Τα σκαλοπάτια (1966)

maria_kpf114

2 days ago

Transcript

00:00:08The End

00:00:37Let's go.

00:01:06Let's go.

00:01:30Let's go.

00:01:30Joanna.

00:01:33Joanna.

00:01:35Joanna.

00:01:39God's sake.

00:01:40Will you stop it once and for all?

00:01:42How am I supposed to sleep?

00:01:47What was it this time?

00:01:52Don't you hear me?

00:02:06Do you want something?

00:02:09Water or sand?

00:02:09I'm sorry.

00:02:18Time is like a wall of fire within.

00:02:28Through which I cannot bear to go alone.

00:02:36Will you see the sea in me if I show you where it is?

00:02:48Like something you will have to drown in.

00:02:58But will you ever understand?

00:03:03I'm sorry.

00:03:20I'm sorry.

00:03:25I'm sorry.

00:03:41Miss, do you have that in white?

00:03:47No, I'm sorry.

00:03:49No.

00:03:51No.

00:04:08No.

00:04:11No.

00:04:13No.

00:04:15No.

00:04:16So you're certain these cases aren't beneath your ability?

00:04:19You know how to handle this kind?

00:04:21You won't lose them?

00:04:25All right, let's go. Everybody works.

00:04:33Never mind.

00:04:34You have your sympathy to waste.

00:04:37Give it to him.

00:04:38The stupid bastard needs it.

00:04:46They are the same people.

00:04:49They are the same people.

00:04:59You have their sympathy.

00:05:04He's the same people.

00:05:06You have their sympathy.

00:05:08I also love their sympathy.

00:05:10I am the same people.

00:05:10Hey, tell me, I'll get you out of jail.

00:05:11I'll get him out of jail.

00:05:14God bless you, honey!

00:05:16Let's go.

00:05:56Are you ready, Mr. Mavridis?

00:05:58Oh, yes. Forgive me, Your Honor.

00:06:00I'm ready.

00:06:20I'm ready.

00:06:31Law Journal No. 8.

00:06:36I lost a case for them.

00:06:39Lost it because I didn't think to look this far back.

00:06:42I am so stupid.

00:06:46Why don't you quit the warehouse?

00:06:49You are beginning to sound like Manos.

00:06:54He says I can do one job right, let alone two.

00:06:58Of course.

00:07:00He thinks I will be happy loading trucks for all my life.

00:07:09You too?

00:07:13Do you know how he introduces me?

00:07:16He says, surely you heard of a great lawyer, Mavridis.

00:07:21Now for a law, Grendel.

00:07:23How do you ride the way?

00:07:25He starts this case.

00:07:54This is Mavridis.

00:07:56This is Mavridis.

00:07:56He says, still life has to have some life.

00:07:59It's not just a matter of some perspective or mixing a few pigments.

00:08:04Or even being able to draw.

00:08:11What are you trying to say here?

00:08:15What's in this that I'm supposed to see or feel?

00:08:17I'm sorry.

00:08:21I'm sorry.

00:08:31How do you do now?

00:08:33I'm sorry.

00:08:43My man says, what the law do, you're trying to find a big king.

00:09:03THE END

00:09:32THE END

00:10:02THE END

00:10:27THE END

00:10:40THE END

00:10:49THE END

00:10:51THE END

00:10:52THE END

00:11:00THE END

00:11:01THE END

00:11:04THE END

00:11:06THE END

00:11:07THE END

00:11:20THE END

00:11:22THE END

00:11:25THE END

00:11:32THE END

00:11:38THE END

00:11:49THE END

00:11:54THE END

00:12:04THE END

00:12:05THE END

00:12:08THE END

00:12:11or death beneath your artistic sensibility.

00:12:14You are weak, like a cripple.

00:12:16It's not only to paint.

00:12:18I want to...

00:12:19What?

00:12:22I...

00:12:24I have to get away.

00:12:29Santorini.

00:12:32And, please, for how long?

00:12:35A month, maybe.

00:12:40A month.

00:12:45You are a child.

00:12:47I don't know, maybe if we had children.

00:12:49I suppose they would have been as happy as we are.

00:13:00Wear these pants.

00:13:05For all the good you do me.

00:13:10For all the states...

00:13:23He, in the environment.

00:13:26Don't be the men counties.

00:13:29I don't know.

00:13:33They can't kill it.

00:13:36They can't kill it.

00:13:37I want them to kill it.

00:13:38My parents have a chance.

00:14:23You don't know about seagulls, huh?

00:14:28Well, you see, if one of them...

00:14:34Well, it brings you good luck.

00:14:42At my age, what could I do with all that good luck?

00:14:46I don't know.

00:14:49I don't know.

00:14:50I don't know.

00:15:16You've been here before?

00:15:18Yes.

00:15:20Then you know, this is the place that can use all the luck in the world.

00:15:27Some places have earthquakes, some have volcanoes, but here, both of them.

00:15:35I don't know.

00:15:36I don't know.

00:15:47I don't know.

00:15:51I don't know.

00:15:54I don't know.

00:16:12I don't know.

00:16:13I don't know.

00:16:14I don't know.

00:16:15Let's go.

00:16:18Thank you very much.

00:16:48There, you dumb beast.

00:16:49There, there.

00:16:51Oh, no.

00:16:52Stop it.

00:16:55Make him stop it.

00:16:56Stop it.

00:16:57Get out of here.

00:16:58Look, Papa.

00:16:59Take this.

00:17:00Please, make him stop it.

00:17:01Please.

00:17:03Stop it.

00:17:04He dropped the watermelon.

00:17:06That's no reason.

00:17:07You know what they cost?

00:17:09More than he'll make all week.

00:17:10But you'll kill him.

00:17:12Go on, man, your own business.

00:17:14How much do you want for him?

00:17:19Excuse me, lady.

00:17:20I don't always see her so good.

00:17:22I'll buy him.

00:17:23Maybe she wants to go into business here.

00:17:27How much can you give me?

00:17:28Uh, 200 rags.

00:17:30Are you kidding?

00:17:32300.

00:17:33300.

00:17:34Well, how much do you want?

00:17:38A thousand.

00:17:40Hold on!

00:17:42Okay, make it eight.

00:17:44Eight hundred.

00:17:50Man, there's that.

00:17:51She's more stubborn than the donkey.

00:18:02It's yours.

00:18:03I hope he leaves till you reach the top.

00:18:15Get up, go.

00:18:19Get up!

00:18:21Rare, get up!

00:18:30Rise, armed!

00:18:37There are 600 steps. You'll never make it.

00:18:45I'll make it.

00:18:46You want to kill yourself, eh?

00:18:58Who would like to sell some money?

00:19:00Who would like to sell some money?

00:19:02I'll bet you she doesn't make it, and I'll give you big odds.

00:19:07Three to one.

00:19:08No, not to me.

00:19:09Make it five.

00:19:10No.

00:19:11Seven to one.

00:19:12No, no, no.

00:19:13Seventy ducks to your ten, if anybody has that match.

00:19:17Come on, eight to one.

00:19:19Follow my poor friends.

00:19:20Ten to one, last chance.

00:19:24Christo?

00:19:25Go on, Papa, beat him.

00:19:26Come on.

00:19:28All right.

00:19:29Give him them.

00:19:31Give him them.

00:19:59Go, come on.

00:20:02Take care.

00:20:11Go, go, go.

00:20:15Go, go.

00:20:23If you festival.

00:20:27You will really see all the way on.

00:20:28fernal

00:20:31Come on, donky.

00:20:33Come on.

00:20:35Come on.

00:20:37Walk!

00:20:39Come on, donky.

00:20:40Come on, get up.

00:20:41Come on, let's walk.

00:20:43Come on.

00:20:45Come on.

00:20:46Come on, donky.

00:20:47Come on.

00:20:49Come on.

00:20:52Come on.

00:20:53You see?

00:20:55I was right.

00:20:56Come on.

00:20:58Give me the money.

00:20:59Come on.

00:21:29Come on.

00:21:30Come on.

00:21:46Come on.

00:21:49Come on.

00:22:02Come on.

00:22:04Come on.

00:22:06Do you give up now?

00:22:14Go on, you can make it.

00:22:38You can make it.

00:23:08You can make it.

00:23:47Would you like some help?

00:23:52Can't we help her?

00:23:54No.

00:23:55She wants to make it alone.

00:24:22Come on, you can make it.

00:24:42Come on, you can make it.

00:24:56Come on, you can make it.

00:25:22Come on, you can make it.

00:25:23Come on, you can make it.

00:25:25Come on, you can make it.

00:25:35Come on, you can make it.

00:25:39Oh, my God.

00:26:09Oh, my country, how do I love you?

00:26:20I will never go to the streets with my eyes.

00:26:28Oh, my country, how do I love you?

00:26:33I will never go to the streets with my eyes.

00:26:35Oh, my country, how do I love you?

00:26:41Oh, my country, how do I love you?

00:26:50Oh, my country, how do I love you?

00:26:58Oh, my country, how do I love you?

00:27:05THE END

00:27:42WE'LL STAY HERE

00:27:47SHE THINKS THERE'S A HANDSOME PRINCE INSIDE THE DONKEY

00:27:51THAT AN OLD WITCH PUT HIM IN THE HAND

00:27:54AND WHEN SHE KISSES HIM

00:27:57IT'LL BREAK THE SPELL

00:27:59AND HE'LL COME OUT OF THE DONKEY

00:28:01TO THE PRINCE

00:28:02HE'S BETTER OFF WHERE HE IS

00:28:06WHY DO THEY MAKE FUN OF HER?

00:28:08BECAUSE SHE DOES CRAZY THINGS

00:28:10CRAZY?

00:28:11YES, CRAZY

00:28:20OH, GOD

00:28:22WHAT HAVE I GOT MYSELF INTO?

00:28:30A FINE TOOSEM WE ARE

00:28:33A SICK DONKEY

00:28:35AND A MAD WOMAN

00:28:41I WONDER WHAT THEY CALL YOU

00:28:46FULL

00:28:51FULL

00:28:52ULYSIS

00:28:53THAT'S A NAME FOR YOU

00:28:55THE GREAT ADVENTURER

00:28:57STRONG

00:28:58HEROIC

00:28:59FAST

00:29:12I'VE GOT MYSELF

00:29:13AND MYSELF

00:29:14NO

00:29:15NO

00:29:18NO

00:29:19NO

00:29:21NO

00:29:22You heard you like to buy donkeys, madame, so he brought you some good bargains too.

00:29:31Liar! Liar!

00:29:39Is this donkey strong?

00:29:42Quit holding on to him and he will fall over.

00:29:46And this one has strong teeth. Look! Liar!

00:29:49Now, get out!

00:29:51Leave the woman alone!

00:30:27Hey, hey, hey, Ella!

00:30:38And action.

00:30:42Of course, it's not so great as you have in Athens.

00:30:48Or maybe you don't live so well there.

00:31:01How long are you going to stay?

00:31:06A week?

00:31:07A month?

00:31:08A month?

00:31:10Yes.

00:31:12A month?

00:31:14Yes.

00:31:15A month?

00:31:20What?

00:31:21Hmm?

00:31:32A month?

00:31:33What?

00:31:38THE END

00:32:13THE END

00:32:37THE END

00:32:39THE END

00:32:43THE END

00:32:49THE END

00:32:50THE END

00:33:02THE END

00:33:03THE END

00:33:08THE END

00:33:17THE END

00:33:18THE END

00:33:19THE END

00:33:20THE END

00:33:21THE END

00:33:24THE END

00:33:25THE END

00:33:26THE END

00:33:27THE END

00:33:28THE END

00:33:29THE END

00:33:45HE'S NOT GOOD

00:33:47HE'S NOT DARK

00:33:48GOOD

00:33:51EXCEPT FOR

00:33:51SOMEONE LIKE YOU

00:33:56WHAT DO YOU SAY

00:33:57TO EACH OTHER COME

00:33:58important things huh you can spend anything you like for a pet 800

00:34:07drugs means nothing to you how much are you going to pay for me

00:34:35or or or or or or or

00:35:09Why do you follow me?

00:35:12Who are you?

00:35:19Nicolás.

00:35:27Thank you, Nicolás.

00:36:57What's going on here?

00:37:00How are the tomatoes?

00:37:22What's going on here?

00:37:33It looks like more work than fun.

00:37:37It is work.

00:37:39Then you shouldn't do it on your holiday.

00:37:42It's like fishing.

00:37:44You like to fish, don't you?

00:37:45Sometimes I go with my papa.

00:37:48And that's a holiday, isn't it?

00:37:50We sell the fish.

00:37:52People eat them.

00:37:53They will eat my fish if I give them the chance.

00:37:59Why do you paint rocks and trees?

00:38:01Because they are there.

00:38:06I wouldn't paint those things.

00:38:09No.

00:38:12I've been my father, my grandfather Aristides, my grandmother, my cousin Anthony, my cousin

00:38:19John, my cousin George, my uncle Andrew, my uncle Demetrius, my cousin Galatia, my uncle Platon,

00:38:27my uncle Socrates, and my cousin Lydian.

00:38:30Is that all the family you have?

00:38:32I know.

00:38:33Just the ones who live in a house.

00:38:35In Athens, my family is so big.

00:38:37We need three houses.

00:38:38That many people?

00:38:54You?

00:38:55Ulysses!

00:38:59Ulysses?

00:39:01Ulysses!

00:39:02What have you done?

00:39:04Get away!

00:39:05You monster!

00:39:07You ruined everything!

00:39:10Everything. You like art, huh? Eat it, eat it, eat it all.

00:39:15Oh, you like paint too. I'll paint you then.

00:39:19There, there, there. Huh? I'll paint you, huh?

00:39:22What do you think it's beneath my artistic sensitivity?

00:39:25This much talent I have. Come here.

00:39:28There you are. Go ahead. Do something. Huh? Do something to me.

00:39:32But you can't. You're weak like a cripple.

00:39:41It's not why you're standing still and taking it all. I'll show you.

00:39:56You're not, you're not. You are the best work I've ever done.

00:40:12Everybody knows you paid too much for him.

00:40:14But since you come from the city, you wouldn't know better.

00:40:17You don't like Athens.

00:40:20I don't?

00:40:21Everybody knows that.

00:40:24What else does this everybody say?

00:40:26They say you're crazy.

00:40:28A rich Athenian with more money than brains.

00:40:33But I don't think you're very crazy.

00:40:36It's very nice of you.

00:40:46Why do you paint?

00:40:48Why do you talk so much?

00:40:50It's the only way to say something.

00:40:53That's why I paint.

00:40:58This is your mouth?

00:41:00Yes, that's my mouth.

00:41:05Then this must be your tongue.

00:41:08My tongue.

00:41:16Where are your eyes?

00:41:20Go home, Nicolas.

00:41:21I'm sure your mother misses you.

00:41:23Don't keep her waiting.

00:41:26I wish I could paint.

00:41:28You don't have to.

00:41:29Everything comes out of your mouth.

00:41:39Hey, boy.

00:41:41Nicolas.

00:41:44Why don't you come back tomorrow?

00:41:48You mean me man?

00:41:51Bye.

00:41:53Okay.

00:42:00Bye.

00:42:03Bye.

00:42:07Bye.

00:42:08Bye.

00:42:08Hey, boy.убли

00:42:11туда. Bye.

00:42:14Bye.

00:42:17Bye.

00:42:25Let's go.

00:42:56Oh, my God.

00:43:26Oh, my God.

00:43:53Oh, my God.

00:43:56Oh, my God.

00:43:57Oh, my God.

00:43:58Oh, my God.

00:43:59Oh, my God.

00:44:02Oh, my God.

00:44:09Oh, my God.

00:44:14Oh, my God.

00:44:16Oh, my God.

00:44:29Oh, my God.

00:44:30Oh, my God.

00:44:40Oh, my God.

00:44:51Oh, my God.

00:45:11Oh, my God.

00:45:13Oh, my God.

00:45:15Oh, my God.

00:45:16Oh, my God.

00:45:29Oh, my God.

00:45:30Oh, my God.

00:45:31Oh, my God.

00:45:35Oh, my God.

00:45:35my brother. He sits there, next to me. My mother here. Is my father over there?

00:45:59How they were tortured. Have you ever seen this person, little girl?

00:46:04How about this one? Do you know this one? I knew them all. But my mother shouted,

00:46:16say nothing, Johanna. So, I said nothing. And they were killed.

00:46:36Are you all right now? I'm sorry.

00:47:05I'm sorry.

00:47:07Are you together?

00:47:08If I never thank you, I'll do it now. You can. Go get her. It's none of your damn business.

00:47:17Why do you lie about her having friends in Salonica? Why not say her sick old grandmother

00:47:22or make up an aunt and uncle? You know she has nobody but you.

00:47:30Oh yeah.

00:47:47Well, all I was thinking of her.

00:47:53seiner.

00:47:56Is there a place to go?

00:48:06¶¶

00:48:49¶¶

00:48:56How is everything with you?

00:48:58Better? Come in.

00:49:18You take better care of the donkey than you do of yourself.

00:49:22Why? Is he so important? Is he worth more than you?

00:49:28What do you want?

00:49:32Nicolas follows you around because he's a child.

00:49:36I've decided I don't want him to be around you anymore.

00:49:40Why?

00:49:44His mother's dead two years since the last earthquake.

00:49:49I don't want him to think this is the way a woman lives.

00:49:55And how does a woman live?

00:49:57She doesn't play servant to a donkey.

00:50:00What else?

00:50:02Go ahead. Tell me.

00:50:04She cleanses her house.

00:50:06And she learns how to take orders like a donkey, too.

00:50:10Doesn't she?

00:50:17In a few days I'll go back to Athens.

00:50:21Thank you for helping me the other day.

00:50:25Please go now.

00:50:49I would like to talk to you.

00:50:51It will only be for a few minutes.

00:50:56All right.

00:50:58All right.

00:51:10Would you like an ozo?

00:51:11It's all right.

00:51:12I have many.

00:51:14Two ozo.

00:51:23Well, what do you want?

00:51:27Will you take Ulysses when I go back to Athens?

00:51:29Ulysses?

00:51:30My donkey.

00:51:32I don't want him.

00:51:33Why?

00:51:34What for?

00:51:36I cannot take him home with me.

00:51:38Sell him.

00:51:39Somebody will give you a few drugs.

00:51:41No.

00:51:41I can't sell him.

00:51:43I've seen how you take care of your mule.

00:51:46So, I want you to have him.

00:51:49Look.

00:51:50If you want to make a fool out of yourself.

00:51:53All right.

00:51:54But not out of me.

00:51:56Fool out of you?

00:51:57Yes.

00:51:58You don't care.

00:51:58You are going.

00:51:59But I live here.

00:52:01Everybody will say I took a donkey from you.

00:52:03A present from a woman.

00:52:08And when I drink,

00:52:11I pay.

00:52:16I'll take him back.

00:52:19Here is the money.

00:52:22What's left of it?

00:52:29All right.

00:52:33I'll take the donkey.

00:52:34Well, if he takes the donkey,

00:52:36give him the paints.

00:52:38And brushes too.

00:52:39I'll take him into the water.

00:52:41Therefore, come.

00:52:41Come.

00:52:43If...

00:53:01No.

00:53:04I'll take him.

00:53:04No.

00:53:05No.

00:53:06No.

00:53:07No.

00:53:08No.

00:53:13Let's go.

00:53:44Let's go.

00:54:10Goodbye, Crystal.

00:54:12Goodbye.

00:54:13Goodbye.

00:54:31Goodbye.

00:54:39Goodbye.

00:54:44Goodbye.

00:54:46Goodbye.

00:54:48Goodbye.

00:54:50Goodbye.

00:55:00Goodbye.

00:55:03Goodbye.

00:55:04Goodbye.

00:55:17Goodbye.

00:55:19Goodbye.

00:55:20Goodbye.

00:55:44Goodbye.

00:55:46Goodbye.

00:55:47Goodbye.

00:55:47A what?

00:55:47A donkey.

00:55:48Are you joking?

00:55:49Send him on a freighter.

00:55:51A freighter?

00:55:53When?

00:55:53When one comes to the island.

00:56:06I'm going back.

00:56:17No, no.

00:56:18It's something else.

00:56:19Can you go any faster?

00:57:03What?

00:57:04What's the matter?

00:57:06Oh, nothing.

00:57:26Oh, my God.

00:58:08Oh, my God.

00:58:42Oh, my God.

00:58:46I know I have let you down.

00:58:48Forgive me.

00:58:49I tried to return, but when I reached the ship, I could not go aboard.

00:58:55This may be difficult for you to believe.

00:59:00I'm not sure myself.

00:59:02I know why.

00:59:11Joanna.

00:59:14It's you.

00:59:17That's very nice.

00:59:22And this is you when you grow up.

00:59:42Oh, my God.

01:00:10Oh, fuck, fuck, fuck, fuck!

01:01:07Oh, fuck, fuck!

01:01:20Hello, Christo.

01:01:23How are you today?

01:01:26I'm hungry.

01:01:31Please eat.

01:01:38A rich woman, hungry?

01:01:40I'm not rich.

01:01:42You spent eight harder drugs for a donkey.

01:01:46Why?

01:01:47I want to know.

01:01:56I couldn't help it.

01:01:58I'm crazy.

01:02:02I couldn't stand seeing him beaten.

01:02:07Can't you understand?

01:02:14I guess that's a reason.

01:02:17For a woman.

01:02:31Come home and eat with us, Joanna.

01:02:33Nicholas would like that.

01:02:38Tell me, do you have as much trouble in Athens as you do here?

01:02:52You start.

01:02:52I look at yourself.

01:03:08I'm waiting for you.

01:03:11Thank you very much.

01:03:51Yes, very much.

01:03:54It's a lovely island.

01:03:55Yes, got very beautiful wine.

01:03:57Oh great, got different quality, the wine.

01:03:59Yes.

01:04:01It's very beautiful.

01:04:03When are you leaving again for Athens?

01:04:07I don't know yet.

01:04:08That's very best.

01:04:09Got sweet wine, cherry wine, dry wine, resin wine, whole fine wine.

01:04:51Get dinner!

01:04:53Get dinner!

01:05:10The

01:05:12the

01:05:14Oh, oh, oh, oh, oh!

01:06:09Thank you, Krista, for everything.

01:06:18Good night.

01:06:21Good night.

01:06:28Krista, wait.

01:06:30Good night.

01:06:32Good night.

01:06:33Good night.

01:06:35Good night.

01:06:36Good night.

01:06:38Good night.

01:06:40Good night.

01:06:41Good night.

01:06:45Good night.

01:06:48Good night.

01:07:00THE END

01:07:33THE END

01:07:54THE END

01:07:55THE END

01:07:56THE END

01:07:57THE END

01:07:59THE END

01:08:10THE END

01:08:12THE END

01:08:18THE END

01:08:19THE END

01:08:35THE END

01:08:40THE END

01:08:41THE END

01:08:42THE END

01:08:51THE END

01:09:02THE END

01:09:03THE END

01:09:04THE END

01:09:21IN THE END

01:09:35Do you like it?

01:09:37What?

01:09:39My hair.

01:09:48We were children when the war ended.

01:09:50No family, no family.

01:09:52We had a future, alone.

01:09:54So we got married.

01:09:58Things happen that way.

01:10:24My village, Necripolis.

01:10:28It was a good place to live before the earthquake.

01:10:34Were you ever here?

01:10:36Yes, when I was a little girl.

01:10:41How many earthquakes do you remember, Christo?

01:10:45Four.

01:10:47Four times we lost our home.

01:10:50It will happen again.

01:10:53And we will lose another.

01:10:55Why don't you leave the island?

01:10:57Go where?

01:11:00I don't know how to read or write.

01:11:06And what's the difference?

01:11:09There is trouble wherever you live.

01:11:13Do you like your work?

01:11:16It's all I know.

01:11:19And Nicholas?

01:11:21Will he do the same?

01:11:23What else?

01:11:27That's why I work so hard.

01:11:29To buy him more mules.

01:11:32You are kind.

01:11:34You are very kind, Christo.

01:11:38So are you.

01:11:48Do you like my village?

01:11:50Yes.

01:11:59Do you like my village?

01:12:01Yes.

01:12:19Mr. Mavrides.

01:12:20Is that where the turist go?

01:12:21Yes.

01:12:22Would you like a mule?

01:12:24I guess so.

01:12:25Come on give me your bag.

01:12:28Do you know Mrs. Mavridis?

01:12:33Joana Mavridis.

01:12:35From Athens.

01:12:37No.

01:12:40She paints.

01:12:42She paints pictures.

01:12:44Oh, yeah.

01:12:45What did you say?

01:12:47I don't.

01:13:05Relax.

01:13:08That's your thank you right there.

01:13:12Relax.

01:13:13Relax.

01:13:26Relax.

01:13:30Relax.

01:13:38Relax.

01:13:40Relax.

01:13:42Relax.

01:13:43Relax.

01:13:44Relax.

01:13:47Relax.

01:13:48Relax.

01:13:49Relax.

01:13:50Relax.

01:13:51Relax.

01:13:52Relax.

01:13:54Relax.

01:13:55Relax.

01:14:05You cut your hair.

01:14:13How are you?

01:14:15I'm fine.

01:14:19You had a good vacation?

01:14:22Very good.

01:14:28Beautiful island.

01:14:31Why did you come?

01:14:34Why?

01:14:35Are you unhappy to see me?

01:14:38Why did you come?

01:14:42Because I missed you.

01:14:44You missed me?

01:14:47Miss me?

01:14:49Oh, no.

01:14:51Not me.

01:14:52You missed your hot coffee.

01:14:54You missed someone to insult.

01:14:56To call stupid.

01:14:58You missed someone that doesn't talk back.

01:15:00You missed my paycheck.

01:15:02Oh, yes, I know.

01:15:03You missed talking with me.

01:15:06Talking with you?

01:15:09About what?

01:15:11About ourselves.

01:15:13Ourselves.

01:15:15You couldn't stand it.

01:15:18You live with the dead.

01:15:20You talk with the dead.

01:15:22You dream of the dead.

01:15:25Look, Joanna.

01:15:26My family was killed, too.

01:15:29But they don't sleep in our bed.

01:15:35We are going tomorrow.

01:15:37I have an important trial.

01:15:41I'm not going.

01:15:59All right stay stay with your donkey you make a fine pair

01:16:19all right

01:16:21all right

01:16:24all right

01:17:32Who's there?

01:17:34That's his husband.

01:17:35Sit down.

01:17:35He's a bigger ass than the one who took his way.

01:17:39She's not an ass.

01:17:40She's just a good ass.

01:17:48The mother bird is not in the nest.

01:17:52Where is she?

01:17:54She's not flying.

01:17:57Maybe she's painting.

01:18:05Coo-coo.

01:18:12Coo-coo.

01:18:14Coo-coo.

01:18:16Oh, my God.

01:18:59I'll kill you.

01:19:01I'll kill you.

01:19:02I'll kill you.

01:19:06I'll kill you.

01:19:09I'll kill you.

01:19:09Let him alone.

01:19:13This is her man.

01:19:23Oh, my God.

01:19:29Oh, my God.

01:19:31Oh, my God.

01:19:35Oh, my God.

01:19:50Oh, my God.

01:19:51Oh, my God.

Τα σκαλοπάτια (1966)

Category

Transcript

Comments

Recommended