- 15 hours ago
Designed for Desire
Category
🎥
Short filmTranscript
00:02I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:06Little did I know, I'm about to land my dream job and meet the love of my life.
00:23This is insane.
00:29Hi, did anyone order these?
00:31Heartless Barber!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out-
00:41That's enough!
00:47You.
00:50In my office. Now.
00:53What?
01:01What's your name?
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here. I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery. Until then, we cannot proceed.
01:54Okay, well, one second.
01:57Hello? Ms. Brooks?
01:59Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:09We'll touch base soon, okay?
02:14Oh!
02:15Good luck.
02:18I thought you weren't interested.
02:21Take off your clothes.
02:22Right now.
02:41So, Ms. Brooks, what do you see in this room?
02:45Well, it's deliberate, controlled, powerful. It's impressive, but-
02:54But?
02:56It's not satisfying.
03:00Bold again.
03:04Tell me, how do you know it's satisfying?
03:07Satisfaction lies somewhere in between.
03:11You think you can give me that?
03:13Think you can take the risk and find out?
03:23All yours.
03:28Hey.
03:30The women out there would do anything to be in the position you're in.
03:34Unless you have other ideas.
03:42Don't make me regret this risk.
03:44I don't plan to.
03:47The position's been filled.
03:49Go home.
03:52Get out!
03:53Damn. He doesn't have to be so rude.
04:09Pappy, your phone's upside down.
04:14Hi. How are you feeling?
04:15Hey, jubilation?
04:18Not doing too well, honey.
04:20Damn hospital postponed my surgery again.
04:22I'm so sorry, Pappy.
04:24I'm working things out with the hospital.
04:26I have some good news today, though.
04:29I'm sorry.
04:30Uh, I think that's my landlord.
04:31I have to go.
04:32Love you.
04:33Bye-bye.
04:36Oh.
04:37What the hell is he doing here?
04:40What are you doing here?
04:42Oh.
04:43What the hell?
04:45Hey!
04:46Whoa, whoa, whoa.
04:46Guys, whoa.
04:47Hey, don't take that!
04:52I did not agree to this!
04:54Actually, you did.
04:58The signing must reside on Mr. Mercer.
05:00I can't quite hear you.
05:03Must reside with Mr. Mercer for the duration of the project?
05:07Mm.
05:07How long?
05:09Keep reading.
05:11And definitely without exception?
05:18A gift.
05:20What the fuck?
05:22A gift?
05:23In exchange for being kidnapped?
05:24No thanks.
05:29I need to know where you're at.
05:30At all times.
05:33It's a tracker.
05:34What?
05:34Like a dog collar?
05:36Do you think you own me now?
05:39I wouldn't do that.
05:40Come on.
05:41Let's go.
05:41This is insane.
05:43Just...
05:43Give me a second to put Crumpet in his carrier and call my grandfather.
05:46No.
05:46There are no animals in the mansion.
05:49You must say goodbye to your little...
05:51Crumpet.
05:52What?
05:53Absolutely not!
05:54I told you in the contract that I will take care of everything.
05:59I don't care about the contract.
06:01Oh my God!
06:03Goodbyes are always so hard.
06:05Put me down!
06:06What are you doing?
06:09Welcome back, Miss Brooks.
06:12So...
06:13I'm not allowed to leave?
06:14If you leave, your contract will be terminated immediately.
06:18And what, you're just gonna leave me all alone here?
06:20Would you like me to join you?
06:32No, no, no, no.
06:33Why is it making that sound?
06:35Damn, if I leave, Pappy dies.
06:38Shit.
06:38I'm trapped with this monster.
06:40Oh my God, is this really happening?
06:43I'm stuck.
06:54This is your uniform.
06:56Work hours have started already.
06:58Tidy yourself up.
07:00Report to Mr. Mercer.
07:04Oh, and uh...
07:06Chop chop, Miss Brooks.
07:07Mr. Mercer does not like to be kept waiting.
07:33Enjoying the view?
07:35No, I, um...
07:37Just didn't...
07:38Want to disturb you.
07:39I don't mind if you stare.
07:41Sorry, sir.
07:43I was just...
07:44Interested in your build.
07:46The building.
07:47The...
07:48Build of the mansion that...
07:50We're building to work on.
07:52Today.
07:53What time are we leaving for?
07:55Car leave's in ten minutes.
07:57Right.
07:58I'll be ready.
08:10How much further?
08:13Patience, Miss Brooks.
08:17She like the danger he didn't ride.
08:21Can't fake the hunger, nowhere to hide.
08:24Oh, my pink puffer.
08:25How much further?
08:26The power is the control.
08:31Hey, Foxy!
08:32I got something that'll keep that jaw clenched.
08:35Wow.
08:35Original.
08:36Mr. Mercer!
08:37We didn't know you was coming in today.
08:39Get off my property.
08:40What?
08:41You're fired.
08:43Leave.
08:43Oh, what the hell?
08:44I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
08:51If I collapse your loan...
08:52Wait.
08:53Did he just stand up for me?
08:55Sir, how about you?
08:56Continue your work with Miss Brooks, and I'll handle this.
09:01Come on.
09:04Everything's nearly finished.
09:05I'm gonna have a team come in and make some final measurements over here.
09:09And I'll ensure they know how to keep their mouth shut.
09:11Uh, is this all marble?
09:19Seeing her in my house gives me a strange feeling.
09:22It's so beautiful.
09:24What is it about her?
09:25Why do I want it?
09:27Follow me.
09:33Wow, an elevator?
09:35By the way, what you did out there, thank you.
09:38I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
09:43Remember that.
09:48Your first task for the client.
09:51I don't know anything about the client.
09:53Who is...
09:55We don't ask about the client.
09:56We only worry about what they desire.
09:58Okay.
10:00Am I allowed to know what the purpose of this room is?
10:04Yes.
10:05Great.
10:06The client would like this room transformed into their BDSM chambers.
10:15I hope she doesn't see right through me.
10:19So, how would you do it?
10:23Uh...
10:24Um...
10:24Paint me a picture.
10:26Right.
10:27Uh, over here I would put a chaise lounge.
10:34Velvet, obviously.
10:36Obviously.
10:36And over here would be a great place to mount a swing.
10:39One with adjustable heights and...
10:43And next to it, we could put a cabinet for whips and toys and things.
10:48You're very well versed.
10:50I read a lot.
10:53Certain genres of certain books have certain details.
10:56Right, right.
10:58Of course.
10:59Yeah, it's perfectly normal.
11:01A lot of women read fantasy and romance and fantasy romance.
11:07Anyway, uh...
11:09This would be a great place to mount small cuffs.
11:15I'm drowning in the heat
11:21Afraid of what I need
11:26Your touch is like a flame
11:30But I can't turn your way
11:32Don't pick up.
11:39Hello?
11:40Miss Brooks, I'm sorry. We need the payment.
11:43Uh, I understand.
11:45Is there anything I could do now to hold him there?
11:48Anything that could be done right now?
11:49We need your payment, Miss Brooks. By tomorrow morning. All $200,000.
11:55Okay, I'll get it to you, I promise.
11:59Sorry.
12:00Your contract explicitly states that I receive 100% of your attention at work.
12:06Who was that?
12:09It's personal.
12:10There are no personal calls at work.
12:14I'm sorry.
12:20Mr. Mercer, it won't happen again.
12:23I'll get to work right away.
12:24Okay, I'll have designs to you by tomorrow morning.
12:29Take it off.
12:32What?
12:34Your jacket.
12:37Uh, Mr. Mercer...
12:41I won't ask twice.
12:49Uh...
12:50What's this for?
12:56It's perfect.
12:58Now go get dressed.
13:20No need to pout, Miss Brooks.
13:22You'll be reading some of the top designers.
13:24I don't understand. How does this take priority over work?
13:28Am I your date or your designer?
13:30You are...
13:33when I say you are.
13:46Ladies and gentlemen,
13:48it is my pleasure to welcome you all to
13:51the annual architectural ball,
13:54proudly hosted by the Mercer Group.
14:00I'd also like to welcome and introduce
14:02our newest interior designer,
14:05Miss Cecilia Brooks.
14:10I thought you said you had the job.
14:13I did everything that I could.
14:15Mitch must have slept with him in the interview.
14:17Fine.
14:19I'll fix it myself.
14:22So without further ado, please,
14:24enjoy your drinks and have a wonderful night.
14:35Let me have this dance.
14:36Oh.
14:40Sterling!
14:42I was hoping that maybe we could
14:44walk and talk.
14:46Or maybe...
14:48dance and discuss.
14:50You must be working so hard.
14:52I was thinking...
14:55maybe you would benefit from a designer who
14:58really knows you.
14:59Your past.
15:02I'm not interested in rehashing old relationships, no.
15:05It was just a flint.
15:07Doesn't mean we can't be close.
15:10Sterling could be a difficult person to work for.
15:18You know you can come to me
15:20if you need anything.
15:26Get your hands off of her.
15:31What the hell are you doing here, Vincent?
15:33Folks, looks like the jester came to play.
15:39Get him out of here.
15:45It's all right, folks.
15:46Enjoy the party.
15:47It's okay.
15:48Yeah, you okay?
15:50Good, good.
15:50Why don't you go grab a drink?
15:51I'm gonna take care of this.
16:00Crazy night, huh?
16:02Too crazy.
16:04I'm Nora.
16:05A close friend of Sterling's.
16:07So, tell me.
16:08How's the new position treating you?
16:12It's demanding.
16:14And the client?
16:15What's your feel on them?
16:16Oh, I'm not at liberty to discuss that.
16:19Oh, come on.
16:19It must be crazy, right?
16:21I really can't.
16:25Oh, how embarrassing.
16:32What are you doing in here?
16:34Cecilia, I'm sorry.
16:36I'm so done with their whole world.
16:41The head of the board was barking my ear off.
16:44Stop it.
16:45What? I'm just trying to help.
16:47Help? Really?
16:49That's rich.
16:50I mean, I am rich.
16:53You.
16:54You are a lot of things.
16:56From the moment I met you, you've controlled every aspect of my life.
16:58Every movement I make.
17:00You're obsessive, cryptic, a perfectionist.
17:04But you're not rich.
17:06Not where it counts.
17:20Come on.
17:25Feel excuse me.
17:26I have work to do.
17:41This hand, what if, maybe cuffs, what if we hang something around here?
18:05Is that me?
18:08Did I say you could come in here?
18:11You'll be happy to know that I worked on these all night.
18:23Maybe if you stayed at the gala you would have learned something.
18:26Learned what?
18:27You follow through with your obligations so you wouldn't waste your time working on garbage.
18:31Garbage?
18:33I'll need five more by tomorrow morning.
18:35That will take me all night.
18:36Even making those two took me all night and I barely got them done in time.
18:40You've done it once before.
18:42You can do it again.
18:43Don't you think?
18:44Maybe, just maybe, that's an unreasonable amount of time.
18:48Maybe.
18:49I don't care.
18:50Wait.
18:51I should have remembered.
18:53It's not in the contract.
19:03Oh my god.
19:09Excuse me miss.
19:10Where's my grandfather?
19:11I'm sorry.
19:13Usually if they're not in the room it's because the insurance ran out or...
19:28Miss Brooks?
19:30Yes?
19:31I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
19:36He's being very well taken care of.
19:37I don't understand.
19:38How is that possible?
19:40I can't afford that.
19:42I told you.
19:44I'll take care of everything.
19:45What?
19:46I can't believe this.
19:54Oh, but...
19:55But why?
19:57Why would you do that?
19:58Well, when I said I needed your undivided attention, I meant it.
20:04Now the only thing you have to worry about is me.
20:09I'm not your slave.
20:14Five designs.
20:16By tomorrow morning.
20:22You're welcome.
20:30I've been expecting you.
20:31I have a feeling I'll be impressed.
20:34Brushed work is not work to be proud of.
20:41Is this you?
20:42And my parents.
20:43They must be so proud of you.
20:44They never got to see it.
20:46I inherited this company before I was old enough to run it.
20:49I'm so sorry.
20:50It was a long time ago.
20:52What happened?
20:53They vanished.
20:54On a work trip into Europe.
20:56Guess I don't control everything after all.
20:58I'm gonna deliver these designs to everyone.
21:01I have a surprise for you.
21:06To your first approval.
21:12It's beautiful.
21:16I...
21:16Do have a request, though.
21:19I was wondering if I could...
21:20I could have a little freedom?
21:22From what?
21:23Me?
21:24No.
21:25No, not you.
21:27From this.
21:29Well...
21:31I need to keep track of you.
21:33I mean...
21:34What if...
21:35Sterling...
21:37I'm not your parents.
21:38I'll be fine.
21:40I just don't know if I'm ready for that yet.
21:42But you continue to impress me.
21:44I mean...
21:45You'll be free as a bird.
21:58I do have more surprises to show you.
22:01But, um...
22:03You're gonna have to wait till tomorrow.
22:05Hmm.
22:05Full of surprises.
22:07Aren't you?
22:07Yeah.
22:12And that's why I can't let you go.
22:29What are you two doing here?
22:30There's not supposed to be anyone working today.
22:32We were just swinging by to assess a minor electrical concern.
22:35It seems that the search...
22:35It's nothing urgent.
22:36We're gonna come back tomorrow with the rest of the crew and get it resolved.
22:40Okay.
22:43Thank you for the update.
22:44Thank you, Mr. Mercer.
22:50I've ordered these beautiful pieces.
22:52White marble.
22:54What the hell?
22:59It's kind of beautiful.
23:01No, no, it's a mistake.
23:05It's not too perfect.
23:07It's bold.
23:08It's not trying hard.
23:09It just...
23:10is.
23:11Well, I like my work to be...
23:13Intentional.
23:16Well, I would argue that this elevates the intention of the space.
23:21The juxtaposition between control and chaos.
23:24You have good eyes, Ms. Brooks.
23:27Follow me.
23:35Your second task for the client.
23:37Master bedroom and nursery.
23:41Oh, the client's a family man.
23:43We don't discuss the client.
23:44Only satisfy their needs.
23:49Would you like to see your designs?
24:07Is it not what you thought?
24:10No, it's... it's not that. It...
24:16The power went up.
24:17What?
24:18There's no signal.
24:19Yeah, the...
24:20Soundproofing they put up, uh...
24:22Cuts signal.
24:23What?
24:24No.
24:37It's not funny.
24:38I...
24:39I'm not laughing.
24:40How long until someone notices that we're gone?
24:42I don't know.
24:43I don't know.
24:44An hour.
24:45Maybe two.
24:46Is it Nora?
24:48The client?
24:49What?
24:50No.
24:51You're not supposed to ask about the client.
24:53Just tell me.
24:54No.
24:55It's not.
24:56Is she...
24:57More?
24:59I...
25:00I built this room because I believed in your vision.
25:03I...
25:04I cleared your schedule.
25:05I cleared your stressors.
25:07All because...
25:09I wanted you.
25:19Um...
25:21No.
25:25No.
25:28No.
25:29No.
25:31No.
25:31No.
25:32No.
25:34No.
25:44Sir, your seven o'clock is waiting upstairs.
25:58Tuck your shirt in, sir.
26:06I know. I know.
26:10Ah! Who the hell are you?
26:12Calm down, sweetie. Put Crumpet down.
26:17Listen, sweetie. I work for Mr. Mercer.
26:20He hired me to take care of your grandpa and Crumpet until you return.
26:24Sweetie, what are you doing home?
26:27What am I doing?
26:29This is Agnes, my nurse. She's taking care of me.
26:32Oh, I'm sorry. I'm so embarrassed.
26:39Um, hello?
26:41Why are you in your apartment?
26:43If you're there, there's no need for Agnes to stay employed.
26:46Cece, you're ruining my chances.
26:48Go back, Cece.
26:49Oh, okay, okay.
26:51Everything's all right. Agnes has taken very good care of me.
26:54Okay, okay, Pappy. I'll go.
26:56Um, it was nice meeting you, Agnes.
26:58Nice to meet you, dear.
27:10What the hell?
27:12He has a girlfriend?
27:18What was I thinking?
27:25What was I thinking?
27:28What was I thinking?
27:33What was I thinking?
27:35What was I thinking?
27:37What was I thinking?
27:37What was I thinking?
27:38What was I thinking?
27:41What was I thinking?
27:41What was I thinking?
27:42What was I thinking?
28:00Gotcha now, bitch.
28:04I found her address.
28:22Sterling.
28:25Sterling, can we talk?
28:26I don't have the time, Ms. Brooks.
28:27Sterling, it's important, please.
28:29Well, I'm dealing with something.
28:30Figure it out yourself.
28:41You might want to ask me why I'm here, you psycho.
28:44I don't give a damn what you have to say.
28:46I don't trust you.
28:47Well, maybe you should start.
28:50Because I know a dirty little secret about you.
28:55You're about to be broke.
28:59I'm here to offer you a buyout.
29:03Get out.
29:04Hear me out.
29:05Instead of your accounts being compromised, facing bankruptcy,
29:10and becoming the embarrassment of architecture,
29:12we could merge as Hale Mercer.
29:16Even has a nice name.
29:19Oh, you're way out of line.
29:20Am I?
29:21Because someone pretty close to you seems to be worried about you.
29:24Besides, if you don't accept this buyout,
29:29I'll publish the information,
29:31and Mercer Designs will go bye-bye.
29:34Is that a threat?
29:35Think of it more of a bribe.
29:43Get the hell out of my property.
29:45And out of my sight.
29:47Now!
29:50Now!
30:01Miss Brooks!
30:02In my office immediately.
30:04Are you sure you want me in there,
30:05or not your other woman friend?
30:07What are you talking about?
30:08Hand me your sketches.
30:13I have designs, but they're not the originals.
30:15The originals are missing or lost.
30:18What do you mean lost?
30:19I finished the designs last night and I fell asleep,
30:22but when I woke up, they weren't in my room anymore.
30:24You're lying.
30:25I'm lying?
30:27Why don't you tell that to the next girl you bring over?
30:31Excuse me?
30:32You're so careless.
30:33Careless?
30:34Me?
30:35I'm pretty sure you're the one who's talking about losing sketches.
30:38Something you won't have to deal with anymore.
30:42Marley's going to be taking you to the project mansion.
30:45Hopefully you can figure out your sketches problems there.
30:49You may go.
30:56Take her and her belongings to the project mansion.
31:00Anything I should know, sir?
31:02She can't be trusted.
31:03And check the cameras.
31:06We have them all.
31:08Yes, sir.
31:13Miss Brooks.
31:15What are you doing here?
31:18Well, um...
31:20I, uh, had to get some artwork for the client.
31:25You don't trust me.
31:27That, too.
31:30You're not trusting me?
31:31You were the one with another woman after all that
31:33I-did-this-all-for-you bullshit.
31:35Okay, what woman are you talking about here?
31:37You can't lie to me.
31:38I saw you with her.
31:40I saw you...
31:41Okay, okay.
31:42Okay.
31:42If it makes you feel any better, I...
31:46I promise I'm looking into it.
31:50You promise?
31:53I promise.
32:13I thought you didn't trust me.
32:15That you were mad at me?
32:16No, you're too hard to resist.
32:18It's gone.
32:18Touch me.
32:19Touch me with a light on door.
32:22Love me deep, love me slow.
32:25Oh, kiss me in the dark, take all I hide.
32:29Let's go inside.
32:31Fire on the inside.
32:44eyes like knives you cut right through every look says what you do pull me under soft and deep
32:54you're the secret i can't keep breath on glass you trace my name no one else can play this game
33:03you don't ask you just take and i give and i pray
33:12well hello i'm here for mr brooks i'm sorry what exactly is this for i'm the treatment nurse i'll
33:18be taking him to his appointment for today oh mr brooks doesn't have an appointment today
33:22i can assure you he does
33:27well thank you for coming can i bring crumpet yes mr brooks
33:33bring the cat
33:54hello cecilia i'll need your full cooperation i have something of yours you might want back
33:59now that i've got your attention i need a little favor bring me mercer's legacy one design
34:06you can't do this but see i already have sweetheart get me the designs tell sterling and your sweet
34:13old pappy dies and your little cat too your choice i've been reviewing project management assets you're
34:20four days late on the hudson property the client is not happy mr mercer is not happy
34:26pick it up or i'll give your work to her she's three days ahead
34:31is that a personal email
34:51sweetie you don't have to do this too late old man who the fuck are you your worst nightmare
34:59baby baby i'm glad i'm so glad you made it i set all this up for you this better work
35:09know
35:10you
35:10you
35:10you
35:11you
35:12Oh, my God.
35:47Show me the video.
35:48Yes, sir.
35:53She knew how to invade the cameras.
35:55I can't identify her, but we knew her enough to let her in.
36:00Keep this video between us.
36:02Yes, sir.
36:16Cecilia.
36:18Sterling, you're not working from home today?
36:20What are you doing here?
36:22Who have you been talking to?
36:24No one.
36:24I just, I needed to pick up some paint samples,
36:27and this was on the way.
36:28On the way to what?
36:30We're like 20 miles south of home.
36:33I'm getting my necklace cleaned.
36:36So if you can't find me or track me for any reason,
36:41that's why.
36:47Why do you need your necklace cleaned?
36:49I've just been working a lot.
36:51The drafting table is super dusty,
36:52and I don't want to get messed up.
36:56It's a woman thing.
37:03I'm trusting you right now.
37:06I know.
37:21What the hell is going on?
37:23What the hell is going on?
37:40Good girl.
37:42Right on time.
37:44Well, don't hesitate now, sweetheart.
37:47Or they're dead.
37:50Come on, Cecilia.
37:51Do it.
37:58Sterling versus legacy designs.
38:00Just like I asked.
38:02Oh.
38:03Sterling, you won't even know what hit you.
38:06Now let my grandfather go.
38:08He's all yours.
38:09A deal is a deal, pretty lady.
38:13Oh, my head.
38:16Cece, don't.
38:18Get out of here.
38:19Look, look.
38:31I've had a change of heart.
38:37Please.
38:38No.
38:40This way.
38:50Wow.
38:52You really know how to tie the room together, darling.
38:54Sterling has my location.
38:56You have no idea what you're in for.
38:58Oh.
38:59But I think I do.
39:01You see, when that timer goes off, you and that little tracker and this entire place will
39:09go bye-bye.
39:10And then that will pave way for the construction site of all hail designs.
39:15He'll find me.
39:17And when he does-
39:17That's very unlikely, Cecilia.
39:21Now that Sterling has this video, no one's coming to save you.
39:25Screw you.
39:27Screw both of you.
39:29Oh, oh, oh.
39:31But I almost have everything I need.
39:35Hmm?
39:36His financials, his accounts.
39:38You see, the only thing that is missing, my dear, is the contact for Sterling's project
39:45mansion.
39:46What?
39:47Why does that matter?
39:49Well, once I have the contact, I can put in a bid under his.
39:55Therefore, Mercer will no longer have any names attached to any property.
40:02That will never happen.
40:07Who's the client?
40:10How much was the bid offer?
40:13I don't know.
40:16Will you remember?
40:19Trust me.
40:21Even if I did, I wouldn't tell you.
40:33So, tell me, who is the client?
40:39He took care of my family.
40:40I'm never going to sell him out.
40:46Unless you forget, sweetheart.
40:49You already gave me the plans.
40:52So, therefore, you are already a betrayer.
40:56Promise?
40:57I don't know anything.
41:01Well, I can see that you're a lady of your word, which makes it kind of harder to believe
41:05you.
41:06So, tell you what.
41:08This is how it's going to go.
41:10You're going to tell me, and then you, Pappy, and little Kitty will go free.
41:17While Mercer Designs burns to the ground.
41:22Or, I could kill you.
41:25Right here.
41:27Right now.
41:28And Mercer Designs falls anyway.
41:33Okay.
41:35Decisions, decisions, darling.
41:37No, I'll tell you.
41:37I'll tell you anything you want to know.
41:38Please, don't touch him.
41:40I'll tell you.
41:50Tell me everything.
41:55I don't...
41:56I don't know a lot.
41:58I just...
41:59I know she's very private.
42:01Very secretive.
42:03She only talks to Sterling.
42:06She's an older, conservative woman.
42:10Liar!
42:11That night that I dosed Sterling with that sleeping elixir,
42:16I found your little project mansion and that newly built BDSM room.
42:21Oh, and then all the plans that I stole from Cecilia's bedroom?
42:25They were for a nursery.
42:27Both rooms that an elderly woman wouldn't need in a new home.
42:31You drugged him?
42:31Yes!
42:32I drugged him!
42:39And then I ransacked his mail.
42:42That's where I found you,
42:43your address,
42:47and your little cat, too.
42:51Well, then.
42:53Looks like you chose...
42:56Oh!
42:57Oh, I'm sorry, my sweetness,
43:00but our short little affair is over.
43:04Excuse me.
43:05Well,
43:07obviously I don't need your services any longer.
43:10Besides,
43:13I don't do witnesses.
43:21Sterling, help me, please!
43:23Sterling, wait, it's a trap!
43:24No!
43:25Sterling, please, you have to help me!
43:26Watch out!
43:33Tell me how to disarm it!
43:36Now!
43:38Back wire!
43:47You little bitch!
43:48Nora, stop!
43:49Put down the knife!
43:51She kidnapped me!
43:52I've been waiting here for hours for you!
43:54Put down the knife!
43:56Come on, let me at her one last time!
43:57She betrayed you!
43:59She's the one who gave up the Legacy One
44:01on the third floor!
44:03Wait, how do you know about the Legacy One project?
44:05That was confidential.
44:06That little bitch,
44:07she told Vincent everything!
44:10No, she's lying!
44:11It's all because of her!
44:16She drugged you!
44:17No, I didn't, you bitch!
44:19When I thought I saw you with that woman?
44:22Then now you lost the designs.
44:24No!
44:24No, that wasn't me!
44:26Okay, Vincent made me do it!
44:28He said he threatened my family!
44:29I had no other choice!
44:32I don't believe you.
44:34Arrest her!
44:35No!
44:39Drop the knife!
44:43Vincent, you can't leave!
44:45You have the lights,
44:46and you're silent!
44:47Anything you say,
44:48can't even use against you
44:50and you're gonna fall!
44:51Wait, no, no, I'm Heinzler!
44:53I'm so sorry!
44:55It's okay, it's okay.
44:56But I gave him your designs,
44:57I didn't know what else to do.
44:59I was trying to save them.
45:00I didn't mean to.
45:01You're safe, you're safe.
45:03Okay?
45:04Vincent, we'll be able to touch the project.
45:13I'm so happy you found me.
45:14I thought...
45:15always will find you.
45:19How?
45:22Because I know you.
45:25That moment in the parking lot,
45:27I knew from your eyes
45:29that you needed me.
45:34I will always keep you safe.
45:39Hey, hey,
45:41would you two take it someplace else?
45:45Sorry, Babby.
45:46I'll take you and Crump at home.
45:53Oh, thank goodness you're okay.
45:57I want to tell you something, sweetheart.
45:59I love Agnes.
46:01I really mean it.
46:02Okay, Babby.
46:04Just get some rest.
46:05I mean it, Cece.
46:06When a man knows,
46:08he knows.
46:12Agnes,
46:13it's been a long time
46:14since I've met someone
46:15as caring as you.
46:16And I'd like you to be my wife.
46:20Yes!
46:22I love you, Agnes.
46:32Marley,
46:32what are you doing here?
46:33Miss Brooks.
46:35Mind coming with me?
46:37Will you give me a second?
46:38I want to change first.
46:40I want to change first.
47:13Come here.
47:24This is really beautiful.
47:28We work well together.
47:30I'm glad you think so, Cecilia.
47:34Yes, Sterling?
47:38I have something
47:39I need to tell you.
47:42About?
47:43There isn't
47:44a legacy, Kalaya.
47:46Well, there is, but
47:50it's not who you think.
47:52I don't follow.
47:56It's me.
47:58What?
47:59This.
48:00This is my legacy.
48:04Come here.
48:05I need to show you something.
48:15I made this for you.
48:17Wait, one second.
48:29I thought if we put them next to each other,
48:32it would create balance.
48:33Balance?
48:48But then you came in.
48:51You're kind.
48:53Bold.
48:56Intuitive.
48:57Sterling.
48:59Beautiful.
49:01Beautiful.
49:02You gave this place a soul.
49:06Cecilia Brooks.
49:11Would you share the love we built together?
49:13Yes.
49:14Yes, Sterling.
49:22I said yes to you
49:26To forever too
49:29To every dream
49:31We're walking through
49:34To every dream
49:36To every dream
49:36To every memory
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