Humrahi Episode 02 [Eng Sub] | Danish Taimoor - Hiba Bukhari - Azfar Rahman | Pakistani Top Dramas
Humrahi Digitally Presented by Happilac Paints & Nisa Hair Removal Cream
What begins as a series of light-hearted yet unpleasant encounters between Sayhaan and Elif eventually blossoms into an unexpected and deep-rooted love. Just as they begin to find their footing together, the life of Sayhaan Ghazi is suddenly upended by a storm he did not create. When an unforeseen crisis strikes, the two pillars of his existence—his devoted love, Elif, and his formidable father—are forced to face an impossible ultimatum.
Driven by a desperate, protective instinct, they make a difficult choice to shield him from a reality they believe would be his undoing. However, this well-intentioned sacrifice triggers a catastrophic chain of events, turning their home into a place of chilling distance and lifelong regret. It is a haunting exploration of how the choices made for those we love can ultimately become the very walls that permanently divide a family.
Will Sayhaan’s journey forward be defined by the choices others made, or will he find a way to reclaim his own destiny? What does life look like for Elif and Sayhaan’s father when the person they tried to protect can no longer look them in the eye?
Production House: BJ Production
Director & Producer: Babbar Javaid
Writer: Zanjabeel Asim
Cast:
Danish Taimoor as Sayhaan Ghazi
Hiba Bukhari as Elif / Ilham
Shahzad Nawaz as Ghazi Yousuf
Ayub Khosa as Lala
Laila Wasti as Mariyam
Nida Mumtaz as Suraiyya
Azfar Rahman as Aurangzeb
Hajra Yamin as Raniya
Arez Ahmed as Zaviyar
Syed Yörgüç Tipu Sharif as Jibran
Mehboob Sultan as Zakariya
Adnan Shah Tipu as SI Haider
Ayan Ahmed as Zorawar
Salma Zafar as Chanda
#HappilacPaints
#NisaHairRemovalCream
#Humrahi
#Humrahiep2
#DanishTaimoor
#HibaBukhari
#HarPalGeo
Humrahi Digitally Presented by Happilac Paints & Nisa Hair Removal Cream
What begins as a series of light-hearted yet unpleasant encounters between Sayhaan and Elif eventually blossoms into an unexpected and deep-rooted love. Just as they begin to find their footing together, the life of Sayhaan Ghazi is suddenly upended by a storm he did not create. When an unforeseen crisis strikes, the two pillars of his existence—his devoted love, Elif, and his formidable father—are forced to face an impossible ultimatum.
Driven by a desperate, protective instinct, they make a difficult choice to shield him from a reality they believe would be his undoing. However, this well-intentioned sacrifice triggers a catastrophic chain of events, turning their home into a place of chilling distance and lifelong regret. It is a haunting exploration of how the choices made for those we love can ultimately become the very walls that permanently divide a family.
Will Sayhaan’s journey forward be defined by the choices others made, or will he find a way to reclaim his own destiny? What does life look like for Elif and Sayhaan’s father when the person they tried to protect can no longer look them in the eye?
Production House: BJ Production
Director & Producer: Babbar Javaid
Writer: Zanjabeel Asim
Cast:
Danish Taimoor as Sayhaan Ghazi
Hiba Bukhari as Elif / Ilham
Shahzad Nawaz as Ghazi Yousuf
Ayub Khosa as Lala
Laila Wasti as Mariyam
Nida Mumtaz as Suraiyya
Azfar Rahman as Aurangzeb
Hajra Yamin as Raniya
Arez Ahmed as Zaviyar
Syed Yörgüç Tipu Sharif as Jibran
Mehboob Sultan as Zakariya
Adnan Shah Tipu as SI Haider
Ayan Ahmed as Zorawar
Salma Zafar as Chanda
#HappilacPaints
#NisaHairRemovalCream
#Humrahi
#Humrahiep2
#DanishTaimoor
#HibaBukhari
#HarPalGeo
Category
📺
TVTranscript
00:00।
00:02।
00:30And you?
00:32You are not going to take advantage of it.
00:39No sir, I am not.
00:41I am not?
00:43Because of this reason, you have your baby's heart,
00:47and your heart has no more.
00:51What do you think?
00:52I am not aware of it.
00:54I am not aware of it.
00:58You are not aware of it.
01:02You have a life here.
01:06But if I have a feeling that you have to exploit it,
01:14you are not aware of it.
01:16You are not aware of it.
01:17Then you are not aware of it.
01:25You are not aware of it.
01:28I am aware of it.
01:30You are not aware of it.
01:32You are not aware of it.
01:37You are not aware of it.
01:38And yes sir, I will only have blessings more.
01:48Sir, let's see if you have a phone.
02:01Are you enjoying it?
02:05Why are you crying?
02:06Why are you crying?
02:07No, it's not.
02:09He's crying for us.
02:11Why are you crying?
02:13No, sir, why are you crying?
02:18I'm not crying.
02:20If you go and talk about it,
02:21he will probably tell you.
02:24I won't tell you.
02:25I'm listening to you.
02:28It's wrong.
02:30I'm not saying this house.
02:32I'm a man.
02:33Very much.
02:34I'm a man.
02:35You're my man.
02:37You're my man.
02:39You're my man.
02:41I'm a man.
02:42You're my man.
02:48Lala doesn't have anything to do
02:50But with Suhil's story, he doesn't like it
02:56That's why I don't know Lala's story
03:04Sir...
03:05Baba
03:15Baba, I have to talk about this
03:16You can see
03:18You are not going to be my love
03:23You are going to be my love
03:27You are going to be my love
03:27You are going to be my love
03:29You are going to be my love
03:30Sayhan
03:30I have no time emotional drama
03:37Emotions
03:38Emotions
03:38Why are you going to be my love
03:41I don't have any of these things
04:11You are going to be my love
04:18You are going to be my love
04:20You are going to be my love
04:25You are going to be my love
04:26You are going to be my love
05:05You are going to be my love
05:07You are going to be my love
05:09You are going to be my love
05:12You are going to be my love
06:04You are going to be my love
06:07You are going to be my love
06:07There is so much respect to me as my mother's daughter.
06:16She is together with my mother.
06:22Sleep please.
06:26Dad, you won't be beside me and me.
06:50The first truck arrived at the time, but what was the problem with Salim?
06:54Why did he get late? Why did he get out of the route?
06:58That's why he got out of S2 Iqbal.
07:01Okay, let's call him.
07:06This is the check post. It's hard to do something.
07:12Assalamualaikum Lala.
07:14Yes, Iqbal. How do you get here?
07:18Lala, I was walking from here.
07:20So, let's go.
07:25Sikandar, I'll answer your question.
07:27I'll answer your question.
07:32Lala, you've killed Hashim.
07:37Okay?
07:39Yes, Lala.
07:40Now, for this reason, we have a lot of pressure from above.
07:45Now, what do we do?
07:48To reduce pressure, we have to play our hands.
07:55And you know that when we play our hands,
08:00we will get to the end.
08:01We will go to the end.
08:05I'll answer your question.
08:16It's time to do.
08:17Yes.
08:18It's time to do.
08:21Yes, sir.
08:22Yes.
08:24Yes.
08:26Yes.
08:27Yes.
08:28Yes.
08:29Yes.
08:30Yes.
08:30Yes.
08:31Yes.
08:31Yes.
08:31What's wrong,
08:36And what's happened?
08:38And what a secret should be the following,
08:41what's happened by Hashim.
08:54What happened with Hashim is that you don't have to be aware of Hashim.
09:01You have to be aware of Hashim.
09:03Maybe you don't have to be aware of any of your concerns.
09:08Take it, Lala.
09:10I mean, only you had to be aware of this.
09:14Lala, just understand that the video was deleted.
09:20And the pressure was also ended.
09:23You have to be aware of this.
09:39You have to be aware of any of your concerns.
09:43That's why you have to be upset and upset about it.
09:47You have to be aware of that.
09:49You are not saying anything.
09:51Your family has a similar situation.
09:55You are saying that you don't have to be aware of this.
09:58I have to be aware of this.
10:02You have to be aware of this.
10:02You have to be aware of this.
10:16I have to be aware of this.
10:22How do you know?
10:26I have to be aware of this.
10:28I have to be aware of this.
10:29I have to be aware of this.
10:33This is a intense excitement.
10:37You have to be aware of this.
10:39You have to be aware of this.
10:41You are evidently.
10:43You have to be aware of this.
10:44that something is wrong.
10:48What happened?
10:53Tell me, Yanad.
10:58Baba doesn't understand me.
11:01I don't think I want to know what I want.
11:07I hope all the parents are like this.
11:11What are you saying?
11:14There are a variety of things.
11:16Or the interest of human beings.
11:20The bother.?
11:24There
11:25are different hats. We
11:30have to listen to people's people's sake. It
11:33is a Robe. It
11:34is a Robe. It
11:36is a Robe. It
11:37is an Robe. It
11:38is a Robe. It
11:39is a Robe.
11:39I...
11:40I...
11:41I...
11:41I...
11:41I...
11:41I...
11:41I...
11:41I...
11:42I...
11:43I...
11:43I...
11:43I...
11:44I...
11:46I...
11:48I...
11:54That's the spirit.
11:56No...
11:57No...
11:58No...
11:58And...
11:59Listen...
12:00Where...
12:01Your father...
12:03Everyone is different.
12:06Everybody is different.
12:09Not...
12:10And,
12:11I...
12:14What...
12:36I never...
12:45Sir, we have bought all the properties, but it's only one property that we can buy.
12:52What place is it?
12:54It's a restaurant, it's very popular, and it's also good.
13:00So talk about its owner.
13:02Its owner is a woman.
13:09What kind of business is it?
13:13If you offer offers, if you don't want it, then you will know what to do.
13:22You don't want to do it.
13:24If you don't want to do it, if you don't want to do it.
13:27You don't want to do it.
13:35You don't want to do it.
13:39You don't want to do it.
13:40You don't want to do it.
13:43You don't want to do it.
13:47You don't want to do it.
13:48You don't want to do it.
13:50Don't do it.
13:54You don't want to do it.
13:56You don't want to do it.
13:59You don't want to do it.
14:01It's a lot of money.
14:04Okay, sir.
14:07It's all like this.
14:09Tell me, you can go back to Turkey.
14:14Why didn't you go?
14:16The murderers can't be reduced.
14:20Sometimes they don't have a compulsory subject.
14:26That's how it's written.
14:32You're the best friend of mine.
14:36I don't want my best friend of mine.
14:38I don't want my best friend of mine.
14:41I know why I made you a friend of mine.
14:44Because I think you're the best friend of mine.
14:46Yes.
14:48But that's why I can share everything you with your heart.
14:52I can share it with you.
14:53Open it.
14:56Look, my heart is a little a little when I talk to you.
15:00I'm a little a little a little, but I don't understand my thoughts.
15:04Which one?
15:05How many times have I told you?
15:07Let's renovate it.
15:08Let's do some changes.
15:09That's the old place.
15:10There's no change.
15:12I can repair it, but I can't do any change.
15:18Why?
15:18Because there are so many memories here.
15:22I started here from zero.
15:25It's like this place.
15:27It's like this place.
15:27It's like me.
15:28It's like me.
15:29It's like me.
15:30Can you understand that?
15:30My heart.
15:34My heart.
15:42My mother, I'll do it.
15:47My mother, there are many many years in my life.
15:53My mother, I won't go.
15:58I'll go to my mother, I'll go to my mother.
16:06I was going to go.
16:11But every time there was a strange experience.
16:17Then I left you.
16:20No, you should go there.
16:24You should have to relive your mother's beautiful.
16:26You should have to relive your mother's beautiful.
16:28I can't do that.
16:33I feel like I'm an emotional person.
16:38When I was going to the camera,
16:43I felt like my heart had taken me to the ground.
16:51I felt like I was going to the ground.
16:53I felt like I was going to the ground.
17:15I felt like I was going to the ground.
17:16Are you sure?
17:17Yeah.
17:17I felt like I was going to the ground.
17:47I felt like I was going to the ground today.
17:55Your restaurant was very beautiful.
17:57Oh, thank you so much.
18:00Actually ma'am,
18:01My company wants to launch a new project.
18:06The rest of your restaurant is on the ground.
18:09It's ours.
18:10I mean to say,
18:12it's a great job.
18:14And?
18:15So,
18:18I'm going to have a good offer for you.
18:22Yeah.
18:25I'm sorry, Zakaria Sahib.
18:27I'm not interested in any offer.
18:30Look,
18:31you should listen to me first.
18:34Look, Zakaria Sahib,
18:35I don't have to sell this property.
18:38Neither today nor tomorrow.
18:40I don't have to sell this property.
18:43This is my property.
18:44This is my life.
18:45And I don't want to sell this property.
18:51Look,
18:53I'll take Faisal immediately.
18:57All right.
18:58So,
18:59thank you so much for coming, Zakaria Sahib.
19:02Your card is in my pocket.
19:04Faisal,
19:05please, in a chai or coffee,
19:07please,
19:08please,
19:13please,
19:21please,
19:21please,
19:26please.
19:31No, no, please, no, please, no, no, no, please.
19:50It seems that he left me with it.
20:16No, please, no, please.
20:19No, please.
20:20I don't want to be alone.
20:21I don't want to be alone.
20:49Do you need any help?
20:51No thanks.
20:54If you want it, you won't get it from me.
20:58Are you sure?
21:09How's your wish?
21:15What?
21:19How's your wish?
21:22What's going on?
21:24How much?
21:27How much?
21:29How much?
21:30How much?
21:36How much?
21:57How much?
22:00How much?
22:04How much?
22:07How much?
22:09How much?
22:13How much?
22:14How much?
22:15How much?
22:15How much?
22:30How much?
22:41How much?
22:45How much?
22:50How much?
22:55How much?
23:13How much?
23:15How much?
23:18How much?
23:20How much?
23:21How much?
23:23How much?
23:24How much?
23:27How much?
23:28What's so funny?
23:30You find it funny?
23:31Well, it is funny.
23:32No, it's not.
23:34It's good.
23:35It's good.
23:36Come on.
23:37Come and help us.
23:40After the time,
23:42you send me a gun.
23:44You send me all your stuff.
23:45You take all your stuff.
23:46Then you go and start the next day.
23:49What do you mean?
23:51I sent you?
23:51You sent me?
23:52I sent my phone.
23:54I sent everything.
23:58You're a fool.
24:01Why would I send you?
24:04Just a minute.
24:05What do you understand?
24:06Gunda.
24:08Who you are.
24:09Okay.
24:14Okay.
24:16Actually,
24:17you're not a psycho girl.
24:20It's the case that
24:21it's new.
24:24It's probably someone
24:25who wrote it for you.
24:28Okay.
24:28It's okay.
24:30It's a quiet place all night.
24:33There will be another car.
24:35There will be more people.
24:37There will be more people.
24:38There will be more people.
24:39There will be more people.
24:46There will be more people.
24:47Have a great night.
24:48there.
24:50You...
24:55It's like that?
25:00That's...
25:01Why did you make me...
25:06You have to make a baby back.
25:08You have to make a baby back.
25:09You have to make a baby back.
25:11You have to make a baby back.
25:16Oh, yes.
25:18Spirits, space, space, space, space goes.
25:21Thank God Charge.
25:24Sir.
25:27That woman has failed me without listening to her.
25:36This is your fault, and you're scared.
25:38It's a good thing.
25:41It's a good thing.
25:42It's a good thing.
25:43It's a good thing.
25:43It's a good thing.
25:46Sir, it's not a Turkish restaurant.
25:52The Turkish national woman
25:56talked about that woman.
25:59It was so powerful.
26:01It felt like she didn't understand anything.
26:15So you told her
26:19Is that Istanbul?
26:32It's Keraan.
26:35It moves our name.
26:36It's Keraan.
26:36There is a Turkish-Keraan.
26:37This is our name.
26:37It's our name.
26:38It's our name.
26:38We look at the Turkish-Keraan.
26:38I am
26:48I am
26:49I
26:49I
26:49I
26:52I
26:52I
26:55I
26:56I
26:57I
26:58I
26:58I
26:59I
26:59I
27:10I
27:11I
27:12I
27:12I
27:13I
27:16I
27:17I
27:17I
27:18Look, Madam, we are going to help you.
27:22We will do it.
27:24Come with me.
27:25Come now. Don't blame me.
27:28Look, you're far away. I'll call the police.
27:30Let's go.
27:32Let's go. Let's go.
27:37Let's go.
27:37Let's go.
27:48Let's go.
27:50Look, this is your slate son.
28:08What's wrong, brother?
28:10Hey.
28:12Let's go.
28:21Who are you guys?
28:24Whose car is this?
28:27This car is this car.
28:30This car is my company.
28:33I'm sorry, brother.
28:35Look.
28:36These guns also sent you.
28:38Let's talk about it.
28:41Who brought you this car?
28:45Who gave you the car?
28:46This car is my brother's car.
28:49Yes, brother.
28:50He works for me.
28:51What's his name?
28:52Zakhriya.
28:54You're the brother of Zakhriya?
28:58That's a shame.
29:00If you've got a gun, you're going to be a drama.
29:03You're crazy.
29:05If you don't like anything, ask me.
29:07Tell me.
29:08No, no, madam.
29:10No, no, no.
29:11We're all alone.
29:13We'll do this wrong.
29:14We'll do this wrong.
29:14Please.
29:15It's obvious that when you show me a gun, you threaten me, you say that you're not your friends.
29:19But I know that you're your friends and you have...
29:22You talk first.
29:28Why do I talk about it?
29:30You're the people.
29:31You talk about it.
29:34Why did I know you?
29:38Go get a pig.
29:39Boss, pig?
29:40What's up?
29:40What?
29:43Hey.
29:51Now, go ahead and get your car.
29:55Take your hands.
29:56Take your hands.
29:56Hold your hands, hold your hands.
30:02I'm not holding my hands.
30:03I don't want to get rid of it in my life.
30:06I'm going to go with someone else, and I'll go with my side.
30:09Hey, come on.
30:11I'll stand for you.
30:12I'll make a man.
30:14Look at the mechanic's car.
30:16I'll leave the hospital.
30:19Madam, let's go.
30:33Are you going to go to the ghost?
30:34Yes, go.
30:36Take off the car.
30:42My six cents are never wrong.
30:45I think I was totally fine with you.
30:49How much money can be spent on this road?
30:54And it's free for girls.
30:55Because you're completely free.
31:01The big cars are going on.
31:05They're dumb people.
31:09Go slow, please.
31:10If you're closed, I'll do a lot of cars.
31:14You don't have to talk to yourself.
31:16Because you don't have a mistake.
31:19This is my dream about you.
31:26Come on, say thanks quickly.
31:29Our hospital is gone.
31:31How do you feel that I will say thank you?
31:34Never.
31:36Yes, I can tell you that I will never forgive you.
31:41My chain, my watch, my phone, my money,
31:45I will give you.
31:46I will give you.
31:52Listen.
31:54You feel like you have to accept all the details.
31:57Your chain, your phone, your wristwatch.
32:00Okay, accept it.
32:06And you have to take the time.
32:10Take your back.
32:14Get out of the car.
32:18Go on, say goodbye.
32:21And live.
32:24You're my symbol.
32:27You're the only one.
32:32Saad, listen to the chef's,
32:34what the new dish we needed to make has been done?
32:36And how long is it?
32:37Okay.
32:48Hello.
32:49Hello.
32:54What's the matter? Where are you coming from?
32:58I'm coming to a rescue mission.
33:02What do you mean?
33:04It was the most beautiful world.
33:09What did I help you?
33:11I was still scared and embarrassed to check along with the poor,
33:15the poor, the poor, the poor...
33:17and poor...
33:17and poor.
33:20But one with the poor guy.
33:23Tell me about his name.
33:24He only is the one who hit my car with me.
33:27And now it's all done.
33:29I am, Your Honor.
33:31Only this is the most famous woman to write for the millions of years.
33:36Think about it.
33:37If you have a girl alone, she's poor and she's poor.
33:42She's so proud that she's not prepared to go with you.
33:47She doesn't need help.
33:48It was just a joke.
33:50Actually, she had a good idea of my situation.
33:54I don't know how much she knows.
33:56If she has a good idea, she has a good idea.
33:59If you have a girl, if she has a girl, she has a good idea.
34:04She'll have a good idea.
34:06This is right.
34:13You do it.
34:17You're scared.
34:19You're scared.
34:21You're scared.
34:22You're scared.
34:22What would you do?
34:25You should not acknowledge your efforts.
34:29Okay, just relax.
34:31Just do the best.
34:33Do it.
34:55But you know something, Sahan, you don't do what you do.
35:25I'm so proud of you.
35:32I'm so proud of you.
35:55I'm so proud.
36:17I'm so proud of you.
37:31I'm so proud of you.
37:33I'm so proud of you.
38:02I'm so proud of you.
39:01I'm so proud of you.
39:04I'm so proud of you.
39:35I'm so proud of you.
39:42I'm so proud of you.
39:42I'm so proud of you.
39:42I'm so proud of you.
39:42I'm so proud of you.
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