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00:00SONY LEV ORIGINALS
00:01SONY LEV ORIGINALS
00:07DISCLAIMER
00:08TAMBAKU SEVEN SVAASTA
00:10KELIE EHAANIKA RAKHAY
00:11IT'S CANCER HOTA HAY
00:13AB TAK
00:14FIELA KARVAAYETE NA
00:14MATMAILA DIKHAAY DEE RAH
00:16SACH SACH BATAO
00:17GHARWAALOCO BATAHI BHAI BHAI BHAI BHAI HOO
00:19ARAE AMAN
00:20WHILE YOU DO BE ARAE
00:23WHILE YOU DO BE ARAE
00:28LORD
00:28SO
00:34ARAE
00:52GINNER
00:52BAII SAAM
00:53KEM
00:53HAJJAR HAJJAR
00:55KEM
00:56ARAE
00:57Seria Sale Executive, Commitment of Quality and Trust.
01:00Paneer hai.
01:02Nakli paneer hai.
01:04Guardiolius ki zero din ko jaldi pardne wali hai.
01:06But congratulations, you toh have one right next door.
01:08It's such a horrible situation, my mother.
01:10It's a horrible situation.
01:12That's why we were thinking that...
01:14We will sleep with my friends.
01:15I don't know what you're going to say.
01:16What are you going to say every time?
01:18Ranun ke beitee ko 10,000 rupiah ka mutual fund de ke aya hai.
01:22Bata ya Tauzit ma?
01:23Kuch bata na jaruri nahi samaj raya bachche.
01:29Raat ke andheree mein Shalini
01:30aur uski dho mahiila emitr
01:32Pinki ki kaar ke paas aati hai.
01:37Woha tineo chupke se aaghe wad rahi hai.
01:44Aaghe mahiila mundal ki kuchh or sa dha se bhi khađi hai.
01:52Shalini aapna pallu kamar mein khonusti hai.
01:58Or aapni saheliyo ko pichhe aane ka išara karthi hai.
02:02Sabhi dhubye pao aaghe bachati hai.
02:04Shalini vlogging shuru kaarti hai.
02:08Shalini vlogging shuru kaarti hai.
02:09Shalini dhira dhira aaghe bachati hai.
02:13Sabhi open jeep ko cross karke piche jatii hai jahaan scooti khađi hai.
02:20Voha eek lada ka bike ke nut khol raha hai.
02:26Aaghe se panchar maan na bita.
02:28Tum camera ki najar mein ho.
02:31Us tuk kholne ki umar mein panyi khol raha hai ho.
02:34Saroj, pushpa, polis ko phone ghumau.
02:37Or aelan kar dho pure mohollene mein.
02:39Gaari waalo ko dhernne ki jarurat nahi hai.
02:42Sakhi saalini mahiila mundal ne panchar maar pukad liya.
03:12Shanti kichan me hai.
03:13Pariwara wale aajate hai. Tabhi tumhye daftar ka Anushasana yaad aajata hai.
03:17Aray nahi yaar, aisi baat nahi hai.
03:20Is karma ji ka phone aya ta, kaya raha te ho, afis jaldi aajai hai.
03:24Us khabri aai aaphi.
03:26Gift dee raha hai, kya?
03:28Buhul mat jana aafis mein, pichli baar bhuul kaya thai.
03:30Haa, thik ya.
03:32Chya baat hai?
03:34Aaj bhartan ko jada hi nikale hai?
03:36Baai aai aai, isliye.
03:38Diktu ki mammi ne ki ti rakhvaai hai.
03:40Bata hai to tha, tumko.
03:41Chalo, banhiya hai.
03:43Mahilaam ke gabsam mein Pinki hai, kaya bhi time kard jaya.
03:46Aray, woh to kehra tha, woh tumhahare saath aafis aara hai.
03:49Pinki?
03:49Haa.
03:50Ho ho ho ho.
03:51Noo bhaji gai.
03:52Ah.
03:53Jiha ji.
03:54Duz bhaje to rhajiri wala regishter uđt jata hai sarakari aafis mein.
03:58Aapko riaayat hai kya?
03:59Aray yaar, tumh yeh bata.
04:01Tumh hum hai aafis ka hai aana chate baai.
04:03Jiha ji.
04:03Jiha ji.
04:04Jiha ji.
04:04Jiha ji.
04:05Pariwaar se jhuďe hai.
04:06Amma nne humko humko humeysha yeh jhađki di hai.
04:09Kephenke.
04:10Tekh, tere hoonne wali ji ji ji ji ji.
04:12Sarakari naukar hai sarakari naukar hai sarakari naukar.
04:35Haa.
04:35Aap kheechenge tumhah yekhto.
04:37Selvi.
04:38Aray yaaj ji ji ji ji.
04:39Selvi khud khinchni pardti hai.
04:40Kek.
04:41Aap bhas pichhe khaday hoja na.
04:42Haa.
04:43Aaj aapko.
04:44Aapko.
04:45Aapko.
04:45Aapko.
04:47Aapko.
04:48Aapko.
04:49Yes.
04:50Aapko.
04:51Chantii.
04:51Santosh or Pinki baukhla aate.
04:53Yaar.
04:54Aapko taia nikloj.
04:55Zhehri li horat aate.
04:56Zhehri li horat.
04:57Zhehri li horat.
04:57Tawliya bhi.
04:59Sony lip presents.
05:02Jamil Khan, Gitanjali Gulkarni, Hanant Vijay Joshi, Harsh Mayar, Sunita Rajwar, Shivankit Singh Parihar.
05:12Executive producer Shrayash Pandey Vijay Koshi.
05:16Story Shrayash Pandey, Vijay Koshi.
05:21Written by Vijay Pripati.
05:23Written by Vijay Pripati.
05:25Produced by Anurag Kumar.
05:29is created by shriyash pande
05:35screen per series title kullak lika hai niche a tbf creation lika hai
05:43episode 3 pancharmar shanti kitchen mein kuch kama karri hai
05:49say hi Bittu ki mammi aap mango kalri hih hai hai aap to hume annu ki mammi aap to hume
05:55annu ki mammi
05:55bulaate hy hai hai hamaari mandal ne paresou hi ek prasthau parit kiya hai
05:59ki aap har mahila dausri mahila ko uuske naam se bulaayegi
06:02aap bhi hama shalni chay na lekin bittu ki mammi hame ko taw annu ki mammi sahnne ki
06:07yaadat hai ye buri ahadat chhoڑhane ke liye hi hama nè aaj aap ke ganne
06:12aap ke ghar me apne mandal ki mahilao ko bulaja hai
06:14But we have stayed in the middle of the mandal, but we have stayed in the middle of the mandal.
06:18You don't know what happened in Prabhat Pheri today?
06:21That was the 5-4-5-5-3 months ago, we had taken it.
06:27If you are connected to our mandal, then we will go to Prabhat Pheri in the middle of the mandal.
06:31When we are in the middle of the mandal, we will go to Prabhat Pheri in the middle of the
06:35mandal.
06:35There is no camera with us.
06:38There is no camera in the middle of the mandal.
06:41Shalini!
06:42Oh Vani!
06:44Shanti, this is Vani from the mandal of the mandal.
06:48Hello Shanti.
06:50You stay away from three weeks.
06:53And your session is going to be finished.
06:55Please renew it quickly.
06:57Okay?
06:58Namaskar.
06:59Aman will cut off the mandal.
07:00Tell me, if you don't think the wrong thing.
07:02We are in your mind.
07:05And we are in your mind.
07:07Desh Raab!
07:08Desh Raab!
07:09Desh Raab!
07:10Desh Raab!
07:11Karnabhahi is our Mahavishwani.
07:13Tell us how far we are at the end of the mandal.
07:15I am an Suri Narayan ko pen or notebook de ta hai pa raakya bant karke kehani lagta hai
07:22Suri Narayan Suri Narayan ka ka suyamvar suyamvar vani vlogging kar rahi hai shalini chhat
07:37se shoot kar sakta hai kya aare kohin se bhi shoot kar aapna hi ghar samaj tu yaha se bhi
07:44camera
07:44letka sakta doonho chhat se necce dekh rahe hai hai bittu ki vadi vayan bhi hai shanti
07:49saide manna shanti kaam karne de na tu ek second ah wani wani wani wani wani kai ye ta nahi
08:00hi ho hi bhi hao hi wani pappa ke lawaha marini mammii ka nam구나 cực kisi kardeşi ni
08:05n
08:05jak
08:06%
08:08h
08:09Bjd varieties of Baker,
08:16Pinky comes Walker,
08:18with Pinky in the man´s been Ellis inside this lane.
08:39I don't know what the hell is going on.
08:41You're saying there's some happy news in the office.
08:44Yes, of course.
08:47What, Vishakarma?
08:49You've called the happy news for the day of the day of the day of the day of the day
08:51of the day of the day of the day of the day of the day of the day of the
08:52day.
08:52Oh, man, I should have to take a break.
08:55Oh, Vishra, happy news is in my hands.
08:58Look, this is the case.
08:59You've got to get a good call for the government.
09:02You've got to get a home in a easy way.
09:04Just don't do the same for the government.
09:06Don't do the same for the government, Vishakarma.
09:10You're going to lose food.
09:12Look, we're going to have faith in the first place.
09:16Hey, we too.
09:18Hey, Vishakarma.
09:21This is our Salih Sahib, Pinky.
09:24My self-promote Paathak.
09:26What's the hell out there?
09:28There's a line-man with Bhokta.
09:30He's done with Bhokta.
09:32He's done with his whole town.
09:33He's done with his whole town.
09:34Oh.
09:36He's been given a lot.
09:37He's done with his whole town.
09:39He's done with his whole town and his whole town.
09:55Yeah.
10:04SANTOSH KUCH SOUCHNAY LAKTAH HAY
10:23SANTOSH BOSS KEE KEEVIN KEE TOREP JATA HAY
10:25HOWEVER YOU SERVICE HAYE PATHAK JI?
10:27YOU CAN TAKE ISSURE THAT IT IS IN A BUSINESS
10:31WHAT?
10:33THERE IS A CHANCE
10:35WHERE THE CHANCE IS HITED
10:41WHAT'S YOUR BADLEY'S NAME?
10:44BODLEY WIBAG KEE ZORE
10:46THE LINE MAN AND THE UPPHOHKTA
10:51He was a kid, and he was a kid, and he was a kid, and he was a kid.
10:59Who's his dream?
11:01It's our dream, big boy.
11:03But now, if a blind man is a guy who is a wicked type, then what can he do?
11:09Look, he's been kept on the blind man.
11:11You're permanent, right?
11:14You've lost his own life.
11:16Why did he lose his own life?
11:20Go out.
11:23Everyone go out.
11:26Boss was happy.
11:27We have a situation.
11:30We have a situation.
11:31We have to get a situation.
11:32We have to get a situation.
11:34We have to get a situation.
11:37This is true.
11:39Kevin's door is a pinkie.
11:41How are we getting a mafia?
11:43We're getting a mafia.
11:45No. No. No.
11:47This will be very wrong.
11:48Pinky?
11:49If you look at the line, people will be afraid of blood.
11:53That's right, Sina, sir.
11:54If you have any kind of authority,
11:56then the people will be quiet.
11:58We have to ask you to sit there.
12:00You are Salih, Pinky.
12:03Myself, Pramod Pathak.
12:04Okay, okay, okay.
12:06There are a lot of opportunities.
12:09But, if Maaphi asked us,
12:11it would not seem like we had done that
12:15but, what is that?
12:16We can be able to see it as well.
12:19Yes, sir.
12:21Who will tell you that you will be able to take a couple of dollars?
12:25No, Sina, sir.
12:26It's not so bad.
12:28I'm saying Salih, sir.
12:30You don't have to worry about it.
12:32We will not send you alone.
12:33Who will be with you?
12:34Who is this?
12:37Demand draft.
12:40It's 10,000 rupees for the land.
12:4210,000?
12:43No, no, no.
12:44You don't have to be able to take a couple of dollars.
12:48You don't have to pay for it.
12:49Where are you going to do service?
12:50Brother,
12:52people are sitting outside.
12:54If they were out of the wrong place,
12:55they were sitting in a mess.
12:57Now, see,
12:58the line-man was your own.
13:00But we are your own.
13:02We are your own.
13:02We have to have to have to stay alive.
13:04We have to save your percentage.
13:06How?
13:07If this situation is not happening,
13:10then Pramod Sacheev will answer the inquiry.
13:11We will answer the inquiry.
13:13You will answer the inquiry.
13:13It will be true.
13:14The truth is that the money is the line-man.
13:16The money is the money.
13:20The money is the money.
13:20You are the money.
13:21if you look at the line-man,
13:22if you look at the line-man,
13:24it will not be gone.
13:25People will throw off the door,
13:27and the cars will throw off the car.
13:28And you know,
13:29my SUV is standing outside.
13:31Mr.
13:32Mr.
13:35The time is not on the line-man.
13:42Mr..
13:43Mrl.
13:44Mr.
13:45If you must do now,
13:51Mr.
13:52Mr.
13:53Mr.
13:53Mr.
13:54Mr.
13:54केंबीचारे कि एवार्ट में लिध।
13:58कि संन्ति इसके हांद से युखाफ़ा लेकर कैबिन लाखूर चला जाता है।
14:03जयुखरी लेगी तया है।
14:10संन्तिकोंतोष लिफाफय को देखते वे आगे बढ़ रहा है।
14:13Vishkarma is looking forward to her.
14:15Annu's house is coming from the kitty party.
14:17Surya Narayan Vani.
14:43I mean, you have to go to the first name terms, right?
14:47Vani is making films, Aman.
14:49And Aman, there is a great opportunity.
14:52Oh, wow.
14:55Will you write for my films?
14:57I will write.
14:58I will write.
14:59But I will write.
15:02Satire.
15:03Aman is coming.
15:05Take your poster.
15:07Peace.
15:08Two cups of tea.
15:10Yes, I'm coming.
15:11Aman is in the kitchen.
15:13Oh, my mother.
15:14I'm talking to you.
15:17I'm talking to you.
15:17Why don't you tell me anything?
15:19Why don't you leave me in the office?
15:21My mother is so happy.
15:23I don't feel good in front of everyone.
15:25I don't feel good.
15:26I'm telling you.
15:27I'm telling you.
15:31How do you tell me?
15:32You're 30.
15:33On the banner, Shalini's photo is hidden.
15:36But Shalini's photo is hidden.
15:38You don't have to think about it.
15:39You don't have to think about it.
15:42You don't have to think about it.
15:43You don't have to think about it?
15:44And it's a shakku-waku.
15:46It's not shakku.
15:47Yes, it's a great page.
15:49It's a great page.
15:49It's a shakku.
15:50But it's a camera.
15:52It's not a fear.
15:54It's a big line.
15:57Vani.
15:58Yes.
15:58We will see this line in the camera.
16:01Yes.
16:02You made the video in the morning?
16:04Yes.
16:05So let me show you.
16:06Let me show you.
16:07Let me show you.
16:07One minute.
16:08Shanti.
16:09Yes.
16:09Yes.
16:09Yes.
16:11Vani.
16:11Laptop is coming.
16:13Now, see.
16:15You didn't trust me.
16:16We will put a puncher.
16:17Look at the proof.
16:19Look.
16:20Look.
16:20Let me show you this shakku.
16:22This is your fifth line.
16:24Why did I put it on her?
16:25Why did I put it on her?
16:26She's not a crime.
16:29She's got her hands on her.
16:30She's also put on her hands on her.
16:32She's also put on her.
16:32You do a job.
16:33Put it on her face.
16:35This is your father.
16:39That's right.
16:40Aunty.
16:41Tell me.
16:42If you put your photo on your poster,
16:44it's yours.
16:46This is a meeting of Shalani Mahila Mandal.
16:49We have to ask something.
16:51This is the most important thing.
16:52With your answer.
16:52We have to ask you to give up.
16:55We have to give up.
16:56We can give up.
16:57we have to pick up a little.
16:59We and Amand can help you.
17:01We can help you.
17:05My brother, you are too.
17:05Don't you help yourself.
17:06You are a good job.
17:07Put a plate on your plate.
17:07Shalini.
17:09Yes.
17:11Shalini.
17:11Shalini has a huge place.
17:12Where is the postage?
17:15Where is the place?
17:16Where is the wall?
17:17The wall of the wall?
17:18The next person comes to Annu's gym. He's calling someone.
17:49The next person comes to an exercise area.
17:54Prithi and Prithvi are exercising.
17:57Annu is one of them.
18:00Sir, who are you?
18:02If you are young, they will be back.
18:08What a surprise!
18:10Anand, hi!
18:12What a double surprise!
18:15You both come here, right?
18:17Yes.
18:18You too, when I come here?
18:19No, no, I've heard a lot of names.
18:21I thought we would take a trial.
18:22If it's a big deal, we'll take a membership.
18:24Nice.
18:25How's your gym?
18:26Overpriced.
18:28It's expensive.
18:28It's expensive.
18:30So, don't forget that I work out in your circle.
18:33I thought that EMR's line went up yesterday.
18:37Where did you work out first?
18:39I was in the gym.
18:41Our house is open, right?
18:42So, we don't have to worry about it.
18:44Now, let's think of the gym.
18:45If you join, tell us.
18:47We'll try to match the timing.
18:49What do you want to do?
18:50I think it's going to happen.
18:51Now, as you've seen today,
18:52without trying, how will the timing match?
18:56How much do you score?
18:59I mean, it's just so much that I don't have pain in my legs.
19:03Are you empty now?
19:05How many reps are low?
19:06How many reps are low?
19:07I mean, we'll take a bite.
19:08We'll take a bite.
19:10We'll take a bite.
19:10We'll take a warm-up.
19:11Then, what's empty?
19:11We'll take a bite?
19:13No.
19:16One.
19:17Come on.
19:21Much.
19:25More.
19:27More.
19:28More.
19:29More.
19:30more More.
19:30True.
19:31Come on.
19:33Come on.
19:35The trainer is getting muscle on Anu's feet.
19:40There's nothing wrong.
19:41There's no stretching right now.
19:43I'm getting a little bit.
19:44We'll just do it right now.
19:46You don't have to put an ice pack on it.
19:48You didn't have to write me.
19:50I'll tell people that Dr. Prithvi has given me a free prescription.
19:55Amen.
19:57Let's go outside.
19:59Prithvi is going.
20:00Are you okay?
20:03I'm going to leave.
20:04Bye.
20:06What are you doing?
20:09What are you doing here?
20:11What are your membership charges?
20:1225,000 yearly.
20:14That's a lot of money.
20:16You don't have any offers.
20:18Take a couple of membership.
20:19Join with your wife.
20:23Prithvi and Prithvi have given me that.
20:25Anu goes on.
20:27She's thinking about something.
20:29You're good.
20:33Are you good?
20:35How are you doing this?
20:37You're doing this.
20:37It's going to be a couple right now.uku's
20:47a couple right now. I'm
20:51going to leave a bin.
20:53The second side is the phone phone.
21:24But why are you afraid of me?
21:26You are not afraid of me, right?
21:29You are doing your face.
21:30Well, Pinky will say that Pinky will say that
21:34she is holding hands in her face.
21:40Don't you understand?
21:41Don't let her face.
21:43She will send her mother to you.
21:46She is not going to fight with us.
21:49Don't change the topic.
21:50Don't change the topic.
21:50We are making sure that she is holding hands in her face.
21:55Listen.
21:55She is holding hands in front of everyone.
21:58Let's go.
21:59We are keeping her face.
22:02Okay.
22:02Side pose.
22:03Nice.
22:04A little pass.
22:04Okay.
22:06Oh, Shanti.
22:07Here is the frame.
22:09Shanti, let's do it.
22:11Let's do the photo.
22:12I am so sorry.
22:14Okay.
22:15Three, two, one.
22:18Caption.
22:19Mishra Ji.
22:20We are understanding.
22:21You are taking loads.
22:23But you are taking loads for us.
22:25We will remember that.
22:26But you are taking loads for us.
22:28You are very comfortable.
22:30You will get to meet with them.
22:31We will take care of them.
22:34Don't worry, sir.
22:36Now we are Jaggery friends.
22:37Jaggery friends.
22:39Yes.
22:40You are taking loads.
22:42You are taking loads.
22:44You are taking loads.
22:44Where are you?
22:46It's so small.
22:47It's too small.
22:49You are taking a big room.
22:50The mother of children is taking care of us.
22:52You will take it in your house.
22:53You will take it in your house.
22:55Shanti, please.
22:56Go ahead.
22:56Shanti, come on.
22:58Let's talk later.
22:59Come on, ma.
23:00Come on.
23:02Come on.
23:02Come on.
23:02Come on.
23:04Come on.
23:05You don't have to be.
23:07By the main function.
23:08For the spoonful of the doctor,
23:09it is a vitamin D.識這個logue.
23:14The depression in your house
23:14may be like this. He looks on the banner
23:17of our house. The one eye sees a
23:17new line of Shalini. The banner of Shalini.
23:25The one eye sees a banner.
23:27He is all alone. He sees
23:29a banner on Shalini.
23:30The one eye sees a banner. He sees
23:31a banner on Shalini.
23:32He sees a banner on Shalini.
23:33He sees a banner.
23:34The name Vani Shamani and his birth rate is the 29th March.
23:39Hmm, Mesh Rashi, we can tell you before.
23:42They are the Mangal Girae Wali.
23:44They are so cute.
23:45What is that?
23:47They are the Mangal Girae Wali.
23:48We are Surya Nara.
23:49What will it be?
23:51Do you have a job, Aman.
23:53Just tell me,
23:54that this is our relationship.
23:57Huh?
23:58The money in the last year,
23:59Shilpi has cut us very bad.
24:00We will call our mother to our name.
24:03Let's go.
24:04Don't be close to the Kanyahu.
24:08Okay.
24:10Now, Shilpi Shalini Mahila Mandil,
24:13Shalini,
24:14you will say,
24:15Shalini,
24:15Shalini,
24:16you will say,
24:16you will say,
24:17you will say,
24:17you will say,
24:19you will say,
24:21you will say,
24:22you will say,
24:22you will say,
24:24you will function.
24:24Hyalini ha haa.
24:25JB you tell us,
24:27you will say,
24:28you will say,
24:29you will say Shadow companies.
24:33Easy,
24:34me crazy,
24:38a man so Phillip,
24:39The woman who knows it.
24:39Who knows what did she talk to,
24:43with that woman.
24:45The woman who had a woman.
24:47The woman who told her,
24:48he was telling her she started.
24:51Who하 did she speak?
24:52And look, the niece is the one?
24:54The son who calls the Sharni.
24:57That's the one who gave us the police?
24:59Yes.
25:00And from that to our son, you made the son.
25:03And you created the son with the son of his son.
25:06True?
25:07Every son of a son of a son is another son.
25:11No.
25:12He made a video.
25:13Tell me.
25:15Either he was an export car and you committed to the car.
25:17That's a good one.証
25:18Facts
25:18about Sonu's son-in, tell me.
25:21The car that you have sold my child, was our own car.
25:26No, I mean...
25:29What is the proof that the car was your car?
25:32Tell me.
25:33I'm giving the proof to the police.
25:35We don't have any need to give you.
25:38Okay, so why was it in his hand?
25:42He was out of his hand.
25:43He was out of his hand.
25:43He was out of his hand.
25:45Why was it in his hand?
25:46He was out of his hand.
25:48He was out of his hand.
25:51He was out of his hand.
25:52He was out of his hand.
25:54Why did he have been out of his hand?
25:58Okay, Sonu's mother, what do you want?
26:01This is the mother's mother.
26:04Shalini.
26:05Yes, Shalini.
26:07In the camera, we say sorry to our son.
26:13Sorry to say, Auntie.
26:14He's in the camera.
26:15There's no music.
26:16It's a movie.
26:17It's a movie.
26:20We've played.
26:20We've played.
26:21It's a movie.
26:23I've played.
26:26You've played.
26:29It's a movie.
26:30It's a movie.
26:38There's a movie.
26:39All those.
26:40All the music.
26:42All the music in the world.
26:44I'm scared.
26:47I'm scared.
26:48We're not?
26:49It's the same thing.
26:52You stay here.
26:54We'll go alone.
26:55No, no, no.
26:57If you don't go alone, we'll never forgive you.
27:01Jijajji, the government's own responsibility.
27:05We live in private.
27:07But you, you're a servant.
27:10You're a servant or a servant?
27:12A servant.
27:14Yes, that's right.
27:16A servant is a family.
27:19I was scared of my son.
27:23Come on.
27:24The son of Sonu is a criminal lawyer.
27:31No, no.
27:33You're scared me.
27:34Be quiet.
27:35Be quiet.
27:36Be quiet.
27:38Be quiet.
27:39Be quiet, everyone.
27:41There's no need to call someone's father's father.
27:43We can get this together.
27:45And this is our house.
27:47We will be the one who will say.
27:48The mother's mother.
27:50Shalini.
28:08Shalini.
28:09Three, if you are not mad about me.
28:23I'm ...
28:26No, no, no.
28:29Let's go.
28:30Both are going.
29:03This lady is not good for mental health.
29:05Aman goes.
29:07That's a bad thing, Bittu.
29:08Shanti.
29:09Shanti.
29:10Shanti.
29:11Bidli Vibhag Office.
29:13Santosh Guard.
29:14Santosh.
29:15Santosh.
29:16Santosh.
29:16Santosh.
29:17Santosh.
29:19Santosh.
29:20Santosh.
29:20Santosh.
29:21Santosh.
29:21Santosh.
29:23Santosh.
29:24Santosh.
29:25Santosh.
29:26Santosh.
29:28Santosh.
29:54Santosh.
29:55Santosh.
29:56Santosh.
29:56Santosh.
29:57Santosh.
29:57Santosh.
29:57Santosh.
29:58Santosh.
29:59This is why you are making a great and dangerous
30:00because of which you have made a peace.
30:05How much peace has been made in the world,
30:08this is why you know.
30:09But middle class is a peace.
30:12It's not that those companies that make sure they make shares
30:15that they buy in the world.
30:17This is a peace because they have a peace.
30:22Sorry.
30:22If you have a peace to say sorry,
30:25then you will be a peace.
30:27We have to acknowledge our good and our bad people.
30:34We are not going to die with the pain and pain.
30:39But we are not going to die with the pain.
30:42We are not going to die with the pain.
30:46We are not going to die with the pain.
30:49This is why we are going to forgive.
30:52We are going to die with the wrong decision.
30:56Thank you very much.
31:50Thank you very much.
32:02Thank you very much.
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