Berlin and the Lady with an Ermine – Season 1, Episode 5 ("The Strange Bedfellows") intensifies the drama as Berlin and his crew deal with the consequences of their risky alliances. Tensions rise inside the group when trust begins to break down, forcing Berlin to take control before the mission falls apart. Meanwhile, romantic complications and hidden agendas threaten to expose the entire operation.
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#BerlinAndTheLadyWithAnErmine #BerlinSeason1 #BerlinEpisode5 #TheStrangeBedfellows #BerlinNetflix #PedroAlonso #MoneyHeist #LaCasaDePapel #NetflixSeries #NetflixOriginal #CrimeDrama #CrimeThriller #HeistSeries #SpanishSeries #SpanishDrama #SpanishThriller #ActionDrama #SuspenseSeries #MysteryDrama #TVSeries #DramaSeries #BingeWatch #SeriesFans #StreamingNow #MustWatchSeries #PopularSeries #CrimeShow #AdventureDrama #Entertainment #NetflixDrama #EuropeanSeries
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Short filmTranscript
00:13I'll see you next time.
00:30We need that money so that we can complete the money.
00:32And what do you think about it?
00:33Is there a plan for Ali Baba or you are in your house?
00:36What do you think about it?
00:38What do you think about it?
00:39How do I find the money?
00:42At that party, at least 400 or 500 people will be there.
00:45Yes, but that's a good thing.
00:46There will be someone with those 400-500 people.
00:49If you have to get the police from 7 Arab people,
00:53then there will be no more than 400-500 people.
01:05What do you think about it in the bag that I feel like?
01:10This way, I'll get out of here.
01:27Close the door.
01:28Close the door.
01:38You are very beautiful.
01:41But these paintings?
01:43Shh, stop.
01:44Do you like paintings?
01:49Just understand this.
01:51We are very happy.
01:54Oh, okay.
01:59Look out.
02:00I won't kill you.
02:02But before I open, I'll listen to my attention.
02:04Because if you have spoken again,
02:06you will have to know me.
02:07Do you understand?
02:09You have to take the prince and his wife
02:12so that you can hide in the house.
02:14Huh?
02:15Or not?
02:17Huh?
02:18Huh?
02:19You are going to lose them.
02:22You have to understand the answer.
02:36Huh?
02:45Huh?
02:45I have to understand the answer.
02:48I will not understand anything else.
02:49Look, I will not understand anything else.
02:50One minute.
02:50You will be happy in our cameras.
02:53Shh.
02:54One minute.
02:55One minute.
02:55One minute.
02:56Don't be happy.
02:57I also understand this kind of thing.
02:58I know the right direction.
03:01But tell you something.
03:02Your fortune is very good.
03:04I was also calling a gang.
03:07Huh?
03:09Huh?
03:09You know, lovely.
03:11Love to get my love and my brother.
03:12It's not our standard.
03:14You probably don't understand my story.
03:16I don't understand that.
03:16I don't have any way to take me to my gang.
03:20I don't have any way to go to gang.
03:21You've got to take us all the issues.
03:24And now you're saying that
03:26you want to be a gang.
03:28We don't believe that
03:29you'll even listen to our rules.
03:31Just one question.
03:35We will go out again, and we will go inside again, and then we will start everything again.
03:56You have all the evidence against us.
04:01And we don't think about who you are.
04:04If you want us to do the police,
04:08or you know that the king of the king,
04:11then we will accept you.
04:17But how do we believe that you are worthy?
04:25You don't know what to do.
04:32You don't know what to do.
04:33If we don't know what to do.
04:37If we don't know what to do.
04:44You don't know what to do.
04:47You don't know what to do.
05:15Oh
05:20Damyan he did he has a new
05:22JAN KARI is
05:23He Raja sahab ke chho'ti se mahal ka church
05:26He here a car mara tracker bant hua tha
05:28Is church kubraya gaya tha
05:30In 1825, his family's house is here, and there's five people here.
05:36And yes, another funny thing.
05:38His father was also here.
05:40Octavio Hermoso, he was in the beginning of the 19th century.
05:44Roi, do you think that I was a father of the 19th century?
05:47No, dude.
05:49I've also had a lot of work.
05:53I'm going to sleep, Roi.
05:55Are you leaving?
05:58Yes.
06:07I'm leaving.
06:08Where are you from?
06:08I'm leaving.
06:09I'm not leaving.
06:27I'm leaving.
06:31I'm leaving.
06:32I'm leaving.
06:35I'm leaving.
06:35I'm leaving.
06:45I'm leaving.
06:46I'm leaving.
06:48I'm leaving.
06:49I'll be left there.
07:04I'm leaving.
07:06I have come to my photos for the exhibition.
07:09I had to send my photos so that you can see it.
07:12I'm ready for it for one year.
07:16You won't come inside.
07:23I'm sure.
07:29Look at this.
07:31I'll be right back.
07:35He was very sick.
07:37He was going to go to Cambodia in that car and went to Cambodia.
07:41He didn't go to Cambodia until he was gone.
07:46And after that, he died of death.
07:50I met him in India.
07:57He was a good friend of mine.
07:59He wanted to tell him about the young people,
08:00and he wanted to tell him about the same thing.
08:02He was a good friend of mine.
08:04He was a good friend of mine.
08:06He wanted to tell him that he was a good friend of mine.
08:13Do you hear his story?
08:15He was my dream.
08:18He was in Norway,
08:20but he was a good friend of mine.
08:24He was going to be a good friend of mine.
08:26He was coming back.
08:26He was taking his tent and getting his heart.
08:29He was running my heart.
08:29He was a good friend of mine.
08:30I didn't sleep.
08:32And in the morning, I went outside.
08:34He was in front of me.
08:36He was in my bag.
08:38He was in my bag.
08:39He was in my bag.
08:40He was in my bag.
08:40I was running there.
08:41But he didn't leave me behind.
08:43He liked him.
08:45Which thing?
08:46He was in my bag.
08:46He was in my bag with a poke meat.
08:48Yes.
08:51That's why I came back and where to go.
08:56Do not forgive me.
08:57I don't think I've done it wrong.
08:59You were right.
09:00You are a boyfriend.
09:01and he can be with you.
09:03Forgive me.
09:20It's the fire.
09:37Hello?
09:39You have some information I have.
09:42Who are you talking about?
09:44If you want your money back,
09:45then you have to come home alone.
09:47Don't even think about the police.
09:50Who are you talking about?
09:51At night at 9 o'clock,
09:52we meet in the Rose Garden.
10:04If someone has stolen a bag with 4 million euros,
10:08without a complaint,
10:09and then they ask them to call them,
10:11then what can they ask?
10:13Is that a bag?
10:14Yes, in the party.
10:16Tell me what you ask.
10:17How can I tell you?
10:20But they call them blackmail.
10:22When they have money,
10:23how do they get blackmail?
10:26I don't know.
10:27He has called me at 9 o'clock in the park.
10:29I don't want to go.
10:30I don't want to go.
10:30At the same time,
10:32we can get back 4 million euros.
10:34But I won't go alone,
10:35because there is a danger of my soul.
10:38Where are you from?
10:40What are you talking about?
10:49Where are you from?
10:51What are you doing there?
10:54I've come to my job.
10:55I've come to my job.
10:56I've come to my job.
10:57I've come to my job.
10:58I've come to my job.
11:00I've come to my job.
11:03Don't do my job.
11:05Go ahead.
11:06Okay.
11:06I'll take him.
11:20Yes, Kita.
11:29Hello.
11:32Who are you?
11:34Can I help you?
11:36Yes.
11:36I'm Kaila, friend.
11:37I'm not going to talk to her.
11:38Okay?
11:39Now, one second.
11:40I'll call you this.
11:44Kaila, your friend is calling you.
11:46Hi.
11:51Before I tell you something, I'll tell you.
11:52I got a relationship with Bruce and Claudius.
11:56But my heart broke, and it's with Bruce.
11:58It's a shame.
11:59Because this is for my photo exhibition.
12:01It's not my back here.
12:03You can't even think about it.
12:05It's so close to her.
12:07It's a way to think about it.
12:09When I first saw her, I saw her face.
12:11I don't know why.
12:12But now, I'm thinking about it.
12:14You're so close to your heart and your heart,
12:16that you have no need.
12:19You had to forgive Cameron Cameron.
12:22She was my girlfriend.
12:23And she came to me with no need.
12:28But you have to stay with your friend.
12:29Because I'm like Bruce.
12:31I'm so close to Bruce.
12:32That's great.
12:32You had a relationship with Claudius.
12:34And now, you're looking for Bruce.
12:37You're not the answer.
12:40Go.
12:41I'll be alone.
12:41Alright.
12:42No, no.
12:42Thanks for your friend.
12:42No, no.
12:49You're getting married.
12:49I'm not working here.
12:49No, no.
12:49No, no.
13:04No, no.
13:04No.
13:19What's it, Abba?
13:23Can we talk about work?
13:26I'm seeing a man there.
13:28Yes, yes, I too.
13:35This is the case that you have a bag with your money.
13:40Just keep it.
13:44What are all these things?
13:45If you're going to work a little bit, then you'll get back to your money.
13:49Just one-one.
13:54Is this a film going on?
13:56Like a friend, a wife and a third night.
13:59You won't be thinking about it.
14:00You won't be thinking about it.
14:02I thought that you were with me.
14:05I didn't want to leave 4 million euros.
14:09I thought that this man was going to leave the bag with me.
14:15So I called you a small place and called you.
14:20And is it your fault?
14:22Yes, yes, it's the same.
14:27What happened? I don't like you.
14:28Yes, it's the same.
14:32But it's not that you don't want to buy me from your money.
14:38It's not that I don't want you.
14:42I've never heard of this beautiful woman.
14:46And I'll never say that.
14:50But the thing here is just my rules.
14:54I don't want to do what I'm doing.
14:57I thought you were going to leave the bag with me.
15:00I thought it was good.
15:02But the truth is that you leave your money
15:05and you have to make a mess in my mind.
15:08Would you listen to the first 5 million euros for 5 million?
15:10Will you listen to me?
15:12I don't want to leave the bag with you.
15:14Go ahead.
15:14Go ahead.
15:15Go ahead, go ahead.
15:31Go ahead.
15:33Go ahead.
15:34All right.
15:39What's the time?
15:41We are going to Berlin, we are going to go to the boat, we are going to get out of
15:44here and we are going to get out of here and we are going to get out of here.
15:46That's great, Bruce.
15:49What you are going to do is you are going to see everything wrong.
15:52If Berlin is not here, the command is in my hand.
15:54I will tell you what to do and what to do.
15:57Think about it both, I will take care of it.
15:59The land will be coming.
16:05I am right, I am fine.
16:07I am fine, I am fine.
16:10Kela is with someone else.
16:12If you look at it, there is no big deal.
16:15It is all about me.
16:17It is all about me.
16:18I have done it with Kela.
16:20I have done it with Kela.
16:21I have told her about the story of Kela.
16:22I have told her about the story of Kela.
16:23No.
16:24I was with Shaila.
16:25I have set two daughters on the train.
16:28What did Kela do?
16:29If you look at it, I have not done anything.
16:31I have seen it once again.
16:32She said that I am not looking at it.
16:35I am not looking at it once again.
16:36I am not looking at it once again.
16:37And now she has lifted the sofa with her.
16:40What?
16:41Look.
16:43She told me that she has to go somewhere.
16:45After that, she understood that she has to meet her.
16:48I am sorry, friends.
16:51Listen.
16:52I have an idea.
17:01Take this.
17:03You have to do anything.
17:18No.
17:31Be logical.
17:32Oh, no.
17:33Don't you tell me that you were talking to me in the bathroom?
17:37Where did you go?
17:41I thought you were sleeping.
17:45You were leaving a little while.
17:48How are you doing your job?
17:50Very good.
17:53I'm going to drink some water.
18:12Sir, are you here?
18:13What did you tell me about the bathroom in the bathroom,
18:15which was the picture of Laleena Delos?
18:17Yes sir, I was with them.
18:21And there was something that I didn't know.
18:25There was no other bathroom in that bathroom.
18:31The bathroom was empty. I had to see myself.
18:34And then...
18:35What's her name?
18:40Candela?
18:41Why did she tell me that my wife was in the bathroom with someone?
18:48Candela is a friend of Rani's friend.
18:50She's in church group.
18:51There are no women.
18:54And why did you not go to the bathroom today?
18:57She said she was going to the hotel.
18:59She didn't want to go with me.
19:00Yes, you saw it.
19:01What did you see?
19:03She's becoming a maniac.
19:04To tell her, she was here today.
19:08I knew she had something in the bathroom today.
19:09She had to put on the roof in the bathroom and go back home.
19:11She was on the roof of the bathroom.
19:11And that woman's man.
19:18She's giving me a sacrifice.
19:20But why would she do that?
29:54Let's go.
29:55All right.
29:57Absolutely.
29:58Come with me.
30:16For your special work, this is the most special place.
30:21In this place, this is the most special place.
30:24This is my karma.
30:26Because here are my dreams.
30:30Like, I'll show you something to you.
30:35Ah!
30:36Where is it?
30:36Where is it?
30:37Ah!
30:37It's got it.
30:39Josset de Espronceda's first Sanskrit.
30:43The sun is on the clouds.
30:46The wind is on the waves.
30:48The wind is on the waves.
30:48The wind is on the waves.
30:49The wind is on the waves.
30:51The wind is on the waves.
30:53And the wind is on the waves.
30:57Ah!
30:58And that's also with the strength.
31:00Look at that, the wind.
31:01Read it.
31:02Read it and go ahead.
31:03Ah!
31:14Ah!
31:16Ah!
31:18Ah!
31:20Ah!
31:22Ah!
31:23Ah!
31:29Ah!
31:30Ah!
31:31Ah!
31:32Ah!
31:32This is the first person who always remembers us, who didn't want us, right?
31:35And for me, he is...
31:40Elvis!
31:42Look!
31:46This is the suit that he was wearing in 1973 at Honolulu International Center Arena.
31:54And here, look at this and the mandal.
32:02Oh...
32:05This is ten. It's eight, right?
32:08Oh, my friend!
32:09I've made these two of them myself.
32:12And Santalos.
32:14My friend, this is ten, this is ten, this is ten numbers.
32:16This is a crazy number.
32:18You're right, right?
32:19Oh, and here, here, look at this.
32:21This will be very nice.
32:27My ice box, because...
32:29I've never seen it.
32:34I've never seen it.
32:36I've never seen it.
32:45But...
32:53This is a good one.
33:06Hello, yuva.
33:07We're going to catch you all.
33:08Enjoy.
33:10My friends.
33:13Please stay on your mind.
33:31There's something about him.
33:34Do you have to say something about him?
33:38This man's violent,
33:40he's been listening to the song on his own.
33:43He's listening to the song on his own.
33:45What's up?
33:57The microphone is clear.
34:00Okay, you listen to this too.
34:01How many people are showing this?
34:02A guy's guy's guy's guy.
34:03He's showing Elvis's suit.
34:07Okay, let's start our work, and we will be able to change the rest of the security.
34:26This is a camera motion sensor.
34:29When someone passes, they start recording.
34:31I mean, no one sees these cameras.
34:34Exactly. It doesn't happen to me.
34:35It doesn't happen to me.
34:36I mean, no one sees any camera.
34:39How many cameras will be there?
34:4524.
34:46If you hack all the cameras,
34:47you will have a picture of the whole city in front of us.
34:55But you can also come in the work?
34:56Yes, of course.
34:57We will be able to record when we do not record.
34:59Yeah.
35:14That is normal.
35:15I mean, we will be able to record.
35:16Come in and watch this room.
35:19Don't go there.
35:19I can do that.
35:21That is the right way of seeing the camera.
35:22He is also moving us.
35:23It is where I am going.
35:26From the next part of us.
35:28That is the right way of seeing the camera.
35:28This is coming.
35:28That you are moving us in front of us.
35:29It is coming me.
35:30Do you know my Ribera?
35:35He's very good.
35:39And...
35:40He's scared.
35:42What did Lord Byron know about him?
35:45He said Ribera...
35:47...he had painted his brush with his lips.
35:52He didn't make this thing.
35:55And do you like Ribera?
35:57Yes.
35:59But I like Ribera.
36:01I like Ribera.
36:02I like Ribera.
36:03I like Ribera.
36:07Ribera.
36:09I'm very happy to see you.
36:11I don't have any words.
36:16Your head is very heavy.
36:21I've come to my mind that you are so smart in your work.
36:28Ribera, we're taking a place to the parking.
36:30If someone comes, we'll take a foreign aid to the parking.
36:32If someone comes, we'll take a foreign aid to the parking.
36:39What are they going to do there?
36:40I don't even know what they are going to do there.
36:42Yes, I'm saying it right.
36:48Samuel is going to go to the gallery.
36:49If someone is going to be bigger, you'll both come in front.
36:54I'm saying it right now.
37:03Stop.
37:04There is no help.
37:13There's no help.
37:15Go.
37:43The next time, don't take money in any party.
38:04The next time, don't take money in any party.
38:27The next time, don't take money in any party.
38:33The next time, don't take money in any party.
38:38The next time, don't take money in any party.
38:40The next time, don't take money in any party.
39:14The next time, don't take money in any party.
39:25The next time, don't take money in any party.
39:47The next time, don't take money in any party.
40:21The next time, don't take money in any party.
40:29The next time, don't take money in any party.
40:41The next time, don't take money in any party.
41:08The next time, don't take money in any party.
41:08The next time, don't take money in any party.
41:40The next time, don't take money in any party.
41:40The next time, don't take money in any party.
41:41The next time, don't take money in any party.
41:42We've returned to a church.
41:43And then take firefighters with a radio frequency detector.
41:47And I've found a path where we keep the money.
41:49What's that look here?
41:51People take their lives to find a good person,
41:53and I've got two of them here.
41:55This is wrong, right, Bruce?
41:58I mean, one or two love each other.
42:02I don't understand what I'm doing,
42:04because I can't leave you both.
42:05I can't leave you both.
42:14We've got to find the electric switch
42:15that opens the money from the bank.
42:22Let's start.
42:57I don't know.
42:58I feel like that's an electric switch.
43:03See what I'm doing.
43:14My voice has been on the train.
43:20I'm sorry.
43:24I'm sorry.
43:25I'm sorry.
43:26I'm sorry.
43:27I'm sorry.
43:28Sorry.
43:28I'm sorry.
43:29I don't know.
43:29I'm sorry.
43:32Let's see what happened.
43:32I'm sorry.
43:34I'm sorry.
43:35What is this?
43:37Let's see what's up.
43:39You see anything?
43:40I'm not seeing anything from here.
43:42Ruhi, please give me a piece of paper and see what's up.
43:45Just go.
43:47I'm going to go down.
43:50I'm going down.
43:53If you're not going down, you're going to go down there.
43:55You can be dangerous to me.
44:03If you're not going down there, it's dangerous to go down there.
44:31contract, Apollos.
44:34This is dangerous, so it's dangerous to go down.
44:43Okay, that's why I have already been in.
44:46Let me see.
44:50Hey, Mr. Hirsch, I'll just drop that down somewhere.
44:52He's getting on to that side.
44:52He'll go get only there to the same level.
44:56He'll find it.
45:10What are you doing here?
45:17Pradhana, I have a peace in church.
45:20I have a peace in church.
45:21I have a peace in church.
45:35I have a peace in church.
45:51Mr. Fernando, I will take care of Mr. Fernando's house.
45:55The father of the Raja.
45:57For me, he was my father.
46:03He is here.
46:11In the situation, I had my mother.
46:14She was a kidney disease.
46:16She was a kidney disease.
46:18I feel like I'm going to go to pray for her.
46:24I get a help from praying for her.
46:29Look, there is something I have,
46:30maybe you will get your strength.
46:35This is my heart.
46:38This is the Holy Spirit of Israel.
46:40This is the Holy Spirit of Israel.
46:46This is the Holy Spirit of Israel.
46:48And I will try to pray for her.
46:56I will try for her.
46:56And I will try to pray for her.
47:09This is the Holy Spirit of Israel.
47:10I'm not going to get you in the middle of the world.
47:12Because you will have to be a higher power.
47:16You will not be able to make a higher power.
47:20Because you have made me a higher power.
47:22And I will not be able to make a higher power.
47:27I will leave you higher power.
47:32I will say that I will say that I will be a higher power.
47:41In the name of the Father, the Son, and the Holy Spirit.
48:37Father, the Son, and the Holy Spirit.
48:43Son, and the Holy Spirit.
49:18Son, and the Holy Spirit.
49:37Son, and the Holy Spirit.
50:11Son, and the Holy Spirit.
50:24Son, and the Holy Spirit.
50:32Son, and the Holy Spirit.
50:40Son, and the Holy Spirit.
50:51Son, and the Holy Spirit.
50:56Son, and the Holy Spirit.
51:25Son, and the Holy Spirit.
51:55Son, and the Holy Spirit.
51:55Son, and the Holy Spirit.
51:59Son, and the Holy Spirit.
52:01Son, and the Holy Spirit.
52:03Son, and the Holy Spirit.
52:04Son, and the Holy Spirit.
52:05Son, and the Holy Spirit.
52:06Son, and the Holy Spirit.
52:06Son, and the Holy Spirit.
52:06Son, and the Holy Spirit.
52:10Son, and the Holy Spirit.
52:16Son, and the Holy Spirit.
52:22Son, and the Holy Spirit.
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