- 1 day ago
Killing Time 1998
Category
🎥
Short filmTranscript
00:00:00.
00:02:00I knew that I could never change, and yet...
00:02:05Such abomination.
00:02:08By the age of twelve, I'd learnt the first folio of Shakespeare's work.
00:02:11By fourteen, I'd play all Mozart's string quartets, and then, at sixteen years of age,
00:02:17I read the private letters of James Joyce to his lifelong lover, Nora Barnacle.
00:02:21The smallest things, he wrote.
00:02:25Give me a cockstand.
00:02:27A little brown stain on the seat of your white drawers.
00:02:34I lost no time.
00:02:36I immediately resolved to serve to sex lives of my greatest heroes.
00:02:41Friedenius's sister made a habit of playing with his genitals as if they were her special toys.
00:02:45Lord Byron's final nail was to commit incestuous sin with his married half-sister.
00:02:51My favourite writer, André Gide, confessed attraction to some crippled or reformed young boys,
00:02:57whilst Tchaikovsky's tortured homosexuality seemed lame compared to Dostoyevsky's pedophilia and violent,
00:03:03sometimes epileptic, coital act.
00:03:06His desire for corporal punishment was held by many, such as Colonel T.E. Lawrence,
00:03:11who enjoyed a spank with birch on buttocks to the point of seminal omission.
00:03:17I revelled in the sodomy of Samuel Pepys,
00:03:21and, of course, the glory of Donatian Alphonse Francois,
00:03:25de Sade.
00:03:27Even Mozart expressed a desire to shit on his young love's face.
00:03:31So, far from alienating me, you see, my fetish elevates me to the highest echelons of life.
00:03:39I knew, you see, I knew, from the age of ten,
00:03:45that in order to come, I have to kill.
00:03:51And you, Mr. Douglas, with all your nasty betrayal and deceit,
00:03:56you, with justice on your side,
00:03:59and you, who have no doubt laughed at my naivety,
00:04:04you
00:04:06are my next fuck.
00:04:09Oh, fuck!
00:04:12Oh!
00:04:15Oh.
00:04:18Fuck!
00:04:26Oh, my God.
00:05:14Oh, my God.
00:05:20So here's the deal.
00:05:21You use whoever you want.
00:05:23Where you get them from, I don't care.
00:05:25Once it's done, you leave.
00:05:27And I don't ever want to see your fucking face again for as long as I live.
00:05:32You fucking look at me!
00:05:36Now, you remember, Charlie.
00:05:38It's me that gave your life back.
00:05:41All you've got to do is take hers away, and we're even.
00:05:47You know, all things considered, your options are few.
00:05:50I mean, the next time they catch up to you, and they will fucking catch up to you, mate,
00:05:54you won't even see the light of day.
00:05:57It's plain and simple.
00:05:59You follow her.
00:06:01When she kills Riley, you kill her.
00:06:22Charlie.
00:06:24Charlie.
00:06:25Just fuck off.
00:06:27Right.
00:06:28I'm just saying it's a shame to whack a sexy lass, that's all.
00:06:31Whack?
00:06:32Hey, listen to him, John.
00:06:34Whack's what you do to your fucking girlfriend when she smells of someone else's aftershave.
00:06:38I know, I know.
00:06:38Yeah, I never whacked Linda.
00:06:41I told her.
00:06:44She was putting her socks on.
00:06:48I said, pet, in Burma, in Burma pet, the women used to have to walk ten feet behind the men
00:06:57until 1945.
00:06:59Then, do you know what happened then?
00:07:01No.
00:07:03Well, then, the men made the women walk away in front.
00:07:07Do you know why?
00:07:08No.
00:07:10It's because of landmines.
00:07:11That's right.
00:07:12Landmines.
00:07:13That's because of landmines left behind in Burma after the war.
00:07:18Now, I mean, I see what you like, Brian.
00:07:20I wouldn't have made you do that bit.
00:07:23Yeah, I mean, she could have, like, walked, you know, like, alongside us, like, sort of parallel, but, yeah, I
00:07:31mean, I wouldn't have made her walk in front.
00:07:34Would have, though.
00:07:36Oh.
00:07:39All right, that's her.
00:07:42She's gorgeous.
00:07:43For fuck's sake, man, we're doing her job.
00:07:45Will you stop thinking with your cock?
00:07:47Your knee used to say that to me.
00:07:49Less cock, more brains, right, George?
00:07:51Otherwise, you'll get us fucking killed.
00:08:13Oh, do you know I'm a Burma?
00:08:15Well, I just, uh, read about it in, um, Ruston.
00:08:21What are you doing to read in the Pawnee Map, with Linda?
00:08:24Wonder.
00:08:35What are you doing to read in the Pawnee Map, with the Pawnee Map, with the Pawnee Map, with the
00:08:43Pawnee Map, with the Pawnee Map, with the Pawnee Map, with the Pawnee Map, with the Pawnee Map, with the
00:08:43Pawnee Map, with the Pawnee Map, with the Pawnee Map, with the Pawnee Map, with the Pawnee Map, with the
00:08:43Pawnee Map, with the Pawnee Map, with the Pawnee Map, with the Pawnee Map, with the Pawnee Map, with the
00:08:45Pawnee Map, with the Pawnee Map, with the Pawnee Map,
00:08:53I don't know.
00:09:30I don't know.
00:09:53I don't know.
00:10:44I don't know.
00:10:50I don't know.
00:10:50Just shut the fuck up!
00:10:52You just do the job like the nice man says.
00:10:55Period.
00:11:16Yes, madam, how can I help you?
00:11:17Do you speak Italian?
00:11:19Ah, yes, yes.
00:11:21Yes, then I can have a camera for a night alone.
00:11:26Very good, sir.
00:11:27Time to go.
00:11:42Oh, George!
00:12:14He says it's okay, Frank.
00:12:15Okay.
00:12:15Oh, yes.
00:12:17Buongiorno.
00:12:17We'll see you later.
00:12:39See you later.
00:12:41Bye.
00:12:41Bye.
00:12:51Bye.
00:12:56Bye.
00:12:59Bye.
00:13:05Bye.
00:13:06Bye.
00:13:09Bye.
00:18:26Hey. What?
00:18:29I've got this...
00:18:31The label in these jeans is digging into me.
00:18:35It stings.
00:18:37I've got these jeans two years now.
00:18:41I got up this morning and suddenly the label started digging into us.
00:18:46It stings.
00:18:48Well, take the label off then.
00:18:51That's what Linda said, but I mean...
00:18:53I told her, I said, if I take the label off,
00:18:56you're not going to know how to wash them properly.
00:18:59I mean, she said she would, but you know what she's like.
00:19:03Come?
00:19:04How?
00:19:07Chi?
00:19:10Che cosa?
00:19:11Che cosa?
00:19:13Donde?
00:19:14Where?
00:19:17Quando?
00:19:19When?
00:19:21Perché?
00:19:22Why?
00:19:42Thank you, Frank.
00:19:47There she is.
00:19:49Yes, really.
00:19:52Right.
00:19:53You take her out in one go, right?
00:19:55Bullet in the skull.
00:19:57If you have to fight, you crack her fucking neck in one go, right?
00:20:02And you steer with her until she's dead.
00:20:05Right.
00:20:06Right.
00:20:06And when she's dead, you thorn me.
00:20:11Peace.
00:20:12Safe, man.
00:20:13Peace.
00:20:14You fucking thorn.
00:20:15All right, all right, Charlie!
00:20:27Charlie!
00:20:28Charlie!
00:20:28Charlie!
00:20:30Charlie!
00:20:30Charlie!
00:21:00I don't know.
00:21:42I've got Dick Hard on here, Captain Cook in, and Willy Wonka.
00:21:47Hey, my name's John.
00:22:19She's at the entrance.
00:22:36Right.
00:22:38Let's see how good this bitch is.
00:22:46Hello, O'Reilly's?
00:22:55Hello?
00:23:07Hello?
00:23:09Hello?
00:23:12Hello?
00:23:23Problem?
00:23:26Mm-hmm.
00:23:32It's somewhat sad, I feel, when the most exciting thing to happen to you in a day is to check
00:23:37a service entrance.
00:23:38On the off chance, there'll be excitement, when in your heart of hearts, you know it's
00:23:43a faulty entry phone.
00:24:14Oh, my God.
00:25:07Just take a look at this.
00:25:08It's beautiful.
00:25:40It's beautiful.
00:26:09It's beautiful.
00:26:34It's beautiful.
00:26:41It's beautiful.
00:26:54It's beautiful.
00:27:16It's beautiful.
00:27:20It's beautiful.
00:27:21It's beautiful.
00:27:49It's beautiful.
00:27:58It's beautiful.
00:28:02It's beautiful.
00:28:13It's beautiful.
00:28:25It's beautiful.
00:28:39It's beautiful.
00:28:41It's beautiful.
00:28:43It's beautiful.
00:28:44It's beautiful.
00:28:45It's beautiful.
00:29:03It's beautiful.
00:29:23It's beautiful.
00:29:26It's beautiful.
00:29:28It's beautiful.
00:29:44A che ora arriva il treno?
00:29:48A che ora arriva?
00:29:52Muoviti.
00:29:54Muoviti.
00:29:55Quale treno?
00:29:57Quale treno?
00:29:585.40.
00:30:22Grazie.
00:30:45Quanti matti.
00:30:48Quanti matti.
00:30:49Super c'era la visione.
00:30:54Un acuerdo.
00:30:55C'era un gioco.
00:30:56È inutile.
00:30:56Shh.
00:31:36There she is.
00:32:16I guess you were born today.
00:32:34All right, all right, all right, all right, Charles, calm down, mate.
00:32:41Yeah, I'll phone you when it's done, all right, mommy.
00:32:56Now I see you, I'm going to have sex with you, and then kill you, or I can kill you,
00:33:04and then have sex with you.
00:33:19All right.
00:33:24Are you looking for someone?
00:33:26Fuck it.
00:33:32And now I'm fucking cold.
00:33:37Fuck it.
00:33:48Fuck it.
00:33:50Fuck it.
00:33:57I don't know.
00:34:23I know you don't believe me, do you?
00:34:25You don't do you?
00:34:26And anyhow, well, we end up screwing.
00:34:28I'm lying there, and I'm already reaching for me Calvin Clines.
00:34:31I just want to wipe me knob on the curtains and get out of there lively.
00:34:35And I'm telling you, she turns round and says to me right out of the blue,
00:34:40my haircut's the nearest thing I own.
00:34:42Do you believe that?
00:34:43No, sorry, but I'm confused.
00:34:46You're confused, Jim. I was confused.
00:34:49It's in here, sir.
00:34:54Jesus Christ, what a fucking mess.
00:34:57This is a total bloodbath.
00:35:00First on the scene, Mark?
00:35:02Yes, sir. Saw the door.
00:35:03Thought it was a bit unusual.
00:35:05Forensics?
00:35:05They're on their way, sir.
00:35:07Okay.
00:35:11And anyway, Jim, there lays me problem.
00:35:14I'm lying there stark as thinking psycho tart from the 7-Eleven,
00:35:18contemplating, making a break for a locked front door.
00:35:20I mean, how do I escape?
00:35:21To be honest with you, Bob, it's not really your predicament that I'm thinking about.
00:35:25What are you saying?
00:35:26You sleep with women every night.
00:35:28You take your chances, if you like.
00:35:31I like very much.
00:35:33What I don't understand is how a haircut can be the most expensive thing someone owns.
00:35:37Exactly. That's what I'm saying to you.
00:35:38The girl is mad.
00:35:39No, apart from the man, it's quite simply.
00:35:41In arithmetical terms, it's either one expensive haircut or she doesn't own a fucking thing.
00:35:45Or both.
00:35:46Or both.
00:35:47You just seem to have accepted that,
00:35:49and you're concentrating on the part played by your leaking cock in the whole story.
00:35:52Sorry. Pardon me, Jim, for not analysing the event's real strengths and intrigues.
00:35:56Tomorrow, we'll talk about your wife's 20-pound hairdo.
00:35:59Is that a dig at a man with a happy and fulfilling home life?
00:36:04No, that's a dig at a pain-in-the-ass partner.
00:36:07Next.
00:36:36Put it away.
00:36:45Take this.
00:36:50Great.
00:36:52It's your turn.
00:36:55Thorough is definitely a word that springs to mind.
00:36:59Other words that spring to mind are coffee, make some, cups of, someone.
00:37:08And we're going to be here all day writing this one up.
00:37:11Great things words, aren't they?
00:37:16Always any in a crisis.
00:37:21You just cover Smithy's arse, right?
00:37:26He's blown it.
00:37:27It's up to you.
00:37:29Here.
00:37:31Here.
00:37:32You fix her.
00:37:33You do need pro-bit market.
00:37:37Right?
00:37:47What the fuck is this, Tyler?
00:37:49Who the fuck is this one?
00:37:50This isn't Riley!
00:37:51This isn't Riley!
00:37:52Oh!
00:37:55Well, this is fucking brilliant.
00:37:57We've got what?
00:37:59Seven?
00:38:00Eight dead bodies in this place?
00:38:03And that piece of shit got away.
00:38:05Oh, okay.
00:38:06Jesus fucking hell.
00:38:12What is it?
00:38:14What do you mean, what is it?
00:38:18We both know that that lunatic kills like rabid's screw.
00:38:22And at the end of all this, we've still got some lunatic on the loose than Riley.
00:38:30You know, at least, at least if they would have got him, we'd be right back here where we started.
00:38:37As it is, we're just done.
00:38:41We're just losing control.
00:38:42I've got to go to the toilet.
00:38:45Just below the first floor.
00:38:52You got your phone?
00:38:54Aye.
00:39:31Riley isn't fucking dead.
00:39:33Don't kill her.
00:39:34Do you hear me?
00:39:37I said Riley's un-fucking-dead.
00:39:39Don't kill her.
00:39:46Oh, shit.
00:39:47Shit.
00:39:48Shit.
00:39:49Shit.
00:39:51Shit.
00:40:02Shit.
00:40:13Shit.
00:40:15Shit.
00:40:36Smithy, you shouldn't have bloody whacked up.
00:40:41Shit.
00:40:47Okay.
00:40:49Yeah.
00:40:51Lipstick.
00:40:53Lipstick on the corpse on the entry wound underneath the powder burns.
00:40:57You told anyone?
00:40:58Who?
00:40:59I don't know, the super.
00:41:01And say what?
00:41:02Excuse me, sir, you know the man we're looking for where we think he's just turned out to be
00:41:05the female variety.
00:41:07Oh, great work, Jim.
00:41:09How do you know this?
00:41:10Oh, well, sir, I just got out my Lady Bird book of forensics.
00:41:12You know the one you took to solve crimes?
00:41:14Yeah.
00:41:14Voilà .
00:41:14Result.
00:41:17You're finished.
00:41:19I think we're looking for a woman.
00:41:24Yeah.
00:41:27There's also this.
00:41:29Five-forty.
00:41:34What do you mean?
00:41:36What?
00:41:38I never said anything.
00:41:39Yeah.
00:41:40You said yeah.
00:41:42I just said we're looking for a woman and you said yeah.
00:41:45Not right, or okay right, or okay, but yeah.
00:41:50Did I?
00:41:50Did I?
00:41:51Yes.
00:41:51I know this because I was there, Bob.
00:41:55I know you, and I know you know something here.
00:42:06I'll be two seconds.
00:42:07Just give me two seconds.
00:42:09Pissing for England today, Brian.
00:42:13Get a smithy.
00:42:15What?
00:42:16On your phone.
00:42:17Now, smithy.
00:42:21Fare amicizia.
00:42:24Make some friends.
00:42:27Da dove vien?
00:42:29Where do you come from?
00:42:32Vengo da Pisa.
00:42:34I am from Pisa.
00:42:37I am from Pisa.
00:42:38I am from Pisa.
00:42:38I am from Pisa.
00:42:43Non ci siamo già incontrati?
00:42:45Haven't I met you before?
00:42:49What the fuck's going on up there?
00:42:52Vieni qui spesso?
00:42:54Do you come here often?
00:42:58Sei un po' bello, Luce.
00:43:00You are very beautiful today.
00:43:02Smithy?
00:43:03Ti posso offrire un caffè?
00:43:05Can I buy you a coffee?
00:43:07What the fuck is going on?
00:43:09Sei simpatica.
00:43:11You have a wonderful sense of human.
00:43:13What?
00:43:14What?
00:43:15Mi fai ridere.
00:43:18You make me laugh.
00:43:20Hello?
00:43:22Who the fuck is this?
00:43:23Who the fuck is this?
00:43:25Charlie?
00:43:26Charlie!
00:43:27Hello, Charlie!
00:43:29Bryant?
00:43:30Who is this?
00:43:31Could you send up some fresh flowers?
00:43:35Oh, God.
00:43:38Oh, God.
00:43:41And some fruit as well.
00:43:47Oh, shit!
00:43:49Hey, fuck!
00:43:50Go!
00:44:20It's my kiss at the brain, isn't it?
00:44:26What?
00:44:30Fuck off.
00:44:36You're right.
00:44:39It's a woman.
00:44:45Our next contestant is Mr. Brian, who is a computer programmer from Basingstoke.
00:44:49Mr. Brian, you have 60 seconds on your specialist subject.
00:44:53What the fuck is going on?
00:44:55Starting now.
00:44:59E anche della frutta.
00:45:02Could you send up some fresh flowers and some fruit as well?
00:45:07Una banana.
00:45:08A banana.
00:45:10Un'arancia.
00:45:11An orange.
00:45:12Un limone.
00:45:14A lemon.
00:45:15Ciao, signorina. It's me, Frank.
00:45:19Francesca.
00:45:20Yes.
00:45:21Very good.
00:45:23Molto buono.
00:45:25One of the guests has been complaining about a bit of noise.
00:45:29You know, crash.
00:45:31Bang.
00:45:33Anyway, I told him we've been having some problems with the plumbing on this level.
00:45:38So I've been checking each of the rooms.
00:45:40And, well, now it's your turn.
00:45:41I'll just take a quick, uh, aspet-
00:45:44Oh, no.
00:45:44No disturbance.
00:45:45Aye, that's right.
00:45:47Disturb you.
00:45:47No.
00:45:48Just for a moment, though.
00:45:49Okay.
00:45:49No, I'm not.
00:46:00Sir, correct me if I'm wrong.
00:46:02He thought that if you hired an Italian hitwoman to wipe out Riley, the entire city would be free from
00:46:11crime and suffering.
00:46:13You didn't know, Douglas.
00:46:14Am I right so far?
00:46:17Yeah.
00:46:19But, obviously, simplifying it like that just makes it sound ridiculous.
00:46:25Shit, Bob.
00:46:26Yeah, it's really fucking easy just to laugh about all this.
00:46:31Poor old Bobby Bryant.
00:46:34He's off his rug at his time.
00:46:36There we go.
00:46:38It's easy to see what the problem is.
00:46:40Problem.
00:46:42Aye.
00:46:43A problem.
00:46:45Sorry, pet.
00:46:46I didn't quite catch all that.
00:46:49I have lost my way.
00:46:55There we go.
00:46:57All done.
00:47:00I have dropped my ice cream.
00:47:05Can I have another?
00:47:09Can I have another?
00:47:23Let me tell you something, Jim.
00:47:25And you listen to me.
00:47:28Because I don't know whether I'm right or wrong anymore.
00:47:33But it comes a time when...
00:47:35When you've just had enough.
00:47:37And you've got a strikeout.
00:47:40And it doesn't matter whether you wear a badge or you hold good moral principles.
00:47:44You've just got to hit back.
00:47:50Seeing what that fuck did to Douglas.
00:47:55How was that time for me?
00:47:58Where in God's name did you find her? Yellow Pages.
00:48:02You can get anything if you want it bad enough.
00:48:06Contracted by a middle man.
00:48:08She never even know my name.
00:48:11The thing is, she's expensive.
00:48:15Really expensive.
00:48:18You can't afford to pay the bill.
00:48:26I have to get an insurance plan.
00:48:31Why don't we just leave her?
00:48:53I don't know where my money is.
00:48:56I don't know where my money is.
00:48:57I don't know where my money is.
00:49:01My money is in the case.
00:49:08Forensics are here, sir.
00:49:09They're starting from the bottom up.
00:49:11Right, Mark. We'll be here if they need us.
00:49:19This, my friend, is best kept between you, me, and Mr. Jacob Riley.
00:49:52What it does, my wife.
00:50:01I'm all right, you alright, this is possible.
00:50:16Anthony, always good to see you.
00:50:19I see that your men are looking as smart as ever.
00:50:22Such an estimable treat.
00:50:24Have you got the stuff?
00:50:26I believe that is the general idea.
00:50:36You know, I think it was in ancient Babylon
00:50:39that the poets would recline upon the banks of the river
00:50:41and compose their verse in solitude by themselves.
00:50:46Sometimes for hours they'd sit and write
00:50:49till they felt their opus was complete.
00:50:52And then fold the paper upon which they'd worked
00:50:55into a watertight construction,
00:50:57which they'd fill with wine and place upon the river's flow.
00:51:02Naturally, the artist, one downstream,
00:51:05would receive the parcel,
00:51:06drink the wine,
00:51:08and share in the beauty of his benefactor's work
00:51:12from the surface of his nectar's carton.
00:51:14Hence, the glory of the work was passed from man to man.
00:51:21Well, you know, very nice, Jacob.
00:51:25What the fuck are you on about?
00:51:29Nothing of any relevance.
00:51:32You know, that would be impressive.
00:51:37What the bloody hell is this?
00:51:40What on earth did you expect?
00:51:41It worked.
00:51:42What the fuck?
00:51:45Oh, God.
00:51:49Oh, God.
00:51:51Oh, God.
00:52:00Oh, God.
00:52:23Come on, Bob.
00:52:25I think I prefer the arrogant, misogynistic Bob to the depressed and guilty one.
00:52:30What do you want me to do?
00:52:31Well, make some semblance of an effort to look as though you're working.
00:52:35What, like you are?
00:52:37I, my friend, am impersonating a quick-witted active detective, thinking on his feet, one
00:52:44step ahead of the villains, while you, it would appear, are doing a fine impression of
00:52:50a man drawing a spider's will.
00:52:54It's an onion.
00:52:56I seem to have lost all my money.
00:53:07Non so dove è finito il mio denaro.
00:53:12I don't know where my money is.
00:53:19Il mio denaro è nella 24 ore.
00:53:24My money is in the case.
00:53:30Le posso sempre dare un travel check.
00:53:36I could always give you a traveler's check.
00:53:41Mi è caduto il gelato.
00:53:43I have dropped my ice cream.
00:53:48We all set?
00:53:50Right.
00:53:51Where's your phone?
00:53:56Just go in there and check the place out.
00:53:59If you find out what happened to the others, fair enough.
00:54:01But do not make a fucking move without me.
00:54:05You just wait in the bar, okay?
00:54:07Aye, man, whatever.
00:54:08That's that smithy token.
00:54:10And unless I'm mistaken, George, he's already dead.
00:54:16Just get going and I'll get rid of the van.
00:54:31I would really like a drink.
00:54:34Andiamo al bar.
00:54:35Let's go to the bar.
00:54:40I just think it's very ironic that you should hire a woman to do a job like this.
00:54:47Jim, you're just like every other married man with kids I know.
00:54:50You're well aware of the fact that I can go out and pick up any woman which I choose to.
00:54:55So instead of me and your jealousy, you all pretend to be contented with your lot.
00:54:59And get your kicks from your secretary's Christmas kiss.
00:55:03And just wish, you just wish that you had the guts to go and buy a Pornovid.
00:55:08Or visit, or visit some red light district just once.
00:55:12Neither of which us batches, in fact, need to do.
00:55:16Yet it is us who you see fit to label misogynistic.
00:55:21Finished.
00:55:22It's true, though, isn't it?
00:55:23Nope.
00:55:25Nope.
00:55:27Nope.
00:55:47Oh.
00:55:49Whiskey ice, please.
00:55:54I don't believe in love, I don't believe it's good, for the truth is never the same without the lies
00:56:01he made of.
00:56:02I don't believe in excess, success is to give.
00:56:07I don't believe in riches, but you should see where I am.
00:56:12I, I believe in love.
00:56:31I, I, I have lost my, my way.
00:56:41Link, Link, show me.
00:57:37Do you really think I get turned on by my secretary's Christmas kiss?
00:57:40You don't have a secretary, Jim.
00:57:42Oh, stop him, someone. You know what I mean.
00:57:46I don't know, I suppose...
00:57:48Any kisses, I suppose, have somewhat of a such-like effect, don't it?
00:57:54There was a Roman writer, Cato,
00:57:58who tells us that kissing was invented in Rome
00:58:02by suspicious husbands who were detecting
00:58:04whether their wives had been drinking wine.
00:58:07Just goes to show, doesn't it?
00:58:10Our times change.
00:58:13Have you been at the bottle, Pet?
00:58:15Come here.
00:58:19That's nothing.
00:58:21After the Second World War, in Burma,
00:58:26you may not believe this,
00:58:28but the women used to have to walk ten feet behind the men until 1945,
00:58:33when the men made the women walk away in front
00:58:35because of the landmines left behind in Burma after the war.
00:58:39Now, what do you think of that?
00:58:51Now, what do you think of that?
01:00:43Jesus!
01:03:26May I?
01:04:22I don't know.
01:05:36Oh, my God.
01:06:19Oh, my God.
01:06:29Oh, my God.
01:06:40Oh, my God.
01:07:03Oh, my God.
01:07:09Oh, my God.
01:07:16Oh, my God.
01:07:18Oh, my God.
01:07:29Oh, my God.
01:07:44Oh, my God.
01:08:02Oh, my God.
01:08:20Oh, my God.
01:08:45Oh, my God.
01:08:47Oh, my God.
01:08:52Oh, my God.
01:09:11Oh, my God.
01:09:19Oh, my God.
01:09:23Oh, my God.
01:09:43Oh, my God.
01:10:39Oh, my God.
01:10:54Oh, my God.
01:11:09Oh, my God.
01:11:35Oh, my God.
01:12:13Oh, my God.
01:12:16Oh, my God.
01:12:31Oh, my God.
01:12:34Oh, my God.
01:12:35Oh, my God.
01:13:15Oh, my God.
01:13:38Oh, my God.
01:14:07Oh, my God.
01:14:35Oh, my God.
01:15:05Oh, my God.
01:15:38Oh, my God.
01:16:05Oh, my God.
01:16:10Oh, my God.
01:17:03Oh, my God.
01:17:12Oh, my God.
01:17:14Oh, my God.
01:18:12Oh, my God.
01:18:40Oh, my God.
01:18:45Oh, my God.
01:18:47Oh, my God.
01:18:50Oh, my God.
01:19:05Oh, my God.
01:19:31Oh, my God.
01:19:36Oh, my God.
01:19:46Oh, my God.
01:20:03Oh, my God.
01:20:06Oh, my God.
01:20:44Oh, my God.
01:21:13Oh, my God.
01:21:33Oh, my God.
01:21:50Oh, my God.
01:21:55Oh, my God.
01:22:25Oh, my God.
01:22:52Oh, my God.
01:23:42Oh, my God.
01:24:18Oh, my God.
01:24:22Oh, my God.
01:25:13Oh, my God.
01:25:27Oh, my God.
01:25:52Oh, my God.
01:26:31Oh, my God.
01:26:53Oh, my God.
01:27:38Oh, my God.
01:27:49Oh, my God.
01:28:28Oh, my God.
01:28:51Oh, my God.
01:29:14Oh, my God.
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