- 1 day ago
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00:00:28Satsang with Mooji
00:01:30The flower shop, please.
00:01:32I'll wait.
00:01:34Shotzi.
00:01:36Shotzi.
00:01:37What do you want?
00:01:38See you in the first doctor now.
00:01:40You'd better get dressed.
00:01:41I'll be ready.
00:01:42Well, you'd better be.
00:01:43It'll be terrible if we miss Jean.
00:01:45Oh, Polaro, I'm dressed to go out right now.
00:01:47The flower shop, Mr. Hirsch?
00:01:50Listen, Mr. Hirsch.
00:01:52My girlfriend's fiancé sent us some more of those orchids, Mr. Hirsch.
00:01:56Six of them.
00:01:57Beauty.
00:02:00Yes, but Mr. Hirsch, you paid us twice as much as that for six of them last week.
00:02:06You mean not even stockbrokers aren't buying orchids anymore, Mr. Hirsch?
00:02:13All right, Mr. Hirsch.
00:02:15Oh, no, I'll send them right down.
00:02:18Hurry up, Shotzi.
00:02:20I am hurrying.
00:02:21Now, listen, Pops, and I'll tell you.
00:02:23I just took the money you gave me for the car and bought some more American Tell and Tell instead.
00:02:28Yeah, you know, Pop, a car goes out of style, but Tell and Tell goes on forever.
00:02:34Oh, I didn't know you were in a shower.
00:02:36Did you have a good time with Oscar and the medicine ball?
00:02:40Well, anyhow, Jean gets back today.
00:02:42Yeah, Jean.
00:02:44Yeah, I know you don't think she's in my class, but you'll have to admit she's awful good company.
00:02:49Yeah, besides, she's awful broke.
00:02:52And you know what I think, Pop?
00:02:54I think her stocks went down, and there she was in Paris and didn't know how to say sell short
00:02:58in French.
00:03:00And anyhow, her fiancé's wife arrived, and it seems that she's a very narrow-minded person.
00:03:06And she bought Jean a ticket, so Jean decided to come home.
00:03:09Yeah, and she's on the island of France and ought to be in in about an hour.
00:03:12So I...
00:03:23Your bill, madame.
00:03:25Bill?
00:03:27What's for?
00:03:28For the bear, madame.
00:03:32$43.
00:03:34It says $43.
00:03:38You're trying to make me believe that I've drunk $43 worth of liquor since I've been on this boat?
00:03:42Oh, no, madame.
00:03:43These are only the drinks you haven't paid for yet.
00:03:46You mean the drinks nobody else paid for?
00:03:48Well, yes, madame.
00:03:49Yes, but I haven't paid for any drinks myself.
00:03:51That was my point, madame.
00:03:56Well, don't let it throw you.
00:03:58This can be arranged.
00:04:03I'll see you in the cabin, over there.
00:04:13Thank you, sir.
00:04:23Pardon me, but haven't I met you someplace before?
00:04:27All that's possible, I haven't really bought for five days.
00:04:29No, I don't mean that.
00:04:30No, I've seen you somewhere before.
00:04:32Was it the racist?
00:04:33A racist?
00:04:33Perhaps, but...
00:04:34I know it was somewhere.
00:04:36St. Cloud.
00:04:38That's where it was.
00:04:39I couldn't forget meeting a good-looking man like you.
00:04:43You know, it's the silliest thing.
00:04:44My stupid maid has packed my trunks, and I have a far bill here.
00:04:49I'm sure she must have packed my checkbook.
00:04:51Anyway, I can't find it.
00:04:52I wonder if you...
00:04:53Oh, you must allow me.
00:04:54Oh, no, I shouldn't have said that.
00:04:56And this?
00:04:56How much is it?
00:04:57No, I couldn't be.
00:04:59It's $43.
00:05:01Oh, I feel terribly.
00:05:03I wonder if you could make it 60.
00:05:05I always believe in tipping hands with me, don't you?
00:05:09Oh, yes.
00:05:10Yes.
00:05:11Oh, you're so kind.
00:05:13Uh-huh.
00:05:26There, Dee.
00:05:27Oh, you almost seen!
00:05:32Do my eyes deceive me or are she really alone?
00:05:34And without a man.
00:05:36Why do you think you'd be afraid of catching cold?
00:05:38Hey, please!
00:05:39Hello!
00:05:54Will you kind of get your suitcase out of the small of my back?
00:05:57I beg your pardon.
00:05:58I didn't notice the small of your back.
00:06:01Well, you're a stranger to me, and that's the small of my back to you.
00:06:09Oh, dear, take it!
00:06:11Hey, Jean!
00:06:12Jean!
00:06:12Hello, baby!
00:06:14I am back in New York alive, and well, maybe you think I'm not bad to see you live.
00:06:17And you say we certainly missed you, haven't we, Chuck?
00:06:19Oh, I'll say we missed you, but why'd you come home so early?
00:06:21It's still summer.
00:06:22I had a terrible time in Paris.
00:06:24Oh, do you hear that Chuck?
00:06:25She had a terrible time.
00:06:26No trunks, lady?
00:06:28No, no trunks.
00:06:28What do you mean no trunks?
00:06:30I mean, the hotel in Paris thought that he did some worse than I did.
00:06:33Oh, well, what you need is a little drinky cup.
00:06:34Come on up to my place and have one.
00:06:36Sure.
00:06:36I guess you could do with a little drinky.
00:06:37You said I could.
00:06:38Listen, do you know that they close these ship's barns, but you still sold them some liquor?
00:06:42Oh, no.
00:06:43Oh, dear.
00:06:44Broke.
00:06:45Am I broke?
00:06:47Oh, poor Jean.
00:06:48Yeah.
00:06:49Okay.
00:06:50Well, just as long as you're back.
00:06:52Yes, we'll have fun anyhow, Jean.
00:06:54Yeah, well, I could do with some fun.
00:06:56They kept all my clothes except what I got on.
00:06:59What's in that little black bag I sneaked out on them?
00:07:01And all my braces except that one, I sneaked out on them, too, because I couldn't see
00:07:04letting them keep the real one.
00:07:06Yeah, I got nothing I can call my own except my health.
00:07:09Is there any wonder I wanted to see you two guys?
00:07:10No, no, it's no wonder.
00:07:12Hey, that's my gold comb.
00:07:14What's your comb?
00:07:15That's my comb.
00:07:16Now, shut up.
00:07:17That little gold comb.
00:07:17Have you two started scrapping already?
00:07:20Well, now that we three are together, we can put up our feet and make a few plans.
00:07:24Plans?
00:07:24What for?
00:07:25For you.
00:07:26We can lend you clothes and we can lend you money.
00:07:28Huh?
00:07:29Well, that is some.
00:07:30But the first thing to do is to put you back on the swim.
00:07:33I'll tell you what I'll do, Jean.
00:07:35I'll lend you my good luck bracelet that you've always wanted.
00:07:37Good.
00:07:38You can wear it when your luck changes.
00:07:39And your luck will change, too, because I've had my bad dime strung on it.
00:07:43You know, my ten-cent piece with a hole in it.
00:07:46Oh, but Gulaire, I wouldn't want to take your bad dime.
00:07:48Why not?
00:07:49My luck's all right.
00:07:50Oh, you're his fault.
00:07:52Can't you keep anything?
00:07:54Why bother?
00:07:55I'll tell you what I'll do, Gulaire.
00:07:56Tomorrow I'll take it down to Cartier's and have your bad dime sword off and put it in a platinum
00:07:59chain with diamonds in it.
00:08:01Oh, that's certainly sweet of you, Jean.
00:08:03Not a bean in the world and talking about diamonds.
00:08:08You know, I don't believe any girl ever had any better friends than you two guys.
00:08:11And I want you to know that you haven't got any better friends than I am.
00:08:14Oh, that's sweet of you to say that.
00:08:16Gee, yeah, that's sweet.
00:08:17And as long as we three stick together, I don't care what happens.
00:08:19And I don't guess you do either.
00:08:21And we wouldn't have broken up, only I had to go fall in love.
00:08:24But we're not going to break up again, not if I can help it.
00:08:27Because you know that I'm for you, and I know that you're for me.
00:08:29And there's no friends like old friends.
00:08:31It's the three of us.
00:08:32Against the men.
00:08:33All the cyborgs of New York.
00:08:37Enough of plans.
00:08:38What are you going to do?
00:08:40Just a moment.
00:08:41Well, don't you worry about little Jeannie.
00:08:42She's going to be all right.
00:08:44Well, I was just saying to myself this morning as I looked out at that old skyline.
00:08:48Well, I said, if the worst comes to the worst, there's always Pops.
00:09:01Oh, you remember Pops.
00:09:04Oh, sure, we remember Pops.
00:09:08What's the matter?
00:09:10Pops isn't dead, I hope.
00:09:12No, Pops isn't dead.
00:09:17Maybe I ought to give Pops a ring and let him know I'm back.
00:09:20Just to prepare him.
00:09:22Oh, no, Jeannie, no, I wouldn't do that.
00:09:24Not if I were you.
00:09:25No, Jeannie, she's right.
00:09:26That isn't a thing to do at all.
00:09:27Well, why not?
00:09:32Hello?
00:09:34Is that you, Pops?
00:09:37Yeah, Jeannie's here.
00:09:41I guess I better call you back.
00:09:45Hey, what's Pops to you?
00:09:46Now, isn't Pops a father to all of us?
00:09:48Hey, what's Pops to you?
00:09:49Well, you wouldn't expect a nice girl like me to leave a kind old gentleman like Pops
00:09:53sitting alone in the Metropolitan Club without a friend to call his own.
00:09:57You answer my question.
00:09:59What's Pops to you?
00:10:02Well, he's my fiancée.
00:10:04Not that we're engaged or anything like that.
00:10:07Well, you would fall in love and go away.
00:10:10Well, this is a fine welcome home.
00:10:13Losing the only man who was ever kind to me and promised to remember me in his will.
00:10:18I never have any luck.
00:10:21There's one thing threatened, though.
00:10:23With Pops' age, you won't have him long.
00:10:25Now, will we Pops no bad luck, if you don't mind?
00:10:27And now we'll let Paulette call up to Emory and have him throw a party for you tonight.
00:10:30And have him bring along some nice friend of his who's fun who'd like to meet a nice girl who's
00:10:34fun, too.
00:10:35You don't mind doing that for Jean, do you, Paulette?
00:10:36Sure, I'll call him.
00:10:38Give me Wickersham.
00:10:42No, never mind.
00:10:46Well, there's one thing that's got to be understood before Jean meets any friend of mine.
00:10:50And that is she's got to lay off him.
00:10:52Now, why bring that up?
00:10:54Because you never lay off anybody who belongs to someone else.
00:10:56Oh, is that so?
00:10:57You never want anyone else to have any fun.
00:10:59Oh, is that so?
00:11:00So you don't meet any friend of mine until you sign a paper saying you've changed your habits.
00:11:05I'll change any habits of mine that don't suit you the day you change your face so that I can
00:11:09stand.
00:11:09You don't have to stand anything about me any more than I do about you, you poor blonde boy.
00:11:13Don't you call me a blonde boy, scrapping both of you.
00:11:15She can't help it if she's Italian.
00:11:17Oh, dirty little.
00:11:18Why, Jean?
00:11:18Who started it?
00:11:19Oh, I did, of course.
00:11:20There, you see?
00:11:21Well, she may have started it, but you gave a good cause.
00:11:23Oh, you always take her side.
00:11:24I take the side of the party that's right, and you know it.
00:11:26Yeah?
00:11:27You two don't stop scrapping, and I'm going to send you both home.
00:11:29I ain't dignified.
00:11:31Miss Big Mouth, you've got a rat.
00:11:34Oh, my goodness, so much you did to her.
00:11:36I don't care.
00:11:38It's hers anyhow.
00:11:39Well, that's got nothing to do with it.
00:11:40Now, get a tire of the towel and wipe that beer off.
00:11:42All right.
00:11:42Now, see if there's anything besides beer in this joint.
00:11:45Yeah.
00:11:46Oh, my goodness.
00:11:46You ought to be ashamed of yourself fighting about a man you haven't even met yet.
00:11:50How can we three stick together if you two are scrapping all the time?
00:11:53Oh, well, I always said she was on the level and more fun than me.
00:11:56Well, I always said you were more fun, too, as far as I suppose.
00:12:00Well, I'm not anymore.
00:12:00I'm broke and disillusioned, and that makes me bitter.
00:12:04Oh, poor G.
00:12:05Well, with one thing, no one can pan either one of you to the other.
00:12:09Oh, well, you can have my good luck, Brayston, anyhow, G.
00:12:12I'll give you my red fox first.
00:12:13Oh, that's sweet.
00:12:14Well, anyhow.
00:12:17You won't call a day, won't you?
00:12:19Sure, I will.
00:12:19Yes.
00:12:20Tell him not to bring any brodmines, get a regular guy or nothing.
00:12:28I'll give you my brodmines.
00:12:29Having girl trouble today?
00:12:30Girl trouble?
00:12:31No, Father, why?
00:12:32Because you rolled your dice, but you haven't moved your men.
00:12:35Oh, I'm sorry, Father.
00:12:40Six and a five, uh-huh.
00:12:42All right, W.
00:12:44Take it.
00:12:48Yes, Billings, what is it?
00:12:49A telephone for Mr. Day, sir.
00:12:52Telephone.
00:12:53Telephone.
00:12:55Tell them he'll call back.
00:12:57It's a lady, sir.
00:12:59Of course it is.
00:13:00Always a lady.
00:13:02I believe it's the ladies today.
00:13:04You'll have to excuse me, Father.
00:13:10Hello?
00:13:13Oh, hello, darling.
00:13:14Listen, darling, will you be sweet and give us a party tonight?
00:13:18Of course, I'd love to.
00:13:19Well, now, you've got to bring along someone nice for Gene.
00:13:22Who'll you get?
00:13:23I'm not going to tell you now.
00:13:24I'll wait till you meet him.
00:13:26Goodbye, darling.
00:13:29Wild oats, Billings.
00:13:31Wild oats.
00:13:31They're only young once, sir.
00:13:33I haven't forgotten.
00:13:37Your please.
00:13:40Wild oats.
00:13:56Oh, my God.
00:14:09If you had the sense you were born, would she remember that I gave you that red dress back?
00:14:12Say, listen, you owe me five pairs of $16 stock.
00:14:14Oh, well, you quit grabbing and shut up.
00:14:16Oh, shut up yourself.
00:14:17Every time I lend you a pay, you promise to give a back of your nephew.
00:14:19Stop, stop, you keep yapping about stopping.
00:14:21When I think of the champagne I lend her.
00:14:23Where's my ermine coat?
00:14:24You're ermine goat shoes.
00:14:25Yeah, I might as well go home you borrowed last winter and didn't get back.
00:14:28You gave it to me.
00:14:29I lent it to you.
00:14:29You gave it to me for Christmas.
00:14:31I lent it to you for Christmas.
00:14:34Hello, Oscar.
00:14:34Oh, good evening, Mr. Lamar.
00:14:35On my table?
00:14:36About here, sir.
00:14:37Well, what have you got that won't kill us, blinders, or burn holes in our clothing?
00:14:41They've got good cordon rouge here.
00:14:43Very expensive, sir.
00:14:44Did I ask you the price for this?
00:14:45No, sir.
00:14:46Well, if you don't know who I am, you'd better ask one of the waiters.
00:14:48Now, put some champagne on ice and then bring a manio.
00:14:51Yes, sir.
00:14:53Well, where are these friends of yours?
00:14:55I'm not in the habit of being kept waiting in speakeasies.
00:14:58You know, I can call up 500 girls here, London, Paris, Berlin, Vienna.
00:15:02Have 450 here in half an hour.
00:15:04You won't, though, will you?
00:15:06Well, I hope you didn't think that was an idle boast.
00:15:08As long as it wasn't a threat, I don't care.
00:15:10But I've got the three best vets on the whole west side for you tonight.
00:15:13My own girl's one of them, so give them a break.
00:15:15Well, don't think that I'm not anxious to meet them.
00:15:17Variety, you know, is the spice of life.
00:15:19Well, there we are.
00:15:21Well, where are they?
00:15:22I think you'll find the ladies in the bars.
00:15:24Look what you do all the time.
00:15:25Give me the wily alcohol.
00:15:27Oh, I don't know.
00:15:28Oh, I don't know.
00:15:28Oh, I don't know.
00:15:29Oh, I don't know.
00:15:30I don't know.
00:15:30I don't know.
00:15:38I don't know.
00:15:51I don't know.
00:15:52It, you know.
00:15:53Shutsey, Jean, and Puller.
00:15:56Always together, Diggabin Thief, out for no good.
00:15:59I call them the three musketeers of Riverside Drive.
00:16:02Faith, Hope, Carradine.
00:16:05You should be on the stage.
00:16:07Oh, we've been.
00:16:09Ladies of folly.
00:16:10Yeah, plenty of folly.
00:16:11Oh, we've been glorified.
00:16:12If it hadn't been for Mr. Zigfield, we'd all be married and settled down.
00:16:16Um, you're Mr. Emory.
00:16:18Yes.
00:16:18Yes.
00:16:19Yes, I've seen you often at the races.
00:16:21The races?
00:16:22Oh, maybe it was the polo.
00:16:23I wouldn't forget you.
00:16:24You are good looking, you know.
00:16:26Yes, isn't he?
00:16:27Yes, I never forget a face.
00:16:28I'll sit by you.
00:16:29Only that happens to be my place.
00:16:31Well, all right, all right.
00:16:34I don't see why you have to be so fussy.
00:16:36Way to go.
00:16:37Well, beggars can't be choosers.
00:16:39Any old ports or storms.
00:16:44You haven't introduced me today, or do I do that for myself?
00:16:47Not lest you insist.
00:16:50I always like to know who I'm talking to.
00:16:52You mean to say you didn't know he was Boris Feldman?
00:16:56No, I didn't.
00:16:57What are we for refreshment?
00:16:58Well, how about this?
00:17:00Well, that's the best you've got.
00:17:01Ceramic.
00:17:02Thanks.
00:17:03Uh, caviar?
00:17:04Don't speak of food while I'm drinking my dinner.
00:17:06Mm-hmm.
00:17:07I'll just take a sandwich if you don't mind.
00:17:09What kind?
00:17:10A large club.
00:17:14The lady will have a large club.
00:17:16One large club.
00:17:17Anything for me, old man.
00:17:19I'm having mine.
00:17:21What do you do?
00:17:23I play the piano.
00:17:25Is that all?
00:17:26Well, I took tambourine lessons, but I gave them up when I was very young.
00:17:31Oh, dear.
00:17:32A comic as well.
00:17:34He happens to play it a little better than anyone else in the world.
00:17:37You've heard me.
00:17:38Why shouldn't I have heard you?
00:17:40I'm allowed in public places.
00:17:43I thought you two could get together about music.
00:17:45I take piano lessons myself, Mr. Feldman.
00:17:48I just love music.
00:17:51Yeah, I hate it.
00:17:52Are you like mine?
00:17:54We shall see.
00:17:57Oh, quit crabbing, Jean.
00:17:58Don't spoil the party.
00:17:59I'm going home.
00:18:00Oh, no, no, no.
00:18:01I don't know where home is, but I know I'll find it a lot quicker by myself, and I will
00:18:04hang around with you two ball-flushers.
00:18:06I come back from Paris after all I've been through, and you talk big about helping me get
00:18:10a new start in life.
00:18:11And the best you can offer me is a piano player.
00:18:14Oh, Jean, for Pete's sake.
00:18:15Piano player?
00:18:16That's a good one.
00:18:16Not a piano player.
00:18:18A pianist, please.
00:18:19That's the same thing to me.
00:18:20Yeah, but this piano player happens to get paid $2,500 every time he plays.
00:18:24How often do you play?
00:18:26Well, never less than three, never more than four times a week.
00:18:29Three or four times a week, or $2,500?
00:18:33Well, I'm not too proud to apologize.
00:18:38Well, I think you made the party.
00:18:41Well, now that we've got that point settled.
00:18:47It's not bad, this, huh?
00:18:48I'll tell you more about it in the morning.
00:18:50What do you mean?
00:18:51You can tell an awful lot about the liquor you drink the night before by where you find
00:18:54your hat the next morning.
00:18:56So your first name is Jean?
00:18:58That's the first name, yes.
00:19:00What year were you in the following?
00:19:02Ask me no questions, but I'll tell you no lies.
00:19:05But it was years and years ago.
00:19:08I want to talk to you in the bar.
00:19:10It's a pleasure.
00:19:16Boris Feldman's a great fellow.
00:19:18Wasted on Jean.
00:19:19Jean isn't wasted on him.
00:19:21So it seems.
00:19:22That's the point, isn't it, darling?
00:19:25I'd like to say something personal.
00:19:28Well, go on and say it.
00:19:31You're an Italian, aren't you?
00:19:33You must be a traveling man.
00:19:35In a way.
00:19:37But I know women, blonde Italian is the most beautiful thing on earth.
00:19:41Are you Russian?
00:19:44Russian from the Bronx.
00:19:46Oh, say.
00:19:48Hello, Pops.
00:19:50Did you call me up?
00:19:52No, I'm not at home.
00:19:54I'm with Jean in Polaire.
00:19:57Where?
00:19:58Oh, in a sort of a drug store.
00:20:03You know what gives me more trouble than anything else in the world?
00:20:06Well, it might be your income tax.
00:20:08It might be your waistline.
00:20:09Neither.
00:20:10Getting rid of the women who fall in love with me.
00:20:14No.
00:20:14I'm serious.
00:20:16Women who love me never want to let me go.
00:20:19Oh, how do you account for that?
00:20:21Well, in every man's life he has one dream that he feels sure will never come true.
00:20:26He dreams that there's always some woman somewhere who'll say,
00:20:30nothing ever last.
00:20:31I knew this wouldn't.
00:20:33But I never had anything like it before.
00:20:35So good luck.
00:20:36Goodbye.
00:20:38Are you leading up to calling me your dream girl?
00:20:40I may be.
00:20:41But you're going to fall in love with me.
00:20:44Oh, tell me more.
00:20:46I'm going to play just for you.
00:20:49Play the piano?
00:20:51Tell you.
00:20:52If you don't fall in love with me after I play for you tonight,
00:20:57you can take the price of a mink coat home with you.
00:21:00Five thousand dollars, what do you say?
00:21:01In the bet?
00:21:04You don't say what I get if I win.
00:21:06Well, I thought I was understood.
00:21:08Anything.
00:21:09Everything.
00:21:10Oh, I'll take you up.
00:21:16Where?
00:21:17I'm looking for a place to wash my hands.
00:21:20There's a room there, my gentleman.
00:21:22But don't let that stop you.
00:21:23You go right in.
00:21:24Yes, sir.
00:21:29Pardon me, is that yours?
00:21:31Yes.
00:21:32Well, just to make it legal,
00:21:33you bet this against a mink coat.
00:21:36Is it done?
00:21:37Is it done?
00:21:39Mister, I'm human.
00:21:44Sorry, ladies and gentlemen.
00:21:45Two o'clock.
00:21:46Closing time.
00:21:47Speaking of you that closes at two o'clock,
00:21:48it's practically a tea room.
00:21:50I will.
00:21:50Two o'clock, yes.
00:21:51Do we just have a head on the flash to take with us?
00:21:54No.
00:21:57Well, I think we'll have to go before they put us out.
00:22:00To me, I've got to go up at nine in the morning.
00:22:02Can you imagine anyone getting up at nine in the morning?
00:22:05Yes.
00:22:06We've got to be home.
00:22:08Well, if you want to stay up, come to my place.
00:22:10Did you get a telephone call, huh?
00:22:11Where do you live?
00:22:12Central Park West.
00:22:14I think we'll go to my place.
00:22:15That's a good place.
00:22:17You'd stay up at nine.
00:22:21We're staying up at nine.
00:22:33Come back.
00:22:35You know what?
00:22:44How are you doing?
00:22:45this is the way to listen to music just lying around half cockeyed that's the
00:22:52way to listen to anything music or live this is the life all right only some
00:22:58people don't know it okay what do you think of Jean falling asleep on
00:23:04Feldman's playing and now she's sleeping on Polaris well she said she didn't like
00:23:08piano players I know but that's a fine way to act when anyone invites you to
00:23:19their house that's that oh should we have some light certainly if it doesn't
00:23:25disturb your friend what time is it why it's after four after four gee I gotta go
00:23:34home I can't sit up all night listen to you play the piano I got a golf lesson at
00:23:37nine in the morning I'll go upstairs and get my coat oh wear something for a
00:23:46first gee boy you've been holding out on me I didn't know you could really play I
00:23:52can't really but you can really I knew you had something I see you think I've got a
00:23:57pretty talented girl Feldman yeah that's why I want to talk to her I don't want to
00:24:02talk I hate people who can talk so do I but tell me where did you learn what you
00:24:08know about music somebody sat me down a piano stool when I was a kid what made
00:24:12you get up that's a long story and I hate long stories yeah so do I come on
00:24:21everybody let's have a little drinky come into my study I can talk to you better
00:24:25there and we won't disturb your friends slumber well perhaps a little more music
00:24:51I can make an honest of you no you couldn't I haven't got the guts now don't talk like a
00:24:57fool
00:24:57why not I am a fool I've got just enough sense to realize that you're a divine
00:25:03artist which I object to why do you object because nothing that's divine is any fun
00:25:07and anything that's not fun is out as far as I'm concerned
00:25:12come in get in oh I'd rather not well I'm not proud only of Jean day isn't enjoying this any
00:25:17more than you are
00:25:18well why doesn't he stand up for his rights then and do something rights I haven't any rights
00:25:22players not my property well Feldman's mine all New York to pick from and you had to
00:25:28bring a piano player what's wrong with that I'm not worried don't lie to me I'm not
00:25:33lying anyway I think this party's seen better days why don't we all go out
00:25:39somewhere for breakfast yes well I'm for that I'd do anything to get that Kentucky
00:25:43Bell out of here playing the piano for my personal property I can make you work
00:25:52I tell you I'm too lazy I'm no good I know I'm no good if you're good enough for
00:25:57Boris Feldman you're good enough for the world would you kindly leave us alone I just
00:26:05wanted to tell you that mr. Emery's taking us all out to breakfast well if he
00:26:11takes you are I'll be perfectly satisfied no man living can make a crack like that to
00:26:18me and get away with it day would you mind stepping in here for just a half a
00:26:23second please sure
00:26:33I don't want to take advantage of my friends day but you're very fond of this
00:26:38girl I've made her a proposition let us study with me for two years and I'll make
00:26:43her rich and famous well I don't see where that's taking advantage of me she
00:26:49won't have me make her anything but notorious I don't want to be famous and I
00:26:52don't have to be rich I never give advice except when I'm tight so I think you
00:26:57better take him up and do what he tells you even if that washes up everything
00:27:01between you and me well why does that follow doesn't it Feldman obviously she'd have
00:27:08to travel with my company go on my tours spend her summers in Europe studying now
00:27:15will you tell her that I can offer her more than you or will you stand in her
00:27:19way well I don't want to stand in her way but well there may be some point in my
00:27:22stepping out of your way I've chosen I'm bad for him but I may be of some use to
00:27:28myself when do we stop right away that's a little sudden no it isn't it's better to
00:27:37have everything straight like that it's it's simpler you are a sport day oh
00:27:42that's all right but don't forget me if you fall off the piano stool
00:27:53none of that you're mine now and I'm jealous always in the course of a long
00:27:59evening somebody always drinks a toast usually with less excuse than I've got
00:28:29some coffee I'll help you thanks though I keep my coffee the strangest places just a
00:28:33moment do I win that bet what bet did you or did you not bet me a mink coat
00:28:40that you'd make me love you I did well you haven't made me five thousand
00:28:47dollars and we say five thousand yes count them yourself that's what I call
00:28:55high wide and handsome handsome is as handsome does I even return your
00:29:00handkerchief you can keep that thanks though I didn't win it I've won much
00:29:05more I can't remember when I've had a more profitable evening I'll be going
00:29:13home I guess wait a minute I suppose you know you've made a little fool of
00:29:18yourself I've always known that's my dear oh yeah well this party certainly died
00:29:24to death I'm going home what's your hurry I'm not thinking I'm going yet all
00:29:29right then take off your coat and stick around a while I'm cold all right keep
00:29:34it on then come on day let's go in the kitchen get some coffee cold
00:29:56what's this when I did that I was hot your methods have never been exactly subtle have they they
00:30:06usually work which one were you planning that for feldman or day my business I'm
00:30:13sorry gene can I help it if feldman likes me try it on day he's a swell guy oh don't
00:30:21bother me I'm busy I thought you'd gone I'm ready for the Marines to drag me out I've done my
00:30:36best to get
00:30:37rid of them I'd rather you told them that I'd gone home you're shy I like that I'm just not
00:30:43used to
00:30:43letting people in on my business the way you do where are you going I'm going home to
00:30:48get a few things well it's just ten minutes to five I'll give you those ten minutes I'll be back
00:31:01no not what day is still here
00:31:15is she gone where she's gone I'm going to well goodbye goodbye goodbye goodbye
00:31:44even suspect we've overstayed our welcome you may be right there too get your own hat and
00:31:50coat day I'll do that has Jean gone yet yes she's gone home I wonder where that is I haven't
00:31:58seen this idea well no hard feelings I hope all men of course there are still I wish you luck
00:32:07since we may not meet again
00:32:35our program continues with Lucille Oliver singing Tosti's goodbye
00:32:51well I paid to give you back your five thousand why
00:32:57ask me no questions and I'll tell you no lies keep it I didn't win it oh yes you did
00:33:08you didn't try to make me love you Feldman you want me to
00:33:16oh I'm still here as I see you are
00:33:26let's have a little drinky and then I'll go
00:33:38oh you too sorry to hurry you my dear but
00:33:42how many blond italians have you known only one
00:33:58oh I'm hot oh I wonder where my dress is I did have a dress once pardon my appearance
00:34:12I find it hard to
00:34:19oh this is the most wonderful couch in the world
00:34:25mind if I stay here
00:34:30just what do you want
00:34:37I want to take piano lessons
00:34:45you won that bet
00:34:47did I
00:34:48did you want to win it
00:34:51I'm afraid I did
00:34:55don't go let it ring
00:35:03I'm sleeping
00:35:07no
00:35:09they'll go away
00:35:13they've gone
00:35:39I'm
00:35:40I'm
00:35:43I'm
00:35:44together. Only one lady? That's all, ma'am.
00:35:54Take me down. Yes, sir.
00:36:07I like you, Day. Don't take things too hard. I like you too, Shotzi. Thanks.
00:36:11Good night. Good night.
00:36:16Driver, drive around the park.
00:36:26Drive around the park for a while.
00:36:54Drive around the park.
00:37:10I'm just going to try out the park.
00:37:10Don't take the last one.
00:37:29Hello. Yeah, this is she. Who? Hospital? What hospital? Taxi accident? Is she hurt
00:37:41badly? I'll be right over. Well, it was a milk wagon. Either my driver was a drinking
00:37:55man or he doesn't like milk wagons. I never should have let Jean have my bad dime. Well,
00:38:00I'll call day. Oh, no. No, that's all washed up. Well, where was Feldman? Yeah, that was
00:38:08too good to be true. Well, what are you going to do? Get well, get my bad dime back, and
00:38:14get good and even. Good and even with who? With that big stiff Jean. Jean? Yes. She beat
00:38:21me to it. Jean and Feldman. What? I wonder how they'll get on.
00:38:26Jean and Feldman.
00:38:29Jean and Feldman.
00:39:02But I saw you asleep. Say, listen. I just called you up to tell you that from now on,
00:39:07I sleep when I please, and with or without music. Well, don't write wire. Emma? Come here.
00:39:16Take this address book and get on that telephone. We've got to see where we go from here. Yes,
00:39:19Miss Jean. Where do I begin? Start at the beginning and go right through. I'm back in circulation.
00:39:34Oh, come on. Tell me. What, my whole life story? Again? Tell me what you hear from Shotzi in Polaire.
00:39:43I'd rather not go into that. I don't hear anything. What do you hear from Polaire? Oh, nothing. I suppose
00:39:52she's where I live in the
00:39:53of my mom. What? I like to tell her last and Feldman's flat. What do you hear from her? What
00:39:58have you done here?
00:39:58Well, now that we've got that off our minds, what have you done here?
00:40:01him. I can't understand why he didn't get there. I'm sure he said lunch and I waited as long as
00:40:19I could. I have this appointment at 3.30 you know. But if he comes and ask him to call
00:40:23me here. I wouldn't worry if I were you. Life isn't so easy these days that a girl can afford
00:40:29not to worry.
00:40:31Who's in that booth? That Miss Sutro? I believe it is Miss. Who's in that next booth? It's your friend
00:40:36Miss Lawrence. Well hello you. Hello yourself. Where have you been keeping yourself? Ask me no questions or I'll tell
00:40:49you no lies. Where's Polaire? Ask me any questions you want to. I can keep my trap shut. How's Feldman?
00:40:58Oh we parted. I knew that wasn't
00:41:01last. Our temperaments weren't suited. Who'd you have lunch with today? Well what's it to you? Well I don't know
00:41:07if it's anything to me only I had a luncheon engaging with Pops and they didn't keep it. So a
00:41:11little snooping seems in order. The gentleman you spoke I was here Miss Lawrence. Oh ask him to wait. Ask
00:41:16him to come in. This is my territory Al Capone. Knowing your habits I want to be sure of that.
00:41:20Oh hello. Hello.
00:41:21Uh you've met Mr. Emery haven't you? Well hello Shafi. You know I've met him. She thought you were Pops.
00:41:27No. I can't imagine why she's so fretful about Pops. Are you two playing around together now? Well he's my
00:41:33fiance. Not that we're engaged or anything like that. That's like you. What is? Trying to take your best friend's
00:41:37man away from her. And you don't look so hot either. What do you mean? She gave him up didn't
00:41:41she? Say we're going out to have a little drinky won't you join us?
00:41:43But this way to the hearing from me department. Say anything you've got to say about me you say before
00:41:46me. I wouldn't say what I've got to say about you before anybody. Now listen young man I've got news
00:41:54for you. At least I think a lot less of you if it isn't news. I'm not supposed to tell
00:41:57you but now that I see what that baby's up to. Did you know that Polaris has been in the
00:42:00hospital? What? Yeah ever since that night at Feldman. What hospital? Where? Let's go to the hospital. I'm sorry about
00:42:04that drink. I'm going. Hey you can't get away with that. Shut up will you. You can't talk about that.
00:42:17That because it's you. This because it's me. Well I always knew you were a prince but I never dreamed
00:42:29you were such a glutton for punishment. The recipient places the ring on the usual finger and kisses the donor.
00:42:37Wait a minute.
00:42:39How do you know I won't walk out on you again? Well if I make you happy you won't want
00:42:44to. And if I don't do I deserve to lose you. Talk to your father first. Till then I'm not
00:42:56holding you to any promises made. Except one. What's that? That you still like me. Darling.
00:43:07Well we'll bury the hatchet. And have a little cranky. Well all right. Yes. Ha ha. Ah remember what happened
00:43:16to Mary Queen of God. Yeah. It's for you. You deserve it. Oh my pleasure. Hello. Yes this is she.
00:43:27Who? What's about it? It's Pop. What about Pop? He's passed. Where?
00:43:34Out. Oh. It makes me feel a little queer. Yeah. Me too. It makes me realize how fond I was
00:43:47of Pop. Me too. Oh I'm going to miss Pop something terrible. Me too. You?
00:43:58Any objection to me Mr. Pop? Yes I have. Why? Well it don't seem respectful to his memories. Oh. Oh
00:44:06is that so? And when I think of the way you took advantage of him. Me?
00:44:10Yes you. How did I ever take advantage of Pop? Were you ever after anything but his money?
00:44:15Who am I your nurse? And when I think I could have saved him from you if I'd had the
00:44:19time.
00:44:19You say Pop from me? Maybe it isn't too late yet. Too late for what? For me to get busy.
00:44:26Call out the reserves. Get into action. And leave you holding the bag.
00:44:30Hey wait. What are you doing? Come here. Come here. Take this thing off my head. What are you going
00:44:33to do? Come here.
00:44:43Will you come in please?
00:44:50If you ladies will sit down I'll call Mr. Garrett.
00:44:56Pardon me.
00:45:00I don't like this. Well you gotta go through with it.
00:45:07How do you do? How do you do?
00:45:09Which is Miss Sutro? I am. This is Miss Gwynne.
00:45:12I have heard both your names.
00:45:14This is a painful occasion ladies.
00:45:17Very.
00:45:18My client and your late friend as you know Miss Sutro was a man who all his life did things
00:45:25his own way.
00:45:27Are you trying to tell me something's wrong?
00:45:28No my dear lady. Not a thing.
00:45:32Only a little ceremony.
00:45:34For which my client left most strict instruction.
00:45:37Is the other lady ready?
00:45:39Yes sir.
00:45:40What other lady?
00:45:41Just a moment please.
00:45:43Show her in.
00:45:59You sit there Miss Lauren.
00:46:17You may proceed.
00:46:19You may proceed.
00:46:35With your client body I wish to make a few remarks in my own voice to supplement what I have
00:46:39already put in writing.
00:46:42Oh poor Pop. He has a cold.
00:46:46He had a cold.
00:46:47I have of late years been associated with three young women known as Jean Shatsy and Polair for Polair
00:46:54I have only the highest but most disinterested esteem. I have embodied my feelings for Shatsy in my will. I
00:47:02Take this means however of warning my executors against the scheming of the one named Jean
00:47:07That's a lie. I knew you'd say that sit down
00:47:22Is there anything else madame? No, I don't think so. What do you want, Shatsy?
00:47:28A large club
00:47:30Say, remember stupid, we're ordering breakfast. Try to have it here before the middle of the afternoon.
00:47:35Yes, madame
00:47:37Can you beat that? A yes madame waiter and a yes ma'am menu
00:47:40I'm glad I told Dave to bring his father here this afternoon and not for lunch. Wouldn't it be a
00:47:44terrible mistake if they came for dinner?
00:47:45Not a chance. They'll be here this afternoon at four
00:47:58Hello?
00:48:01What do you want? It's Jean
00:48:04What do you want to see us about?
00:48:06Well, make it some other time. I'm busy this afternoon
00:48:11All right then, three o'clock
00:48:14Will that be all madame?
00:48:16That's all, scram
00:48:17Yes madame
00:48:19No, no
00:48:20Wait a minute
00:48:22Is that all the clothes you've got?
00:48:24I don't think I understand you madame
00:48:27Well, have you got a real butler's suit? Can you get a real butler's suit?
00:48:30Yes madame
00:48:32Very well then, Jeeves
00:48:33You're going to be our butler for about half an hour this afternoon
00:48:37When that dame shows up, we'll show her a family retainer that'll knock her eye out
00:48:40Yes, great. She won't get over that for a year
00:48:42You'll be back here at three o'clock with that butler's suit and serve tea
00:48:45We won't want you for long
00:48:46Now you understand?
00:48:47Yes madame
00:49:09Is this Miss Sutra's apartment?
00:49:10Yes, Miss
00:49:11Will she in?
00:49:13I'll see if she's at home, Miss
00:49:16What name shall I say?
00:49:18Lawrence
00:49:22Won't you be seated, Miss?
00:49:29Just a moment
00:49:32By any chance is your name Meadows?
00:49:35No, Miss
00:49:37Herbert Scroggins
00:49:42That's all I wanted to know
00:49:49Well, well, well
00:49:50Jean, my dear
00:49:51How are you?
00:49:53No one knows
00:49:54Well, if you came here to be in Fontaine
00:49:56I didn't come here with a handful of calling cards
00:50:02Jean, my dear
00:50:03Oh, it's simply wonderful to see you again
00:50:06You're looking too marvelous yourself, my dear
00:50:08Believe it or not
00:50:11Why, we're forgetting Jean hasn't had her tea yet
00:50:15Shall I call Joan, shall I say?
00:50:17Why not?
00:50:18Oh, here he is now
00:50:26How are all the other slaves of the old plantation, Herbert?
00:50:30Well, there you have me, Mum
00:50:33Uh, shall I call?
00:50:34If you will
00:50:38Uh, cream?
00:50:39No
00:50:41How wise she is not to take cream
00:50:43You're two or three pounds for the good, aren't you?
00:50:49That's a cute little jacket
00:50:51This?
00:50:52Yes
00:50:52Yes
00:50:53Where did you get it?
00:50:55I shot it in me own kitchen
00:50:59Did you get that thing you're wearing?
00:51:01Oh, this?
00:51:02Oh, the man who made it is so well known, you never even heard of him
00:51:06Oh
00:51:07Heard an eye
00:51:15Oh, Jean, Jean
00:51:17It don't last till you get it home
00:51:19Yeah
00:51:19Well, it lasted till it got home to me
00:51:23Look
00:51:25Got these since I saw you last
00:51:28They're real
00:51:30You knew they were
00:51:31I can always tell real pearls
00:51:34Even when they're such little ones
00:51:38Oh, is that so?
00:51:41Well, some of these aren't so little
00:51:44And some of them aren't so real, are they?
00:51:47Oh, is that so? Well, I didn't come here to be high-hatted, and nobody gets away with it.
00:51:51Well, what did you come here for?
00:51:52I came here because I made up my mind you've got to be told where you get off.
00:51:54Nobody gets away with double-crossing me.
00:51:56Who's double-crossing you?
00:51:56Now, don't tell me you didn't put Fox up for that phonograph gang.
00:51:59Oh, now, Jean, I swear.
00:51:59And I suppose you didn't take De Emery away from me just as I got started on him.
00:52:02If Paulette gave him up and said I could have him.
00:52:03Paulette didn't want to give him up, and you knew it anyway, didn't you?
00:52:06Oh, never mind what I did.
00:52:11Hello?
00:52:12Oh, yes, dear.
00:52:15When, now?
00:52:17Well, all right.
00:52:21You've got to go.
00:52:22I've got to what?
00:52:23Go.
00:52:24They're on the way.
00:52:25They just telephoned.
00:52:25Yeah, you've got to go.
00:52:26We've got business here this afternoon.
00:52:27It's private business.
00:52:28Well, is it so private you can't let an old friend in on it?
00:52:32Yes, Jean, I'm sorry, but it is.
00:52:34Well, that's what I call carrying things too far.
00:52:37Keeping secrets from your oldest friend.
00:52:41Throwing your oldest friend out into the street.
00:52:43I'm sorry, Jean.
00:52:45Oh, why should I be interested anyway?
00:52:46Oh, Jean, for the love of my dear, you.
00:52:49I'll have to tell her.
00:52:51Oh, no, no.
00:52:51Don't tell me.
00:52:52Oh, no.
00:52:53Don't tell me.
00:52:54If you're so private, don't think of telling me.
00:52:57What is it?
00:53:02I'm going to be married.
00:53:04You're going to be married?
00:53:06Who to?
00:53:08Well, no, I don't want it talked about, but...
00:53:12Day Emery.
00:53:14You're going to marry Day Emery?
00:53:17Yes.
00:53:18And he's bringing his father here.
00:53:20Now?
00:53:22Yes, to look me over.
00:53:23And, well, you see, Jean, Day wouldn't want anyone else here.
00:53:28Oh.
00:53:31Oh, I see.
00:53:33Well, love, why not let the old man look us all over?
00:53:38Oh, no.
00:53:39No, I'd rather not.
00:53:45Well, of course, if that's the way you feel about it, it's all right with me.
00:53:55Ahem.
00:53:56Well, anyhow, let's all have a little drinky, just for good luck, huh?
00:54:00Nobody has any little drinky tea this afternoon.
00:54:02This is over, and that's that.
00:54:04Well, all right.
00:54:06I'll go.
00:54:07I'll do more than that.
00:54:08I'll take back all I said.
00:54:11Now, look, we're old friends.
00:54:14I always liked you two guys.
00:54:17Now, this is no time for hard feelings.
00:54:19Let's shake.
00:54:23You're a great scout, Jean.
00:54:25You're no slouch yourself.
00:54:27Goodbye.
00:54:28Goodbye.
00:54:29I'll be seeing you.
00:54:30Oh, Jean.
00:54:32What?
00:54:32Just a moment.
00:54:40Here are your gloves.
00:54:41Here are your gloves.
00:54:42Take them with you so you don't have to come back after them.
00:54:45Thanks.
00:54:48Are you sure you've got everything?
00:54:50You didn't hide a horse and buggy around here, did you?
00:54:56Oh, Paulette.
00:55:00How about taking your wedding presents from me now?
00:55:04Oh, Jean.
00:55:05Yes.
00:55:05Why not?
00:55:06Oh, you're crazy.
00:55:07No, I want you to have them.
00:55:09That's my business.
00:55:09Oh, no, I'm not too much.
00:55:10Possibly.
00:55:11But I want you to have them.
00:55:16I'm sorry you didn't get me out in time.
00:55:23Hello, darling.
00:55:25Where's your father?
00:55:26Isn't he coming?
00:55:26Oh, he preferred that I brought it to him.
00:55:28You don't mind, darling, do you?
00:55:29Oh, all right.
00:55:31I'm scared, but I don't mind.
00:55:33I'll get your coat.
00:55:34I feel just like a mama, which I hope you appreciate.
00:55:37I do.
00:55:38How do you do, Mr. Emery?
00:55:40Oh, how do you do?
00:55:41I believe congratulations are in order.
00:55:43Yes, they are.
00:55:44Yes, I haven't seen you since the day of the big wind.
00:55:47Oh, dear.
00:55:48Oh, how do you do?
00:55:51Here's your hat and coat.
00:55:53I don't know why I should be so excited about a wedding
00:55:55when I think of all the times I could have gotten married.
00:55:57Here.
00:55:57Good luck, old dear.
00:56:01Thanks, Jean, for everything.
00:56:03Don't mention it.
00:56:04Come on, Polaire.
00:56:05I want my bad dime.
00:56:07Why?
00:56:07Well, you know why.
00:56:08She's cuckoo not to believe in the fool thing.
00:56:10So am I.
00:56:11You don't want your bad dime.
00:56:12Come on.
00:56:12Goodbye, kids, and good luck.
00:56:14I don't know about my bad dime.
00:56:14I'm not struggling.
00:56:18Now, Miss Soarhead, you can have your little drakey.
00:56:21I'll open up a pint for you.
00:56:23Pints?
00:56:24What teetotaler ever invented pints?
00:56:31Did you break anything?
00:56:32No, but I will.
00:56:45Now, you wait here, and I'll go and find Father.
00:56:47I'm scared.
00:56:49I know you think I'm not half good enough for you.
00:56:51Oh, darling.
00:57:07Miss Gwynn, my father.
00:57:09How do you do, Miss Gwynn?
00:57:10How do you do, Mr. Emery?
00:57:13Hey.
00:57:13What?
00:57:14Come here.
00:57:15Just a minute.
00:57:17Come on.
00:57:17Oh, you'll join us later.
00:57:19Well, I want to see you.
00:57:20Never mind.
00:57:20Come on, Father.
00:57:20Do as I say.
00:57:25You see, Miss Gwynn, I wanted a few minutes with you alone.
00:57:28Will you give me some tea?
00:57:30Why, yes, of course.
00:57:31Strong, with cream and sugar.
00:57:37Well, I'll open another pint.
00:57:39They're both Polaire's, but she won't mind.
00:57:42I've had enough.
00:57:43You've had what?
00:57:44I've had enough.
00:57:45I've had enough.
00:57:45I'm going home.
00:57:46Boy, I never knew you'd stop on one drink before.
00:57:49Call me a taxi, please.
00:57:50I'll be right down.
00:57:51What are you up to?
00:57:52Ask me no questions.
00:57:53I'll tell you no lies.
00:57:54Where are your pearls?
00:57:55My pearls?
00:57:56Oh, Polaire's got them.
00:57:57Polaire gave them back to you.
00:57:59No, I don't think so.
00:58:00Why, so?
00:58:00Well, I haven't got them, have I?
00:58:02Well, you must have put them down someplace.
00:58:03Well, if I did, you keep them.
00:58:04They're, say, I can't understand why you're so careless about real pearls.
00:58:07Well, why should I worry?
00:58:09They're safe here, aren't they?
00:58:10You're up to something.
00:58:11Oh, what would I be up to?
00:58:12I don't know.
00:58:14But you're not going to leave this place until you find those pearls.
00:58:16A great fortune needs a serious master.
00:58:19That's why I can't leave my money to my son.
00:58:22Can't you?
00:58:22Day hasn't shown himself very serious.
00:58:25I've never cared about money.
00:58:32Well, you see?
00:58:33They're not here.
00:58:34Well, they must be here.
00:58:35I saw Polaire give them back here.
00:58:36I was standing right there.
00:58:37It's very funny to me that they're not around.
00:58:40Jean!
00:58:45Hello?
00:58:45Hello, operator.
00:58:47Operator.
00:58:47Now, get this.
00:58:48Miss Lawrence is on her way downstairs for a taxi cab.
00:58:51You send an elevator boy out to get the address she gives the driver.
00:58:53Yeah, now I'll wait here.
00:58:56But I'm glad Day's made up his mind to marry at last.
00:59:00No matter whom?
00:59:01So long as she marries him for himself, not for his money.
00:59:06I didn't realize Day would be giving up so much.
00:59:10Oh, not that I mind for myself.
00:59:13But it's hard on him.
00:59:15No, it's good for him to want anyone as much as he wants you.
00:59:22And now that I've seen you, I shan't interfere.
00:59:27Shall we call Day now?
00:59:28Yes, please do.
00:59:31Hello?
00:59:32What's that address?
00:59:33What?
00:59:34Call me a taxi.
00:59:39I'm sorry to bother you, but I'm afraid I'll have to trouble you for my pearls.
00:59:43No.
00:59:45I'm terribly sorry, but I'm afraid I'll have to bother you for my pearls.
00:59:52You'll pardon me, both of you.
00:59:53I must trouble you for my pearls.
00:59:58This day, Mr. Nertz.
01:00:04You're a great scout, Father.
01:00:05When can we get married?
01:00:07Isn't that for the young lady to say?
01:00:09Oh, I'm ready any time.
01:00:10Oh, darling.
01:00:11Oh, I beg pardon, sir.
01:00:12There's a Miss Lawrence here asking to see Miss Gwyn.
01:00:15Miss Lawrence?
01:00:16Jean!
01:00:16What's she doing here?
01:00:18Why, I can't imagine.
01:00:19A friend of yours?
01:00:21Oh, yes.
01:00:22Can she wait somewhere?
01:00:24She says her business is most urgent, Miss.
01:00:26Well, ask the young lady to come in.
01:00:28All right.
01:00:31Will you come this way, please?
01:00:33Of course, it just kills me to interrupt this session, but I'm afraid I'll have to trouble you for my...
01:00:39Oh.
01:00:41Oh, I beg your pardon?
01:00:44Miss Lawrence, my father.
01:00:46How do you do?
01:00:49How do you do?
01:00:51I thought you said you had urgent business here, Jean.
01:00:55Yes, it can wait.
01:01:01Why do you go down this street?
01:01:02The street's all right, lady.
01:01:03It's the traffic.
01:01:04I know it's the traffic.
01:01:05Why don't you go to the park?
01:01:06Well, it's just the same any place you go, lady.
01:01:08They'd only listen to me about this traffic.
01:01:13I've seen you somewhere before.
01:01:15Oh, how are you indeed?
01:01:16Yes, you will point it out to me at the Earl Carroll's Vanities.
01:01:19Oh, but I've never been to Earl Carroll's Vanities.
01:01:21No?
01:01:22Well, perhaps it was the polo at Westchester Biltmore.
01:01:25Possible.
01:01:26Yes.
01:01:26Could it have been the opera?
01:01:28I don't think so.
01:01:29Oh?
01:01:30A horse show?
01:01:31Maybe.
01:01:32Well, it must have been someplace.
01:01:34You are good looking, you know, and I never forget a face.
01:01:37Is that all you came to say, Jean?
01:01:42Well, isn't that an all right thing to say?
01:01:44Sure.
01:01:45Only you came a long way to say it.
01:01:47Oh, I know where it was.
01:01:48I beg your pardon.
01:01:49I know where I saw you before.
01:01:50Where?
01:01:51In the movies.
01:01:52The movies?
01:01:53What are you talking about?
01:01:54Yes, yes.
01:01:55It was about a year ago.
01:01:57Oh, she means the newsreel.
01:01:59Yes, yes.
01:02:01It was about getting off your yacht.
01:02:03Well, how do you remember that?
01:02:05Oh, I never forget a yacht.
01:02:09I beg your pardon, sir.
01:02:11Yes, Billings?
01:02:11What is it?
01:02:12There's a Miss Siltro here asking for Miss Lawrence.
01:02:16Chassis.
01:02:17What does she want?
01:02:18Another friend?
01:02:19Why, yes, but don't ask her and we'd better go.
01:02:22Come on, Jean.
01:02:23Just a moment.
01:02:24What's your hurry?
01:02:25Billings, ask the young lady to wait.
01:02:27I've just come.
01:02:29I'm sure Mr. Emery doesn't watch.
01:02:31Well, maybe he doesn't, but I do.
01:02:32Now, look here, Jean.
01:02:33What is that it gets so excited about, darling?
01:02:35Well, that's what I don't know.
01:02:36But Jean's here for no good or shots he wouldn't come.
01:02:41You'll be sorry you pulled that one, baby.
01:02:44My dear Miss Lawrence.
01:02:46Where are my pearls?
01:02:48How should I know where your pearls are?
01:02:50Did you have her pearls?
01:02:51Certainly she had them.
01:02:52But what were you doing with them?
01:02:55That's a long story and I hate long stories.
01:02:57I'll tell you what she was doing with them.
01:03:00She wanted to wear them here.
01:03:02So you wouldn't think she was a gold digger.
01:03:05Jean, you've got genius.
01:03:09I'm sorry, Mr. Emery, but they were real pearls.
01:03:11And real pearls are worth money.
01:03:13Of course, she may be playing a joke.
01:03:14If anybody's playing a joke at you and it's gone far enough.
01:03:18She's trying to make me out a thief.
01:03:20I never thought of such a thing.
01:03:22You must be crazy.
01:03:23I'm not crazy and I'm not a thief.
01:03:25I gave you back those pearls and you know it perfectly well.
01:03:27Why, Shatsy saw me do it.
01:03:30Shatsy!
01:03:31Not all this is most embarrassing for me.
01:03:34Come on in here with me, Shatsy.
01:03:35There's going to be trouble.
01:03:36Oh, I knew it.
01:03:38Shatsy, you saw me give her those pearls back.
01:03:40Sure I did.
01:03:41Well, I haven't got them, have I?
01:03:42Of all the low-down frame-ups, you know perfectly well
01:03:44those pearls are in your bag right this minute.
01:03:47Oh, are they?
01:03:47All right.
01:03:49Well, are they here?
01:03:51Are they there?
01:03:54Well, you must have them somewhere on you.
01:03:56Well, fetch me then.
01:03:59This is a grave charge you've made, Miss Lawrence.
01:04:01It's a grave charge they've made against me.
01:04:04Fancy me framing an old friend.
01:04:07Couldn't they have fallen inside your dress?
01:04:10I think you'd better look.
01:04:12Do you?
01:04:16All right, I will.
01:04:18Well, I'll help you.
01:04:19No, thanks.
01:04:19No, I'll search myself.
01:04:21Now, watch closely, Mr. Emery.
01:04:22See that I don't put any Houdini tricks.
01:04:24Look, is it there?
01:04:25Is it there?
01:04:27Is it there?
01:04:31Are they there?
01:04:33Now, are you satisfied?
01:04:38What you're laughing at?
01:04:39I can't help it.
01:04:40Now we'll search Polaire.
01:04:41Oh, I wouldn't if I would.
01:04:42Well, Polaire's got to be cleared.
01:04:43Not James Wade, I couldn't.
01:04:45Well, we don't have to go that far with you.
01:04:52Miss Gwynn.
01:04:54You, you.
01:04:56Polaire, dear.
01:04:57So you didn't give them back?
01:04:59Well, of course I gave them back and she's-
01:05:02Jay, what are you thinking?
01:05:05Well, I'm thinking this is the rottenest,
01:05:07vilest mess I've ever seen.
01:05:11I see.
01:05:12Well, you better think more than that, Jay,
01:05:13and be quick about it.
01:05:13What else is there for him to think?
01:05:14It is a rotten, vile mess, but that's what you get for playing around with our kind.
01:05:18I'm glad it happened now instead of later.
01:05:21I must have been crazy to think of marrying you.
01:05:26Follette!
01:05:36Follette!
01:05:37Follette!
01:05:39Come back!
01:05:40Hey!
01:05:42Where's she gone? Has she gone to your place?
01:05:43I'd give her time to cool off if I were you, and if I were you, I'd watch out to
01:05:47my father.
01:05:47What?
01:05:51In the presence of the family and intimate friends, including the Duke and Duchess of Ainsley,
01:05:57the Duchess being Mr. Emery's daughter by a former marriage,
01:06:02Mr. Day Emery will act as his father's best man.
01:06:06Uh, have you the ring, Mr. Day?
01:06:09Yes, I've got the ring.
01:06:11And the bride will be given away by her mother.
01:06:14Oh, pardon me.
01:06:15Just a moment.
01:06:17Yes, my love.
01:06:19I don't know why it is, but I don't seem to be able to remember my mother's name.
01:06:24Your mother is Mrs. Randolph Hill of Kansas City.
01:06:27Your father is Colonel Randolph Hill of Kansas City.
01:06:31My father's dead.
01:06:33Your mother's husband may be dead, but your father is Colonel Randolph Hill of Kansas City.
01:06:43Well, anyhow.
01:06:45Oh, now, sir, about placing the string quartet.
01:06:48Oh, yes, I'll come at once.
01:06:52Excuse me, dear.
01:06:54Come with me, Day.
01:06:55Yes, father.
01:06:55Pardon me.
01:06:58Georgette, dearie, come here.
01:07:00In here, please.
01:07:02Hey, wait a minute.
01:07:02We didn't come to the wedding.
01:07:03We came to see Miss Lawrence.
01:07:04And we'll see Miss Lawrence.
01:07:06Oh.
01:07:07Uh, will you wait in the library, ladies?
01:07:18I'll tell Miss Lawrence that you are here, but who should I say?
01:07:24Miss Sears and Miss Buck of Sears Roebuck.
01:07:36Are you sure you want to go through with this?
01:07:39I want my bad dime back, and I'm going to get it.
01:07:41Now for a view of the bride alone.
01:07:43Are you ready, Miss Lawrence?
01:07:44Yes, I'm going to lie.
01:07:44Come on, boys.
01:07:45Come on, don't keep Miss Lawrence waiting here.
01:07:47Just pull yourself, Miss Lawrence.
01:07:48I'll get it away.
01:07:49Well, we'll try to find the other way.
01:07:51Here, put this camera right here, Miss Lawrence.
01:07:52Hiya, please.
01:07:53Say, listen.
01:07:54Do you think there are any detectives around here to put us out?
01:07:57No, they're earning their money drinking the bride's health.
01:08:04Oh, please don't disturb me now.
01:08:06Not to allow for this therapy.
01:08:07Can you give the boys a drink, please?
01:08:08Come to a desk.
01:08:25Of all the snow things.
01:08:32Say, cut out the personal remarks and tell me what you two guys are doing here.
01:08:36I want my bad dime.
01:08:38Yeah, Jean, give it to her so she won't be so nervous on the water.
01:08:40Water?
01:08:41What water?
01:08:42We're going to Paris.
01:08:44Paris?
01:08:45Yeah.
01:08:46We're taking the Isle de France, too.
01:08:48When?
01:08:49Today.
01:08:50About the time you're being made an honest woman.
01:08:53Oh, gee, that's great, isn't it?
01:08:55Sure, it's great.
01:08:56So if you don't mind coming across, sure I'll come across.
01:09:00Georgette?
01:09:07Oh, yeah.
01:09:08French.
01:09:12Ten lessons for 10 cents.
01:09:18I had about all the luck I could stand just now.
01:09:20I wouldn't know what to do with any more.
01:09:23Yeah, but you have fun in Paris, huh?
01:09:25That's what we're going for.
01:09:27Yeah, when people have fun together, that's something, isn't it?
01:09:30Sometimes I think that's all there is.
01:09:32So do I.
01:09:34Sometimes.
01:09:37You always like that kind of junk, Jean.
01:09:40Couldn't you have got some good preferred stock instead?
01:09:43Here.
01:09:44Thanks.
01:09:45It brought me lots of luck.
01:09:47I'll say.
01:09:48I guess it was luck.
01:09:50Let's have a little drinky, just to say goodbye.
01:09:52Sure.
01:09:53I don't see why not.
01:09:54All right, I'll ring.
01:09:56Just what we wanted.
01:09:58That's fine.
01:09:59Mr. Emery asked me to tell you that the guests are arriving, Miss Lauren.
01:10:02All right, that's fine.
01:10:03Thanks.
01:10:10To Gay Perry.
01:10:12How long is staying over?
01:10:14Oh, as long as the staying's good.
01:10:15We haven't made any plans except for catching the boat, and we'll have to step on it to do that.
01:10:18Let's have one more little drinky on our late friends.
01:10:21Before we bury her.
01:10:22What do you mean, bury me?
01:10:23I mean, bury you.
01:10:27Oh, when those two Italian aviators said to me, why don't we all go to Paris?
01:10:43I said, sure.
01:10:44Why don't we all go to Paris?
01:10:45So we're all going to Paris.
01:10:47And if they only have half of what they say,
01:10:49they own everything in Paris except one of the bridges across the river.
01:10:53Yeah, we're sailing, too.
01:10:54Yeah?
01:10:55On Mr. Emery's yacht.
01:10:57Well, now, you're not going to compare Mr. Emery's yacht with the Yields of France.
01:11:00Why, they've got lifeboats bigger than his whole boat.
01:11:05We're going to our own island for our honeymoon.
01:11:08Mr. Emery owns all of it.
01:11:10Too much real estate's a poor investment.
01:11:13Wait till you want some chop suey at 2 a.m.
01:11:17Mr. Emery says it's very romantic.
01:11:19There's lots of quail on our island.
01:11:22You can get plenty of quail in Paris.
01:11:25Yeah, well, I got something you can't get in Paris.
01:11:27What?
01:11:28I got $1 million.
01:11:30Clear and free?
01:11:31In my own name and my own bank.
01:11:33A million's not enough for a girl who sacrifices everything to go straight.
01:11:38Well, Jean always did like money.
01:11:40Yes.
01:11:41Not as much as I like fowling around with you two guys.
01:11:45Well, then what do you marry him for anyway?
01:11:46I don't know.
01:11:48Why did you want to marry Day?
01:11:50Well, that was different.
01:11:51She liked the poor Saps.
01:11:53Yeah.
01:11:54Yeah, he was a fine one.
01:11:56He was.
01:11:56Now, you're the off day.
01:11:57Well, anyhow.
01:11:59Yeah, anyhow.
01:12:01Anyhow.
01:12:01Anyhow.
01:12:06Who was that?
01:12:08It's the three of us.
01:12:09I guess for them.
01:12:14I'm sorry I pulled that pearl trick on you.
01:12:17We won't talk about that.
01:12:18No, we won't talk about that.
01:12:20Anyhow, it got me someplace.
01:12:22It wasn't that.
01:12:22It was my bad time.
01:12:24Oh, look at the whole people.
01:12:26Oh, where do you suppose they're going?
01:12:27Maybe it's a fire.
01:12:29Oh, that reminds me.
01:12:36Why?
01:12:42It reminds me of what I live next door to a firehouse.
01:12:56I'm sorry.
01:12:59I'm not too sorry for you as I am for myself.
01:13:03I'm going to go get married and be stuck on an island with nothing on it but quail.
01:13:12Why can't I have some fun?
01:13:14Why can't I have some fun?
01:13:14I'm still young.
01:13:15I'm still beautiful.
01:13:17I have everything.
01:13:19Why must I give up all my good times for that awful lot?
01:13:23Young girls all just have to pay for their mistakes.
01:13:28Poor Jean, she wishes she was going to Paris with us.
01:13:31Don't you, Jean?
01:13:32Well, maybe I do.
01:13:34Hey, you better keep sober.
01:13:36Oh, yes.
01:13:37Well, I'm glad we're going where this duck grows wild.
01:13:41Yeah, goodbye, Jean.
01:13:43What?
01:13:44Goodbye.
01:13:47You are mumbling.
01:13:49I'm a mumbling.
01:13:51I am.
01:13:52We'll think of you off on your arm at all, covered with quail, whatever we eat one.
01:14:01We've got to go.
01:14:02No, no, don't go.
01:14:04We've got to go.
01:14:04Now, come on, Jean, you fuck up.
01:14:07Oh, yeah, we can't leave you like this.
01:14:09No, you can't go and leave me like this.
01:14:13Take me with you.
01:14:15Oh, Jean.
01:14:16Oh, take me.
01:14:17You can't leave me feeling the way I do.
01:14:19It wouldn't be humor.
01:14:20Oh, no, Jean, you've got to get married.
01:14:28Well, when you got a million and all that junk, why be a hog?
01:14:32Why be a hog?
01:14:33Sure, that's what I say.
01:14:34Yes, come on, let's go.
01:14:36No, come on, we go.
01:14:37Come on, we go.
01:14:38We'll go down.
01:14:39Oh, the kids are out there.
01:14:42Come on, little people.
01:14:43We go up the back stairway.
01:14:44Up that door.
01:14:44We'll go up here.
01:14:45Come on.
01:14:46Come on.
01:14:46Come on.
01:14:47Come on.
01:14:47Come on.
01:14:48Come on.
01:14:49Come on.
01:14:50Come on.
01:14:53You two go on.
01:14:54I'll meet you in the taxi.
01:15:05Well, what is it to say you about?
01:15:07You might have listened to me.
01:15:08I had so much to tell you and I won't be any good until I've said it.
01:15:11What can you say that will change anything now?
01:15:13Well, at least give me the satisfaction of telling you that I can't get you out of my mind.
01:15:19I'll go in there and make sure of myself.
01:15:23Oh, please, sir.
01:15:23It's very unlucky for the bridegroom to speak to the bride before the ceremony.
01:15:28Oh, I'm too old for such nonsense.
01:15:29And the guests are waiting.
01:15:34Hang on to that door out there.
01:15:36I don't trust these old fashioned lies.
01:15:43Got caught.
01:15:46What is it?
01:15:47Are you nearly ready, my love?
01:15:49Am I ready?
01:15:51Yes, I'll be ready in two minutes.
01:15:53How did you go?
01:15:54Where's my dress!
01:15:55Where's my dress?
01:15:56Dress, more or less, never bothered you before.
01:15:58How?
01:16:09It's Susan's bed. Come on.
01:16:13Can't you forgive me?
01:16:15Sure, I forgive you.
01:16:16Well, if you forgive me.
01:16:18No, it stops there.
01:16:20Marry a nice girl, Day, and get a horse.
01:16:23We can't talk here now.
01:16:24You've got to let me see you again.
01:16:26Hey!
01:16:27Try and find me.
01:16:29Full air!
01:16:30Full air, come back!
01:16:32Father, I love her.
01:16:34No more.
01:16:34My boy, there's trouble enough.
01:16:35I know there's trouble enough.
01:16:37The rugged crossing I ever had.
01:16:40Oh, you.
01:16:41You would stop to talk to that sap.
01:16:43Don't you call him a sap.
01:16:44Now, quit scrapping.
01:16:45You don't get out of here.
01:16:46Get out of here.
01:16:47No, you don't, Jean.
01:16:48What about Jean?
01:16:48Oh, I don't know.
01:16:49She spoke to me, and she's gone.
01:16:51Gone where?
01:16:51I don't know.
01:16:54Day, what do you think?
01:16:55Go ahead.
01:17:00What does it mean?
01:17:01I don't know.
01:17:02But I'm going to find out.
01:17:08Oh, I'm dying.
01:17:09I'm dying.
01:17:10I'll never be the same.
01:17:11Oh, the jewels!
01:17:13Where are the jewels?
01:17:13Oh.
01:17:16Oh, I'll be pinched for this.
01:17:20I wish I'd never gone to that house.
01:17:22I wish I hadn't seen him.
01:17:25I love him, and I'm never going to see him again.
01:17:30Drive right through that next traffic stop.
01:17:31If I drive through the light, they'll pinch me.
01:17:33If you don't drive through the light, I'll kill you.
01:17:35Take your choice.
01:17:39Who ever gave me the job of managing you two?
01:18:03I'm not a nice girl.
01:18:03If I is not a nice girl.
01:18:04How do you think you want me to play?
01:18:05How do you think you would I want you to find a girl again?
01:18:06You know what?
01:18:06You don't think you're right, girl.
01:18:06Yes, but now, what?
01:18:07you told me to marry a nice girl I'm not a nice girl I'm not a nice girl you've
01:18:18always said that and I've never believed you hey you you know I ought to give you
01:18:22a good balling out for walking out on your father's wedding you should ball
01:18:25him out sure wasn't I almost his mama hey isn't that my bracelet well sure it's a
01:18:32place that pops left me jeans are the love of Pete well it looks like it about
01:18:36that trip to Rome huh well you can have the bracelet you know I'm sure I've met
01:18:40you before I never forget a face and you are good-looking you know come yeah I
01:18:46want to talk
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