- 4 days ago
FULL drama Back to the moment where I felt your love shortdrama lovestory romance cinderella
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00:00:00You're cordially invited to the reading of Eleanor Winter's will.
00:00:10Attendance is required for consideration of inheritance.
00:00:15Frostwood Inn.
00:00:17Why would Eleanor choose me?
00:00:22A free trip to the middle of nowhere.
00:00:25Must be my lucky day.
00:00:26Frostwood Inn in relation?
00:00:32Hmm.
00:00:33Interesting.
00:00:35Maybe I'll find some inspiration there.
00:00:41Oh, Aunt Eleanor, you never stop chasing ghosts.
00:00:56You're the first to arrive.
00:01:03Come in before the storm swallows you whole.
00:01:07What a charming little icebox.
00:01:15Miss Monroe.
00:01:17Oh, just in time.
00:01:21Of course she invited the mysterious bookworm.
00:01:25Um, nice to meet you, Miss Nina.
00:01:27Call me Nina.
00:01:28Did I just sign up for Arctic Expedition?
00:01:45I'm Alex.
00:01:53And you must be...
00:01:54Lila.
00:01:55Nice to meet you.
00:01:57I love your podcast, by the way.
00:02:00Thanks.
00:02:05I guess we are all here for the same reason.
00:02:08Unless you're here to critique the architecture.
00:02:12I'm Jules, by the way.
00:02:13Nice to meet you all.
00:02:14Welcome to Frostwood Inn.
00:02:27The will shall be read tomorrow.
00:02:30Settling upstairs, we have the male and female board.
00:02:33Sweet.
00:02:34I guess I got the whole wing by myself.
00:02:44It's best to stay in your room at night.
00:02:59This inn has quirks.
00:03:00Fantastic.
00:03:19Quarks.
00:03:21My foot.
00:03:21My foot.
00:03:23Ms. Grayson?
00:03:52Is that you?
00:03:53Okay, definitely not creepy at all.
00:04:22The room shifts, shadows move, the inn hides its truth behind wheels.
00:04:35This place doesn't feel alive. It feels... watchful.
00:04:42Let's hope that morning brings us the answers.
00:04:49Eleanor Winters leaves Frostwood Inn to the four of you, provides you reside here together for three weeks.
00:05:00Three weeks in this old place with strangers? It's a small price to pay for an inn like this.
00:05:07Right, says the woman who probably brought a Wi-Fi router.
00:05:12And if you live before them, you shall forfeit the inheritance.
00:05:18Three weeks isn't that long.
00:05:25If we can work together, we could change our lives.
00:05:29Change our lives how? Like, what's the catch?
00:05:33The catch is, we're here because Eleanor wanted to watch us squirm.
00:05:38I'm sure this is some reality TV show or prank or something.
00:05:43Maybe. But why us? It all has to be for a reason.
00:05:49Maybe she wanted us to find... something?
00:05:55The inn has secrets, some of which are better left undisturbed.
00:06:18What was Eleanor hiding?
00:06:22Did you say something?
00:06:24Um, no. No, nothing.
00:06:27Um, let's go downstairs. Eleanor to use the fireplace's warmth.
00:06:32Sure. Come here, Nina.
00:06:35Uh, you guys go ahead. I'll come by later.
00:06:40Okay.
00:06:45Let's vault this place up.
00:06:54You don't just leave it into a stranger's. Unless there's something you want them to find.
00:07:03What do we have here?
00:07:16What do we have here?
00:07:21The veil binds us all. Time twists and the voices echo, where the light cannot reach.
00:07:32This is Eleanor's. It has to be. But what does any of it mean?
00:07:38We don't need to like each other. We just need to survive for three weeks.
00:07:49Survive? What do you mean survive? Make it sound like we're in danger.
00:08:06She's not wrong. There is something off about this place. The way the air feels. Don't pretend like you haven't noticed.
00:08:16People did disappear here sometimes in the past.
00:08:19Come on, Alex. Don't let the atmosphere get to you.
00:08:23Oh, maybe. Or maybe we should be paying attention to the things that feels weird before it's too late.
00:08:31Danger doesn't always come from outside, Miss Winters.
00:08:40Are you saying the danger's inside? What kind of games are you playing here, Mrs. Grayson?
00:08:45Games have rules, Miss Carter. This house does not.
00:08:59The walls speak if you listen. Truth lies in silence.
00:09:08Let's face it. Eleanor chose us for a reason. What's everyone hiding?
00:09:14Why does it matter? She's dead and we're stuck here. I just want my share in to leave.
00:09:19Well, actually, I found something. And there is written something about listening to the walls.
00:09:26So maybe we can see if there is something more that we can realize.
00:09:32You think she left clues for us? Why?
00:09:35Why?
00:09:40The inn doesn't take kindly to curiosity. Remember, it killed the cat.
00:09:53Ah!
00:10:05The inn't.
00:10:06What?
00:10:08The inn.
00:10:09One thing.
00:10:10The inn.
00:10:11What?
00:10:12The inn.
00:10:13The inn.
00:10:14The inn.
00:10:15The inn.
00:10:16One thing.
00:10:17One thing.
00:10:18Under the inn.
00:10:20One thing.
00:10:21And here's the inn.
00:10:23One thing.
00:10:24The inn.
00:10:25That's good.
00:10:26How can I tell the inn.
00:10:28Is that where's a good inn?
00:10:59Lovely isn't it?
00:11:20You shouldn't be here.
00:11:23I just got lost exploring the place.
00:11:29Jules, you seem jittery.
00:11:38Have you found anything interesting?
00:11:41Jittery?
00:11:42Me?
00:11:43No.
00:11:44You must be mistaken.
00:11:46I'm just adjusting to the cult I guess.
00:11:50Or maybe it's Eleanor's idea of crazy social experiments.
00:11:55Or maybe she just wanted us to drive each other crazy.
00:12:00I don't know.
00:12:12I don't know.
00:12:13I don't know what you're doing.
00:12:34Where is that room?
00:12:40I'm sure it was that way.
00:12:42Do you hear sounds at night, like whispers?
00:12:56Maybe.
00:12:57Why?
00:12:58Because I think the inn is trying to tell us something.
00:13:04Some whispers are best ignored, they are but figments of your imagination.
00:13:19I'm starting to not like her.
00:13:21You and me?
00:13:22Both.
00:13:23I'm sure I wasn't dreaming.
00:13:35I charted the whole place and I still can't find the painting.
00:13:40Good afternoon.
00:13:42Can I help you with something?
00:13:44I'm looking for a room with a painting, a large painting.
00:13:49I tried looking for it but I can't seem to find it.
00:13:54This inn tends to shift about.
00:13:58It only lets you see what it wants you to see.
00:14:02What do you mean?
00:14:03Like it switches space?
00:14:07Maybe.
00:14:18Oh!
00:14:20Here comes the loner.
00:14:21Haven't seen you all day, what have you been up to?
00:14:23You look worn out.
00:14:25You sleep much?
00:14:27I...
00:14:28It...
00:14:29It must be the weather.
00:14:37It must be the weather.
00:14:58Who's there?
00:15:00Was this place always like this?
00:15:03Strange.
00:15:04I think it will be cool and helpful.
00:15:23Let's go back to the泳bat.
00:15:28Thank you very much.
00:15:32Good morning.
00:16:02You're up early.
00:16:07I couldn't sleep much last night.
00:16:10Yeah, me neither.
00:16:12I don't know how you feel, but this place, it gives me creeps.
00:16:18If I could, I would have left long ago.
00:16:21Say no more.
00:16:22I have the same feeling.
00:16:23This house is so strange.
00:16:25It's giving me creeps.
00:16:26And actually, Eleanor was too much loony towards the end.
00:16:33Check this out.
00:16:39Can you keep secrets?
00:16:42Hmm.
00:16:43So last night, I stumbled upon this random room.
00:16:48It was like much bigger than my room.
00:16:49But in the room, there was a huge posture of Eleanor.
00:16:57And in that room, there was a huge trunk.
00:17:00And I think maybe there's some of Eleanor's stuff inside.
00:17:03Do you want to check it out with me?
00:17:13Sorry to disturb you, lovebirds.
00:17:15What's for breakfast?
00:17:18Damn the storm.
00:17:19Killing all the lives just like that.
00:17:21I wonder how long this blackout will last.
00:17:25What's wrong?
00:17:26Have you noticed anything strange about this inn?
00:17:32I mean, besides all the usual creepy things that are happening.
00:17:37Um, you'll have to be a bit more specific.
00:17:39This place is practically a shrine to strange.
00:17:44Eleanor's room.
00:17:45I think it's moving.
00:17:48Eleanor's room?
00:17:49This inn doesn't have a master's bedroom?
00:17:52I used to come up here for holidays, and I've never heard of a master's bedroom.
00:17:55It does.
00:17:57I found it earlier, and when I went back, it was gone.
00:18:01Like, completely.
00:18:03The house, the room, doesn't want to be found.
00:18:08It moves?
00:18:09Like, shifts around the house?
00:18:12That's ridiculous.
00:18:13Where exactly did you find this room?
00:18:15Down the halfway, at the end.
00:18:19This inn always had a left and right wings upstairs, but there is no middle wing.
00:18:25What?
00:18:27May I?
00:18:32Rooms that don't stay in place.
00:18:34Scary sounds that echo the spaces.
00:18:37The house rearranges itself to guard its secrets.
00:18:40Exactly.
00:18:41Elanor's bedroom isn't just a bedroom.
00:18:45It's hiding something.
00:18:48And I'm sure it's tied up to the heart of all those creepy things that are happening.
00:19:02I found this there.
00:19:03Let's see what else we can find.
00:19:12Are you ready?
00:19:14Yes.
00:19:15Where's the room?
00:19:17It's there around the hallway.
00:19:19Something about it feels off.
00:19:22Off?
00:19:23Like, hunt it off?
00:19:25Or, we're losing it off?
00:19:27I don't know.
00:19:32Come on.
00:19:39Well, great.
00:19:40Let's poke around in some creepy room.
00:19:43With the ominous trunk.
00:19:45That's such a good idea.
00:19:47If there's anything, any answer, that's what's happening in here.
00:19:52It has to be in that room.
00:19:54Are you in?
00:19:54I'm in.
00:19:57Let's go before I change my mind.
00:20:05There it is.
00:20:10Okay.
00:20:10After you, brave explorer.
00:20:24This portrait is really creepy, right?
00:20:40Why does it feel she's watching us?
00:20:44Maybe she is.
00:20:45Do you feel that?
00:20:51The temperature dropped?
00:20:54Yeah.
00:20:55Something's wrong.
00:20:57Tell me that's not moving.
00:21:01It wasn't like that before.
00:21:04Should we try opening it?
00:21:09We've come this far.
00:21:12Okay.
00:21:12Okay.
00:21:15Next time, remind me not to volunteer for creepy room day.
00:21:43That trunk, it's hiding something.
00:21:47We're going to have to go back there.
00:21:53The space shifts.
00:21:55What was a hallway is now a staircase.
00:21:57What was my room yesterday is a parlor today.
00:22:00But the whispers lead the way.
00:22:02This has to be it.
00:22:06This has to be it.
00:22:06At the nurse room.
00:22:09If the space shifts, maybe we can predict where it goes next.
00:22:13But how do we track something that doesn't stay still?
00:22:16The entry says follow the whispers.
00:22:19Maybe that's the clue.
00:22:20There should be some way around here.
00:22:31Maybe...
00:22:32Wait, do you hear that?
00:22:34The whispers, just like the guestbook side.
00:22:37Jules?
00:22:37Nina?
00:22:38What are you doing here?
00:22:40What are you doing here?
00:22:41What are you doing here?
00:22:41Well, I guess we're all in this together now.
00:22:48Oh, my God.
00:23:18The whispers, they were louder this time.
00:23:32Like they wanted us to hear them.
00:23:34The cycle must end.
00:23:36What does that even mean?
00:23:37And why do we keep hearing it?
00:23:40Everything is tied up to the trunk.
00:23:42The box, the diary.
00:23:44Everything is in Eleanor's room.
00:23:46So the answers must be there.
00:23:48We just need to figure out how to open this box.
00:23:51And risk waking up whatever that's inside this box?
00:23:54We're already knowing too much.
00:23:56The house doesn't want us to know this much.
00:23:58Look at the symbols.
00:24:00They match the diagrams from the dialogue.
00:24:03This box needs a key to open.
00:24:06A key?
00:24:07Jules, the key.
00:24:08The key you found earlier.
00:24:16This is odd.
00:24:30What's...
00:24:31Look at these photographs.
00:24:35There must be a mistake.
00:24:43No.
00:24:44It's authentic, all right.
00:24:47Guys, you're not going to believe this.
00:24:49Authorities are baffled as four individuals mysteriously disappeared from Frostwood Inn.
00:24:58Curses were last seen entering the primes.
00:25:02But no signs of struggle or departure has been found.
00:25:05Local whispers of the inn's dark reputation.
00:25:08Fueling fears of an unexplainable curse.
00:25:12This was from 50 years ago.
00:25:14Well, I'll be damned.
00:25:16The date matches the disappearance.
00:25:18But that doesn't explain anything.
00:25:20Do you think that's why Eleanor brought us here together?
00:25:25We're barely getting the surface crash.
00:25:27And I'm supposed to believe there's some grand mystery here?
00:25:30There is a mystery, Nina.
00:25:32Eleanor didn't just pick up us by accident.
00:25:35The picture says it all.
00:25:37I mean, we're not just some random strangers.
00:25:40It proves...
00:25:40It proves nothing.
00:25:4150 years ago, I wasn't even born.
00:25:44And somehow I ended up in a photograph with my aunt?
00:25:47We can't deny the photograph, Nina.
00:25:49We're also confused.
00:25:51But I agree with Laila.
00:25:53We are not chosen at random.
00:25:56We all have our own role to play.
00:25:59And it's our duty to find out which ones.
00:26:03Time is in the straight line we thought it was.
00:26:05I mean, Eleanor somehow chose us to be here at this moment.
00:26:12And Eleanor never said she knew us before we were born.
00:26:16This is all confusing.
00:26:18But at least we found something.
00:26:20Why don't we just start here?
00:26:21My, my.
00:26:28The past doesn't like to be disturbed.
00:26:32Enough with this cryptic nonsense.
00:26:34What does this mean?
00:26:35It means you've walked into a time trap.
00:26:38Guys, this is incredible.
00:26:42They're not just journal entries.
00:26:44They're more like research.
00:26:47Like she was piecing the secrets of the house together.
00:26:51Can anyone make sense of this?
00:26:53I'm hitting a wall with these symbols and diagrams.
00:26:55They're not exactly my four.
00:27:02The symbols.
00:27:04They're references to alchemy and ancient sealing.
00:27:08Rituals.
00:27:08And look here.
00:27:10This diagram matches the layout of the inn.
00:27:13Why is she?
00:27:14Why all doesn't left it behind?
00:27:16Maybe she wanted somebody to find this.
00:27:19Somebody who could end what she started.
00:27:22The veil must hold or the shadows will consume.
00:27:27The heart of the house is key found by time and intent.
00:27:32The heart of the house.
00:27:34She means the source of all of this.
00:27:37The thing we need to destroy.
00:27:39The symbol is repeated everywhere.
00:27:42It has to mean something.
00:27:44Maybe it's the anchor of the veil.
00:27:48This man.
00:27:52He's in the locket we found earlier.
00:27:55Who is he?
00:27:56The man Eleanor feared, I think.
00:27:59Or the man who betrayed her.
00:28:01Betrayal?
00:28:02But for me, Eleanor didn't seem someone who would trust anyone that much.
00:28:07What if she did trust him?
00:28:10Maybe that's why we're here.
00:28:13Wait.
00:28:16He will come back for what I took.
00:28:19His revenge is inevitable.
00:28:21He was terrified.
00:28:24We're not just dealing with an inheritance.
00:28:27This is personal.
00:28:30This man.
00:28:31He's why we're here.
00:28:33Eleanor thought someone would return.
00:28:35The journal.
00:28:37It mentioned betrayal.
00:28:39What if the man is still watching us?
00:28:42What's that?
00:28:43Sir, if this turns into a ghost story, I'm not staying here.
00:28:48I don't think it's a ghost.
00:28:50You've already awakened what was meant to stay buried.
00:28:54You've already awakened what was meant to stay buried.
00:28:57You've already awakened what was meant to stay buried.
00:29:13The man in the photo.
00:29:14These letters.
00:29:15These letters.
00:29:16They are signed by Jay.
00:29:21The man in the photo.
00:29:23These letters.
00:29:25Of Jay's.
00:29:26He wasn't just angry.
00:29:29He was planning something.
00:29:31Why would she keep these hidden?
00:29:33Was she scared he'd come back?
00:29:35Maybe she was.
00:29:37The man.
00:29:38Jay.
00:29:39Maybe he's the one who is watching us.
00:29:44These are not just random thoughts written in the journal.
00:29:47It's warnings.
00:29:49Warnings for what?
00:29:51The journal mentioned betrayal.
00:29:53She warned about the inn itself.
00:29:56About someone returning to take something she had taken.
00:29:59A betrayal.
00:30:01Maybe he's the one who betrayed her.
00:30:03Listen to this one.
00:30:08The light will reveal the truth.
00:30:10But whispers in the dark will always remain.
00:30:13What was that?
00:30:18Okay.
00:30:19Can we for one moment not die of a heart attack while we're trying to solve this?
00:30:24You found the truth.
00:30:26But now you've crossed the line.
00:30:29The past won't forgive.
00:30:33Why are we here?
00:30:38It doesn't feel random.
00:30:40Maybe it were the loose ends that Eleanor wanted to tie up.
00:30:44Or whoever that Jay guy is.
00:30:46This is just like Eleanor.
00:30:48She likes toying with people.
00:30:50This could be nothing.
00:30:51What if it's not?
00:30:53What if she was trying to protect us?
00:30:55Perhaps Eleanor was trying to protect herself.
00:31:02But you've already disturbed that which should remain undisturbed.
00:31:07What does that mean?
00:31:08It means you've brought the past closer than you think.
00:31:13He watches from the whale.
00:31:16The one who betrayed me seeks to undo what I've built.
00:31:20Who's he?
00:31:21What's his name?
00:31:22It cannot be just Jay.
00:31:25Eleanor wouldn't leave these hints to us if it was that simple.
00:31:28She probably wants us to find him.
00:31:31Or what he has left for us.
00:31:34And we're all just blindly playing along?
00:31:37For all we know, this Jay could still be around.
00:31:40Then why all these warnings?
00:31:43She must have been terrified.
00:31:45If Eleanor wants us to find something, it's not just her words.
00:31:54It's somewhere over here.
00:31:57Is it just me or did Eleanor keep all her life hidden in puzzles?
00:32:02That's probably cheaper than a therapy.
00:32:05What was their connection?
00:32:09He was her greatest love and her greatest disappointment.
00:32:15Oh, so you knew him.
00:32:17Then why don't you try to mention it even once?
00:32:21Some stories I better left untold.
00:32:25But Eleanor didn't leave you that choice, did she?
00:32:31I gave him my trust, my heart, and he took everything.
00:32:36But I will ensure he never gets what he truly wants.
00:32:39What did he want?
00:32:40The end?
00:32:42Her fortune?
00:32:43Or her silence.
00:32:45Open it already.
00:32:46Wait, what if it's another warning?
00:32:49Eleanor didn't just give us these clues for fun, right?
00:32:53Well, we've already ignored the other ones.
00:32:56Let's see how bad this can get.
00:32:58To the one I wrung, I knew my betrayal would lead us both here.
00:33:10The truth lies where the heart was broken.
00:33:13That's it?
00:33:14Another cryptic line?
00:33:16Typical Eleanor.
00:33:17That's not just it.
00:33:19She's committing guilt.
00:33:20The truth lies where the heart was broken.
00:33:31Great.
00:33:32So what?
00:33:33She cheated someone out of money?
00:33:36Broke their heart?
00:33:37Why drag us into it?
00:33:39Because we're connected.
00:33:41She said the truth lies where the heart was broken.
00:33:44It should mean something.
00:33:45Yeah.
00:33:46Let's all take turns and we guess who's next to get haunted.
00:33:49You found what Eleanor feared most.
00:33:58Be careful where you look next.
00:34:00Why?
00:34:01What's left to find?
00:34:03The truth.
00:34:04And the one she betrayed.
00:34:07The truth lies beneath the veil of memory.
00:34:12Who's there?
00:34:13Who was that?
00:34:43Who understands?
00:34:43When you understand the past, you must face the future.
00:34:47Look to where memory fades, and you will see what.
00:34:52Where memory fades.
00:34:56Oh.
00:34:56Alex, what's wrong?
00:34:58You look like you've seen a ghost.
00:35:01Not a ghost.
00:35:02Just a message.
00:35:11This is more than just Eleanor's riddles.
00:35:13Where memories fade.
00:35:15This could be obvious.
00:35:17We're looking for something hidden.
00:35:20I know.
00:35:21But where?
00:35:22This is from Eleanor's younger age.
00:35:30But there is something off about these pictures.
00:35:34That's odd.
00:35:34Why is the guy's face hidden?
00:35:37There is more.
00:35:39So, it's addressed to Eleanor, but it's signed Jay.
00:35:43I promised I'd return for what you stole from me.
00:35:47You can run, but you can't hide.
00:35:49The truth will find you.
00:35:51Jay.
00:35:54So, Jay is the one Eleanor betrayed.
00:35:57But, then why is he threatening us now?
00:36:06You found the door to the past.
00:36:09But should it be unlocked?
00:36:12Some doors are better left closed.
00:36:15You have been saying cryptic shit all this time.
00:36:18What do you know, Mrs. Grayson?
00:36:20The truth is more dangerous than you think.
00:36:25You better be careful what you awaken.
00:36:26This, this feels wrong.
00:36:40Guys, I've seen this symbol in her diaries, and it's so arny.
00:36:47It means we need to leave.
00:36:52We're not leaving.
00:36:54Not until we find what we want.
00:36:56Someone's coming.
00:36:57Quickly, hide!
00:37:17What's this?
00:37:22Why were you hidden here?
00:37:26Okay, definitely not creepy at all.
00:37:44Shhh, stay quiet.
00:37:46Whoever it is, we don't want them to know we're here.
00:37:56You're not ready for this.
00:38:02None of you are.
00:38:11Too long I have waited for this.
00:38:14What was that?
00:38:23What was that?
00:38:24What does she know?
00:38:26It seemed like she was talking to someone, but...
00:38:28Oh, there was...
00:38:30Nobody before we entered the room.
00:38:32She's definitely hiding something.
00:38:35I don't know what, but it's more than just a housekeeper's secrets.
00:38:40Any of you feel like you're being watched?
00:38:43Let's get back to her rooms.
00:38:44We'll discuss this in the morning.
00:38:46Remember to lock your rooms.
00:38:48That was really dangerous.
00:38:51We almost got a call.
00:38:52Oh, Jules!
00:38:54How good of you to join us.
00:38:56Where were you last night?
00:38:57Why?
00:38:58Okay, enough.
00:39:00We've been here long enough.
00:39:02We're all on edge, Nina.
00:39:04This place is trying to divide us.
00:39:07How about we just get back on track and we can figure out what's in that drawer?
00:39:11Um, here.
00:39:16I found this in the female boarding room.
00:39:19Thought it might help us to unlock something we're missing.
00:39:25Guess we'll find out soon enough.
00:39:28Wait.
00:39:29What if Eleonore didn't want us to find out?
00:39:32Okay.
00:39:41The truth will be your undoing.
00:40:09The past cannot be erased.
00:40:11Nor can it be undone.
00:40:13Beware the one who waits.
00:40:16Who's the one who waits?
00:40:21You shouldn't have done this.
00:40:23Ah!
00:40:24Ah!
00:40:24Ah!
00:40:25Ah!
00:40:27Ah!
00:40:27Ah!
00:40:28Ah!
00:40:28Ah!
00:40:28Ah!
00:40:28Ah!
00:40:28Ah!
00:40:28Ah!
00:40:29Ah!
00:40:29Ah!
00:40:29Ah!
00:40:30Ah!
00:40:34We're going to uncover everything.
00:40:36After this,
00:40:37there is no turning back.
00:40:40What are these cheap batteries?
00:40:43What is this?
00:40:43Why is it so cold?
00:40:45Something is wrong.
00:40:47We shouldn't be here.
00:40:48Shut up.
00:40:49With you, nothing is ever right.
00:40:50The sooner so this mystery,
00:40:52the better.
00:40:53Guys,
00:40:53this must be Eleonore's private journal.
00:40:57Look at those notes.
00:40:59Look!
00:41:00It's another one of hers.
00:41:02Eleonore's handwriting.
00:41:02I knew the veil would break one day.
00:41:06He waits for what I took.
00:41:07And he won't stop
00:41:09until it's his again.
00:41:10Who is he?
00:41:12And what's the veil?
00:41:14Fantastic.
00:41:15So we've hit the ghost jackpot now?
00:41:19Some truths are better left buried.
00:41:23Heavens!
00:41:23Would it kill you to announce yourself once in a while?
00:41:25Why should it be hidden?
00:41:27What was Eleonore so scared of?
00:41:29You are not ready for the truth.
00:41:40Great.
00:41:41More puzzles.
00:41:42Does Eleonore think we're detectives or something?
00:41:45Well,
00:41:46she did invite us here
00:41:47to clean up her mess.
00:41:48To those who follow,
00:41:50beware what you're uncovered.
00:41:52The past holds more than memories.
00:41:54It holds
00:41:55him.
00:41:56It's Eleonore
00:41:58and
00:41:59him again.
00:42:03This guy.
00:42:04Jay.
00:42:05Whoever he is,
00:42:07he must be the key
00:42:08to all of this.
00:42:13Who is he?
00:42:15And
00:42:15why did Eleonore keep this hidden?
00:42:17Because she knew
00:42:18what he was capable of.
00:42:20She knew he would not
00:42:21stop.
00:42:22Why not tell us?
00:42:24Why leave us
00:42:24all the breadcrumbs?
00:42:26Because she knew
00:42:27you were the only ones
00:42:28who could stop him.
00:42:30You know what?
00:42:32It's late
00:42:33and I'm tired.
00:42:34I'm fucking tired.
00:42:37I don't know about you guys,
00:42:38but
00:42:38I'm going to go back
00:42:40and take a warm bath
00:42:41to wash out
00:42:41all the soreness
00:42:42and the dust.
00:42:44Good night.
00:42:46Um,
00:42:48excuse me.
00:42:49Uh,
00:42:50good night.
00:42:54The veil
00:42:56isn't just a metaphor.
00:42:58It's a barrier
00:42:58that keeps him out.
00:43:09Help!
00:43:11Who's there?
00:43:12Help!
00:43:12Who's there?
00:43:12What happened?
00:43:24Are you okay?
00:43:26It-
00:43:26it talked to me.
00:43:28It said
00:43:29we've gone too far.
00:43:36He lives between
00:43:37what was and what is.
00:43:39The veil is his prison,
00:43:39but he's breaking free.
00:43:42What is it even
00:43:43supposed to mean?
00:43:45It means
00:43:46he's waking up.
00:43:48Eleanor
00:43:48used to keep him
00:43:49locked away.
00:43:51But you're
00:43:52breaking down
00:43:53these walls.
00:43:54Who?
00:43:55Who's trying
00:43:55down the walls?
00:44:02Mrs. Grayson,
00:44:03I think you always
00:44:04answers at this point.
00:44:06What do you wish
00:44:07to know?
00:44:08If this guy's real,
00:44:09why hasn't he
00:44:10shown himself?
00:44:11He doesn't exist
00:44:12in this plane.
00:44:16But I assure you
00:44:18he's as real
00:44:19as you and me.
00:44:20Uh,
00:44:21you mentioned
00:44:21someone is waking him up?
00:44:23Who and how?
00:44:25The four of you
00:44:27are waking him up.
00:44:29He feeds on fear.
00:44:32the more
00:44:33you dig
00:44:34the more
00:44:38strong
00:44:38he becomes.
00:44:41Then why leave us
00:44:42all these clues?
00:44:43Why lead us
00:44:44to him?
00:44:46Eleanor
00:44:47didn't want
00:44:48you to
00:44:48free him.
00:44:50She wanted
00:44:50you to
00:44:51stop him.
00:44:52Great.
00:44:54No pressure.
00:44:55No pressure.
00:45:02There's nothing concrete there.
00:45:21It's all cryptic warnings.
00:45:23Or maybe that's all Eleanor had.
00:45:25Warnings.
00:45:26Here it is.
00:45:28This is the heart
00:45:30of the house.
00:45:31This is where we can find him.
00:45:34Or stop him.
00:45:35Okay, this is insane.
00:45:44We're walking
00:45:44straight into his trap.
00:45:47Do you have a better idea?
00:45:49Because
00:45:49reading these letters
00:45:51or the notes
00:45:52is not great either.
00:45:54If Eleanor
00:45:54marked this as the heart
00:45:56it means she meant
00:45:57for us
00:45:57to go.
00:45:59Or where
00:46:00she was trying
00:46:00to warn us
00:46:01not to go.
00:46:05Can we stop it
00:46:06with the dramatics
00:46:07already?
00:46:10You found it.
00:46:12Eleanor's
00:46:13final clue.
00:46:14You mean
00:46:15the creepy heart
00:46:16room?
00:46:17Care to explain
00:46:18what's waiting
00:46:18for us there?
00:46:20This house
00:46:21was built
00:46:21around it.
00:46:23It's where
00:46:23he resides.
00:46:26Eleanor
00:46:26trapped him
00:46:27there.
00:46:28But the veil
00:46:29is breaking.
00:46:31Wonderful.
00:46:32So yeah,
00:46:33we're just
00:46:33going to walk
00:46:33in
00:46:34and fix
00:46:35her mistakes.
00:46:36Right?
00:46:37Eleanor chose
00:46:37you for a reason.
00:46:40You're all
00:46:40connected to him
00:46:41somehow.
00:46:43How are we
00:46:44connected?
00:46:45Think of how
00:46:46you know
00:46:46Eleanor
00:46:47and then
00:46:50you'll be able
00:46:51to figure out
00:46:52what he wants
00:46:53and why he's
00:46:54interested in
00:46:55the four of you.
00:47:04you seem
00:47:09drawn to this
00:47:09one.
00:47:10It's called
00:47:11transition.
00:47:13It's more
00:47:13than a painting.
00:47:15It's the story.
00:47:17An incomplete
00:47:18one.
00:47:19You think so?
00:47:21Most people
00:47:23just see
00:47:23shadows.
00:47:25Most people
00:47:25are not paying
00:47:26attention.
00:47:28But you are.
00:47:29that
00:47:31what's
00:47:31make you
00:47:32work so
00:47:32different.
00:47:34Do I
00:47:34know you?
00:47:35You seem
00:47:36familiar.
00:47:38Perhaps
00:47:39in another
00:47:40time.
00:47:43Well,
00:47:44congratulations
00:47:44on your
00:47:45opening.
00:47:46I'll keep
00:47:47an eye
00:47:47on your
00:47:47work.
00:47:48art doesn't
00:47:59just reflect
00:48:00the soul.
00:48:01It reveals
00:48:02the unseen.
00:48:04Your studio
00:48:04deserves to
00:48:05stand the
00:48:05test of
00:48:06time.
00:48:07Consider
00:48:07this
00:48:08my
00:48:09contribution.
00:48:14So,
00:48:14Mrs. Jules,
00:48:16your studio
00:48:16has gotten
00:48:17a lot of
00:48:17attention
00:48:17since its
00:48:18opening.
00:48:19Tell me,
00:48:20what inspired
00:48:21this exhibit?
00:48:23Honestly,
00:48:24I don't think
00:48:25I fully
00:48:25understand it
00:48:26myself.
00:48:27These
00:48:28pieces,
00:48:29they just
00:48:30come to
00:48:30me.
00:48:31Like,
00:48:32they are
00:48:33meant to
00:48:33be created.
00:48:34Rumor
00:48:35has it
00:48:35that this
00:48:36was impossible
00:48:37without an
00:48:37anonymous
00:48:38contributor.
00:48:40Any idea
00:48:40of who
00:48:41they are?
00:48:42Fits me.
00:48:43Whoever
00:48:43they are,
00:48:44they believed
00:48:44in myself
00:48:45more than
00:48:46I
00:48:47believed in
00:48:48myself.
00:48:49I wonder
00:48:49if they see
00:48:50the same
00:48:50story in
00:48:51the shadows.
00:48:52Sorry,
00:48:52what was
00:48:53that?
00:48:53No,
00:48:54nothing.
00:48:55I was just
00:48:55thinking out
00:48:56loud.
00:49:03Who are you
00:49:04really,
00:49:05Elioner?
00:49:06that's a
00:49:15charming place.
00:49:16It has
00:49:17an air
00:49:18of curiosity
00:49:18about it.
00:49:20That's what
00:49:20I aim for.
00:49:21Welcome to
00:49:22the curious
00:49:22bookworm.
00:49:23Can I help
00:49:24you find
00:49:24anything?
00:49:25Well,
00:49:26I'm actually
00:49:26here to
00:49:27help you.
00:49:28I hear you
00:49:29are quite
00:49:29an investigator
00:49:30of various
00:49:31strange phenomena.
00:49:33What is
00:49:34this?
00:49:36That's a
00:49:36family estate.
00:49:38Has a
00:49:39reputation
00:49:39about it.
00:49:41I think
00:49:41you'll find
00:49:42it interesting.
00:49:43That's
00:49:44incredible,
00:49:46but...
00:49:46And
00:49:47I leave you
00:49:48for a few
00:49:48minutes and
00:49:49you wander
00:49:49off like
00:49:50that.
00:49:50Sorry to
00:49:51bother you.
00:49:51We're
00:49:52leaving.
00:49:54I trust
00:49:54you'll make
00:49:54a good
00:49:55use of it.
00:49:55Just be
00:49:56careful
00:49:56in where
00:49:57your curiosity
00:49:57leaves you.
00:49:58today we
00:50:02are diving
00:50:03into the
00:50:04enigmatic
00:50:05history of
00:50:05Frostbottin,
00:50:07known for
00:50:07its hunting
00:50:08atmosphere
00:50:09and unexplained
00:50:10events.
00:50:11This estate
00:50:12has been
00:50:12the subject
00:50:13for local
00:50:13legends
00:50:14for decades.
00:50:20Hey,
00:50:21do you
00:50:21have a
00:50:21minute?
00:50:22Sure,
00:50:23what's
00:50:23in your
00:50:23mind?
00:50:24I wanted
00:50:25to apologize
00:50:25to you
00:50:26for the
00:50:26other
00:50:26day.
00:50:27My
00:50:27aunt
00:50:27can be
00:50:28not so
00:50:29okay,
00:50:29so to
00:50:29speak.
00:50:30She may
00:50:30have
00:50:31spoken
00:50:31things
00:50:31to
00:50:31seem
00:50:32odd
00:50:32to
00:50:32you,
00:50:32but
00:50:32she's
00:50:33not
00:50:33a
00:50:33bad
00:50:33person.
00:50:33She's
00:50:34just...
00:50:34You don't
00:50:35believe
00:50:35in her,
00:50:36don't you?
00:50:37I don't.
00:50:38But
00:50:38Frostbottin has
00:50:40had strange
00:50:41happenings.
00:50:42But they can
00:50:42all be
00:50:42explained
00:50:43rationally,
00:50:43that's
00:50:44all.
00:50:58you've
00:51:03been running
00:51:03running your
00:51:03whole life,
00:51:04Ninam.
00:51:05You can't
00:51:06just keep
00:51:06running.
00:51:08I'm not
00:51:09running.
00:51:10I'm just
00:51:10not interested
00:51:11in chasing
00:51:11shadows.
00:51:12These are
00:51:13not shadows.
00:51:15This is our
00:51:15family legacy.
00:51:18An old,
00:51:20creepy inn
00:51:20sounds more
00:51:22like a burden,
00:51:23not a legacy.
00:51:24You have no
00:51:25idea what
00:51:26Frostbottin is
00:51:27holding.
00:51:28This is not
00:51:29just an inn.
00:51:31This is about
00:51:32who we are,
00:51:33and one day
00:51:34you will
00:51:34understand.
00:51:36If it's so
00:51:37important to you,
00:51:37why don't you
00:51:38deal with it
00:51:38yourself?
00:51:39Why drag me
00:51:39into it?
00:51:40Because I
00:51:41won't always
00:51:42be here.
00:51:44What do you
00:51:44want me to
00:51:45do?
00:51:46For now,
00:51:46just listen,
00:51:47and when the
00:51:48time comes,
00:51:49you will know
00:51:49what to do.
00:51:53You should
00:51:54know better
00:51:54than to
00:51:55wander off
00:51:55and
00:51:56Libri had
00:51:57nothing much
00:51:57about Frostbottin.
00:51:58Well,
00:51:59sometimes you
00:51:59need to go
00:52:00elsewhere to
00:52:00find out the
00:52:01truth.
00:52:02You know,
00:52:02you have to
00:52:03be more
00:52:03curious,
00:52:04because that's
00:52:05how we find
00:52:06out who we
00:52:06are,
00:52:07or how we
00:52:08waste time
00:52:08chasing ghosts.
00:52:16Legends of
00:52:17Frostbottin
00:52:18speak of a
00:52:18mysterious veil
00:52:19that protects
00:52:20its secrets,
00:52:21but also binds
00:52:22those who
00:52:23inherit its
00:52:23legacy.
00:52:24Is it a
00:52:25place of
00:52:25power or
00:52:26a curse
00:52:27waiting to
00:52:27claim its
00:52:28next victim?
00:52:36Hey,
00:52:37I've been
00:52:37listening to
00:52:38your podcast.
00:52:39Wow,
00:52:40I'm flattered.
00:52:41Don't tell me
00:52:41I've converted
00:52:42you into a
00:52:42believer.
00:52:44Honestly,
00:52:44I thought it
00:52:45was just
00:52:46stories,
00:52:46but I'm
00:52:47not so sure.
00:52:48my aunt
00:52:50Eleanor,
00:52:50she's obsessed
00:52:51with Frostbottin.
00:52:53Yeah,
00:52:54Eleanor
00:52:54mentioned you.
00:52:55She thinks
00:52:56that you
00:52:56might be a
00:52:57part of
00:52:57something
00:52:57bigger.
00:52:58She's good
00:52:59at being
00:52:59cryptic.
00:53:00Do you
00:53:01think there's
00:53:01anything real
00:53:02behind all
00:53:02this?
00:53:03I think
00:53:04it's worth
00:53:04looking to
00:53:05it.
00:53:06I mean,
00:53:06if she's
00:53:06right,
00:53:07you might
00:53:08be a
00:53:08key to
00:53:09understanding
00:53:09it.
00:53:11I'm not
00:53:11so sure
00:53:12I want to
00:53:12understand
00:53:13this.
00:53:18The Frostbottin
00:53:33is more
00:53:33than just
00:53:33an old
00:53:34building.
00:53:34It's a
00:53:35mystery,
00:53:36woven into
00:53:36the fabric
00:53:37of our
00:53:37town.
00:53:38A place
00:53:39where stories
00:53:39seem to
00:53:40go to
00:53:40hide and
00:53:41people
00:53:41sometimes
00:53:42vanish
00:53:43altogether.
00:53:45Some
00:53:45call it
00:53:46cursed,
00:53:47others
00:53:47a
00:53:47masterpiece
00:53:48of
00:53:48misfortune.
00:53:49But the
00:53:49question
00:53:50remains,
00:53:51what is
00:53:51Frostbott really
00:53:52hiding?
00:54:04Yeah?
00:54:05What the
00:54:05hell is
00:54:05this,
00:54:06Alex?
00:54:07I told
00:54:07you to
00:54:08stick to
00:54:08the
00:54:08mayoral
00:54:08campaign.
00:54:10This is
00:54:10bigger than
00:54:11politics,
00:54:11Marcus.
00:54:13Four people
00:54:13disappeared near
00:54:14that end
00:54:1550 years
00:54:15ago.
00:54:16There was
00:54:16not a
00:54:17trace,
00:54:17nobody
00:54:17was
00:54:18connecting
00:54:18the
00:54:18dots.
00:54:19Until
00:54:20now.
00:54:21There are
00:54:21no
00:54:21dots
00:54:21to
00:54:22connect.
00:54:22You're
00:54:23pushing a
00:54:23ghost
00:54:23story.
00:54:24We're
00:54:24not running
00:54:25this.
00:54:25The
00:54:25public
00:54:26deserves
00:54:26to
00:54:27know
00:54:27the
00:54:27truth.
00:54:28The
00:54:34truth
00:54:34The
00:54:36truth
00:54:36may never
00:54:39be
00:54:39uncovered,
00:54:40enough to
00:54:41try,
00:54:41it's a
00:54:42path you
00:54:42can walk
00:54:43back from.
00:54:45Looks like
00:54:46I'm going
00:54:46back to the
00:54:47story.
00:54:47J.
00:54:52J., where
00:54:53are you,
00:54:54Mr. J.?
00:54:56The
00:54:57faint
00:54:57whisper of
00:54:58J., the
00:54:59one who
00:54:59holds the
00:55:00key to
00:55:00all of
00:55:01this.
00:55:01I fear I
00:55:02have failed
00:55:03him, but
00:55:04he will
00:55:04come when
00:55:04it is
00:55:05time.
00:55:06I only
00:55:07hope it
00:55:07is not
00:55:08too late.
00:55:10Wait,
00:55:11she said
00:55:12that he
00:55:12would come
00:55:13whenever
00:55:14waste
00:55:14the
00:55:14time.
00:55:15What
00:55:15if he's
00:55:16not just
00:55:16someone from
00:55:17her past?
00:55:18What
00:55:18if he's
00:55:19been here
00:55:19all
00:55:20along?
00:55:21Or
00:55:21what
00:55:22if
00:55:23he's
00:55:24the
00:55:25one
00:55:25that
00:55:25we've
00:55:25been
00:55:26interacting
00:55:27whole
00:55:28time,
00:55:28but
00:55:28we
00:55:29didn't
00:55:29even
00:55:30realize?
00:55:32I
00:55:32see
00:55:33you're
00:55:33trying
00:55:33to
00:55:34find
00:55:34the
00:55:34identity
00:55:34of
00:55:35J.
00:55:37Why
00:55:37don't
00:55:37you
00:55:38tell
00:55:38us
00:55:38more
00:55:38about
00:55:38him?
00:55:39Was
00:55:39he
00:55:39an
00:55:40enemy
00:55:40of
00:55:40a
00:55:41friend?
00:55:42Eleanor
00:55:42trusted
00:55:43J.
00:55:44because
00:55:44she
00:55:44knew
00:55:45him
00:55:45better
00:55:45than
00:55:45anyone
00:55:45else,
00:55:46but
00:55:47he
00:55:47was
00:55:47also
00:55:47the
00:55:47reason
00:55:47why
00:55:48she
00:55:48was
00:55:48trapped
00:55:48here.
00:55:49Why?
00:55:50What's
00:55:51his
00:55:51connection
00:55:51to
00:55:52all
00:55:53of
00:55:53this?
00:55:54J.
00:55:54wasn't
00:55:55a
00:55:55stranger,
00:55:55he
00:55:56was
00:55:56or
00:55:57is
00:55:58one
00:55:59of
00:55:59you.
00:56:01What
00:56:02do
00:56:02you
00:56:02mean
00:56:02one
00:56:02of
00:56:02us?
00:56:04He
00:56:04vanished,
00:56:05or
00:56:06rather
00:56:06part
00:56:06of
00:56:06him
00:56:07vanished
00:56:0750
00:56:08years
00:56:08ago.
00:56:10One
00:56:11of
00:56:11us?
00:56:12So
00:56:12he's
00:56:13been
00:56:13here
00:56:14all
00:56:14along?
00:56:15J.
00:56:15was
00:56:16your
00:56:16connection
00:56:16to
00:56:16the
00:56:17Vale,
00:56:17but
00:56:18he
00:56:18became
00:56:19part
00:56:19of
00:56:19the
00:56:19shadow.
00:56:21He
00:56:21was
00:56:21trapped
00:56:22in the
00:56:22earthreal
00:56:23plane
00:56:23with
00:56:25Eleanor.
00:56:26His
00:56:27identity
00:56:27was lost,
00:56:28his memory
00:56:29wiped,
00:56:30until
00:56:30all of
00:56:31you
00:56:31returned.
00:56:33So
00:56:34J.
00:56:35has been
00:56:36here
00:56:36all the
00:56:37time?
00:56:37Yes,
00:56:40J.
00:56:40is
00:56:41the
00:56:41missing
00:56:41piece,
00:56:42the
00:56:43key
00:56:43to
00:56:43the
00:56:43cycle.
00:56:45He
00:56:45was
00:56:45tied
00:56:45to
00:56:46the
00:56:46veil,
00:56:48just
00:56:49like
00:56:49you
00:56:50all
00:56:50were.
00:56:52He
00:56:53wasn't
00:56:53fortunate
00:56:53enough
00:56:54to
00:56:55come
00:56:55out
00:56:56whole,
00:56:58like
00:56:59you
00:56:59back
00:56:59then.
00:57:01Whole?
00:57:01What
00:57:02do you
00:57:02mean
00:57:02whole?
00:57:03J.
00:57:06was
00:57:06none
00:57:07other
00:57:07than
00:57:07James,
00:57:08your
00:57:08brother,
00:57:09Nina.
00:57:14James?
00:57:15My
00:57:15brother?
00:57:16But
00:57:17he's
00:57:18been in
00:57:18a
00:57:18wheelchair
00:57:18for as
00:57:19long
00:57:19as I
00:57:19can
00:57:19remember.
00:57:20The
00:57:21last
00:57:21time
00:57:22you
00:57:22were
00:57:22together,
00:57:23he
00:57:24got
00:57:24lost
00:57:24in
00:57:24the
00:57:24veil
00:57:25and
00:57:25he
00:57:25sacrificed
00:57:26part
00:57:26of
00:57:26himself
00:57:27so
00:57:27that
00:57:28you
00:57:28could
00:57:28all
00:57:28get
00:57:28out.
00:57:31Eleanor
00:57:31went
00:57:32back
00:57:32to
00:57:32try
00:57:33to
00:57:33get
00:57:33the
00:57:33piece
00:57:34that
00:57:34he
00:57:34had
00:57:34left
00:57:34behind
00:57:35so
00:57:37that
00:57:38he
00:57:38could
00:57:38be
00:57:38whole
00:57:38again.
00:57:39But
00:57:40she
00:57:40discovered
00:57:40the
00:57:41shadow
00:57:41merged
00:57:42with
00:57:42him.
00:57:45In
00:57:46essence,
00:57:47he
00:57:48became
00:57:48that
00:57:48which
00:57:49you
00:57:49were
00:57:49trying
00:57:50to
00:57:50escape.
00:57:55This
00:57:56map
00:57:56was
00:57:57Eleanor's
00:57:57last
00:57:58attempt
00:57:58to
00:57:58escape
00:57:59the
00:57:59veil.
00:58:00She
00:58:00believes
00:58:01the
00:58:01in-spaces
00:58:02shift
00:58:02mirroring
00:58:03their
00:58:03counterparts
00:58:04in
00:58:05the
00:58:05veil.
00:58:06Therefore,
00:58:08for instance,
00:58:09becomes
00:58:10a
00:58:10heart.
00:58:12How about
00:58:13other
00:58:13rooms?
00:58:15Like
00:58:15boarding
00:58:16rooms?
00:58:17They
00:58:18become
00:58:18manifestations
00:58:19of the
00:58:19veil's
00:58:20power,
00:58:21each
00:58:21one
00:58:22feeding
00:58:22evil.
00:58:24So,
00:58:25how do
00:58:25we get
00:58:25in?
00:58:26Are we
00:58:26supposed to
00:58:27just walk
00:58:27into some
00:58:27other
00:58:28dimension?
00:58:28this
00:58:30will help
00:58:32you cross
00:58:32over.
00:58:33This
00:58:33is how
00:58:33Eleanor
00:58:33went in
00:58:34and how
00:58:35you
00:58:35will
00:58:35follow
00:58:36her.
00:58:37So,
00:58:38what if
00:58:38we can't
00:58:39come back?
00:58:40Then the
00:58:40veil will
00:58:41claim you.
00:58:42Then let's
00:58:43do this.
00:58:44We've come
00:58:44too far
00:58:44to back
00:58:45out now.
00:58:50Worlds
00:58:51align and
00:58:52worlds
00:58:52collide.
00:58:53Worlds
00:58:54arrive and
00:58:55worlds
00:58:55collide.
00:58:56let them
00:58:57all
00:58:57come
00:58:58inside!
00:59:03This
00:59:03doesn't
00:59:05feel
00:59:05right.
00:59:07It's
00:59:08too late
00:59:08to
00:59:08back
00:59:08out
00:59:09now.
00:59:15Step
00:59:15through
00:59:16together.
00:59:17Don't
00:59:31let us
00:59:31get
00:59:31lost.
00:59:32You
00:59:32are
00:59:32stronger
00:59:33than
00:59:33the
00:59:33evil.
00:59:34Trust
00:59:35each
00:59:35other!
00:59:35this is
00:59:48the
00:59:48veil?
00:59:49It
00:59:50looks
00:59:51warped.
00:59:53It's
00:59:53not just
00:59:54warped.
00:59:55It's
00:59:55wrong.
00:59:56Look at
00:59:57the walls.
00:59:58They're
00:59:58breathing.
00:59:59Look at
01:00:00this place.
01:00:02Stick
01:00:02together.
01:00:03We don't
01:00:03know
01:00:03what's
01:00:04real here.
01:00:05You've
01:00:06come
01:00:06back.
01:00:07The
01:00:07cycle
01:00:08begins.
01:00:10This
01:00:10place.
01:00:11It's
01:00:12alive.
01:00:13Alive and
01:00:15watch
01:00:15this.
01:00:16Careful.
01:00:18Please don't
01:00:18go anywhere
01:00:19and don't
01:00:19go separated
01:00:20because if
01:00:21this place
01:00:21shifts,
01:00:23we can't
01:00:23lose each
01:00:23other.
01:00:24Right.
01:00:25We stick
01:00:26together,
01:00:26no matter
01:00:27what.
01:00:35it's
01:00:45It's
01:00:45a marking.
01:00:47Eleanor
01:00:47must have
01:00:47left it
01:00:48behind.
01:00:49What does
01:00:49it mean?
01:00:50Is it part
01:00:50of the map?
01:00:51It's
01:00:52like a
01:00:53sigil.
01:00:54She
01:00:54probably
01:00:55tried to
01:00:55contain
01:00:56something
01:00:57here or
01:00:57come back
01:00:59here.
01:01:00Or maybe
01:01:00it's
01:01:02protecting us.
01:01:02or maybe
01:01:04it's
01:01:04protecting
01:01:05something
01:01:05else.
01:01:06Could you
01:01:07please
01:01:07see if
01:01:08there is
01:01:08anything
01:01:09under it?
01:01:11Wait.
01:01:11What is
01:01:12that?
01:01:14It's
01:01:14like a
01:01:15compass.
01:01:17It's
01:01:18pointing
01:01:18somewhere.
01:01:19Looks
01:01:20like
01:01:20that's
01:01:21where
01:01:21we're
01:01:21going
01:01:21to.
01:01:22Wait.
01:01:23What if
01:01:23it's
01:01:23leading
01:01:23us
01:01:23into
01:01:24a
01:01:24trap?
01:01:25Doesn't
01:01:25matter.
01:01:26If
01:01:26we
01:01:26want
01:01:27to
01:01:27find
01:01:27Eleanor,
01:01:28we're
01:01:28going
01:01:28to
01:01:28take
01:01:29the
01:01:29risk.
01:01:30Let's
01:01:30go
01:01:30before
01:01:30this
01:01:31place
01:01:31starts
01:01:31changing.
01:01:32This
01:01:46place
01:01:47feels
01:01:47worse
01:01:47than
01:01:48the
01:01:48foyer
01:01:48like
01:01:48it's
01:01:49breathing.
01:01:50The
01:01:50compass
01:01:50brought
01:01:51us
01:01:51here,
01:01:51so
01:01:52there
01:01:52has
01:01:53to
01:01:53be
01:01:53something
01:01:53we
01:01:53can
01:01:53find.
01:01:55This
01:01:55markings,
01:01:56it's
01:01:56similar
01:01:57to
01:01:57those
01:01:57in
01:01:57Eleanor's
01:01:58diary.
01:01:59In
01:01:59her
01:01:59journal,
01:02:00she
01:02:00said
01:02:00the veil
01:02:01imprints
01:02:01itself
01:02:02on the
01:02:02space
01:02:03it
01:02:03consumes.
01:02:05Great.
01:02:06So are
01:02:06we
01:02:06walking
01:02:07in
01:02:07the
01:02:07whale's
01:02:07stomach?
01:02:09Stay
01:02:10close.
01:02:11Don't
01:02:11let the
01:02:11voice
01:02:11mess
01:02:12your
01:02:12mind.
01:02:13The
01:02:14compass,
01:02:14the
01:02:15compass,
01:02:15it's
01:02:16pointing
01:02:16there.
01:02:16It
01:02:17means
01:02:17that
01:02:17evil
01:02:17doesn't
01:02:18want
01:02:18us
01:02:18near
01:02:18it.
01:02:19To
01:02:20hell
01:02:20with
01:02:20that,
01:02:20let's
01:02:20find
01:02:21out
01:02:21what's
01:02:21inside.
01:02:23Flashlights,
01:02:24use
01:02:24your
01:02:24lights,
01:02:25and it
01:02:25keeps
01:02:26darkness
01:02:26away.
01:02:26got it!
01:02:33Ross,
01:02:33Ross,
01:02:34it's
01:02:34clear!
01:02:49Let's see
01:02:49what we're
01:02:50supposed to
01:02:50find in
01:02:51this room.
01:02:53Whatever we
01:02:54need must be
01:02:55in that
01:02:55wall.
01:02:57Do you
01:02:58really
01:02:58think
01:02:58with
01:02:59it
01:02:59moving
01:02:59like
01:02:59this
01:03:00we'll
01:03:00just
01:03:00easily
01:03:01give
01:03:01up?
01:03:03Wait,
01:03:04there is
01:03:04something
01:03:05written
01:03:05about
01:03:05this
01:03:06wall
01:03:06in
01:03:07this
01:03:07diary.
01:03:09Speak
01:03:10softly
01:03:10your
01:03:11desires
01:03:11and
01:03:12tap
01:03:12twice
01:03:13to
01:03:13reveal
01:03:13that
01:03:13which
01:03:14is
01:03:14hidden.
01:03:16Right,
01:03:16as if
01:03:17that'll
01:03:17work.
01:03:20You
01:03:20can't
01:03:20go
01:03:20far
01:03:21without
01:03:21some
01:03:21fight,
01:03:22little
01:03:22bird.
01:03:24James?
01:03:25I
01:03:25am
01:03:26but
01:03:26I
01:03:27am
01:03:27not.
01:03:27Yes,
01:03:28yes,
01:03:30that was
01:03:31what they
01:03:32used to
01:03:33call me.
01:03:33Oh god,
01:03:34James,
01:03:35is that
01:03:35you?
01:03:36I am
01:03:37here,
01:03:38there,
01:03:39everywhere,
01:03:39but it's
01:03:40not important.
01:03:41You have
01:03:42to end
01:03:42and free
01:03:43us.
01:03:47Don't
01:03:48go
01:03:50go
01:03:50on,
01:03:51I'm
01:03:51all
01:03:51there
01:03:52from
01:03:52up
01:03:52long
01:03:53again.
01:03:54Quickly,
01:03:55we're
01:03:55here!
01:04:06So,
01:04:07we have
01:04:08the
01:04:08fragments
01:04:08now.
01:04:09What
01:04:10now?
01:04:10How do
01:04:11we use
01:04:11this
01:04:11to end
01:04:12the
01:04:12veil?
01:04:12Well,
01:04:14Eleanor
01:04:14said that
01:04:15fragments
01:04:15must be
01:04:16combined
01:04:16at the
01:04:16heart
01:04:16of the
01:04:17veil.
01:04:18That's
01:04:18this
01:04:18room,
01:04:19but it
01:04:19requires
01:04:20what?
01:04:20It requires
01:04:21what?
01:04:22It requires
01:04:23a strong
01:04:24bond,
01:04:24strong
01:04:24connection
01:04:25between
01:04:25the
01:04:26people
01:04:26who are
01:04:27involved
01:04:27because
01:04:28the veil
01:04:29fits on
01:04:30division
01:04:30and fear,
01:04:31so we
01:04:32have to
01:04:32connect,
01:04:33like we
01:04:33have to
01:04:33have
01:04:33connection,
01:04:35we have
01:04:35to have
01:04:35trust
01:04:36and focus.
01:04:39Great,
01:04:40trust
01:04:40and focus,
01:04:41no pressure.
01:04:43Can't do
01:04:44battle on
01:04:45an empty
01:04:45stomach
01:04:46and no
01:04:46rest.
01:04:48Well,
01:04:48aim
01:04:48into that.
01:04:50Fighting
01:04:51and running
01:04:52away from
01:04:52the devils
01:04:52is surely
01:04:53a hungry
01:04:54war.
01:04:55Jules,
01:04:56what are
01:04:56you thinking?
01:04:58You said
01:04:59J.
01:05:00James,
01:05:01he lost
01:05:03a part of
01:05:03himself
01:05:04in the
01:05:04veil
01:05:05and then
01:05:05Eleanor
01:05:06went there
01:05:06by herself
01:05:07to climb
01:05:07it back
01:05:08and got
01:05:08stuck
01:05:09there?
01:05:10Jules,
01:05:11what are
01:05:11you getting
01:05:11at?
01:05:13Perhaps
01:05:13there is
01:05:14a way
01:05:14how we
01:05:14can save
01:05:15them both.
01:05:16There was
01:05:17just one
01:05:17room that
01:05:18wasn't
01:05:18available
01:05:19and yet
01:05:20it got
01:05:21shifted
01:05:21back to
01:05:22our
01:05:22reality,
01:05:23Eleanor's
01:05:24room.
01:05:26Yes,
01:05:27and what
01:05:27about it?
01:05:28Let's go
01:05:29back to
01:05:29the veil.
01:05:30I think
01:05:30I know
01:05:31where we
01:05:31can find
01:05:32Eleanor
01:05:32and we
01:05:33can save
01:05:33your brother.
01:05:34First,
01:05:35you all
01:05:36have to
01:05:36take some
01:05:36rest and
01:05:38freshen up.
01:05:39The rescue
01:05:39can't wait.
01:05:40They are
01:05:41not going
01:05:41anywhere.
01:05:45James
01:05:45is tied
01:05:46to the
01:05:47veil.
01:05:48His
01:05:48body
01:05:48remains
01:05:49here,
01:05:50but part
01:05:50of him
01:05:51has
01:05:51merged
01:05:52with
01:05:52evil.
01:05:53If you
01:05:54want to
01:05:54bring him
01:05:55back,
01:05:55you'll
01:05:55have to
01:05:55sever
01:05:56that
01:05:56connection.
01:05:57Which
01:05:57means
01:05:58going
01:05:58back.
01:05:59How
01:05:59do you
01:05:59even
01:06:00find
01:06:00him
01:06:00in
01:06:00that
01:06:00place?
01:06:01The
01:06:03veil
01:06:03shifts,
01:06:04but its
01:06:04heart
01:06:05remains
01:06:05constant.
01:06:07You'll
01:06:08find
01:06:08James
01:06:09there.
01:06:12This
01:06:13will
01:06:13guide
01:06:14you
01:06:14to
01:06:14him,
01:06:15but
01:06:15be
01:06:16warned,
01:06:17the
01:06:17veil
01:06:17will
01:06:18fight
01:06:18harder
01:06:18this
01:06:19time,
01:06:19because
01:06:20it
01:06:20knows
01:06:20you're
01:06:20coming
01:06:21to
01:06:21undo
01:06:22its
01:06:22grip.
01:06:23I'm
01:06:24not
01:06:24afraid.
01:06:24I'm
01:06:25getting
01:06:25my
01:06:25brother
01:06:25back.
01:06:28Together.
01:06:31Eleanor
01:06:35wrote
01:06:35about
01:06:36James.
01:06:36She
01:06:36said
01:06:37part
01:06:37of
01:06:37him
01:06:37was
01:06:38left
01:06:38behind
01:06:38when
01:06:39the
01:06:39evil
01:06:39first
01:06:40took
01:06:40him.
01:06:41His
01:06:41memories,
01:06:42his
01:06:42essence,
01:06:44it's
01:06:44still
01:06:44there.
01:06:46If
01:06:46he's
01:06:47connected
01:06:47to
01:06:47the
01:06:47veil,
01:06:48then
01:06:48shouldn't
01:06:49destroying
01:06:50it
01:06:50free
01:06:50him?
01:06:51Not
01:06:52if
01:06:52the
01:06:52evil
01:06:53bound
01:06:53him
01:06:53willingly.
01:06:54His
01:06:54essence
01:06:55feeds
01:06:55it.
01:06:56That's
01:06:56why
01:06:57he's
01:06:57the
01:06:57key
01:06:58to
01:06:59breaking
01:06:59the
01:07:00cycle.
01:07:01Then
01:07:02we
01:07:02find
01:07:02him.
01:07:03If
01:07:03there's
01:07:03a
01:07:03way
01:07:03to
01:07:03bring
01:07:04him
01:07:04back,
01:07:04we'll
01:07:04figure
01:07:04it
01:07:05out.
01:07:06James
01:07:07is
01:07:07waiting,
01:07:08but
01:07:08so
01:07:08am
01:07:09I.
01:07:18This
01:07:18place
01:07:19is
01:07:19worse
01:07:19than
01:07:19I
01:07:19remember.
01:07:21It's
01:07:21like
01:07:21it's
01:07:21waiting
01:07:22for
01:07:22us.
01:07:24Mm-hmm.
01:07:25Barfra
01:07:25Nina.
01:07:26James
01:07:27is
01:07:27here.
01:07:27I
01:07:28can
01:07:28feel
01:07:28it.
01:07:28Nina.
01:07:32Did
01:07:32you
01:07:32hear
01:07:32that?
01:07:38James?
01:07:39James!
01:07:40It's
01:07:40me!
01:07:40Can
01:07:40you
01:07:41hear
01:07:41me?
01:07:41Nina,
01:07:42you
01:07:42shouldn't
01:07:43be here.
01:07:43It's
01:07:44not
01:07:44safe.
01:07:47Juan,
01:07:48he's
01:07:48coming
01:07:48for you.
01:07:49Wait,
01:07:49James,
01:07:49don't
01:07:49go!
01:07:50Juan,
01:07:50it's
01:07:50coming
01:07:50for
01:07:51you!
01:07:51What?
01:07:53Find
01:07:53him in
01:07:54the
01:07:54heart.
01:07:57The
01:07:57heart.
01:07:58That's
01:07:59where
01:07:59he
01:07:59is.
01:08:04The
01:08:04heart
01:08:05is at
01:08:05the
01:08:05core
01:08:06of
01:08:06the
01:08:06veil.
01:08:07If
01:08:07James
01:08:08is
01:08:08tied
01:08:08to
01:08:09it,
01:08:10separating
01:08:11him
01:08:11won't
01:08:11be
01:08:11easy.
01:08:13Nothing
01:08:13about
01:08:13this
01:08:14has
01:08:14ever
01:08:14been
01:08:14easy.
01:08:15Guys,
01:08:16we need
01:08:16to figure
01:08:17out a
01:08:17plan
01:08:17before
01:08:18taking
01:08:18him
01:08:18out.
01:08:19That
01:08:19thing
01:08:20in
01:08:20the
01:08:20shadow
01:08:20wouldn't
01:08:21let
01:08:21us
01:08:21just
01:08:21take
01:08:21him
01:08:21like
01:08:21that.
01:08:23James,
01:08:31stay
01:08:31with
01:08:32me.
01:08:32Don't
01:08:32let
01:08:32it
01:08:32take
01:08:33you.
01:08:33I'm
01:08:33trying,
01:08:34but
01:08:34the
01:08:34veil
01:08:34is
01:08:34too
01:08:34strong.
01:08:35Nina,
01:08:36you
01:08:36have
01:08:36to
01:08:36do
01:08:37something.
01:08:37Pull
01:08:37him
01:08:37out.
01:08:38We
01:08:38can't
01:08:39just
01:08:39hold
01:08:39the
01:08:39devil
01:08:39back
01:08:39forever.
01:08:40She
01:08:41can't
01:08:41do
01:08:41it
01:08:42alone.
01:08:43You
01:08:43all
01:08:44must
01:08:44focus.
01:08:45The
01:08:46veil
01:08:46feeds
01:08:47on
01:08:47division.
01:08:48Only
01:08:48unity
01:08:49can
01:08:50break
01:08:50and
01:08:51separate
01:08:52them.
01:08:53I
01:09:04don't
01:09:04know
01:09:05if
01:09:05I
01:09:05can.
01:09:06The
01:09:06veil
01:09:06is
01:09:07part
01:09:07of
01:09:07me
01:09:07now.
01:09:11It's
01:09:11not
01:09:12enough.
01:09:12Part
01:09:12of
01:09:13me
01:09:13is
01:09:13still
01:09:13here.
01:09:15You
01:09:15have
01:09:16done
01:09:16enough
01:09:16for
01:09:16me.
01:09:18No,
01:09:18we
01:09:18can
01:09:19figure
01:09:19this
01:09:19out.
01:09:19We
01:09:19just
01:09:20need
01:09:20more
01:09:20time.
01:09:20There
01:09:22has
01:09:22to
01:09:23be
01:09:23another
01:09:23way
01:09:23to
01:09:23fix
01:09:24this.
01:09:24I
01:09:24am
01:09:24not
01:09:25leaving
01:09:25you
01:09:25here
01:09:25like
01:09:25this.
01:09:27It's
01:09:28too
01:09:28late.
01:09:28If
01:09:29I
01:09:29leave,
01:09:30I
01:09:30will
01:09:30die.
01:09:30there's
01:09:32no
01:09:32way
01:09:32that's
01:09:33it.
01:09:34Everything
01:09:34has a
01:09:35solution.
01:09:36We've
01:09:36been
01:09:36through
01:09:36so
01:09:37much
01:09:37before.
01:09:38The
01:09:38veil
01:09:38is
01:09:38unyielding.
01:09:40To
01:09:41exist
01:09:41outside
01:09:42of it,
01:09:43James
01:09:43would
01:09:43need
01:09:43to
01:09:44sever
01:09:44himself
01:09:44completely.
01:09:45But
01:09:47he
01:09:48feeds
01:09:48on
01:09:48the
01:09:49energy.
01:09:51Without
01:09:51it,
01:09:53he
01:09:53won't
01:09:53survive.
01:09:54I
01:09:55don't
01:09:55care
01:09:55what
01:09:55it
01:09:55takes
01:09:56to
01:09:56fix
01:09:56this.
01:09:57You
01:09:57deserve
01:09:57to
01:09:57come
01:09:58home.
01:09:58I
01:09:58can
01:09:59feel
01:09:59your
01:09:59love.
01:10:00That's
01:10:00enough
01:10:00for
01:10:00me.
01:10:03If
01:10:03we
01:10:04stay
01:10:04here
01:10:04any
01:10:04longer,
01:10:05the
01:10:06veil
01:10:06might
01:10:06trap
01:10:06all
01:10:07of
01:10:07us.
01:10:08We
01:10:08have
01:10:08to
01:10:09go,
01:10:09Nina.
01:10:10She's
01:10:10right.
01:10:11James
01:10:11wouldn't
01:10:11want us
01:10:12to risk
01:10:12our
01:10:12lives.
01:10:13That's
01:10:13not
01:10:13what
01:10:13he'd
01:10:13want
01:10:14for
01:10:14us.
01:10:14No,
01:10:15James,
01:10:15I
01:10:15can't
01:10:16leave
01:10:16you
01:10:16again.
01:10:16Not
01:10:17like
01:10:17this.
01:10:18You
01:10:19are
01:10:19not
01:10:19losing
01:10:19me.
01:10:20I
01:10:21will
01:10:21always
01:10:21be
01:10:22with
01:10:22you
01:10:22in
01:10:23here.
01:10:24Nina,
01:10:24we
01:10:24have
01:10:25to
01:10:25go.
01:10:26The
01:10:26veil
01:10:26is
01:10:26not
01:10:26going
01:10:27to
01:10:27wait.
01:10:28And
01:10:28I
01:10:28will
01:10:29never
01:10:29stop
01:10:29watching
01:10:30you,
01:10:31little
01:10:31bird.
01:10:36Move!
01:10:38The
01:10:38veil
01:10:38is
01:10:38closing
01:10:39in!
01:10:44out!
01:10:44He
01:10:44is
01:10:45safe
01:10:45now in
01:10:57his
01:10:57own
01:10:57way.
01:10:58He's
01:10:59still
01:10:59gone and
01:11:00I
01:11:00couldn't
01:11:01save
01:11:01him.
01:11:05You
01:11:06gave him
01:11:06peace,
01:11:07Nina,
01:11:08which is
01:11:09more than
01:11:09the veil
01:11:10ever offered
01:11:10him.
01:11:11goodbye,
01:11:14James.
01:11:15I'll
01:11:15never
01:11:15forget
01:11:16you.
01:11:23Open
01:11:23the
01:11:24portal!
01:11:32It's
01:11:33starting.
01:11:33We
01:11:34have
01:11:34to
01:11:34do
01:11:34this
01:11:35now.
01:11:36Well,
01:11:37I just
01:11:37hope
01:11:38it works.
01:11:39Focus.
01:11:40Think
01:11:40about
01:11:41why
01:11:42we're
01:11:42here.
01:11:43What
01:11:43are
01:11:43we
01:11:43fighting
01:11:43for?
01:11:48You
01:11:48think
01:11:48the
01:11:48field
01:11:49success
01:11:49will
01:11:49help
01:11:50you
01:11:50defeat
01:11:50me?
01:11:51You
01:11:52cannot
01:11:52end
01:11:52me!
01:11:53You
01:11:53belong
01:11:54to
01:11:54me!
01:11:56We
01:11:57belong
01:11:57to
01:11:57no
01:11:58one!
01:11:58This
01:11:59ends
01:11:59now!
01:12:03Don't
01:12:03stop.
01:12:04Keep
01:12:04going.
01:12:10that's
01:12:21it.
01:12:22The
01:12:22heart
01:12:22of
01:12:23the
01:12:23veil.
01:12:31They've
01:12:31done
01:12:31it.
01:12:34But the
01:12:35veil won't
01:12:35give up
01:12:36without a
01:12:36fight.
01:12:40God,
01:12:52we
01:12:53can't
01:12:53hold off
01:12:53the
01:12:53evil
01:12:54forever.
01:12:56The
01:12:56veil's
01:12:57core is
01:12:57weakening.
01:12:58Its
01:12:59heart
01:12:59is its
01:13:00anchor.
01:13:01If you
01:13:01destroy it,
01:13:02it will
01:13:02collapse.
01:13:03You
01:13:03have to
01:13:03act
01:13:04fast!
01:13:05What happens to
01:13:05Eleanor and
01:13:06James if
01:13:06we
01:13:06do?
01:13:07She
01:13:07will
01:13:08be
01:13:08freed
01:13:08from
01:13:09this
01:13:10evil.
01:13:11As
01:13:11will
01:13:12James.
01:13:13Let's
01:13:14finish
01:13:14this.
01:13:16You
01:13:16cannot
01:13:16escape!
01:13:17You
01:13:17cannot
01:13:18bring
01:13:18the
01:13:18cycle!
01:13:19Yes
01:13:20we
01:13:20can!
01:13:24Run!
01:13:25Get to
01:13:26Eleanor's
01:13:26room!
01:13:26It's
01:13:27the only
01:13:27safe
01:13:27place!
01:13:30Let's
01:13:30go!
01:13:36And
01:13:43Eleanor?
01:13:45Niva
01:13:45sweetheart
01:13:45you're
01:13:46here.
01:13:50You've
01:13:50done so
01:13:51much
01:13:51and the
01:13:52strength
01:13:53of the
01:13:53veil
01:13:54is
01:13:54weakening.
01:13:56Wait
01:13:57we need
01:13:57to get
01:13:57you out
01:13:58of
01:13:58here.
01:13:58The
01:13:58veil
01:13:59is
01:13:59collapsing.
01:14:00I
01:14:00can't
01:14:00leave.
01:14:01I
01:14:02cannot
01:14:02leave
01:14:02just
01:14:03yet.
01:14:03I'm
01:14:04still
01:14:04held
01:14:04back
01:14:05by
01:14:05the
01:14:05darkness
01:14:05of
01:14:05the
01:14:05veil.
01:14:06then
01:14:06how
01:14:07do
01:14:07we
01:14:07break
01:14:07it
01:14:07for
01:14:08good?
01:14:09The
01:14:09anchor
01:14:09must
01:14:10be
01:14:10severed
01:14:11completely.
01:14:12But
01:14:12for
01:14:12that
01:14:13we
01:14:13must
01:14:13come
01:14:14together.
01:14:14We'll
01:14:15do
01:14:15it
01:14:15together.
01:14:17Let's
01:14:18end
01:14:18this.
01:14:26You
01:14:26cannot
01:14:27destroy
01:14:27me
01:14:27by
01:14:28young
01:14:29things.
01:14:31Not
01:14:32anymore!
01:14:32I
01:14:32can't
01:14:34I
01:14:34can't
01:14:35do
01:14:35it's
01:14:36it's
01:14:37gone.
01:14:41The
01:14:41veil
01:14:41is
01:14:42gone.
01:14:54You've
01:14:55done it!
01:14:55You've
01:14:56broken
01:14:56the
01:14:56cycle!
01:14:57The
01:14:58veil
01:14:58is
01:14:58no
01:14:58more!
01:14:59The
01:14:59path
01:15:00has
01:15:00been
01:15:00severed.
01:15:01You
01:15:02are
01:15:02free.
01:15:03We
01:15:04couldn't have
01:15:04done it without
01:15:05you,
01:15:05Aunt Eleanor.
01:15:07Aunt Eleanor!
01:15:08We
01:15:12did it.
01:15:12It's
01:15:14finally
01:15:14over.
01:15:17It's
01:15:17peaceful,
01:15:19but it's
01:15:19a little
01:15:20bit empty
01:15:20somehow.
01:15:21We've
01:15:22done so
01:15:22much.
01:15:24And now?
01:15:26Now
01:15:26what?
01:15:28Now
01:15:28we just
01:15:29move on
01:15:30and leave
01:15:31all this
01:15:31behind.
01:15:32Now we
01:15:32rebuild.
01:15:33We take
01:15:34what we've
01:15:34learned
01:15:35and we
01:15:35move
01:15:36forward.
01:15:37For
01:15:37Eleanor's
01:15:38sake,
01:15:39if nothing
01:15:39else.
01:15:41What about
01:15:42you?
01:15:43What
01:15:43happens to
01:15:43you?
01:15:44My
01:15:45time here
01:15:46is done.
01:15:47Eleanor's
01:15:48legacy is
01:15:48complete.
01:15:50This
01:15:51house is
01:15:51no longer
01:15:52a prison.
01:15:52It's
01:15:53free,
01:15:54as are
01:15:55all of
01:15:55you.
01:15:57But
01:15:57remember,
01:15:59Eleanor's
01:15:59legacy was
01:16:00never about
01:16:01ending the
01:16:03cycle.
01:16:03It was
01:16:03about giving
01:16:04you the
01:16:06chance to
01:16:06live beyond
01:16:07it.
01:16:08We'll
01:16:08live.
01:16:09We'll
01:16:09make sure
01:16:10it wasn't
01:16:10all for
01:16:10nothing.
01:16:12You've
01:16:12freed this
01:16:13place and
01:16:14yourselves.
01:16:15Eleanor
01:16:15would be
01:16:16proud.
01:16:21She was
01:16:22so close.
01:16:23If she
01:16:24just had
01:16:24more time.
01:16:29She
01:16:29left us
01:16:30a legacy.
01:16:32She
01:16:32left us
01:16:32the tools
01:16:33to finish
01:16:34where she
01:16:34started.
01:16:37I know,
01:16:38but if
01:16:39we've been
01:16:40here sooner,
01:16:41maybe we'll
01:16:42just save
01:16:42her from...
01:16:43She made
01:16:43her choice,
01:16:45Lila,
01:16:46just like
01:16:46we made
01:16:47ours.
01:16:48We cannot
01:16:49change the
01:16:49past,
01:16:51but we can
01:16:51live our
01:16:52honor from
01:16:53now.
01:16:55You're
01:16:55right.
01:16:56We have
01:16:57our own
01:16:57path
01:16:58is now.
01:17:04we
01:17:07made
01:17:08it
01:17:08through.
01:17:10But
01:17:10what
01:17:10comes
01:17:10next?
01:17:11We
01:17:12made
01:17:13it
01:17:14through.
01:17:15But
01:17:16what
01:17:17comes
01:17:18next?
01:17:23next?
01:17:36Let's
01:17:37see where
01:17:37it takes
01:17:38us.
01:17:42Everything
01:17:42is different
01:17:43now.
01:17:44No more
01:17:44shifting
01:17:45spaces.
01:17:47And no
01:17:47more feelings
01:17:48like we're
01:17:49in some
01:17:49endless
01:17:50nightmare.
01:17:50It feels
01:17:51like
01:17:51the weight
01:17:52of the
01:17:52world
01:17:53has lifted
01:17:54off our
01:17:54shoulders.
01:17:55You've
01:17:55broken
01:17:56the
01:17:56cycle,
01:17:57but at
01:17:57great
01:17:58expense.
01:18:00Eleanor
01:18:00gave
01:18:00everything
01:18:01she had
01:18:01to try
01:18:02to set
01:18:02you
01:18:02free.
01:18:03And
01:18:03in
01:18:03the
01:18:04end
01:18:04you
01:18:04did
01:18:05what
01:18:05she
01:18:05couldn't.
01:18:06You
01:18:06ended
01:18:07the
01:18:07veil
01:18:07reign
01:18:08over
01:18:08this
01:18:08place.
01:18:10We
01:18:10found
01:18:10peace.
01:18:12It
01:18:12wasn't
01:18:12easy,
01:18:13but
01:18:13we
01:18:14did
01:18:14it.
01:18:15So
01:18:15we
01:18:15can
01:18:16just
01:18:16continue
01:18:17the
01:18:17way
01:18:17with
01:18:18the
01:18:18knowledge
01:18:19that
01:18:19we've
01:18:19gained.
01:18:20rest
01:18:21is
01:18:21up
01:18:21to
01:18:22us.
01:18:27This
01:18:28is
01:18:28where
01:18:28we
01:18:29part
01:18:29ways,
01:18:29I
01:18:29guess.
01:18:31It
01:18:32doesn't
01:18:32have
01:18:32to
01:18:32be.
01:18:33We
01:18:34can
01:18:34visit.
01:18:36We'll
01:18:37always
01:18:37have
01:18:38this
01:18:38place
01:18:38as
01:18:39a
01:18:40part
01:18:40of
01:18:40our
01:18:40story.
01:18:41In
01:18:42the
01:18:42mystery
01:18:42of
01:18:42the
01:18:42end
01:18:43we'll
01:18:43live
01:18:43with
01:18:44our
01:18:44memories
01:18:44forever.
01:18:45Maybe
01:18:46it's
01:18:47time
01:18:47to
01:18:47make
01:18:48new
01:18:48stories.
01:18:50maybe
01:19:02this
01:19:02will
01:19:02always
01:19:03be
01:19:03a
01:19:03reminder
01:19:04even
01:19:04when
01:19:05shadows
01:19:05envelop us
01:19:06there
01:19:06is
01:19:06always
01:19:07light
01:19:07to
01:19:08dispel
01:19:08the
01:19:08shadows.
01:19:09It
01:19:15was
01:19:15about
01:19:15truth,
01:19:16not
01:19:17the
01:19:17kind
01:19:17that
01:19:17gets
01:19:17published
01:19:18or
01:19:18reported,
01:19:19but
01:19:19the
01:19:19kind
01:19:20that
01:19:20sets
01:19:20you
01:19:20free.
01:19:26She
01:19:27gave
01:19:27me
01:19:27the
01:19:27keys
01:19:28to
01:19:28understanding
01:19:28and
01:19:30in
01:19:30return
01:19:30I'll
01:19:31live
01:19:31with
01:19:32her
01:19:32sacrifice
01:19:33and
01:19:33live
01:19:34well.
01:19:39I
01:19:41spent
01:19:41years
01:19:42trying
01:19:42to
01:19:42make
01:19:43sense
01:19:43of
01:19:43the
01:19:43darkness
01:19:43but
01:19:44I
01:19:44have
01:19:45learned
01:19:45the
01:19:46darkness
01:19:46isn't
01:19:47always
01:19:47evil.
01:19:49Sometimes
01:19:49they're
01:19:50reflections.
01:19:52It's
01:19:52easier
01:19:52to
01:19:53create
01:19:53when
01:19:54you
01:19:54understand
01:19:55the
01:19:55light
01:19:55and
01:19:56now
01:19:56I
01:19:57can.
01:19:57This
01:20:03place
01:20:03gave
01:20:04me
01:20:04the
01:20:04strength
01:20:04to
01:20:05find
01:20:05myself
01:20:05again.
01:20:06The
01:20:06veil
01:20:07is
01:20:07no
01:20:07more.
01:20:08Time
01:20:08for
01:20:09new
01:20:09beginnings.
01:20:10This
01:20:11is
01:20:11more
01:20:11than
01:20:11a
01:20:12hotel.
01:20:13It's
01:20:13a
01:20:13home.
01:20:14A
01:20:14safe
01:20:14place.
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