- 1 day ago
Decibel
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Short filmTranscript
00:00:28Transcription by CastingWords
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00:05:13Hey Scout, it's Bailey. Listen, I don't want to make this awkward or whatever, but the collective elected me to
00:05:19ask you about resident dues and there's a lot of talk about raising rent and it ain't good. Anyway, call
00:05:27me or come over. We should, we should talk.
00:05:53We should talk.
00:06:03We should talk.
00:06:04Raising rent.
00:06:06Raising rent.
00:06:09Raising rent.
00:06:10Raising rent.
00:06:11Raising rent.
00:06:11Raising rent.
00:06:14Raising rent.
00:06:17We should talk.
00:06:18Raising rent.
00:06:21Raising rent.
00:06:23Raising rent.
00:06:30Raising rent.
00:06:31I'm going to make it.
00:07:30I'm going to make it.
00:07:31I'm going to make it.
00:08:06I'm going to make it.
00:08:36I'm going to make it.
00:08:37Welcome to Decibel.
00:08:39I'm so glad you decided to come.
00:08:42Wow.
00:08:43It's gorgeous here.
00:08:46Certainly remote.
00:08:52Come on in.
00:08:55I'll give you the tour.
00:09:09How long have you lived here?
00:09:11Not long.
00:09:13I needed some space after leaving Vili.
00:09:17I figured 160 acres would do.
00:09:24Can't wait to get out there.
00:09:27Record some desert sounds.
00:09:34I'm so excited that you're here.
00:09:39You made the right choice accepting my invitation.
00:09:45I can't wait to get to work.
00:09:47Your room is right down there.
00:09:51But first, there's some people I think you'll want to meet.
00:10:03I'd like you to meet a friend of mine.
00:10:07This is Scout.
00:10:10I loved your last record.
00:10:16I'm sorry, Donna.
00:10:18He's just mad we have to leave.
00:10:21You're going to join us for dinner tonight, right?
00:10:23Of course.
00:10:24I'm just showing her her room now.
00:10:26I'll let you know when dinner's ready.
00:10:34This room is beautiful.
00:10:36I like my artist to be comfortable.
00:10:43Well, this is one of yours, right?
00:10:47Yes.
00:10:51The Vili Monitor.
00:10:53Decibel was founded on her success.
00:10:57When was the last time you had your breasts examined?
00:11:03Excuse me?
00:11:05A mammogram.
00:11:07It's important.
00:11:20All clear.
00:11:27No wonder you're a billionaire.
00:11:34So, then, why music?
00:11:39It's about as far away from healthcare as you can get.
00:11:42They're more closely related than you'd think.
00:11:46When I was at Vili, we were making real headway into how sound impacts physical health.
00:11:53What'd you find?
00:11:58The board of directors let me go before I had much of a chance to figure it out.
00:12:02I know I did good work at Vili.
00:12:06Touchless cancer screenings.
00:12:09Anapatch, my needleless anesthetic, new vaccines.
00:12:12I mean, I gave everything for my company.
00:12:21But being pushed out helped me find the essence of what I always wanted to do.
00:12:30Music.
00:12:32A good song can be benison as well.
00:12:36In a way, it saved my life.
00:12:40I don't know if music saved my life.
00:12:46But I'd die to keep making it.
00:12:50It's gorgeous, Scott.
00:12:53That's the type of dedication we need.
00:12:59And we'll have a little fun, too, right?
00:13:02I'll come collect you when it's time for dinner.
00:13:25I'll come collect you when it's time for dinner.
00:13:35I'll come collect you when it's time for dinner.
00:13:35And I'll tag you when it's time for dinner.
00:13:36This scene is short, so, that's my sìk family.
00:13:44But you don't have to let me go in as early as it was!
00:13:45Where are you going?
00:13:46Whatever you think is beingowane or not.
00:13:47There are things for us to make friends interesting.
00:13:47Friends, you have to be фильма along here.
00:13:47This scene is around town we graduated from Marcon,
00:13:47we got out to the center of theì • of London Hotel and Service.
00:13:48and we have been treated for dinner today.
00:13:49We're wearing my part of the day,
00:13:52it's a good trajectory, and we'll imagine.
00:14:16I don't know.
00:14:26I don't care. I don't care.
00:14:29Please, just be professional.
00:14:52Oh, come on.
00:14:54Really?
00:14:57Your first record, right?
00:14:59I love this one.
00:15:24You were coming through me like my favorite song.
00:15:30You were coming through me like my favorite song.
00:15:46I love this one.
00:15:46I love this one.
00:15:47I love it.
00:16:13So, what's it been like working with
00:16:17Donna?
00:16:23She's a bit intense.
00:16:25Like how?
00:16:28Man, don't look so worried.
00:16:30She's cool.
00:16:33Think of it like she's a bit eccentric.
00:16:45Hey.
00:16:48Stick him up.
00:16:50Griff.
00:16:52You're right on time.
00:16:55Give us a hug.
00:16:57It's here, people.
00:16:58Griffin?
00:17:00This is Scout.
00:17:04Griff.
00:17:05Scout.
00:17:06We are so lucky to have her here.
00:17:09Her music will lead us into the future.
00:17:13To the future, huh?
00:17:15No pressure.
00:17:17Griffin will be your engineer for the week.
00:17:21Oh, I wasn't planning on using an engineer.
00:17:25I don't, usually.
00:17:27Nice to meet you, too.
00:17:29When you see the studio tomorrow, you'll understand.
00:17:33Griff, settle an argument for us.
00:17:35Donna's been talking about this all night.
00:17:36Do you think there's such a thing as a perfect sound?
00:17:42Silence?
00:17:45That wasn't the question.
00:17:47The question was whether there's a perfect frequency, right?
00:17:54An undiscovered waveform.
00:17:57I want no part of this conversation.
00:18:00You know, songs aren't just waveforms or whatever the fuck.
00:18:04I don't think you get it.
00:18:06You don't even play an instrument, right?
00:18:10No, you're right, Lee.
00:18:13No, I don't play.
00:18:14I haven't played since I was a child.
00:18:21But I'm not pretending to still be a rock star.
00:18:29Excuse me.
00:18:39Lee.
00:18:40Give me a break, Jack.
00:18:41She doesn't give a shit.
00:18:42She's kicking us out tomorrow anyway.
00:18:49Who needs a refill?
00:18:51I don't know.
00:19:20Is she always that tough?
00:19:24She's got a lot to prove.
00:19:26She's invested.
00:19:30How long have you worked for her?
00:19:33On and off for a couple years.
00:19:35It's all freelance, but it pays well.
00:19:39Donna's a lot of things, but cheap ain't one of them.
00:19:44Do you like her?
00:19:46Yeah.
00:19:47Sure.
00:19:50She's kind of mean, but she's the only billionaire I've ever met.
00:19:56Maybe that's just how they all are.
00:20:01I don't know what I'm doing here.
00:20:05It's a cool opportunity, right?
00:20:08It's early days for the studio, but Donna's a successful person.
00:20:13She'll win out here too, I think.
00:20:15Eventually.
00:20:16But like...
00:20:17The shit splints.
00:20:18I mean...
00:20:22Am I taking their studio time?
00:20:25Tune that shit out.
00:20:27They'll be alright.
00:20:30Donna sees something in you.
00:20:33Best case scenario, you get a record deal.
00:20:36Worst case scenario...
00:20:38You get a few good songs out of it.
00:20:43Yeah?
00:20:46Hey.
00:20:47Do you wanna see the studio?
00:21:12This is the fancy studio?
00:21:16Uh-huh.
00:21:23Where's the gear?
00:21:25I know it sounds crazy, but...
00:21:27The room is the gear.
00:21:29Everything in here is connected.
00:21:31You have a thousand individual microphones, two thousand speakers.
00:21:34All in the walls, all communicating with each other.
00:21:38No need for any wires.
00:21:39Don't need to plug in any instruments.
00:21:41I don't even see any instruments.
00:21:44It's so much more than that, Scout.
00:21:46Here.
00:21:48Put these on.
00:21:50They connect you to the studio.
00:21:51Makes everything streamlined.
00:21:53Really?
00:21:57Step in.
00:21:58Sing. Anything.
00:22:00Promise you're not gonna be disappointed.
00:22:13Give me a vocal.
00:22:15Literally anything.
00:22:17Anything you like.
00:22:20Okay.
00:22:23Um...
00:22:26Well, I have been working on, like, one thing, but it's not really ready yet.
00:22:31No pressure.
00:22:38I'm an anarchist.
00:22:40Give me chaos, give me fury, and a late night kiss.
00:22:47Yeah, something like that. I don't know.
00:22:49Okay. Take a listen.
00:22:51I'm an anarchist.
00:22:54Give me chaos, give me fury, and a late night kiss.
00:22:59Can I add to it?
00:23:00Yeah. Anything you like.
00:23:03Think of it this way.
00:23:04Those bracelets connect you to all the equipment in the walls.
00:23:07Those mics and speakers.
00:23:09And that touch screen functions like any instrument you can imagine.
00:23:12It's a keyboard, horn, sampler, drum machine.
00:23:16You swipe through it.
00:23:17Donna programmed it herself.
00:23:19Time for女's hands.
00:23:23You're a perfect actor.
00:23:24Just want to know what you are.
00:23:26There are such a beautiful connections in it.
00:23:27Come on.
00:23:30Here are you.
00:23:35You're a beautiful actor.
00:23:42I love you.
00:23:49You're a beautiful actor.
00:23:52I'm an anarchist
00:23:54Give me chaos, give me fury
00:23:58And a late night kiss
00:24:00From a man I know who's not the best for me
00:24:04I'm a cynic when I'm in it
00:24:07I'm a witness to my own destructive thoughts
00:24:10Overwritten, overwrought
00:24:13I want the best for you
00:24:15If it's the worst for me
00:24:18I want the best for you
00:24:20If it's the worst for me
00:24:25Wait, that is so intuitive
00:24:27This sounds great
00:24:30I'm gonna loop it, okay?
00:24:34I'm a nihilist
00:24:36I'm sick of dryness
00:24:38I'm getting high on this
00:24:42It's a feeling that I like
00:24:44I won't come down the road
00:24:47If it's the worst for me
00:24:49I want the best for you
00:24:52If it's the worst for me
00:25:10I wanted to be here when you met
00:25:14Yeah, I'm really sorry
00:25:16I should have asked
00:25:17I know this is your baby
00:25:20I was just really excited
00:25:22And so when Griff said that we could come
00:25:24Do you like it?
00:25:25Studio?
00:25:28This is the coolest thing I've ever seen
00:25:30Good
00:25:34Now, tell me
00:25:36What is your first memory of music, Scout?
00:25:47Oh, um
00:25:50I don't know
00:25:55Sitting in the pew with my grandparents, I guess
00:26:00Yeah
00:26:01They built this old organ in the back of the sanctuary
00:26:07Sometimes the sermons were pretty boring
00:26:12But I like the hymns
00:26:15Ave Maria
00:26:17How Great Thou Art
00:26:19Every Sunday
00:26:22Well
00:26:24We are creatures of habit
00:26:26Aren't we?
00:26:31What about you?
00:26:32First memory of music?
00:26:35My mother
00:26:36She was a piano teacher
00:26:37Did she teach you how to play?
00:26:40She certainly tried
00:26:45Can you do me a favor, Scout?
00:26:49Can you tell me what that is?
00:26:54This chord?
00:26:57It's B flat
00:26:58Is this a church organ?
00:27:02You messing with me?
00:27:04And this?
00:27:07What is this?
00:27:08Like a test?
00:27:08Don't think of it that way
00:27:11Please
00:27:13Humor me
00:27:15Um
00:27:15F sharp
00:27:17But this is
00:27:17Grade school shit
00:27:19Oh, if it's so easy
00:27:21Then what comes next?
00:27:24Scale
00:27:24No
00:27:25What chord
00:27:28Should come next?
00:27:30What is the best decision?
00:27:33Musically
00:27:34Use the monitor in front of you
00:27:38Um
00:27:39B flat
00:27:42F sharp
00:27:46D sharp minor
00:27:48F major
00:27:49Eh
00:27:50Like this
00:27:52Like this
00:28:01Share
00:28:03Share
00:28:03Share
00:28:04Did I pass your test?
00:28:09I told you it's not a test
00:28:11But if it was
00:28:14With flying colors
00:28:15''icious half
00:28:16advisers''
00:28:17''kiss-
00:28:18''kiss-
00:28:18l'm
00:28:45''kiss-
00:28:55I don't know.
00:29:15I don't know.
00:29:45I don't know.
00:29:46I don't know.
00:29:48I don't know.
00:30:11You're up early.
00:30:13Yeah, yeah, you too.
00:30:15Okay, have you seen Donna?
00:30:18Not this morning.
00:30:19I think she's avoiding us.
00:30:22Did you have a session with her yesterday?
00:30:24I thought I heard someone playing in the studio.
00:30:27She wouldn't let us back in that studio if we asked.
00:30:32And look, I know last night ended sort of weird or whatever, but...
00:30:38Leah, too much to drink.
00:30:40You know how it goes.
00:30:41He's in the car right now, so hungover.
00:30:45All good, all good.
00:30:46I get it.
00:30:48I just don't want you to think that Donna's worse than she is.
00:30:52Hey.
00:30:54I think we'd see you again, Griffey.
00:30:57Think I'd miss this pathetic send-off?
00:31:00It was fun working with you, Jack.
00:31:01Wish your boss felt the same.
00:31:03Yeah, tough job.
00:31:06But we made some good shit.
00:31:07You guys made some good shit.
00:31:09Be sure of that.
00:31:10I'll send you master versions in a few weeks.
00:31:19Remember, you're making your record, okay?
00:31:23Nobody else's.
00:31:25Give them hell a scout.
00:31:36Well, we have some time before our session.
00:31:39I have some hangover beers.
00:31:41You want to go for a walk?
00:31:43Hell yeah.
00:31:51So, you make your own music?
00:31:54Nah, just a lowly sound tick.
00:31:57Oh, whatever.
00:31:59I had a band for a while.
00:32:01Got tired of eating ramen.
00:32:04Having six roommates.
00:32:05Had to get a real job.
00:32:07Trust me, I get it.
00:32:10I'll never totally stop playing, though.
00:32:12I have a little studio up here, actually, just for fun.
00:32:14No shit?
00:32:15Wait, I want to see it.
00:32:17We should be getting back.
00:32:18Donna's pretty fucking punctual.
00:32:19Do you have actual instruments in your studio?
00:32:22No.
00:32:39So, you're a hoarder.
00:32:42These are all left over from Studio 1.0.
00:32:51Can't imagine that studio having instruments.
00:32:54Yeah, it didn't last long.
00:32:56She pulled them all out when she started programming the new system.
00:33:13We should really get going.
00:33:14Sit your ass down and play.
00:33:31I could love you, oh, if you want me to.
00:33:49You could love me, too, or I could hate you, oh, if you want me to.
00:34:02You could hate me, too, whatever you want or need, whatever you wish I'll be.
00:34:13I'll be anything, I'll be anything.
00:34:19Keychain on your favorite keys, shirt that you got from Palm Springs.
00:34:24I'll be anything, I'll be anything, labor across the room.
00:34:34I'll do anything I'll do, maybe even the days can come from when you know what I'll be.
00:34:44I could love you, oh, if you want me, too.
00:34:52And you could love me, too.
00:35:07You know, I don't normally work with an engineer.
00:35:12Fuck off.
00:35:15We should really get back.
00:35:17I don't want to keep Donna waiting.
00:35:19Okay, fine.
00:35:32Uh, gotta be at least 50 years.
00:35:34I actually got it from this shop, um, down the street.
00:35:38It needs some love, but that's the trick.
00:35:40How nice of you to show.
00:35:44You're 15 minutes late.
00:35:47So that was my fault.
00:35:48I, uh, I was asking for a tour.
00:35:51The time for tours was yesterday.
00:35:55Well, we're here now.
00:35:58It was kind of like, um, like an inspiration thing to start my day.
00:36:03Like getting me a little warmed up.
00:36:07When you're a guest in my studio, I decide how you warm up.
00:36:14Is that fair?
00:36:18Yeah.
00:36:21No, absolutely.
00:36:27Good.
00:36:29You two get to work.
00:36:31Who knows what exciting discoveries we'll make today.
00:36:35Okay.
00:36:38Okay.
00:36:53I see your face.
00:36:59I feel the same.
00:37:03I see your shades.
00:37:09It's all the same.
00:37:13Who are you tonight?
00:37:17Who are you tonight?
00:37:22Who are you tonight?
00:37:34I can't figure out this goddamn chorus.
00:37:40You'll figure it out.
00:37:42Come on back.
00:37:42Let's take a little break.
00:37:43We can listen in here.
00:37:58So that's it right there.
00:38:00It's just not melding.
00:38:02I know.
00:38:03I can hear it.
00:38:04I don't need a fucking PowerPoint.
00:38:07Just trying to help.
00:38:09This is why I work alone, you know?
00:38:12I can spend a whole week on a sound if I want to.
00:38:16This is just, it's too stressful.
00:38:18Trying to get a whole fucking song in a day.
00:38:20And with you watching me?
00:38:23It's all right.
00:38:24We'll get there.
00:38:26Sorry.
00:38:27Do you want to call it?
00:38:29Oh, yeah.
00:38:30I'm starving.
00:38:31Totally cool.
00:38:35We'll finish your track tomorrow.
00:38:39I won't be late.
00:38:42Good night, Scal.
00:38:43Sleep well.
00:38:47Sleep well.
00:39:02Hey.
00:39:05Are you taking a break?
00:39:08We're calling it for the day, actually.
00:39:12It's a little early, don't you think?
00:39:16We've been at it for 12 hours.
00:39:18She's tired.
00:39:19I'm tired.
00:39:21We almost finished an entire song.
00:39:23No, it's not only about the song!
00:39:25No, it's not only about the song!
00:39:36You should know that by now.
00:39:41I need you to get more output from her.
00:39:4412 hours is more than enough output, Donna.
00:39:48You can't force this shit.
00:39:59I think you need to take some time off.
00:40:01Oh, come on.
00:40:02You say yourself.
00:40:05You're tired.
00:40:08I'll finish with her.
00:40:10How?
00:40:10Pack your things, Griffin!
00:40:12Clear the studio!
00:40:16You know what?
00:40:18Good luck.
00:40:21Good fucking luck.
00:40:23You can't do this on your own.
00:40:28I won't have to.
00:40:33I won't have to.
00:40:34We'll come out.
00:40:34I won't go.
00:40:48Sorry.
00:44:38Oh, I'm sorry.
00:44:40I didn't know you were...
00:44:41Good morning.
00:44:49Putting the microphone to good use, I see.
00:44:52Oh, yeah.
00:44:54Why is it scratched?
00:44:56Oh, I accidentally dropped it a couple times.
00:45:00If I had known you were going to be so careless, I would have gotten you a less expensive one.
00:45:07Uh...
00:45:08Sorry?
00:45:10Most of my stuff is kind of scraped up.
00:45:13I use it.
00:45:16You know?
00:45:17There's breakfast set out.
00:45:18Just over there.
00:45:21Please eat.
00:45:23You'll need your energy.
00:45:26That's great.
00:45:27Thanks.
00:45:30You know, I accidentally dropped a mic yesterday when I was trying to record a coyote.
00:45:44Do you mind if I put something on from your session yesterday?
00:45:49I'd love for you to hear it.
00:45:51It's...
00:45:52It's gorgeous.
00:45:53It's gorgeous.
00:45:55Yeah.
00:45:56Sure.
00:46:23What is that?
00:46:25It's you, Scout.
00:46:33I'm sorry.
00:46:34What?
00:46:35Well, our studio measures your biorhythms here.
00:46:39Your breath.
00:46:41Your heartbeat.
00:46:43Even your blood flow.
00:46:46Music comes from within.
00:46:48Wouldn't you agree?
00:46:53That's...
00:46:56That's really weird.
00:46:58Will you turn that off?
00:47:06Breakthroughs come from total self-alignment.
00:47:09You have to listen closely to yourself.
00:47:12That's how we learn.
00:47:15Um...
00:47:16Okay.
00:47:19This was a great breakfast,
00:47:21but I should probably head to the studio.
00:47:24I promised Griff that I wouldn't be late.
00:47:26It's just you and me today, Scout.
00:47:28Where's Griff?
00:47:29I don't need anyone distracting me.
00:47:31No, he wasn't distracting me.
00:47:33Well, try something different today.
00:47:35Different how?
00:47:36I understand this might feel a bit unconventional.
00:47:41The future always is.
00:47:45I believe your time is valuable.
00:47:49I'm willing to prove it.
00:47:52Uh...
00:47:5215,000?
00:47:53For a session?
00:47:55Do I need a lawyer or something for this?
00:47:57It's this simple.
00:47:59I'm offering my studio
00:48:02for you to record in.
00:48:05And I'm paying you for your time.
00:48:08Think of it as a way for us to explore our relationship.
00:48:12If we get to the point where we need contracts,
00:48:15we'll get you representation.
00:48:17Okay, that's really generous.
00:48:17Who do I make the checkout to?
00:48:19A scout clearly isn't your given name.
00:48:32Let's start with a warm-up.
00:48:36What kind of warm-up?
00:48:38Let's do some scales.
00:48:41You're kidding, right?
00:48:43Not at all.
00:48:45It's important to build from basics.
00:48:49Are you embarrassed?
00:48:57Do, re, mi, fa, sol, la, ti, do.
00:49:04Okay, once more.
00:49:07But harmonize this time.
00:49:09Give me a fourth.
00:49:12Do, re, mi, fa, fa.
00:49:17Do, re, mi, fa, sol, la, ti, do.
00:49:22Okay, now this time...
00:49:24I don't know how long I'm going to be here.
00:49:26And I'd like to make as many songs as I can.
00:49:29So...
00:49:29Do you think we could get back to my song soon?
00:49:33Let's do one more.
00:49:35For good measure.
00:49:38F again, please.
00:49:41Do, re, mi, fa, sol, la, ti, do.
00:49:46Bravo.
00:49:49Awesome.
00:49:51So I wanted to revisit the harmonies from the track that we did yesterday and then move on to the
00:49:56bridge.
00:49:58If that's where you'd like to begin, then that's where we'll begin.
00:50:12Who are you tonight?
00:50:17Who are you tonight?
00:50:24Very good. Moving on.
00:50:26What?
00:50:27I wanted to add some more layers and then I was going to get to the...
00:50:29We've got what we need.
00:50:31Replication is not creation.
00:50:34Look, Donna, I...
00:50:36Know that you're paying me for my time and I appreciate that.
00:50:40Really, but...
00:50:41I know what my songs need.
00:50:46Oh, I keep forgetting.
00:50:48You've never worked with a producer before.
00:50:52That's not what I'm talking about.
00:50:54Promise is for your own good.
00:50:56We've spent too much time on this song already.
00:51:00You don't know that.
00:51:02Actually, I do.
00:51:05Now let's move on.
00:51:07I actually have a little treat for you.
00:51:10I wonder if you'd like to find the vocal melody for this.
00:51:17What is that?
00:51:19Something that we've been working on.
00:51:22You made this?
00:51:24Inspired by you.
00:51:26Of course.
00:51:27This isn't my song.
00:51:28Please.
00:51:29Find the melody.
00:51:39Louder.
00:51:46Got it.
00:51:46Now let's find the lyrics.
00:51:59Well, don't stop.
00:52:01Um...
00:52:02I'd like to get back to my music.
00:52:04This is your music.
00:52:07I want my track back up.
00:52:10Your bio-rhythms are giving you away.
00:52:12I can see from my monitor here that you're frustrated with me.
00:52:16No shit.
00:52:17What's upsetting you so much?
00:52:19Respectfully, Donna, this just...
00:52:22This isn't what I came here for.
00:52:31Unlock the door.
00:52:34I know you found one of my speakers in the desert this morning.
00:52:39Why didn't you say anything?
00:52:46It's funny, Donna.
00:52:48Let me out!
00:52:49Now!
00:52:53My mother used to lock me in our music room the week before every recital.
00:53:04And you know what?
00:53:07It worked every time.
00:53:08Donna, let me out!
00:53:10Now!
00:53:10Now!
00:53:32You're on to it now.
00:53:44So even you hear me,ten.
00:53:47I don't know.
00:53:49I'm just the coolest thing ever.
00:53:52C- C-C-C-C-C-C-C-C
00:53:55Why- I-
00:53:56Why are you?
00:54:03Stop my head!
00:54:35Stop it!
00:54:49It's just me. I want to talk. There's so much for us to do, Scout.
00:54:56Get out of my way!
00:54:59You remember my anapatch, right?
00:55:05My needless anesthetic? It's perfectly safe.
00:55:11I'll keep calm, but you should too. It's better that way.
00:55:20Just breathe.
00:55:21Three.
00:55:24Ten.
00:55:27Nine.
00:55:29Eight.
00:55:31Seven.
00:55:34Six.
00:55:37Five.
00:55:41Four.
00:55:44Three.
00:55:47Two.
00:55:49One.
00:55:50Two.
00:55:51Two.
00:55:53Two.
00:55:56Two.
00:55:57One.
00:55:58One.
00:56:01Two.
00:56:11One.
00:56:28Dona.
00:56:32Dona!
00:56:35What do you want?
00:56:37I'll do whatever you want.
00:56:39Just please let me go.
00:56:41Please.
00:56:42We have work to do first.
00:56:49Why are you doing this?
00:56:51Something revolutionary is happening here, Scout.
00:56:57You are so special.
00:57:01I'm trying to help you see it.
00:57:03I'll do whatever you want.
00:57:07Please just let me go.
00:57:09Here's the problem.
00:57:11Recently, my computer stopped advancing.
00:57:17She stopped learning, even though I was feeding her all kinds of music.
00:57:22But you.
00:57:26Oh, she loves you.
00:57:28Why?
00:57:30You can have my music.
00:57:32You can keep it.
00:57:34Anything you want.
00:57:35No, it is so much bigger than your music.
00:57:38Imagine a world where all music is tailor-made, auto-generated from a listener's bio-rhythms.
00:57:45Everyone will have their own custom compositions based on their preferences, their mood, their most personal feelings.
00:57:54On demand, anywhere, never to be replicated, never to be replicated, that is where we are headed.
00:58:03I need it.
00:58:03I need it.
00:58:03I need it to be first.
00:58:07I don't want to.
00:58:10I don't want to.
00:58:11I don't want to.
00:58:12It's non-negotiable, I'm afraid.
00:58:18So?
00:58:22Are you ready to play with us?
00:58:26Please help me.
00:58:28Help me, please.
00:58:29Somebody.
00:58:37It's amazing, all the uses I've found for my failed experiments at Vili.
00:58:43The radio defibrillator didn't quite pan out, but works beautifully here, I'm afraid.
00:58:52Are you ready now?
00:58:57Good.
00:58:58Let's go back to basics.
00:59:03Where it all started.
00:59:04I'm sure you'll recognize this one from all those years as a child.
00:59:09Frickling around in the pews.
00:59:20I have another smile.
00:59:22I don't want to hurt you again.
00:59:25Please don't make me.
00:59:40Oh, give me more.
00:59:42She needs to feel it.
00:59:43I can't see a planet.
00:59:47Well, that's not very pretty.
00:59:51Let's try again.
00:59:53Let's try again.
00:59:54Let's try again.
01:00:12Let's try again.
01:00:22Let's try again.
01:00:23It's beautiful.
01:00:24She loves the emotion.
01:00:26Keep going.
01:00:26Let's try again.
01:00:31Let's try again.
01:00:36Let's try again.
01:00:51Very, very good, Scout.
01:00:55I think she has your voice now.
01:01:28What did you think of those ultra-low frequencies?
01:01:31I'm so glad you were willing to listen to her.
01:01:35A little intense for me, but the computer loves them.
01:01:43Can I have some water?
01:01:46Anything.
01:01:48I have something better.
01:01:52Green tea.
01:01:55Good for the vocal cords.
01:02:00It's all fine.
01:02:03Careful, Scout. You shouldn't be so eager.
01:02:05Let it cool a moment.
01:02:14Please, I can't keep going like this.
01:02:18I know.
01:02:20It's been such a long day, and you've given us so much.
01:02:24You must be exhausted.
01:02:26I can't feel my arms.
01:02:29I have a special song I'd like to play for you.
01:02:35There you are, trying so hard to be true.
01:02:41And still without your love, baby, there you are.
01:02:45That was all right, Lira.
01:02:48It looked like you couldn't quite finish them before.
01:02:53But my computer had no problem.
01:02:59Turn it off.
01:03:06Turn it off.
01:03:11Turn it off!
01:03:21The cover band.
01:03:23It's a fucking wedding singer.
01:03:34Replication isn't creation.
01:03:36Isn't that what you told me?
01:03:39I can help you, Donna, but not like this.
01:03:41I need space.
01:03:42I need instruments.
01:03:43I need something tangible.
01:03:46Do you want a song?
01:03:47I'll give you a real fucking song.
01:03:52I'd be careful if I were you, Scout.
01:03:56She's the only reason you're still alive.
01:04:21I'll give you a real song.
01:04:34Oh, my God.
01:04:39God bless you, let's go!
01:05:10I don't know.
01:05:39Can I help you?
01:05:40Hi, Griff.
01:05:41How's it going?
01:05:44I left some shit here.
01:05:45I just want to grab it.
01:05:46It's my laptop and some cables.
01:05:48That's it.
01:05:51This isn't a good time.
01:05:54Scout's in the middle of a creative breakthrough.
01:05:58Oh, that's great.
01:05:59It is.
01:06:02And she doesn't need any distractions.
01:06:06I just want my fucking laptop.
01:06:09I'll send you your things, okay?
01:06:12This is a business based on relationships, Donna.
01:06:15Did you forget that?
01:06:19It used to be.
01:06:22Griffin.
01:06:22Griffin.
01:06:24Not anymore.
01:06:32Goddamn.
01:06:33Griffin.
01:06:37Griffin.
01:06:44Griffin.
01:06:45Griffin.
01:06:48Griffin.
01:06:49Griffin.
01:06:49Griffin.
01:06:51Griffin.
01:06:52Garjut.
01:06:58Ruben.
01:06:59Stain.
01:07:02Hurd.
01:07:12He��는 valk g
01:07:14A Nashman.
01:07:15Visible dúlection.
01:07:16Pilgrim.)]
01:07:24What the hell?
01:07:46Oh, my God.
01:08:26I hope you're happy now, Scout.
01:08:36I brought you your precious instruments.
01:08:52Oh, what a happy accident.
01:08:56You even have your engineer.
01:09:04Come on, Donna.
01:09:06Let him go.
01:09:07You don't need him, okay?
01:09:11I'll stay.
01:09:13I promise.
01:09:14He's not going to tell anyone.
01:09:17I'm sorry, Scout.
01:09:20But I think it's a package deal now.
01:09:28Now, I have given you exactly what you asked for.
01:09:34And you promised me a real song.
01:09:38So let's hear it.
01:09:42And I want to be impressed.
01:09:47Griffin's life depends on it.
01:10:07Falling from the light.
01:10:13Falling from the light.
01:10:17No way.
01:10:18You saw.
01:10:22You couldn't contain yourself.
01:10:27You couldn't contain yourself.
01:10:28Because you were broken.
01:10:33Couldn't contain yourself.
01:10:36But keep going! Don't stop!
01:10:45Falling from the line
01:10:50Falling from the line
01:10:55You saw
01:10:59You couldn't contain yourself
01:11:03Cause you were broken
01:11:09Couldn't contain yourself
01:11:13Back to the song now!
01:11:18Stop! You're hurting him!
01:11:20Wait!
01:11:26Only time can save you now
01:11:35Only time can save you now
01:11:43Only time can save you now
01:11:48We're almost there
01:12:03You're a friend
01:12:06I had some
01:12:09Falling from the line
01:12:12You saw
01:12:16You couldn't contain yourself
01:12:20Cause you were broken
01:12:27You couldn't contain yourself
01:12:34Falling from the light
01:12:37Why aren't you listening?
01:12:39Fuck you!
01:12:40Let him go!
01:12:41No!
01:12:51All you had to do was listen
01:12:52Cause you were broken
01:12:56You couldn't contain yourself
01:13:00All you had to do was listen
01:13:29You couldn't contain yourself
01:13:29It was just a moment
01:13:30You couldn't contain yourself
01:13:30No!
01:13:30No!
01:13:30No!
01:13:32Moodle!
01:13:35Yes!
01:13:37Yes!
01:13:37Yes!
01:13:44How can you hear this, gal?
01:14:08I've found the light, I've found the light
01:14:15You're the sun, you couldn't contain the sun
01:14:25Cause you know what I'm gay
01:14:55I've found the light, I've found the light
01:14:56You're the sun, you couldn't contain me
01:15:05I've found the light, I've found the light
01:15:15You're the sun, you couldn't contain the sun
01:15:23Cause you were broken
01:15:44Cause you were broken
01:16:04I've found the light, I've found the light
01:16:08I spread all the sun
01:16:37You're the sun, I'm Texas
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