00:04Ginger. That's what you need. A mouthful of the good stuff and you'll see the back of any seasickness.
00:10Thank you for your support, John. Don't suppose you actually brought any ginger?
00:15No, I don't get seasick.
00:17Terrific.
00:18Don't worry, Sherry. We've almost arrived at Cordona. I can see land through the porthole.
00:23So much for docking by tea time.
00:25Oh, you s***. I'm starting to... traveling all this way, enduring this indignity, simply...
00:32That's just Mycroft's nonsense, still rattling a...
00:35I believe it was that this is a performative farce, a feeble excuse...
00:39You needed to do this. Enough of the self-pity and doubt.
00:43Thank you, John. And if you want to notify the captain's wife...
00:46Oh, at last. I'm...
01:00Hey, Sherry. Come on. Catch up.
01:04Yes, yes.
01:16Welcome to Il Palazzo di Lusso, sir.
01:18If you need something, sir, please inquire at reception.
01:22If you need something, sir, please inquire at reception...
01:24Welcome to Il Palazzo di Lusso, sir.
01:26We just need your signature.
01:28Would you kindly sign these papers, sir?
01:31Would you kindly sign these papers, sir?
01:36There you are.
01:38Ah, Mr. Holmes. Yes, we have room 221 prepared for you.
01:42I see it was reserved for two people. Would you like a second key?
01:46Oh, uh, no. I... I think we'll stick together.
01:50Very good. Rooms are upstairs, sir.
01:52Hurry up, Sherlock. I want to see our room.
01:54I hope there's a balcony with a view.
01:57Yeah, indeed.
02:08Hmm.
02:11Mm-hmm.
02:12Mm-hmm.
02:12That's okay.
02:13Mm-hmm.
02:13Ugh-hmm.
02:13Um-hmm.
02:14Mm-hmm.
02:14Yeah, mm-hmm.
02:15Um-hmm.
02:16Ah-hmm-hmm.
02:16You know it's okay.
02:27It's okay.
02:43your room is upstairs sir number two hundred and twenty-one
03:22I don't know
03:27Oh
04:02Get ready.
04:03Perhaps in the meantime you would like to relax in the foyer?
04:07Tonight the restaurant is offering a complimentary marlin ceviche to all our guests.
04:11Let's check what they have on offer.
04:41Pardon Monsieur, but I am not in the mood to talk.
04:57Okay.
05:08Oh, yeah.
05:10Oh, yeah.
05:11Is that the sort of thing?
05:12I mean.
05:15Yeah.
05:15Oh, yeah.
05:15That's all right.
05:33If seafood's not to your taste, everyone loves Benedict's Batch, our poached eggs with hollandaise sauce.
05:55If seafood's not to your taste, everyone loves Benedict's Batch, our poached eggs with hollandaise sauce.
06:39Do this already?
06:43Come on, it's not like we've got anything better to do.
06:52Excuse me, sir, but I believe Mr. Galici's conducting a sales at the moment.
06:56Perhaps you'd care to have your portrait drawn while you wait?
06:59Why?
07:00Pardon me?
07:01Why should I sit for a portrait?
07:03I... sir, it's art. It doesn't need a why. It is its own justification.
07:09All things require justification, be they objects, systems, or beliefs.
07:14How about art as the lens through which we see the truth of the world?
07:18That's backward. Truth is not subjective and not complicated. It's just the truth. It either is or it isn't.
07:25You do not need a lens to see it, just an open mind.
07:29Ha! That seems rather close-minded. Truth, like beauty, is in the eye of the beholder.
07:35Sir. So tell me, what do you see?
07:41Mediocrity.
07:48Come now, Sherry. What did he do to deserve that?
07:51The servant mentioned ceviche at the bar, Sherry. You should grab us some, and I'll find us a table.
07:56I'm starving.
08:07The servant mentioned ceviche at the bar, Sherry. You should grab us some, and I'll find us a table. I'm
08:12starving.
08:16The servant mentioned ceviche at the bar, Sherry. You should grab us some, and I'll find us a table. I'm
08:21starving.
08:26I'm starving.
08:32Come now, Sherry.
08:34Come here, Sherry.
08:37Come here, Sherry.
08:37Come here, Sherry.
08:38I'm ready to go.
08:39If seafood's not to your taste, everyone loves Benedict's batch. Our poached eggs with hollandaise sauce.
08:46The servant mentioned ceviche at the bar, Sherry. You should grab us some and I'll find us a table. I'm
08:51starving.
09:13If seafood's not to your taste, everyone loves Benedict's back.
09:22I'm starving.
09:26I'm starving.
09:29I'm starving.
09:31I'm starving.
09:44If seafood's not to your taste, everyone loves Benedict's back.
09:48Our poached eggs with hollandaise sauce.
10:18What are you waiting for?
10:19Put the dish down.
10:20It's even quieter than I remembered.
10:22It's going to be a long evening.
10:25Come now, Sherry.
10:27What say we amuse ourselves with a little game?
10:33What were you thinking?
10:35Promise me it isn't nonsense. After being cooped up on that boat, I am itching for activity.
10:41No. As you can see, someone left a cane on our table. I simply thought you could identify its owner.
10:47So it is nonsense. It'll take me a minute, John, at most.
10:52Well then, you can deliver it to him as well.
10:57Deliver it to him?
11:00Then what are the staff here for? Aesthetics?
11:03Stubborn, Sherry. Too stubborn. You wanted something to do.
11:07Slapping oneself in the face is also something to do. That doesn't make it worthwhile.
11:12But alright. Let me take a look.
11:30A crest depicting a bulb of garlic in a meadow.
11:33Perhaps the fielding family or meadows.
11:36Or craven, from the old English name meaning garlic.
11:40The hand grip is a head of a golden Javanese statue, probably stolen from a temple.
11:45The dents suggest it has been used as a bludgeon.
11:51The cane is made of ebony. It's worn uncared for and bears the scars of numerous hits.
11:58This cane is an expensive and ostentatious weapon.
12:01Its owner must be vain, volatile and of noble English blood.
12:06Take it with you, Sherry. Let's return it to its owner.
12:11Alright. I hope you noted down your observations in your casebook.
12:14But how are you going to find this nobleman?
12:17The cane itself is not enough.
12:19I may have to ask other guests if they saw who was here.
12:33On the previous day for a while.
12:37There's no gentleman.
12:40The camera is not enough.
12:40I know I'm not sure.
12:41You can find this no dla waaha.
12:48There is no choice.
12:49You can find trees.
12:50You can find trees.
14:29Well, even with your keen senses, Sherry, I doubt you'll find the cane's owner on your first try.
14:36Ha! And would you be confident enough to bet on it, my friend?
14:40Why not? Let's see how good you really are.
15:00Yeah.
15:17Oh, mom.
15:37Not that one, huh?
15:39You lost the bet, Sherry, but don't let that stop your search for the Navy officer.
15:43Can I ask you a question?
15:45My dear fellow, you're talking to the right man.
15:51Hey, Sherry, don't we now have the perfect excuse to visit the Seance?
15:55I'm just going to give the cane to its owner.
15:57You will not persuade me to take part in this show.
16:05Excuse me, just one question.
16:07Oh, I'm sorry, but that's beyond my knowledge.
16:12Excuse me, just one question.
16:14I can't help you with that, sir.
16:16This isn't working.
16:18You might need a different tack.
16:23Is this familiar to you?
16:25Excuse me, what?
16:27I'm not sure I know.
16:34Can you satisfy my curiosity?
16:36I can't help you with that, sir.
16:38Everyone's looking at us, Sherry.
16:41You sure you know what you're doing?
16:45Help me, please.
16:46Sorry, but I've never heard of it.
16:48Do you know anything about this?
16:50Sorry, but I've never heard of it.
16:52This isn't working.
16:53You might need a different tack.
16:56May I ask for your assistance?
16:57I can't help you with that, sir.
17:15I didn't see the owner, Sherry,
17:17so I can't help you find him.
17:36Do you know anything about this?
17:38I...
17:38...
17:45Let's go.
18:09May I ask you something?
18:11Excuse me? What?
18:13I'm not sure I know.
18:47This hotel, this island, it's full of thieves.
18:52First my cane, now the diamond.
18:56Take your hands off me!
19:00Do you even know who I am?
19:07Hey, boy. That's my cane.
19:10I get that a lot. It's a very common design.
19:13What? No, that's a custom-made...
19:16A joke. A joke.
19:18It was left at my table in the restaurant.
19:20I thought it deserved to be returned.
19:22Well, I'll be...
19:24It is rare to encounter a straight-fingered true penny these days.
19:28What a gentleman.
19:29But I must ask, how did you know I was the rightful owner?
20:02I'm not sure I was the rightful owner.
20:32I'm not sure I was the rightful owner.
20:44Simple deduction.
20:46Your cane told me everything I needed to know.
20:48I was after a strong middle-aged man with a keen interest in adventure, noble blood, and affection for strong
20:54drink.
20:54And if one were to go further, one may even be able to extrapolate your name from your heraldic symbol,
21:00Lord Craven.
21:03Marvellous. Simply marvellous.
21:06That's me, Lord Andrew Craven. You are the real medium. You hear that, Emma?
21:13Well, you found my cane. Perhaps you can locate my diamond, too.
21:17Yes, you should do it. It will be child's play for you, mister.
21:22Holmes, and if a child can do it, then I'm sure the local police can suffice.
21:27The police? Why bother? I know this, Harlequin stole it. The only question is, where is it hidden?
21:36Fine. Give me my stick and I'll resolve the matter myself. This thief almost confessed after a single punch.
21:42Hm. I suspect a beating may result in answers of questionable veracity. Fine.
21:47I shall spare you and he the trouble if you first answer me this.
21:55How does a priceless diamond become the subject of a séance? It is an unusual accoutrement.
22:01Emma wished to speak with its former owners. My grandfather told us it belonged to a Rajah, an Indian king.
22:08So you were summoning long-dead Indian royalty, and, pray tell, you were expecting him to converse in English?
22:15To be frank, Mr. Holmes, I don't believe in ghosts. But Emma was fascinated by the idea of meeting a
22:21real king, even a dead one.
22:24Well, a crown is a crown. Can you describe the stone itself?
22:28A yellow diamond, not less than a hundred carats, and perfectly egg-shaped. There is not another like it.
22:37You insist the medium robbed you during the séance. But what occurred, exactly?
22:42Ah! It was a dirty trick. We were sitting here in the dark, chanting and holding hands, as expected.
22:50Then something began to appear from the medium, like a cloud or a bubble. The swindler called it ectoplasm.
22:58Ah, yes. Common in the spiritualist trade, and quite the spectacle.
23:02Indeed. Perhaps too much. My beloved Emma screamed in horror, and I stood to defend her, attacking that cursed ghost.
23:10How brave.
23:11But my hand hit nothing. The medium jumped away from me, and Emma fainted. I lit the candle, and the
23:17diamond was gone.
23:22Stay here, and don't touch anything. I'm going to investigate further.
23:27Don't fret. I'll be keeping a close eye on this thief.
23:45The diamond was placed on the table so that all participants could reach it.
23:51This must be the ectoplasm. Too bad there's not enough for a proper chemical analysis.
23:58Ectoplasm? The ghost was here, Sherry!
24:14Half a glass of Baoblair Scotch and the remains of a poor Laranaga cigar.
24:18What else does a gentleman need?
24:23Half a glass of Baoblair Scotch and the remains of a poor Laranaga cigar.
24:27What else does a gentleman need?
24:32There are light traces of rouge on the edge of this wine glass.
24:46What else do a woman need?
24:48What else does a gentleman need?
24:53There are light traces of rouge on the floor, where the golden will be built in.
24:53All right.
24:55Let's go.
24:55Let's go.
24:55Let's go.
24:56Let's go.
24:59What?
25:01Let's go.
25:04Let's go.
25:14This brooch is old and cheap, but the moth design has its charms.
25:34This brooch is old and cheap, but the moth design has its charm, and the moth design has its charm.
25:39The moth design has its charm, and the moth design has its charm.
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