
19:09We've got to report them.
19:10So I want to...
19:11Ma'am, I want to ask you...
19:14I want to ask you to ask you,
19:16if any of those who have been against them,
19:18do they have to report them?
19:21If they don't, then what's the reason?
19:23The reason they're in their home.
19:25There's many cases...
19:26families don't know how to go to the police or court.
19:29But when they reach the police...
19:31what's the reason you're recording me?
19:34But when they reach the police...
19:35what's the reason you're telling them?
19:36How do you say?
19:38How do you tell them?
19:40Do they have to pull the police?
19:42Especially for the ladies to the police?
19:45That's an excellent thing.
19:45But you have done this.
19:47There are several women police stations in 40% of the country.
19:53But it doesn't mean that in other places they can't report.
19:59Every police station is a small group of people who operate their own.
20:04They can't get their own problems with the whole problem.
20:09Okay?
20:09But ma'am, ma'am, ma'am, ma'am.
20:20Ruhi sent a clip.
20:21Who?
20:22Ruhi.
20:23He's a reporter.
20:25I don't know if I have to check.
20:27I have to send a message to God.
20:29I don't want to meet you.
20:32I don't know.
20:33It'll be different from 14 hours.
20:35It's true.
20:37I'm not giving a lecture to God.
20:39Because today's God is only giving a lecture to God.
20:42It's a long time for me to go.
20:43Yeah, no, no, no.
20:44I'll tell you all about that.
20:46But the way it will come true to God's lecture to God.
20:49And they'll give him an instruction to God's knowledge.
20:51It's not that we'll give you an instruction to God's degree.
20:54Yeah.
20:55And that's my brother.
20:59I've heard, I've done more.
21:04All right.
21:05In my opinion, let's take a screenshot and put a program on it.
21:10The assault of the authorities has been killed by the truth.
21:15How is it?
21:17That's the email.
21:19I would like to ask you to ask if any of the victims of the victims
21:24do the victims of the victims come to their report?
21:28What do you think?
21:30Why do you think that?
21:55Don, you edit it and show it to me.
22:00Good job, Rumi.
22:03Ruhi.
22:04Ruhi.
22:05Ruhi.
22:06Ruhi.
22:06Ruhi.
22:07Make-up is right.
22:09It's not good.
22:10I don't remember the name of her.
22:19Hello Rumi.
22:20Good job.
22:21Next time lipstick shade is right.
22:24Okay.
22:26And you too.
22:27Next time it's right.
22:29Ruhi.
22:30Ruhi.
22:31Ruhi.
22:32Ruhi.
22:34Shhh.
22:35Shhh.
23:03Mmm.
23:07Ahhhh,
23:08Dekho.
23:09Bhoogh se na.
23:11Meter down.
23:12Sigh hai.
23:12Okay, Bibi se lard ke aya ho na.
23:14Dord ke wapis ghar jau.
23:15Or round two pura garo.
23:17Nahi bhai.
23:18Maham se lardne ki meri koji aukat nighi.
23:20Woh insaan ko na phele round me knock out kar dhe.
23:22Or Harun bhai, agar meri aukat hothi na.
23:24Toh ma aapke kahe bagayr ghar wapis chala jata.
23:26Eh, es maamle me bhi pichre.
23:28Eh, kya matala?
23:29Dekho, mije tumaari bakuas nahi sunni.
23:30Please.
23:31Okay, or tum kis kisim ke ansahan ho?
23:33Matab,
23:34Ladaai, jhagade ke baad ghar chowna,
23:35Yee tchizem,
23:36Bibi pere ache likti ha.
23:37Usse bhi mokat ho,
23:38Naraaz ho kar apne mekkha jaane ke liye.
23:40Har bar muhta ke meri paas aajathe ho.
23:42Mena mekkha ho kya?
23:43Nahi.
23:44Aap meri bai toh hai.
23:45Ji.
23:46Is ter yaha bula hai.
23:46Wana mein C.M ko bhi time ni ne da.
23:47Chalo.
23:51Aare ho ye nahi?
23:52Ahaha.
23:53Aaro.
23:58Isko dara top se karlo na toho sahi fixo da.
24:01I don't know.
24:02I don't know.
24:02Okay, I don't have Chinese order.
24:04Khaa ke jana, please.
24:05No.
24:05Siva, I'm very tired.
24:07I hope it's been so tired.
24:08No.
24:09Not at all.
24:09I'll make coffee soon and Haseeb will come.
24:11No.
24:11No.
24:12Haseeb will go to 10 p.m.
24:14It'll be late.
24:1610 p.m.?
24:18Yes.
24:18I didn't send you a message.
24:21Yes.
24:21It'll be done.
24:22I haven't checked on the phone.
24:24Yeah, mammy.
24:25We'll go home and play.
24:26It'll be good night.
24:27Okay?
24:28Okay.
24:28Bye bye.
24:31Bye bye.
24:32Bye bye.
24:33Bye bye.
24:33Bye bye.
24:34Let's go to school.
24:35Bye bye.
24:36Bye bye.
24:45I don't have to meet.
24:50I don't have to meet.
24:50I don't get out of 10 hours later.
24:54I don't have to get out of 10 hours.
24:55I'm not a problem.
24:58So you call me?
25:00I come to 12 hours later.
25:04It's a day.
25:06And I'm going to go over the last night.
25:10So why don't you tell me that you don't want to talk to me?
25:16I just want to leave that one thing.
25:20I want you to leave it too.
25:22When did I leave it?
25:27I don't want to leave it alone.
25:32People say that after marriage,
25:34you can leave it alone.
25:38But you don't want to leave it alone.
25:43You're not.
25:46You'll be together.
25:48You both do not do it.
25:51It's not so happened to you.
25:56I'll see you in my life.
25:57I'll see some happiness of her.
26:03You've been married for 22 years.
26:08How many happiness have you been?
26:20I'll see you next time.
26:23I'll take care of you.
26:25This is yummy.
26:27Let me see.
26:31Look at this. Now we will put this in the mouth of my mouth.
26:36Yes.
26:37Now we will put this in the mouth and then we will be strong.
26:45Then we will go to the school in the morning.
26:49No, no, no, no, no.
26:51Tissues. Wait.
26:52I have to remove the tissue.
26:54Don't do it.
26:54Don't do it.
26:57Yes, my dear.
26:59These people.
27:00No, no.
27:01After all, the victims of the victims,
27:03do the victims of the victims come to the victims?
27:07If not, what is the cause of this?
27:09How do they deal with the police?
27:11Do they have a police officer?
27:14Especially the ladies police?
27:16That's a very good thing.
27:18From the country's 40% of the population,
27:20we have a few women police stations.
27:25Yes, viewers.
27:26So you have seen that the police themselves
27:28has given their own no-a-ay-lis.
27:30How difficult to meet a common person?
27:33Especially the victims.
27:36As you have seen that they have
27:38of the victims of their victims.
27:39They have no sense of their victims.
27:42They have no perfect.
27:44Or no a-ay-lis.
27:57Who...?
27:58Sir, I have not done anything,
28:00so I have done the same page.
28:03That's what I've done,
28:04and I will go to the same page.
28:06how do I do the same?
28:12Yes, sir. I can understand.
28:17Sir, trust me, I had a full conversation.
28:20I did...
28:26Yes, sir.
28:30Right, sir.
28:33Yes, sir.
28:36I will clear you and report you.
28:40Thank you, sir.
28:47Yes, I'll look into it.
28:50I said I will look into it.
28:52Yes, thank you.
28:56When did you call me?
28:59Yes, sir.
29:04Who is this?
29:05Sir, that's Suhail's daughter.
29:08Okay.
29:10Who is this?
29:11Mr. Farid Kasala, sir.
29:13Mr. Farid Kasala?
29:14Sir.
29:15Mr. Farid, who is this?
29:16Mr. Farid, sir.
29:17Mr. Farid, sir.
29:18Mr. Farid, sir.
29:19Yes, sir.
29:21All on.
29:27Uh...
29:28Later, Lineko.
29:30The
29:46Chad
29:46The
29:50Sabred
30:08Hello?
30:10I'm talking about a happy night.
30:12Okay.
30:13After the show, there was a call coming.
30:16But it wasn't such an idea.
30:16It wasn't such an idea.
30:19Today, you have done nothing and non-professional action.
30:24How can you think about my work?
30:27What is professional and what is unprofessional?
30:29Today, you have done my work on the show.
30:33And I haven't done that.
30:35Look, Miss Khushnaz.
30:37Khushbaktnaz.
30:39Yes, Khushbaktnaz.
30:40The thing is that...
30:42Look, our work...
30:44Hello.
30:46Hello.
30:46Are you coming to the TV?
30:48Yes.
30:49Do you think...
30:50...that you can get out of this one's right?
30:53You have just...
30:54Yes, take it.
30:56I'll take it.
30:57Take a photo of your head.
31:02Do you see the show?
31:04Yes, I see.
31:05One second.
31:09Hello?
31:10Mr. Haroon?
31:25Are you okay? Hello?
31:39Look, the phone...
31:41No...
31:41No way.
31:41Oh my god.
31:42No way.
31:43No way.
31:44I don't.
31:44I don't know what to do, man.
31:49Hello?
31:54What, are you killing me?
32:03Hello?
32:13Hello?
32:15I'm sending a number to the location, please.
32:17Please send me a number to the location, please.
32:29The former former Secretary Haroon Malik is a threat,
32:33a threat, a threat, a threat,
32:37a threat,
32:37a threat,
32:38and the threat…
32:40the fear of the arrival of our team…
32:44…and the threat of the enemy.
32:47My question is…
32:49…how do we make certain human rights?
32:51It's a question…
32:52...that these fields…
32:54the most important…
32:56…his system…
32:57…to make a book in a day…
33:01If it is so…
33:03…and you would…
33:04All of this house is no such a snatching or ice like a night.
33:15And if this is such a thing,
33:21then we are all right.
33:23We are all right.
33:26God bless you.
33:51Thank you very much.
34:04You
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