Satya Dev & Venkatesh Maha With Rao Bahadur Team Q & A With Media

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Transcript

00:01Satyagaru, hi, Andy.

00:06Parlai, there ain't there, Andy.

00:08Satyagaru, hi.

00:09Hi, sir.

00:12Sir, cinema can't tell you.

00:15Nail experience,

00:17we're going to have a team in the audience.

00:20Last class,

00:21we're going to have a half an hour

00:23to fix it.

00:30We're going to have a lot of time.

00:31Everyone's trying to get the camera.

00:37Anyway,

00:38For a taser,

00:39we're going to have a lot of time.

00:43We've got hard work in every frame.

00:45You're team, you're team.

00:50We've got a lot of time.

00:51We run out to 52 Fridays,

00:54I think this Friday is going to have a lot of time.

00:57I haven't taken a lot of time.

00:58I haven't taken a lot of time.

00:59How can you film the cinema?

01:04Mr.. Smith?

01:06Yes, of course, the cinema is a guy.

01:11He's watching it from the cinema.

01:12Mr. Smith does.

01:15Mr.. has a hidden card.

01:21Damn it, he hasn't held any card.

01:26You want to make a lot of sense?

01:27It's a lot of sense.

01:29I think it's a lot of sense.

01:30So Mahagar, actually,

01:33the caption was a man of miracles.

01:36I believe it was just a first film.

01:38What is the idea?

01:40I really felt it.

01:41I think from 5 years back,

01:44the dialogue is in this cinema.

01:46Sorry, you have completed it.

01:48Man of miracles.

01:49It's a matter of fact.

01:54There is a line in the script, Man of Miracles, which is a line in the teaser.

02:02Just not for the sake of naming an actor like that.

02:09In the script, I would like to choose this script.

02:15I don't want to talk about the character about Man of Miracles, but you know, the character

02:22of the character of Man of Miracles.

02:27He is a man and a teaser.

02:33I feel he deserves the title.

02:39Thank you, sir.

02:42Actually, five and a half years ago, Prime Life,

02:44I have no idea what to do.

02:47But what is the script that I have done in my years?

02:53I have no idea what to do.

03:08So, Rasi, I think that was the first part of this film in October 13, 2020, I still remember, I

03:17finished the script of this film, and I started immediately in the next day, because the second wave was there,

03:24and the delta wave was there,

03:28and the second wave was there, but it didn't get into the dark comedy, and the only thing I was

03:41I was about to do was a film, because I was never afraid of that film,

03:45But it's like a story that I've done.

03:48That is the confidence.

03:50That was also the confidence.

03:51The film is getting too much confidence.

03:52That feeling.

03:54I didn't know what to do.

03:56I'm not sure how you're doing it.

03:59So, there are ups and downs, ups and downs, ups and downs.

04:01After that,

04:03after that,

04:04after that,

04:06After that,

04:08my first original film is my debut film.

04:10It's not a debut film, it's an original film.

04:12It's an original film.

04:13But then,

04:15I've already had a lot of ideas that I've gotten all of the time.

04:24After that,

04:27after that,

04:28I've made a remake previous time.

04:33I came to the remake,

04:35and it's a lot of discussion about making a remake better.

04:41The reason is that we haven't done this together,

04:44it's about five years ahead of the time.

04:48We didn't do it for all the time,

04:50because we didn't do it.

04:54We were doing it for the next time.

04:56So, we all have a vision.

05:02That's true.

05:03I don't know.

05:04Yeah.

05:04I don't know.

05:06I don't know.

05:08I don't know.

05:09Yeah.

05:09I don't know.

05:09Every shot has a detail.

05:11You can't understand towards the end.

05:16After the film season, last climax season, we have all the cinema.

05:20So, that's why we don't know all the details in the cinema.

05:27So, we need to know the details.

05:29I think we need to know the details.

05:32Yeah.

05:35I've been able to see the film as well.

05:38But, last time I was able to see the film as well.

05:41So, you have to be confident in this film.

05:45You have to be able to see the film as well.

05:48Just not only film.

05:50So, I'm going to choose the final film.

05:55Is there a time?

06:24No.

06:35No.

06:38No.

06:40No.

06:41No.

06:42No.

06:43No.

06:44No.

06:46No.

06:51No.

06:55No.

06:56No.

07:16Okay.

07:17No.

07:19I don't know what I mean. I don't know what I mean.

07:25I don't know what I mean. Sometimes,

07:33I don't know how to use a short juice. It's very smooth.

07:37It's like the 6.

07:39It's like the juice. It's like the same.

07:48It was a very simple decision to make.

07:54It was a very simple decision to make.

07:58It was a beautiful destiny.

08:09It was a very simple decision.

08:17So, it's very fortunate that we could get it.

08:23Thank you very much.

08:25Thank you very much.

08:27You have to bounce, three times bounce.

08:30You have to make the most difficult part as an actor.

08:35That's right.

08:36What is the most difficult part?

08:43Honestly, I think the ropes are very difficult.

08:49Everything else…

08:56It's difficult but I was enjoying it.

08:58I was enjoying it.

08:59I didn't get into it.

09:00I was happy.

09:01When I was the first time I got a chance.

09:06I didn't get into it.

09:08When I was the first time I got a chance.

09:09I didn't get into it unless I got a movie for you.

09:11It was a chance.

09:12It's not my costume.

09:13Of course it was my costume.

09:14Definitely.

09:14But it wasn't. I was enjoying it.

09:17There was a song in the film.

09:20It was completely...

09:25I was entertained in the film.

09:27It was a short bed.

09:28It was a short bed.

09:30It was a short discussion.

09:32It was a short discussion.

09:35It was a short discussion.

09:38It was very tough.

09:40The physical aspect of it was a bit tough.

09:42It was a short discussion.

09:43But everything else...

09:45In my interview, patients told me that

09:48I was very happy about the last day.

09:52So, mostly, on Friday,

09:53I was very happy about it.

09:56All the very best.

09:57Thank you, Rajesh.

09:59In the teaser, there was a dialogue.

10:01It was a dialogue.

10:02It was a dialogue.

10:04This is one film.

10:08It was a work out.

10:12It was a dialogue.

10:14It was a dialogue.

10:15It was a one part film.

10:16Yeah.

10:17So, yeah.

10:18Mahanna.

10:18It was a vast story.

10:20That's why.

10:21Asandarwala is here.

10:23Mahanna.

10:27He made it a statement.

10:30So, you know,

10:31he made it with a statement.

10:31So, how one did a statement do you do this?

10:33Han dee.

10:37Drama wise and effort wise …

10:47Every craftsmanship-wise,

10:59it's equivalent to Bahubali or RRN.

11:03Maybe scale-wise.

11:05Drama-wise, it is there.

11:07But I wish I'll get a day where I can make such wonderful films also.

11:16Magnum opuses and bigger films and grand-scale films.

11:22I will tell you about Rajmoligaru.

11:25But the intensity-wise,

11:31this is the experience-wise.

11:34The experience is definitely towards the end of the film.

11:37I will tell you about the theater.

11:39I will tell you about the intensity and scale of the film.

11:45That's it. I can give it.

11:47Also, just a teaser and the film is almost three minutes until it is released.

11:50Is it a trailer?

11:53Yeah, it is.

11:55It is more than a teaser.

11:58Not a teaser, just a teaser.

12:01More than a teaser.

12:02Yeah.

12:03So, this film is a lot of custom for the trailers and trailers.

12:07There is a lot of custom for the trailers.

12:09That's why we decided to, for every aspect, every outing,

12:15we wanted to name something and that idea came on.

12:18All the best.

12:19Thanks.

12:19Goopakrishna.

12:21Goopakrishna.

12:22Yeah, hi.

12:23Telugu cinema is known for experience.

12:25Unique experience.

12:26You also have a unique experience.

12:28At 94-year age,

12:31Shingitha Srinivasar,

12:32this day,

12:33Shingitha's cinema released.

12:36Unique experience.

12:37That is also a musical experience.

12:39So, what kind of experience Raubadur gives to the audience?

12:52Sir, thanks for bringing Shingitha.

12:55I am really happy that Shingitha Srinivasar's film released today,

13:04at the age of 94.

13:05And I really wish that I should be strong enough to make films.

13:18And I also want to make films.

13:19And experience-wise,

13:22I'm going to talk about three times a dialogue,

13:25and I'm going to talk about it.

13:27So,

13:29I'm going to talk about it.

13:31It's like all kinds of experiences.

13:35For example,

13:38I'm going to talk about the last seven minutes,

13:41I'm going to talk about the last seven minutes.

13:43I'm going to talk about the last two and a half hours.

13:50It's like almost a biopic of a character called Raubadur.

13:55So, it's going to be an overwhelming experience.

13:59That's what we're going to talk about.

14:00I'm going to talk about it.

14:02Vankatesh Mahal.

14:03Vankatesh Mahal.

14:04Yes, hi, hi.

14:04Hi, congratulations in advance.

14:07I'm going to talk about that.

14:09I'm not gonna hear you's a director.

14:11It's not gattling in a squares,

14:14I don't know what's really time to try it.

14:18Every six years I think they've gone through the movie and I figured out that

14:19I am afraid tochos boys meet with whatever film comes through.

14:20you are like a mann leagueer,

14:20hero teaming.

14:24It makes up to your diverse class.

14:26My looks have made up to the police breaking out the previous class

14:28for the other place.

14:28It's very effective.

14:29Because what reasons are for me getting up on Raubadur Martithår

14:33He's an actor also, isn't it?

14:35That's it.

14:37Yeah, I'm an actor.

14:38Put it in simple words, I'm just, I'm touched by light.

14:42In the last one, two years.

14:45I'm touched by light.

14:46There is something called Kantidara in this song.

14:48Kantidara looks like Kantidara.

14:51So I'm just touched by light, yeah.

14:53Okay, what do you think about this cinema?

14:56There are a lot of things.

14:57What do you think?

14:58There are a lot of things that are unique.

14:59There are a lot of things that are unique.

15:01When you come to the audience, you can tell me about Gumbadakai.

15:06You are the Gumbadakai Pools?

15:08My favourite too.

15:10I am just telling that Gumbadakai Pools.

15:13So if you are going to go to Gumbadakai,

15:17then to reveal the Gumbadakai.

15:18That's it.

15:20Now you have to playchasing on Gumbadakai,

15:25so do you see each role play?

15:28Gumbadakai is a character,

15:29one character.

15:30I'm not going to be the director.

15:31Sir, tell me.

15:32I said that each and every element in the film has an important place.

15:38There is no place to be placed.

15:41You have solid reasons.

15:44And if you know what I'm doing,

15:47I'm going to put some theories on Twitter.

15:49I'm going to put some in the cinema.

15:51I'm going to show you the best.

15:52But I don't think so.

15:55I'm going to put it in the cinema.

15:56I'm going to put it in the cinema.

15:57Sathya?

16:01Oh, that's the one.

16:03It's a lot of chili powder.

16:04I'm telling you all about chili powder.

16:08I'm telling you all about chili powder.

16:11I'm getting a lot of chili powder.

16:11We are making videos,

16:13we're creating a lot of excitement.

16:16The film is a hero, Meera Raubhabhar.

16:24I'm not going to do that again.

16:25I'm not going to do that again.

16:26I'm not going to do that again.

16:26Shut up.

16:26We are not speaking about that.

16:29So, I have a lot of experience.

16:31And you have seen the film in the previous interview.

16:35You have done the film in Tribular, and you have been using it.

16:38So, for that, we have a great role.

16:41So, you have to tell the audience what you want to tell you about this film?

16:46In the last minute, we were talking about that one's an ad.

16:53posted a couple of pictures in the office.

17:00Even when you entered the office,

17:01it said,

17:01it was okay,

17:02the story is okay.

17:03The story and the narration was not helpful.

17:07In the Mahavishwana,

17:08it was like,

17:09you're always taking the place to go and go over my face.

17:13Everything is on detail,

17:15everything is going to be said,

17:16Why are you saying that?

17:19I'm like, I want to give you one reason where we are.

17:21You can make all your costumes and everything.

17:24So I've told you to come to Mahath.

17:28I'm in the past 6 hours.

17:30And we'll have to cook dinner as well.

17:35So that's how I approach Mahath cinema.

17:38I've told you to come about a cinema,

17:42but I feel that it's a cinema.

17:45It was a timeless classic.

17:48It was confirmed.

17:50There was a lot of theories,

17:52and there was a lot of theories.

17:53After that, I was saying that I was confident.

17:59My confidence was 100%.

18:02Thank you. Please do watch.

18:04Action scenes in the cinema?

18:10Action scenes in the cinema?

18:13Acting? Acting?

18:15Acting?

18:17Fight.

18:18Fight, sir?

18:19Expectation.

18:21This is the action sequence.

18:24Heroine.

18:26Heroine.

18:26Gopal.

18:27Heroine.

18:29Welcome to Tollywood.

18:31Thank you so much.

18:33What made you choose this character?

18:35In Rao Bahadur.

18:37And working experience with Venkatesh Mahagaru,

18:40Satyadev Garu and producers.

18:45Malayalanthi parayatthi.

18:46No.

18:48Malayalanthi parayatthi.

18:49Malayalanthi parayatthi.

18:50Malayalanthi parayatthi.

18:51So the first reason why I choose Rao Bahadur is,

18:58I'm a fan of Keraf Kanjara Palum.

19:00There are a lot of people in Kerala.

19:03I don't know if you believe it or not.

19:05There are a lot of people in Kerala who loves

19:08Keraf Kanjara Palum.

19:10And you know one thing.

19:11That film was remade.

19:13Kada innu vere.

19:14It's titled.

19:15But still, Keraf Kanjara Palum is the classic film.

19:20Forever.

19:20It can't be remade.

19:22Like, if it is remade also, the classic will always remain as Keraf Kanjara Palum.

19:27So that is the first reason why I took this film, Rao Bahadur.

19:32And yeah, Renuka is a character that I have never done before in my film career.

19:40Which has a lot of layers in it.

19:43And I'm very thankful that I got such a beautiful opportunity to work with Vengidesh Mahagaru.

19:49And also, as I always said, Sathya Devgaru who is a versatile and self-made actor who we all love.

19:58So, yeah.

19:58Thank you so much.

20:01Gopal Krishna.

20:02Yes.

20:03Yes.

20:04Sir.

20:05Sir.

20:05Maybe you have already made a major race.

20:08You are a major race.

20:08So, you are a major race and GMB and S8 Air.

20:10But you are a major race.

20:14So, what is the reason for it?

20:18We also have the Sony.

20:21So, Gopal Krishna first.

20:24But, the film demanded a lot from us.

20:29I have a lot of budget, so we needed more cash, so we reached out to BetterInvest and got a

20:36new partner.

20:38The number of sets we have erected, we shot for over 100 days.

20:44As the project went on, I had to bring in a new partner.

20:48Yeah, we have a lot of support. Backing the project, we have a lot of presents.

20:53Completely. We will always be careful to not ask too much from them.

21:01My belief is that we don't have anything to do.

21:05So, I want to give my blessings and support.

21:10I want to give you a lot of support.

21:13What I believe is that, I want to give you a lot of stature and respect.

21:19I want to give you a lot of respect for them. They should say that,

21:21I will tell you what you want.

21:24I don't want to go to them and say,

21:26I want to give you a lot of respect for them.

21:29I feel we have that respect for them.

21:31And I believe that their presence is with us.

21:34And whenever the time is right, obviously they will step out.

21:41I wish you all the best.

21:42I wish you all the best.

21:42I just want to add to that.

21:44If you want to Oscar films or producers list,

21:49I want to give you a lot of producers on Wikipedia.

21:52Because an ambitious vision, I think it needs those many minds, brains to believe it and come forward to back

22:11the project.

22:11I think that is also one of the reasons.

22:14Because of the vision, the big scale of the film, the vision of the film.

22:25The future of the film, the vision of the film by the experience is the same.

22:39Why?

22:40I was talking about a story during the corona time.

22:46I was talking about the OTT movie after that.

22:50After that, there was a movie called Yeswatha.

22:53It was called Sivalanka Krishnan Prashad.

22:55I was talking about Nippal.

22:57I was talking about Nippal.

22:58I was talking about Nippal.

22:59I was talking about Nippal.

23:01I was talking about Nippal.

23:07I was talking about Nippal.

23:10I was talking about Nippal.

23:13Whether I was looking at it or not,

23:16I don't know how you've been doing it but,

23:17I didn't come.

23:20Bye bye.

23:23I watched was watching my club atmelwohlation.

23:30I did not premiere the F seminary,

23:31but none of my star special but,

23:32The only thing that is speaking about is to say,

23:37It is a point of view, lost, lost and power.

23:40It is the only thing that is to say.

23:42But the idea is to say,

23:43If we are to do it, we are to encourage our community to do it.

23:47And we can't do it.

23:48Because we are to do it.

23:48It is a new thing.

23:50We are all doing it.

23:54When we are to do it,

23:56I'm going to do it and I'm going to do it.

24:00It's a good thing.

24:01It was funny because of the movie.

24:04But I didn't tell that.

24:04The people who know that they go on the highway.

24:06They write down the letters and they ask them,

24:08they ask them if they write the letters and they ask them.

24:22Now they ask me,

24:26excuse me,

24:26People not only try the cinema and try the cinema, but find that the phone is more difficult.

24:31There is no Event of Finance, there is no discipline.

24:37I think that was a difficult time to say that, no matter what I was doing, I worked as a

24:46documentary,

24:47While I'm talking about breaking news, I would work a lot on my film about it.

24:53Well, I feel like I've had a lot of collaboration, a lot of work, etc.

24:59But I'm very happy.

25:03But a lot of people and I don't want to know more.

25:24So, I am happy.

25:30Sir, so, I am confident in this film.

25:36So, I am happy to present the theater audience, repeat audience is main important.

25:42is important.

25:43If there is one, the price isaked and the one who allows ticket prix.

25:46So as a producer, I am doing a lot of ticket prices.

25:50Do you have ticket prices for one billion?

25:52Would you like to have a ticket price for one billion?

25:54I think I haven't had ticket prices for one million.

25:57I think if I don't have a ticket price, I don't have to purchase the ticket price.

26:01Can I talk anything about this?

26:03No.

26:07No.

26:11No.

26:11Chachi Tehgar.

26:12Last question, please.

26:13Last question, please.

26:18If you look at the cinema, there will be a social message.

26:22If you have a message, you have expectations.

26:26In this cinema, we are feeling like entertainment.

26:29Along with that, you have a message through.

26:33If you have a message, you don't have a message.

26:40Maybe if you select it, it will be content-wise.

26:46But in the entertainment industry, you don't have a message.

26:52But at the end of the day, if you have a message in entertainment,

26:55it's great. That's a different story altogether.

26:57But if you enjoy it, if you get entertained, that's the biggest success.

27:06That's what I feel.

27:09In the cinema, there are also female characters who are inspiring.

27:14In some scenes, there are only one of the hero's books.

27:19The first one is Aruna and Chalangar's novel.

27:23In that book, there are only one of Shriyoka and Svechaguri.

27:25There are only one of Shriyoka and Svechaguri's characters.

27:27But in this cinema, there are only one of Shriyoka and Svechaguri's characters.

27:31So, you all have designed it, sir.

27:34Yeah, that's a very good observation.

27:36So, I want to tell you about the character of Deepa.

27:43In the patriarchal world, in the world, in the world, in the world.

27:55So, tell us about the character of Deepa.

27:57And when I'm going to talk about Deepa, you also want to talk about that.

28:04We're also about the character of Deepa.

28:06And we think, in the sense that this is where the character is being asked,

28:09And I have tried to talk about Deepa.

28:10I don't know if I have tried to talk about that.

28:12So, I don't even know where the character is being asked about.

28:18So, it was the reason that I said to you, to talk about it, to talk about it, to talk

28:27about it, to talk about it, to talk about it.

28:34But it didn't happen to me.

28:37It didn't happen to me.

28:38So, it didn't happen to me.

28:41But it flourished into another character.

28:51So, I really don't want this to be a label to me.

29:01Because I want it to be a general thing in films.

29:04I want it to be a general thing in my films.

29:06I want it to be a general thing in my films.

29:08So, I want it to be a general thing in my films.

29:11First of all, your performance peaks.

29:15But it's very important to me.

29:18The hero and the director and the producer Sandhra.

29:21The first thing about your performance.

29:25So, you have a lot of expectations.

29:30But how are you doing?

29:34How are you doing?

29:36You're good.

29:38I'm not trying to get married again.

29:42I'm doing it once.

29:42I'm not trying to get married again.

29:44I'm trying to get married again.

29:47See, obviously, everyone is happy and open to the performance, because there is happiness.

29:56See, at one point, operation success patient died.

30:01Operation success, patient died.

30:03That means, I have to perform performance in every cinema.

30:08Obviously, I have to perform, character.

30:11But the cinema, I will feel very happy.

30:16So, on this day, my performance, I feel very happy.

30:22On July 3rd, you all hit the cinema.

30:26See, I am happy.

30:28Everyone has to perform performance.

30:30I am happy.

30:32Boss, thank you.

30:35We are safe and we are happy.

30:37That gives more kick.

30:39That is confirmed, no doubt.

30:40I am happy.

30:43I am happy.

30:43But, now, I am waiting for that.

30:46I am happy.

30:47On July 3rd, I am happy.

30:50I am happy.

30:52I am happy.

30:53Hi, India.

30:55Hello, India.

30:55Yes, hello, India.

30:56Last question.

30:57Yeah, next.

30:58Obsession cinema is around.

31:00Okay.

31:01It's a good name for everyone now.

31:04But you are making makeup, costume, it's part of my job.

31:10But various characterizations even though the costumes are very comfortable.

31:14But if you look at this costume, it's a bit uncomfortable.

31:19Like you are making a lot of clothes.

31:21I think you have to say something like that.

31:28So you have to manage everything.

31:31You are making a shoot, once you pack up, I am normal at that point of view.

31:39So you are making a shoot after you shoot.

31:46I could ask you about it.

31:48I'll tell you,

31:50I'm asking you to get back to the point.

31:55I think the point is that

31:56this is the point that

31:57it's obvious to me.

31:59We're facing that point.

32:01But we're facing the point that

32:03it's very far.

32:04You're not a customer.

32:09Again,

32:10it's part of the professional

32:12and the cinema.

32:14I'm lucky.

32:15I needed a chance to be able to get the chance of getting that chance.

32:18I thought that was good and not good.

32:22Because I was doing a job in the 45th degree.

32:25I was spending my time with my family.

32:29I didn't even know anything about my family.

32:31I was spending my time with my family.

32:33I was spending my time with my family and my makeup.

32:36It's a little light, but everything is character-wise, right?

32:43If you're a customer, you're a customer.

32:46Actually, sorry to add.

32:48That day, you're a customer.

32:52I'm a rob worker.

32:55That day, you have 50 degrees.

32:58That bottle.

33:01I'm already in the teaser.

33:04I'm a character in that movie.

33:06He's a character in that jazz.

33:07I've played it for 3 days.

33:09I've played it for 6 days.

33:10I've played it for 6 days.

33:12I've played it for 3 days.

33:23He didn't say a single word.

33:27He was always in the character.

33:29All the ways to all of you, Andy.

33:31Thank you. Thank you so much to all the media.

33:33See you all.

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