- 1 day ago
Ek Jhooti Kahani ep 15 part 2 Pakistani drama
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🎥
Short filmTranscript
00:00This was the first time I was thinking about it.
00:14Look, I have to remember one thing.
00:16Whenever you go to the grocery store,
00:19you don't always go to the clothes.
00:21There's no grocery store in plastic.
00:24What's the difference between the samosa?
00:26It's a very big difference, brother.
00:28If you put a vegetable in plastic,
00:32the juice will go out.
00:34What are they called?
00:36Carbon Mono Oxide.
00:38They will be able to eat the samosa.
00:42Okay.
00:43Now, the aloo is 1 kg.
00:46The aloo is going to buy the aloo,
00:49the aloo needs to be warm.
00:52You can see the aloo's eyes.
00:55The aloo's eyes?
00:56Yes, there are aloo's eyes.
00:58There are new leaves.
01:00If you look at the aloo's eyes,
01:04if you look at the aloo's eyes,
01:06it means the aloo is the old one.
01:08It means the aloo is the old one.
01:10It's the cold storage.
01:12It's so much for the samosa.
01:14It's so much for the aloo.
01:16Yes, my dear.
01:17If you want to be a chef,
01:19then you will not learn the aloo's eyes.
01:24Now, we'll take 1 kg of aloo.
01:27Okay?
01:28And we'll take the aloo's eyes,
01:29which is hot.
01:31It's done.
01:32Let's go.
01:33Let's go.
01:34Let's go.
01:35Hey, 1 kg of aloo.
01:37Wow!
01:38How many of you are!
01:40And what?
01:41Let's go.
01:42Let's go.
01:43Oh!
01:44Oh!
01:45Oh!
01:47Oh!
01:48Oh!
01:49Oh!
01:50Oh!
01:51Oh!
01:52Oh!
01:53Oh!
01:54Oh!
01:55Oh!
01:56Oh!
01:57Oh!
01:58Oh!
01:59Oh!
02:00Oh!
02:01Oh!
02:02Oh!
02:03Oh!
02:04Oh!
02:05Oh!
02:06Oh!
02:07Oh!
02:08Oh!
02:09Oh!
02:10Oh!
02:11Oh!
02:12Oh!
02:13Oh!
02:14Oh!
02:15Oh!
02:16Oh!
02:17Oh!
02:18Oh!
02:19Oh!
02:20Oh!
02:21Oh!
02:22Oh!
02:23Oh!
02:24Thutia Manmuti.
02:26Don't go there.
02:27Come on.
02:31It's coming to a very fun!
02:38What happened to you?
02:40Now, water is fine.
02:41Water.
02:42What happened?
02:43Water.
02:46It's getting off.
02:48It's getting off.
02:48Get it, get it.
02:54What are you doing?
02:56You're fine, my house is apart.
02:59Get another drink, get another drink.
03:05I must not see the price.
03:07It's not.
03:10I'll take a look.
03:13This will be 1000 rupees for one ticket.
03:16And my ticket?
03:18O, you get your ticket yourself.
03:20I'm not giving it to you.
03:21You are very good, Sherry.
03:24If you put a paint bucket on a match,
03:27then you don't get paid.
03:28Okay, I'll give you.
03:30But I have to buy you.
03:32You have to buy it.
03:38What?
03:39I'll buy it later.
03:41I'll buy you a thousand dollars.
03:43What?
03:44You have to buy it later.
03:46How do you buy it later?
03:48I'll buy it later.
03:50I'll buy it later.
04:04What happened?
04:06You left me and left me.
04:10I'm alone in my world.
04:13Sherry, my Sherry.
04:20I'm alone in this world.
04:27What happened?
04:29Why is that?
04:30And what are you playing with Golden Man?
04:33Why are you playing with Golden Man?
04:36It's my boss.
04:38You are both a bodybuilder.
04:40We're standing by standing by the body.
04:42Then finally we're getting down.
04:44And we just die.
04:46And we're all dying.
04:48Oye, oye, oye.
04:49Too bad.
04:50You used the bodybuilder for all this, right?
04:54You're all the same.
04:55Too bad.
04:56Too bad.
04:57You're so sad. You're so beautiful, young people.
05:04I'll give you some money so I'll give you an ambulance.
05:15Come here, brother.
05:16God will keep you in your life.
05:27Look, you've sent me my money.
05:29You've got money, right?
05:31And who's the one who's lost?
05:40Just do it, Mirabh.
05:42Why don't you keep them in your life?
05:45Good, brother.
05:48You'll become a third of your wife, Nassar Abhi.
05:51There's no such big thing that you'll be angry.
05:54Hmm, you'll be aware of it when you'll be clear.
06:00What do you mean?
06:02If you want to listen to it, then listen to it.
06:04This is Nassar Abhiya, which you've become a deputy.
06:07This was talking about Fareed Abhiya when Bashir Abhi came.
06:11Okay, so?
06:13So, what? You didn't feel bad?
06:16No, why would I feel bad?
06:19I thought that you like Fareed Abhiya.
06:21What do you mean?
06:23Yes, I mean, they do too.
06:25No!
06:27They don't do it.
06:29They love Nassar Abhiya,
06:30and they both are making you guilty.
06:34My name is Bindiya.
06:35It's so easy to make me guilty.
06:38But I and Fareed are making Nassar Abhiya.
06:42Come here.
06:43Yes, sit here.
06:45What do you think about Fareed Nassar Abhiya?
06:47He loves Nassar Abhiya.
06:48Right?
06:49Yes.
06:50I didn't tell her to talk about Nassar Abhiya.
06:52That's right.
06:53I don't care about Nassar Abhiya.
06:54Every time, I don't care about Nassar Abhiya.
06:55I want to make a meeting.
06:57Oh!
06:58That's right.
06:59Yes.
07:00So, don't use your mind.
07:03So, don't do Nassar Abhiyaya.
07:04So, don't do Nassar Abhiyaya.
07:06We cannot help Baabiyaya.
07:07Until they don't give a punishment for me,
07:08and it is going to be in the coop.
07:10If we make Eastern Road,
07:12then we must have to end Kashmir-Armenia
07:16and Saudi Iran die.
07:18We will return to it.
07:19I will stay alive for them.
07:21I will be ready for Baabiyaya and her staff.
07:23But, this Nassar Abhiyayayaya,
07:25we have to be in luck.
07:27We will have to get a blessing.
07:29And we will have to get a good victory.
07:31When we are at the end of time,
07:34Hmm.
07:35Don't say anything about her.
07:37Why?
07:38I'll say.
07:43I was going to go to the doctor,
07:45but I convinced her.
07:47Hey, old man,
07:50I'm going to die.
07:52He's grown up in my age,
07:54right?
07:55That's why old man comes out of his mouth.
07:58I'm so scared.
08:00My last name is lost.
08:02Call me Rizwan.
08:04Who is Rizwan?
08:06Who is Rizwan?
08:07My daughter.
08:08She's a lady.
08:10She's a lady.
08:12She's a lady.
08:14She's a lady.
08:16Call me Rizwan.
08:18Call me Rizwan.
08:20Call me Rizwan.
08:22You look at my uncle's last time.
08:24I remember her.
08:26What happened to him?
08:28What happened to him?
08:30Who is Rizwan?
08:31Oh,
08:32Ashwaak Ahimed's dramas
08:33were trying to speak
08:34a little bit of philosophy.
08:35Now,
08:36the scene was changed.
08:37So,
08:38the man was mined.
08:39And the man was mined.
08:40Yes.
08:41The man was mined.
08:43Look,
08:44I'll tell you,
08:45my last time.
08:46I'll meet you.
08:47I'll never do that.
08:48Oh, oh, oh, oh.
08:50You're here.
08:51Where are you?
08:52She's giving her a woman to her and her baby.
08:55Oh, oh, oh, oh, oh.
08:57Get out of here, Rizwan.
08:58You've put my mind on a city.
09:00Now, I'm not going to die.
09:01Oh, oh, oh.
09:03Oh, oh, oh, oh, oh.
09:05Oh, oh, oh, oh, oh.
09:06Oh, oh.
09:07Oh, oh, oh, oh.
09:09Where are you?
09:10Where are you?
09:11When are you eating?
09:12This Bashir brother has got a milk.
09:14He's fought.
09:15Come on.
09:16Come on.
09:17Come on.
09:18Come on.
09:21Do you want to throw some gold?
09:22Throw some gold in my mouth.
09:24Take a gun.
09:25Take a gun.
09:28You know Habib?
09:29You didn't have to explain it.
09:31They explained it.
09:33But this law came from above.
09:37From above?
09:38Yes.
09:39Gusha Bibi is the law.
09:41It's the law that you have to leave.
09:48It's just one thing.
09:54What's your law?
09:57My law is the law that they have to go.
10:01Do they have one day?
10:03Habib is the law.
10:05They will give you.
10:06It's the law that they are going to be a man.
10:08It's the law that they have to go.
10:09Do they have to go?
10:10Do they have to go.
10:11Do they have to go here?
10:12Do they have to go here?
10:13And talk to me immediately with my eyes.
10:15Do they have to go in?
10:16Let's go to the next time.
10:20I know you guys are normal.
10:24Let's go to the next time.
10:26Shukar Bhug,
10:29they've said something else.
10:31They were also mad at me.
10:33They were mad at me.
10:34They were mad at me.
10:36They were mad at me.
10:37They were mad at me.
10:41Okay.
10:47What happened?
10:49What happened?
10:50You came here.
10:51You came here.
10:53Or I would die.
10:55I'm alive.
10:57I'm dead.
10:59What happened?
11:01You and Farid came to the store.
11:03That's the same thing.
11:05I was learning to buy groceries.
11:07Even if they were hungry,
11:09they were hungry.
11:10That's the same thing.
11:14They were hungry so much.
11:16They didn't realize that they were hungry.
11:20I don't know who works.
11:22They're coming.
11:23I'm not going to die.
11:24Oh, oh, oh, oh.
11:26Take them to the doctor.
11:27No.
11:28If they go to the guest room,
11:29they'll be fine.
11:30It's fine.
11:31Yes, my brother.
11:32Let's go to the guest room.
11:34I'm fine.
11:36I'm fine.
11:37Let's go.
11:38Don't do that.
11:39Okay.
11:40Let's go.
11:41Let's go.
11:42Let's go.
11:43Take my smile.
11:44Take my smile too.
11:45Take my smile.
11:46Let's go.
11:47Let's go.
11:48Let's go.
11:49Let's go.
11:50Let's go.
11:51Let's go.
11:52Let's go.
11:53Let's go.
11:54When will you stay at this house?
11:56For one year,
11:57it will be more than that.
11:58Or until you're going to get some.
12:02I knew it.
12:03I had to think.
12:04I knew it.
12:05Animal.
12:06Hmm.
12:07I can be staying at home,
12:08and how do I work with someone?
12:10And the venture is happening,
12:11Samosa, Venture,
12:14new and new work,
12:15and you live all the time with Bushra Abhi.
12:17That's what we are.
12:18Where are we?
12:23You don't need to be in your house.
12:25You will have to create the I.V.
12:26This place.
12:27Okay.
12:28Okay, okay, so we are a man in this house, that's right, stay here, stay here, keep on who you have to keep, then we will also think about something about ourselves.
12:44Why?
12:58Okay, so this is going to be going to be a guest room.
13:10No!
13:14Oh!
13:16Oh!
13:17Oh!
13:22Oh!
13:24Oh!
13:25Oh!
13:26Oh!
13:28Oh!
13:30But...
13:32Who told you? Who told you that you had to put it in front of the mouth?
13:35Oh boy!
13:36I was talking about the philosophy and the fact that I had just put two hands on the lips.
13:41They had to put them up. You don't know the웅 people were talking there.
13:45Let them now let them now go.
13:48Hey, that's what the people are saying.
13:52What are we doing? We have to do it. We have to look at our friends.
13:55Hey, son, if we make 4 money, then what will happen?
13:59And your question is that it will become a problem for her?
14:02Yes, it will become a problem for this woman,
14:05that it will become a problem for my home.
14:07Sorry, sorry, sorry, I thought I could keep the clothes,
14:10but someone will see it, so it will come.
14:12You're fine, Abba Ji.
14:14Don't die, don't die.
14:16She fought in Tatiya Minch.
14:18And this is also Mirabh.
14:20What is this?
14:22I don't think this Tatiya Minch has any idea yet.
14:25She was listening to me.
14:26She will show me tomorrow.
14:28She is a very dangerous girl.
14:30I'm afraid of her in the car.
14:32I don't want to play the car.
14:34I've put Rizwan's story to Irfan.
14:37Very good.
14:39Are both of them?
14:40I don't know.
14:41What do I do?
14:42Don't worry.
14:43Take Irfan.
14:45Listen.
14:46It's true, it's true.
14:48It's a hurry.
14:52You've heard that, Sheree?
14:56It's just not to be able to help you in the car.
14:59But a bodybuilder has been caught on the car,
15:02but it's so clean and so on.
15:04How many of them have been in the car.
15:05How many of you have to get into the car?
15:07Come.
15:08I think I'm going to leave the car.
15:09I'll make it to the car.
15:10I'll be able to get a good job.
15:11I will get a good job for two days for two days.
15:13I'll be able to get a good job.
15:15But I'll get a good job.
15:16But how many thousand in the car?
15:18Ten thousand.
15:19I'll get a good job.
15:20$10,000
15:24But Sherry is a small town
15:26The news of you will have to share with you
15:28You will have to share with me
15:29When he is a bodybuilder
15:30And he is a golden run
15:33$10,000 in the small town
15:35So it's enough
15:36Now we are leaving
15:37But...
15:38How are you?
15:39Where are you going to find?
15:40Where are you going to find?
15:42In the streets
15:43In the woods
15:44In the woods
15:45Where are you going?
15:46I'm going to go
15:472 hours ago
15:48If you have to come
15:49I'm going to go
15:51I'm going to take Bushra
15:52I'm going to take Bushra
15:54Don't have a love for anyone
15:56She's only Sherry
15:58Her name is Sherry
15:59She's been missing
16:00I'm going to take Bushra
16:01I'm going to take Bushra
16:02Now
16:15How are you going to find Bushra?
16:17Thank you
16:18Thank you
16:19Thank you
16:20Thank you
16:21God
16:22Thank you
16:23Thank you
16:24Thank you
16:25Thank you
16:26Thank you
16:27I'm a very dangerous stunt
16:28God has done it
16:29Stunt
16:30Stunt
16:31Stunt
16:32Stunt
16:33Stunt
16:34Stunt
16:35Stunt
16:36Don't try it at home
16:37Be careful
16:38Be careful
16:39Don't try it
16:40Don't try it at home
16:41Don't try it at home
16:42Be careful
16:44Be careful
16:45Don't try it at home
16:46In fact
16:47He couldn't be a professional actor
16:48He couldn't be a professional actor
16:49He couldn't do it
16:50What a difficult stunt
16:51And
16:52You are very happy
16:53You are
16:54You are
16:55Supporting cast
16:56You are
16:57You are
16:58You are
16:59You are
17:00You are
17:01You are
17:02You are
17:03I'm genuinely
17:04Sorry
17:05You are
17:06You are
17:07You are
17:08You are
17:09You are
17:10You are
17:11They
17:12They
17:13They
17:14They
17:15You are
17:16I am
17:17You are
17:18You are
17:19Yes
17:20Yes
17:21Yes
17:22You are
17:23You are
17:24Good
17:25But
17:26We have to
17:27Say
17:28He is
17:29Yes
17:30It is
17:31Yes
17:32You are
17:33Well
17:34You're doing so much time and energy.
17:37Yes, yes, of course.
17:38Look at that,
17:41when you look at one scene and everything,
17:45the public is rising.
17:48So if you look at a new scene,
17:50then the show will rise.
17:52As you can understand,
17:54you're not staying in the same day.
17:57Look,
17:58your concern is that it should be good for you.
18:01Don't think about it.
18:03It will be a happy ending.
18:04The small ones are going to go to school.
18:07And we will convert them to the good ones.
18:11If Samya is the shock of cooking,
18:13then we will be busy in the kitchen.
18:15Yes, it's okay.
18:16We need to keep one of these things
18:18so that the house will remain calm.
18:20And Bindiya Ji will send back to BS
18:23so that they will use their political side.
18:27After that,
18:29your house will become a miracle.
18:32It will become a miracle.
18:34So,
18:36can you tell the tutor?
18:38Yes, of course.
18:40Yes, of course.
18:42Look,
18:44we need to write an actor for the tutor.
18:48We need to write an actor.
18:50Yes, of course.
18:52Now,
18:53Irfan Sahib,
18:54let's see.
18:55The tutor is in the second half of the show.
18:58So,
18:59it's good.
19:04You don't care about it.
19:05Look,
19:06the end should be good.
19:07The home should be a miracle.
19:09The home should be a miracle.
19:10Let's do good actors and do money.
19:13Happy ending.
19:15The home should be a miracle.
19:16What did you tell me about Bindiya?
19:22You don't have a number of numbers.
19:25Can you talk about it?
19:27Assalamualaikum warahmatullahi wabarakatuh, Bindiya.
19:32You have a number of numbers.
19:34How are you?
19:36Bindiya, you've got a number of numbers.
19:40You've got a number of numbers.
19:42You've got a number of numbers.
19:44Yes, I swear, it's like this.
19:46But I've listened to Habib and Safiya from these eyes.
19:51But the actual deal is Bindiya,
19:54when she says that he and Farib bhai
19:56and Nassara will make you a baby.
19:58It's like this.
20:00Yes, it's like this.
20:04But Mirabh, these are so bad.
20:08Who does that?
20:10If everyone is bad,
20:12you're not bad.
20:14You're not bad.
20:16You're not bad.
20:18You're not bad.
20:20You're not bad.
20:22You're not bad.
20:24If you're not bad,
20:25if you're not bad,
20:26you'll stop.
20:28That's why we have all done here.
20:30Have you got so bad?
20:32From there, we will never have to protect
20:34our baby's children
20:36You're not a woman,
20:38you're a demon!
20:39You're a demon!
20:40My son Rizwan is going to come here.
20:47Look at that.
20:49He'll get a light on the set.
20:52It'll be fun.
20:54Oh!
21:07How long this series is going, I'll sleep from the sun.
21:12That's why I was telling you. Why did they stay here?
21:15Abba is a born artist.
21:17He knows exactly how to bring the situation forward,
21:20and how to bring the story forward.
21:23Wow.
21:24Okay, that's right.
21:26That's right.
21:28That's right.
21:30Rizwan.
21:32My brother.
21:34If you're a brother, you're acting?
21:38We're all a normal person.
21:42So, you're a brother.
21:45Now, the situation is so gross,
21:48so you shouldn't have to say anything.
21:50That's why.
21:51I have to tell you something else.
21:53What?
21:56That's...
21:57That's...
21:58That's...
21:59That's...
22:00That's...
22:01That's...
22:02That's...
22:03That's...
22:04That's...
22:05That's...
22:06That's...
22:07That's...
22:08That's...
22:09That's...
22:10That's...
22:11That's...
22:12That's...
22:13That's...
22:14That's...
22:15That's...
22:16That's...
22:17That's...
22:18That's...
22:20That's...
22:21That's...
22:22That's...
22:23That's...
22:24That's...
22:25That...
22:26That's...
22:27That's...
22:28That's...
22:29That's...
22:30That's...
22:31That's...
22:32That's...
22:33That's...
22:34That's...
22:35That's...
22:36That's...
22:37That's...
22:38That...
22:39That...
22:40That...
22:41That...
22:42That...
22:43That...
22:44That...
22:45That...
22:46That...
22:47Everyone has to become a heroine.
22:49The heroine doesn't become a heroine.
22:51The heroine has to become the most vulnerable.
22:54Absolutely.
22:55That's why Abba Ji thought that the other cast is not going to get to meet the other cast.
23:00So he called Sabra Babra,
23:02he didn't have to give dialogue,
23:04and he made Gunga Behra.
23:06He's not going to.
23:07He's like his hair.
23:09But how good he's acting.
23:11He's doing it.
23:13You didn't think about it.
23:15Justina Abba Ji said that you have to be aware of your work.
23:18Everything will be right.
23:20Whatever you want, it will be right.
23:36No, no.
23:37What happened?
23:38Oh,
23:40There's so many things happening in my mind.
23:43I need to sleep.
23:45I've kept my clothes in your house.
23:47The shopping that I did was there.
23:49Yes.
23:50So you should come.
23:52Take it.
23:53Yes.
23:54Let's go.
23:55Yes.
23:56Let's go.
23:57Let's go.
23:58Let's go.
23:59Let's go.
24:00Let's go.
24:01Let's go.
24:21Look how it's easy.
24:24The drums, the dumbest, the dumbest, the dumbest, the dumbest, the dumbest, the dumbest, the dumbest.
24:31All these are all the good ones.
24:33These two are my own face.
24:36When I saw the first day, I felt like the good ones.
24:43The red flags are called.
24:45I saw the red flags and the red flags.
24:47I saw the red flags and the red flags.
24:49I was looking for the red flags.
24:51Hey, brother, if they have a relationship, then what kind of character do you feel like?
24:56Oh, my God.
24:58You've learned a lot to fight for old wives.
25:02I'm just saying that they don't have any advice.
25:08No one says that the house is very big and we'll pay more money.
25:13No one says that we'll do one day,
25:16and the other day we'll do one day.
25:20And he says that it was broken before.
25:23No one hit the roof of the roof,
25:27or the roof of the roof of the roof.
25:29This is a great deal.
25:32And both of them look at their faces.
25:37So I feel like one group is going to be a girl.
25:44One group is going to be a girl.
25:47And the third group is going to be a girl.
25:52And the third group is going to be a girl.
25:55And the third group is going to be a girl.
25:57And the third group is going to be a girl.
26:00And the third group is going to be a girl.
26:02And the third group is going to be a girl.
26:04It's a girl's way at that.
26:06It's like a girl that says in the inside.
26:07And these things that you have been doing, you have been doing this for a long time?
26:13Shhh!
26:15In this house, you have to take a listen.
26:19You have to look at your eyes.
26:21You have to say whatever you want,
26:23you have to think about what will happen next.
26:29All these things are so much,
26:31so much that if you don't want to make a mistake,
26:34You can write a special literature in the shaitan's diary.
26:38You can leave them.
26:40You can tell me that the plan was not started,
26:42which we discussed before.
26:44First, tell me about it.
26:46You can take a look at Bindiya.
26:48What about our plan?
26:52It's a very similar relationship.
26:56Can you tell me?
27:01No.
27:02First, tell me about Bindiya.
27:05You know what you're aware of in your mind and mind.
27:10And I...
27:14I'm not...
27:15I'm a man with my own.
27:17I've been a man with a man.
27:20I've been a man with a man.
27:21I'm a man with a man.
27:23And Bindiya too.
27:27Whatever I do, I'll do myself.
27:29I'm a man with a man with a man with a man.
27:32I'm a man with a man with a man with a man with a man.
27:35Now I'm a man with a man with a man with a man.
27:37And you're still waiting for a man with a man.
27:39You're still waiting for a man with a man.
27:40Not gonna be...
27:43You sent me passport for visa?
27:46The appointment is now.
27:48I'll send you something.
27:50Good.
27:52You're for a man with a man.
27:54And you must try and get yourself
27:56You're still waiting for a man with a man with a man.
27:59What happened?
28:00And the people are asking me to be vaccinated.
28:02You know, when I collected CDs of the gharas, I would be interested in the world of Veneedah.
28:20You had more of a job than you met, right?
28:24That's why they will be different from their shocks.
28:27But brother, I don't feel good in all these gharas.
28:31Only these gharas?
28:36Do you know the meaning of the gharas?
28:40Yes.
28:42The meaning of the gharas is a beautiful woman.
28:48When you know so much, why do you ask this question?
28:54This is it.
28:57You hear the gharas?
28:59Because tomorrow, I don't know how many gharas will go to this house every day.
29:05And ask for the gharas.
29:07Absolutely.
29:08That's the gharas.
29:09You've given me a gharas.
29:11You must have understood.
29:12They were God's sisters who were separate.
29:16Don't follow me since.
29:19Sure, they were the one that was separate from you.
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