- 4 weeks ago
Category
🎥
Short filmTranscript
00:02:45This is the last time.
00:02:52Tell me what you know about the Orphanage Massacre.
00:02:57I don't know anything.
00:03:04I know you were involved.
00:03:06Tell me everything.
00:03:07What?
00:03:09I don't know anything.
00:03:14You've got the wrong man.
00:03:25I promise that everyone involved would pay.
00:03:29And you are no exception.
00:03:33Please.
00:03:34Please.
00:03:35Please.
00:03:35Please.
00:03:37Please.
00:03:37I don't know anything.
00:03:38No.
00:03:42I'm not.
00:03:46No.
00:04:25I trust your mission has been successful.
00:04:30I'm sorry to disappoint, but you didn't spill any names.
00:04:38Mary, how many times do I have to tell you to leave your gun in your pocket and listen?
00:04:48Apologies. I got angry.
00:04:52But I found this in his pocket.
00:04:59Le Grand Noir. The hotel.
00:05:03Do you think the hotel is connected to something bigger?
00:05:06It could be.
00:05:07A place like that might have ties to high-level organisations and important contacts.
00:05:16We must follow the lead through.
00:05:19It might be the key piece that will help us unravel everything.
00:05:25I agree.
00:05:29I feel like we're getting so much closer.
00:05:33But there's just so much we don't know.
00:05:37Patience is crucial.
00:05:39We must proceed methodically.
00:05:42Your input has been vital.
00:05:45But we must remain strategic.
00:05:54Okay.
00:05:56I'm ready to move forward.
00:05:58The faster we act, the more we can uncover.
00:06:09Sounds like you had an interesting evening, Mary.
00:06:12Glad you're back.
00:06:13What's our next move?
00:06:17Well, I didn't get as much as I hoped.
00:06:21But we have a new lead.
00:06:35Our mission is clear.
00:06:38We are still on the hunt for justice.
00:06:41Every step forward brings us closer to revealing the truth.
00:07:02So, what's the plan after dinner?
00:07:04Just more training and recon?
00:07:07I was thinking a bit of both.
00:07:09And also maybe practising my charming smile in front of the mirror.
00:07:12You mean the one that usually gets us into more trouble than it's worth?
00:07:17Oh, come on.
00:07:19My smile got us out of trouble just as often.
00:07:26You two are something else.
00:07:28But listen.
00:07:29We need to stay focused.
00:07:32The closer we get, the more dangerous it becomes.
00:07:34You're right.
00:07:35We need to stay sharp.
00:07:38Speaking of which, I've been working on a new stealth setup.
00:07:40I think it will give us a significant edge.
00:07:43What do you have in mind?
00:07:45A new software.
00:07:47It will allow us to replace your valent camera without being physically present.
00:07:52Yeah.
00:07:53Nice.
00:07:54That could really work.
00:07:57Girls.
00:07:58Do you ever think about what we've been doing if things were different?
00:08:03If, you know...
00:08:06All the time.
00:08:08But we can't dwell on it.
00:08:10We have a purpose now.
00:08:12A mission.
00:08:14I also think about how far we've come.
00:08:18We've turned our opinion to something more powerful.
00:08:20We are making a difference.
00:08:25Yes, we are.
00:08:26But sometimes I wonder how could it be to have a normal life?
00:08:30The one where we could think about simpler things rather than stealth setups.
00:08:36I love my stealth setups.
00:08:38I know.
00:08:40I promise you, girls.
00:08:42After all this is done, I'm not a normal life.
00:08:46We're closer than we've ever been.
00:09:06I think this will do the job.
00:09:08It's done a nice kick.
00:09:09If you can handle the recoil, aim for the centermoss.
00:09:14Have a guide this.
00:09:16I mean, don't expect me to go all sharp-shooter on the first target.
00:09:21There is no room for mistake tonight.
00:09:24We stick to the plan.
00:09:26In and out.
00:09:27Clean.
00:09:29I get it.
00:09:31Just trying to keep it light.
00:09:34Say your prayer.
00:09:36See you in heaven.
00:09:37Bitch.
00:09:44Not long until this rehearsal's done into a real show.
00:09:49I can't wait to see the sparks fly.
00:09:53The test marks are definitely warming up to us.
00:09:57I mean, who can resist this?
00:10:01I know, right?
00:10:03We're basically irresistible.
00:10:07Time to slay in the Garden of Eden, darling.
00:10:12But first...
00:10:13We dive into the pool.
00:10:20I just need dancers.
00:10:23I know.
00:10:24It's hard.
00:10:26No, it's just the not knowing anything.
00:10:27It's driving me insane.
00:10:31Sorry.
00:10:33How's training coming along?
00:10:36Well, we're moving further away from who we used to be.
00:10:40But honestly...
00:10:41It's a breath of fresh air.
00:10:44Soon, we will have branches.
00:10:49That's great.
00:10:51So, where is your next destination?
00:10:54There's a convent in a small village in Glasgow.
00:10:59We have intelligence that our marks are just arriving.
00:11:03You know, your imminent departures can bring us so much sadness.
00:11:09However, we just know that the strong fight and wounding in both
00:11:12can bring us peace and justice.
00:11:16We believe in you.
00:11:18And so does Eva.
00:11:20Thanks.
00:11:22That means everything.
00:11:30Tonight, we make our move.
00:11:33This is Derek Thompson.
00:11:36The owner of the Grand Noir.
00:11:39He is the key to uncover everything.
00:11:42How do we get to him?
00:11:44He's hosting a party tonight.
00:11:47Private.
00:11:49Exclusive.
00:11:51We get inside.
00:11:53We get close.
00:11:54I can handle the party.
00:11:56He looks like someone who could easily fall for a pretty face.
00:12:00And I know how to play that part.
00:12:02Agreed.
00:12:05What's my role?
00:12:07I'm tired of waiting in the wings.
00:12:09You are the eyes, Eva.
00:12:10You see what other people don't.
00:12:13Without you, we are blind.
00:12:15You can manage the surveillance.
00:12:18Test out the setups.
00:12:22And if things go wrong?
00:12:24If things go wrong, we do what we must.
00:12:29No hesitation.
00:12:31No mercy.
00:12:35I'll get to him.
00:12:37Make him talk.
00:12:39But once I do, we need to move fast.
00:12:43You all know what's at stake.
00:12:46This isn't about revenge.
00:12:49It's about redemption.
00:12:51For us.
00:12:53For those we lost.
00:12:54Let's go.
00:13:24Well, let's go.
00:13:24This is what we lost.
00:14:47I didn't know nuns made visits
00:14:49at this hour.
00:14:58We have many ways
00:14:59to redeem lost souls,
00:15:01Mr. Thompson.
00:15:02And, uh,
00:15:03what would a nun
00:15:05like you do
00:15:06to redeem a sinner
00:15:07like me, hmm?
00:15:08I'd rather show you,
00:15:10Mr. Thompson.
00:15:16Well, you're
00:15:18quite bold
00:15:19for a nun,
00:15:22but I'm intrigued.
00:15:24What makes you think
00:15:26I even need
00:15:27redemption?
00:15:30Everyone needs
00:15:31redemption, Derek.
00:15:33Especially those
00:15:34who have secrets
00:15:36to hide.
00:15:39Secrets, huh?
00:15:41And, uh,
00:15:43what are these secrets
00:15:45you speak of
00:15:45that you think
00:15:46I have?
00:15:48The kind
00:15:49that weigh
00:15:50heavily on your soul.
00:15:52The kind
00:15:53that only
00:15:54someone like me
00:15:55can help
00:15:57your unburden.
00:16:00Quite the enigma,
00:16:01aren't you?
00:16:03But let's start
00:16:04bidding about the bush.
00:16:05What's your game?
00:16:08No games,
00:16:09Mr. Thompson.
00:16:10Just a genuine
00:16:11desire to help.
00:16:14But, of course,
00:16:16I have my own
00:16:17methods.
00:16:19Methods?
00:16:21Well, I
00:16:22must admit
00:16:23you have
00:16:24piqued my interest,
00:16:25but, uh,
00:16:27trust
00:16:28is a two-way street.
00:16:31Why should
00:16:32I believe you?
00:16:35Because
00:16:35deep down
00:16:37you know
00:16:38that I'm right.
00:16:39And because
00:16:41you really want to see
00:16:43where it's going to lead.
00:16:45All right, sister.
00:16:46Show me what you've got.
00:17:15Let's do it.
00:17:15Let's do it.
00:17:22Let's do it.
00:17:25Let's do it.
00:17:27Let's do it.
00:17:28Let's do it.
00:17:29Let's do it.
00:17:30Let's do it.
00:17:30Let's do it.
00:17:31Let's do it.
00:17:31Let's do it.
00:17:32Let's do it.
00:17:32Let's do it.
00:17:33Let's do it.
00:17:34Let's do it.
00:17:35Let's do it.
00:17:38Let's do it.
00:20:55You remember that year, don't you?
00:20:58What?
00:21:001992?
00:21:01I don't know what you're wrong about.
00:21:03I didn't do anything.
00:21:08Oh, for God's sake, I don't know what you're talking about.
00:21:11I haven't done anything wrong.
00:21:21I don't know what you're talking about.
00:21:22I don't know what you're talking about.
00:21:22I didn't do anything wrong.
00:21:30I don't know what you're talking about.
00:21:32I haven't done anything wrong.
00:21:37I don't know what you're talking about.
00:21:48I haven't done anything wrong.
00:21:55I don't know what you're talking about.
00:21:58I don't know what you're talking about.
00:22:00I don't know what you're talking about.
00:22:34I don't know what you're talking about.
00:22:37I don't know what you're talking about.
00:22:38I don't know what you're talking about.
00:22:40I don't know what you're talking about.
00:22:42I don't know what you're talking about.
00:22:42I don't know what you're talking about.
00:22:43I don't know what you're talking about.
00:22:44I don't know what you're talking about.
00:22:46His, his name was, uh, his name is Frank.
00:22:51Frank, Frank Delane, he's the one you want.
00:22:53He, he, if you find him, he's the one you want.
00:22:56He, he, he, he did the dirty work and I, I, I, I was just a puppet.
00:23:02That's all I know, I swear.
00:23:06I, he, he's the, I mean, that's all I know.
00:23:09Ah, that's all I know.
00:23:12I can't.
00:23:14Is he telling the truth?
00:23:16I, I, I, I, I am.
00:23:20Thank you, Derek.
00:23:22But sins aren't that easily forgiven.
00:23:24Goodbye, Derek.
00:23:25Yes, Derek, I just told you I'm, I...
00:23:29But sins aren't that easily forgiven.
00:23:37The first one is done.
00:23:40Now, let's get the others.
00:24:05Breathe deeply, Mary.
00:24:07Let your mind go back to the past.
00:24:11That night, focus on the details.
00:24:17What do you see?
00:24:19What do you remember?
00:24:30I see the orphanage.
00:24:42It's dark.
00:24:48I'm hiding.
00:24:52I have my doll with me.
00:24:59Where is everyone?
00:25:03Stay focused, Mary.
00:25:05What happens next?
00:25:07Who is there?
00:25:16There are children.
00:25:19They're crying.
00:25:24And a woman, she's pleading, pleased her world.
00:25:27The ring, Mary.
00:25:32What does it mean?
00:25:40I don't know.
00:25:42I don't know.
00:25:44I don't know.
00:25:49Where's Sarah and Eve?
00:25:57Where's Sarah and Eve?
00:26:01Come down, Mary.
00:26:03Calm yourself.
00:26:04Where are you?
00:26:05Mary, wake up.
00:26:06Wake up.
00:26:07Open your eyes.
00:26:08Okay, Mary, wake up.
00:26:10Wake up.
00:26:18What's happened?
00:26:20It was a memory, Mary.
00:26:21It was a memory, Mary.
00:26:22Just a memory.
00:26:23You're safe.
00:26:30Where's Sarah and Eve?
00:26:32They're fine, Mary.
00:26:33They're safe.
00:26:35You were just stuck in the past, but we're back now.
00:26:40You're here.
00:26:43Rest now.
00:26:46There is much to do.
00:26:58Thompson has given us a name.
00:27:01Frank Delaney.
00:27:03I've done some digging.
00:27:12And so, what's the plan?
00:27:14Delaney is a mobster, but he's got his fingers in a lot of pies.
00:27:19His office is here, on the second floor.
00:27:26He thinks I'm a new recruit, looking to make a deal.
00:27:30I'll get him alone.
00:27:33We move tonight.
00:27:35Stay sharp.
00:27:37No mistakes.
00:28:06I'll get you alone.
00:28:07We go.
00:28:09I'm with him.
00:28:31We move tonight.
00:28:32We're going to move tonight.
00:29:37What the...
00:29:41Who are you?
00:29:43Who are you?
00:29:55Okay.
00:29:56Look.
00:29:57What kind of game is this?
00:30:00Who sent you?
00:30:01No games, Frank.
00:30:05I just want to talk.
00:30:09Maybe...
00:30:12Get a few things off my chest.
00:30:17But first...
00:30:20How about you tell me about...
00:30:24The Orphanage Massacre 92?
00:30:28What?
00:30:30I don't know what you're talking about.
00:30:43Come on, Frank.
00:30:45Don't play them with me.
00:30:46I can be...
00:30:50Very persuasive...
00:30:57Or...
00:30:58Dangerous.
00:31:03Your choice.
00:31:05Your choice.
00:31:22Mary.
00:31:23You look like absolute goddess.
00:31:27Well...
00:31:27Been a world full of sinners.
00:31:29Got to keep the divine vibe alive.
00:31:31Speaking of sinners...
00:31:35Looks like trouble is brewing.
00:31:38We got intel on our target.
00:31:40Oh?
00:31:41Who is it?
00:31:43It's a corrupt music producer.
00:31:46He's been exploiting vulnerable women.
00:31:50So he's the person behind all this suffering.
00:31:54He thinks he's untouchable.
00:31:57But very soon.
00:31:59He will learn otherwise.
00:32:02We're here to deliver justice.
00:32:04Condemn the sin...
00:32:06We kill the sin.
00:32:08He's about to learn...
00:32:10That every action...
00:32:12Has its consequence.
00:32:15Justice will be swift...
00:32:17And deliciously merciless.
00:32:21We must rid this world of such filth.
00:32:24And...
00:32:25Let's not forget...
00:32:27To have fun while we're at it.
00:32:32Justice and joy.
00:32:34Now that's a combo.
00:32:43Justice and joy.
00:32:43Justice and joy.
00:32:45Justice and joy.
00:32:46Justice and joy.
00:32:47Justice and joy.
00:32:48Justice and joy.
00:32:48Justice and joy.
00:32:48Justice and joy.
00:32:49Justice and joy.
00:32:49Justice and joy.
00:32:49Justice and joy.
00:32:49Justice and joy.
00:32:51Justice and joy.
00:32:52Justice and joy.
00:32:54Justice and joy.
00:32:57Justice and joy.
00:32:58They want it now.
00:33:07Who ordered the massacre?
00:33:09Why were these kids killed?
00:33:15Okay.
00:33:17Okay.
00:33:19It was a government op.
00:33:21It was ordered by national security.
00:33:28I didn't know it was going to turn out that way.
00:33:34Who gave the orders?
00:33:40I don't know his name.
00:33:43It was just some guy in a suit.
00:33:48He said it was above my pay grade.
00:34:00You make me feel sick, Frank.
00:34:05But...
00:34:07You're going to help me.
00:34:12Who else knew about this?
00:34:18There was a contact.
00:34:20Someone higher up.
00:34:25I don't think I was ever told his name.
00:34:31But...
00:34:31I promise you.
00:34:33I...
00:34:33I just did what I was told.
00:34:39That's a start.
00:34:43But...
00:34:45If I ever find out...
00:34:47That you're lying...
00:34:50Phew.
00:34:59Because I think...
00:35:01I wonder...
00:35:06If I have months now...
00:35:12I've got a shoulder...
00:35:13But that happened...
00:35:16And I think I did it...
00:35:21And we can never take a hoch.
00:35:21Sometimes...
00:35:31How did it go?
00:35:33Frank Delaney talked, but not like we expected.
00:35:37What did he say?
00:35:40He was at the orphanage that night.
00:35:42He was proud of it.
00:35:44But he didn't kill anyone, not even the children.
00:35:48He didn't?
00:35:49He said he couldn't bring himself to do it.
00:35:52The orders were to wipe out everyone, but he hesitated.
00:35:56Who gave the orders?
00:35:58He didn't know who ordered the massacre.
00:36:00But he mentioned seeing a man in a suit, a government man.
00:36:06But Frank didn't know who that man was and what he was doing there.
00:36:10Just knew it was above his pay grade.
00:36:13So he's just a grunt?
00:36:16He follows the orders?
00:36:17He doesn't know why?
00:36:20Typical.
00:36:21Did he say anything about the government involvement?
00:36:25He's sure there is government involvement.
00:36:29This wasn't some random act of violence.
00:36:32It was a planned operation.
00:36:34Frank was just there to do a job and get out.
00:36:37Whoever was in charge, they were powerful and they didn't care about witnesses.
00:36:42But he gave me two more names.
00:37:03He gave me two more names.
00:37:11He gave me two figures who might know something.
00:37:13Marco Rodriguez and Bobby Miller.
00:37:17Miller.
00:37:18Rodriguez.
00:37:20We need more information on the government's role.
00:37:22We've got leads to follow up, but we could use your help.
00:37:26You have resources, we don't.
00:37:28Can we maybe check into any recent government activities or operations that could be potentially connected to the massacre?
00:37:35You want me to dig into government affairs?
00:37:40That's risky and can warrant unwanted attention.
00:37:44Well, it's risky, but it's crucial.
00:37:46The government involvement might explain why this case has been so tangled.
00:37:51If you can find any documents, reports or connections, it could be a breakthrough for us.
00:37:58We need all the help we can get.
00:38:01And with your knowledge and connections, it can really help us uncover the full story.
00:38:07I'll see what I can find.
00:38:09But be aware that if I dig into this, there will be consequences for all of us.
00:38:16We are prepared for that.
00:38:18We've come too far to get back now.
00:38:21Right.
00:38:22I'll start immediately.
00:38:24I'll see what I can find out about these two and the government's involvement.
00:39:00Who are you?
00:39:02Wait, what do you want?
00:39:30Wait, what do you want?
00:39:33Wait, what do you want?
00:39:45Wait, what do you want?
00:40:10Oh welcome. It's rare to see such a distinguished guest. I'm Bobby Miller. I assume you've
00:40:19come here to see something extraordinary. Absolutely. I hear you have quite an exclusive collection.
00:40:27You seem to make everything irresistible. Irresistible indeed. I pride myself on creating
00:40:33the finest. How about a private tour? I'd love to show you what makes this collection
00:40:40truly unique. I'd be delighted. Show me what you've got. This way. See, every piece has
00:40:55a story. This one in particular has a special aura that I think you might find quite captivating.
00:41:04Well, your discerning tastes certainly precede you, sir. And you have a talent of accepting
00:41:11it. Your presence adds an allure to this place that's quite intoxicating.
00:41:20Flattery will get me everywhere. Now, show me a special piece.
00:41:30This piece has its own secrets. It has been around the elite circles.
00:41:44And what's your role in these secretive exchanges? I facilitate. I ensure that those with
00:41:58the right motivations find what they truly desire. And what are you looking for exactly?
00:42:09Well, I'm looking for something that speaks volumes without saying a word.
00:42:18You know, it makes a statement. I think I have exactly what you're looking for.
00:42:29When I was young, I was always fascinated with art and the collectors themselves. I started
00:42:37growing my connections, and then soon enough I was with the most powerful people. Some
00:42:42who aren't exactly clean, if you know what I mean. And these powerful people, are they still
00:42:51in business with you? Yes. It's a fascinating world. You see, they say whoever possesses this piece
00:43:06will feel the artist's pain and passion. Are you brave enough to possess it?
00:43:20Hmm. I think I am. Bobby, there's just something about you. And I don't know whether it's the danger,
00:43:30the allure or the unknown. But I have something I need to ask you.
00:43:37Ask away. I'm an open book for you tonight. What's the real story behind this auction house?
00:43:49Oh, Mary, it's a tale as old as time. Money, influence, power. I cater to those who have it and
00:43:59those who need it.
00:44:03And what would you say if I told you I might have a little secret too?
00:44:10Then I'd say we're more alike than you think.
00:44:15You tell me your secret and I'll tell you mine.
00:44:21Tell me about the orphanage attack in 1992.
00:44:24The orphanage attack in 1992? What are you on about?
00:44:26I know you were involved. Frank Delaney told me your name.
00:44:28Oh, Frank Delaney. You're one of his dogs too, are you?
00:44:33What's he giving you? Money? Power? I can double it.
00:44:37Would you tell me what you need?
00:44:39I don't want anything.
00:44:58lectures 2018.
00:44:59I would guess, oh my gosh, we did but you're going to do.
00:45:10How do you remember when it comes?
00:45:11How do you remember that latter?
00:45:16How do you come?
00:45:16I would be good to hear.
00:45:19He just can't be done and grow them!
00:45:26And he canesar, I kiss the talent?
00:47:33Please, take a seat.
00:47:36How many nuns come through here?
00:47:38I know.
00:47:41To be fair, it's a nice excuse for me to get out and remember how beautiful the city is.
00:47:49So, you're on a mission then?
00:47:51I'm Marco.
00:47:52I'm Sister Eva.
00:47:54Thank you so much for being so welcoming.
00:47:56The pleasure's mine.
00:47:57So, um, you were mentioning charity?
00:48:01Yes.
00:48:03My covent is devoted to helping the most needy and troubled children.
00:48:10It's a cause very dear to my heart.
00:48:13Please, just have a coffee and, uh, have a discussion.
00:48:17Oh, that would have been wonderful.
00:48:18Thank you very much.
00:48:32I've always admired men who devote their lives to charity.
00:48:38It shows a kind heart.
00:48:40Well, um, I like to do my bit, you know, the neighbourhood needs my help.
00:48:46A man like you must have lots of admirers.
00:48:53Tell me, Marco, do you always open your doors to strangers?
00:48:59Well, uh, not usually, but, um, for you I'd make an exception.
00:49:04You're, uh, different.
00:49:07Different.
00:49:08Hmm.
00:49:09I like that.
00:49:11Hmm.
00:49:30You know, sometimes, you have to get out of the habit to make things happen.
00:49:40Well, yeah, full of surprises, aren't you?
00:49:44Marco, you have no idea.
00:49:48But before we get too distracted...
00:49:58I need something from you.
00:50:01Um, what would that be?
00:50:20Information, Marco.
00:50:23I want you to know what happened at the Orphanage Massacre in 1992.
00:50:29Orphanage Massacre, I don't know what you're talking about.
00:50:32Come on, Marco, don't play games with me.
00:50:34You know exactly what I'm talking about.
00:50:46What have you...
00:50:54Oh, just a little something to make sure you don't remember our conversation.
00:51:01All right, all right.
00:51:03It was Garcia.
00:51:06Elena Garcia.
00:51:07She was the one calling the shots that night.
00:51:10Who else was involved?
00:51:11There were some higher-ups.
00:51:13Government people.
00:51:17I don't know a name.
00:51:18Just that they were...
00:51:21influential.
00:51:24Please, I'm telling you every...
00:51:27You made a choice, Marco.
00:51:30Now, I'm afraid you have to live with the consequences.
00:51:40Thanks for coffee.
00:52:03Rodriguez was right about Garcia.
00:52:05She's former Special Forces.
00:52:07Highly dangerous.
00:52:09We need to be strategic.
00:52:11So what's the plan?
00:52:13We're just going to sit and wait around?
00:52:15We need to stay calm.
00:52:17Rushing in without a plan is highly dangerous.
00:52:20Garcia is not to be underestimated.
00:52:25We need to ensure we're prepared.
00:52:28Garcia's defenses are formidable.
00:52:29We've been waiting for too long.
00:52:33Every time we delay, give you a chance to slip away.
00:52:36I'm done waiting.
00:52:40No, Sarah.
00:52:41You need to stay calm.
00:52:44Otherwise, you will get yourself killed.
00:52:46We need to stick to the plan.
00:52:48Acting impulsively will get you killed.
00:52:51We have to be smart about this.
00:52:54I'm not waiting any longer.
00:52:56I'm going after her.
00:52:58Now!
00:52:58No, Sarah.
00:53:00Stick to the plan.
00:53:02We can't afford to make mistakes.
00:53:11Sarah...
00:53:14Sarah...
00:53:15Sarah...
00:55:05Elena Garcia.
00:55:07Finally we meet.
00:55:11Sara.
00:55:12What are you doing here?
00:55:17Why did you order the massacre?
00:55:20Why Elena?
00:55:23Why?
00:55:25I had no choice.
00:55:29No choice?
00:55:33You killed all those children.
00:55:36You killed me.
00:55:39How could you do that?
00:55:43There was a man, Robert Gray.
00:55:48He worked for the government.
00:55:51He told me, he promised me he'd save you, he'd keep you safe.
00:55:57Only if I, if I did what he asked.
00:56:05And you trusted him?
00:56:09You let him, you let him destroy everything.
00:56:16For what?
00:56:19I wanted to protect you.
00:56:21I wanted to keep you safe.
00:56:24He disappeared.
00:56:26He left no tracks.
00:56:28I never saw him again.
00:56:29I thought I'd lost you.
00:56:35You were supposed to be my mother.
00:56:39You were supposed to protect me.
00:56:44I wanted to protect you.
00:56:46I had no choice.
00:56:54Sara!
00:57:43You were supposed to be a river.
00:58:09Hello, Mary, Mary, Mary, calm down, calm down.
00:58:20No, no, she's not, she's not dead, she's not dead, can't be true, can't be true, no,
00:58:49no, no, don't say that.
00:59:41No, no, no, no.
00:59:44Uh, uh, uh, uh, no.
01:00:23What happened?
01:00:28She's gone.
01:00:32Sarah.
01:00:35She's dead.
01:00:37What?
01:00:46What happened?
01:00:49She went to Elena Garcia, the loan.
01:01:01You sent her there and prepared.
01:01:05This is on you.
01:01:10I never meant for any harm to come to you.
01:01:12You know this, but it's happened, and now she's dead because of it.
01:01:26You're supposed to protect us, not to lead us into traps.
01:01:36It was never my intention.
01:01:39I thought I believed she would be able to handle it.
01:01:44No more excuses, only answers.
01:01:54Who is Robert Gray, Sarah, before she died?
01:01:59Who is he?
01:02:00Who is he?
01:02:03Do not go after him.
01:02:05Why?
01:02:06Why aren't you telling us?
01:02:13I knew him.
01:02:16He was involved with the orphanage in the past, but he's dead now, so there's nothing more
01:02:23to it.
01:02:25How do you know he's dead?
01:02:27How do you know he's dead?
01:02:28Are you hiding something?
01:02:34Because he was my comrade, and he's a very dangerous man.
01:03:10How do you know he's dead?
01:03:15How do you know he's dead?
01:03:15We owe it to Sarah to finish what you started.
01:03:31How do you know he's dead now?
01:03:34How do you know he's dead?
01:03:36How do you know he's dead now?
01:03:38How do you know he's dead?
01:03:41How do you know he's dead?
01:03:57Robert Gray.
01:04:01It was the last name Sarah mentioned
01:04:06before she...
01:04:16Whoever he is, he's involved.
01:04:21Sarah wouldn't mention him with her last breath
01:04:24if he wasn't important.
01:04:29We need to find out who he is.
01:04:32If he's involved in the massacre,
01:04:34he could be the key to everything.
01:04:40How do we even start?
01:04:43We don't know anything about him.
01:04:45Make sexplace name.
01:04:50There's got to be a trail.
01:04:53Government records, old contacts,
01:04:56something.
01:04:58And if he was involved,
01:05:01then we need to dig through everything
01:05:03to see what we can find.
01:05:06The priest.
01:05:08He might know something.
01:05:11He's been around too long.
01:05:15He was always too close to the orphanage's secrets.
01:05:23I just don't trust him.
01:05:26He's hiding something.
01:05:30And if Robert Gray is involved,
01:05:34then the priest is covering up for him.
01:05:38Or using him.
01:05:45We have to be careful, Marie.
01:05:49This isn't just about revenge for Sarah.
01:06:00We're up against something bigger than we thought.
01:06:14I've been doing some digging.
01:06:16I keep finding one name.
01:06:18Victor Vargas.
01:06:20He's the mastermind behind the orphanage.
01:06:25Victor Vargas.
01:06:29How do you know this?
01:06:31I've had contacts from my past.
01:06:35People who owed me.
01:06:37They've confirmed it.
01:06:39Vargas is the one responsible.
01:06:41And you trust these contacts after everything?
01:06:45Yes, I do.
01:06:48Vargas is connected.
01:06:49Powerful.
01:06:51If anyone could have been responsible
01:06:52for what happened at the orphanage,
01:06:54it's him.
01:06:56But why didn't you tell us this?
01:06:59What else are you hiding?
01:07:01I've told you everything I know.
01:07:03I'm trying to help you find out the truth.
01:07:06Well, maybe you're just playing us around.
01:07:09Maybe you're protecting something.
01:07:12Or someone.
01:07:13You think I'm lying too.
01:07:14After everything we've been through.
01:07:16I want justice for Sarah.
01:07:18Just as much as you do.
01:07:21We need to be sure.
01:07:22We can't trust blindly anymore.
01:07:27I understand.
01:07:29But we need to follow up this lead.
01:07:31This lead is solid.
01:07:33We need to find him.
01:07:35Vargas is dangerous.
01:07:37You're right.
01:07:39But we'll check out Vargas ourselves.
01:07:42No more surprises.
01:07:45Of course.
01:07:46Be careful.
01:07:48Vargas is a dangerous man.
01:07:52I've got to see you.
01:08:11I've got to stop.
01:08:13I need to tell you something about Sister Sarah.
01:08:15What about her?
01:08:20she's gone she was killed last night no no no no no not 50th february
01:08:31she died fighting for a cause she faced danger just the way she was trained for
01:08:41they will pay for this they cannot just take her away from us like that
01:08:47why why sarah we all love sister sarah she believed in us
01:08:56shira should have stayed back she should have stayed safe
01:09:03rachel we know it's hard but don't make this a blame game she fought for us bravely you think
01:09:12this is enough you think that there is a meaning in fighting bravely now that she's gone
01:09:19and what didn't get her a grave
01:09:24we do what matters now to make sure her death wasn't in vain
01:09:32what should we do now we can't let her death be for nothing we move forward
01:09:40you're not just wearing these non-outfits as disguises
01:09:44we're wearing them as a testimony to her bravery every strike is for her now she would want us to
01:09:52fight this right exactly she laid out a pathway of light through the darkness
01:10:00all right let's do this for her we'll make them regret crushing us but we need to be sharp
01:10:13let's do this for sister sarah we fight for her
01:10:19let's do this for sister sarah
01:10:23so
01:10:36so
01:12:58Hi, what can I get you guys?
01:13:00A glass of wine, please.
01:13:02I'll have the same.
01:13:18It's yours.
01:13:41There he is.
01:13:42Far corner.
01:13:45Keep your guard up.
01:13:58Hello, ladies.
01:14:01Hello, Mr. Vargas.
01:14:03I was hoping we could find a quiet spot to chat.
01:14:08That's a good idea.
01:14:09Please, ladies, if you'd like, join me at this table.
01:14:21Well, well, well, well, well, well.
01:14:25So, what means to beautiful women like yourselves in a place like this?
01:14:32Well, we were looking for a place less conspicuous, away from the pouring ice.
01:14:42You certainly come to the right place.
01:14:47I can offer you something stronger than just cocktails if you'd like.
01:14:51Oh, we already have our drinks, thanks.
01:14:53Sam.
01:14:54We're just looking for a little discreet spot where we can just watch over people.
01:15:01I mean, you never know who you might find in a place like this, right?
01:15:20Well, discretion is indeed key.
01:15:25But you know, if you ever need something more than just a quiet spot, I'm always happy to
01:15:32accommodate.
01:15:32Thank you, Mr. Vargas.
01:15:34That would be wonderful.
01:15:37Mmm.
01:15:38We love a man that respects our privacy.
01:15:41So, what brings both of you to this city?
01:15:45It's not used to get such distinguished guests.
01:15:49Well, we own business.
01:15:52Sometimes, one has to venture into unfamiliar territories to make things happen.
01:16:00Well, I'm always interested in hearing about intriguing ventures.
01:16:05Especially, when it involves a lovely company.
01:16:18You certainly know how to make an evening enjoyable, Mr. Vargas.
01:16:24I'm so glad to hear that.
01:16:26It's always a pleasure to entertain.
01:16:31So, tell me more about your business here.
01:16:35What exactly are you looking for?
01:16:41Actually, I thought we could have a little fun.
01:16:46You know, play a game.
01:16:53She likes strip poker.
01:16:55Oh my!
01:16:57Mari!
01:16:58Are you sure this is the kind of game you want to play?
01:17:03I didn't expect that.
01:17:06But I'm quite fond of a good game.
01:17:10Sure, let's play.
01:17:12Perfect.
01:17:13I mean, a little friendly competition never hurts anyone, right?
01:17:30Ladies, here we are.
01:17:32This is your chips.
01:17:35That's yours.
01:17:36And this is mine.
01:17:58You know, this is something sauce.
01:17:58You're a little conversation.
01:18:05I can't do it.
01:18:05I can't do it.
01:18:06I can't do it.
01:18:06You can't do it.
01:18:07I can do it.
01:18:08I can't do it.
01:18:10You can do it for yourself.
01:18:10I can do it all.
01:18:11I can do it.
01:18:11You can do it.
01:18:19I don't know.
01:18:44You thought you could cheat your way out of this. Not tonight.
01:18:48So this is the true meaning of...
01:18:49Hold him steady.
01:18:51Don't let me call for help.
01:18:53Let's get to the point.
01:18:55I need you to tell me about the massacre of 1992.
01:19:02I don't know what are you talking about.
01:19:07You ordered the massacre.
01:19:13He was the mastermind behind it all.
01:19:19You will never know.
01:19:22You think you know the truth.
01:19:26You know nothing.
01:19:29The massacre was part of something much bigger.
01:19:34Bigger than killing children?
01:19:37What can be bigger than that?
01:19:39It wasn't just about killing children.
01:19:46Well, you obviously want this to be your last night tonight.
01:19:54It's Robert Gray.
01:19:58It's Robert Gray.
01:20:02Robert Gray.
01:20:04It doesn't make any sense.
01:20:08Robert Gray.
01:20:12He managed the clean-ups.
01:20:15Handled the loose ends.
01:20:19He was a government operative.
01:20:23But he's gone now.
01:20:26Disappeared without a trace.
01:20:33I think it's the priest.
01:20:37I think it's the priest.
01:20:51Eva.
01:21:16I think it's the priest.
01:21:18I think it's the priest.
01:21:18I think it's the priest.
01:21:18I think it's the priest.
01:21:18I think it's the priest.
01:21:19I think it's the priest.
01:21:21I'm sorry.
01:22:12You're quite the troublemakers, aren't you?
01:22:15Explain yourself.
01:22:17What's your connection with all of this?
01:22:20My connection?
01:22:22I've been cleaning up other people's mess all my life.
01:22:26Trying to keep secrets buried.
01:22:30We know the truth.
01:22:33Robert Gray, it's you.
01:22:37You were behind the massacre.
01:22:41You've been hiding in plain sight.
01:22:44You think you know the full picture?
01:22:47The massacre was necessary for what was coming after.
01:22:52Necessary?
01:22:53You killed children for your own agenda.
01:22:56In this world, sacrifice sometimes is necessary for the greater good.
01:23:01Some of us understand this more than others.
01:23:04The orphanage was too soft to create merciless killers.
01:23:10It tends here.
01:23:12You're not walking away from this.
01:23:17Leave me!
01:23:35You killed her.
01:23:36What?
01:23:39You killed her.
01:23:42You killed her.
01:23:44What?
01:23:44Why?
01:23:46You are the perfect creation.
01:23:52We're human beings, and you used and destroyed us for your own twisted goals.
01:23:59Why?
01:24:03It was always going to come to this.
01:24:11This ends tonight. I will not let you run!
01:24:17In the grand scheme of things, your lives are very insignificant.
01:24:27This ends tonight!
01:24:35...
01:24:41...
01:25:14Join me.
01:25:16Mary, join me.
01:25:25This is for your sisters.
01:25:32This is for all the other lives you destroyed.
01:25:53This is for all the other lives you destroyed.
01:26:22This is for all the other lives you destroyed.
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