- 1 day ago
Ek Jhooti Kahani ep 17 Pakistani drama
Category
🎥
Short filmTranscript
00:00I'm the one who was thinking about it.
00:10I'm the one who's going to go.
00:14I don't think much of her friends and friends are really good.
00:17Who is going to school?
00:19I'm saying, you'll call a sir.
00:20Meet him, you'll be happy.
00:21Sir Rizwan Salim.
00:23I'll keep the name of my brother,
00:25and then I'll take the 4th of them.
00:28What happened?
00:30She's gone.
00:32Where did she go?
00:34I'm very angry.
00:36I'm telling you, she'll be angry.
00:38My house?
00:40I'll never sleep.
00:42No.
00:44Come here.
00:46Let's go.
00:48Let's go.
00:50I think that the whole life goes through.
00:52It won't be okay.
00:54We'll be like this.
00:56They'll be like this.
00:58I'll go with this.
01:00You'll be leaving.
01:02Let's go.
01:04You'll leave the house.
01:06You won't leave.
01:08No.
01:10We'll leave you.
01:12You're leaving.
01:14She's not taken care of.
01:16She's not taken care of.
01:18Yes.
01:20I'll go.
01:22I've got a team with you.
01:45It's a good team.
01:47It's dangerous.
01:49allah khair karee abachi kaha phasadiyya har katem pe naya amtihahan
01:59mujhe anadaza hai yeh amir ghar ki bachiyan hai aur inke dhin bade naasuk hundhe
02:09maabaab ka gham ham ne bhi saa lekin is gham nye in bachiyan ko eek ladhi me piro dhia
02:20aap dhrust karen hai bhaai bashiir jab yeh gham ham pe pada to hum apeni apeni jagha toot gaya
02:26aur is gham ka bhojh berdash na kar sake
02:30aisa bhi hota hai baas jagha
02:32mahenne purehi košish ki ki ki ki tootnene ke baat kahin yeh ghar bikhar na jaye
02:36mai ab tuk jo bhi kar raha ho uspun me meri yeh hi košish hai ki meri bheheni
02:40achse aur positive insano ki tarah behave karee
02:43aur mai apni zimedarii puree tariqe se nibaas kou
02:46kuch aise zimedarii mujh per bhi padiye
02:49amalat me ager kisi bhaai ke samanine aise situation houti
02:54ke ek amir admii uski bhehen se is tarah ananfalanan şadhi kerta
02:58to shayid wo isse anah ka bussla bina leta
03:01jii jii haaap aise hi situation my hai
03:05jiasse ke me bosse fark etna hai
03:08ke bushra eek semajdhar rsul jiwi larki hai
03:11lekin meri bheheni
03:11bushra ko joh kirdhar me laya na
03:13usko nibhane ke liye
03:14usko apna mizaj badalna panta hai
03:16wana waisa toh
03:21larkia aise hi hoti hai
03:22وہ shaykspire nne kao na
03:24haa
03:25yeh dunia aik
03:27stage hi to hai
03:28It's like that.
03:30And the way that you are going to love with it,
03:35it's your own way.
03:37And you may be able to change the change of the world.
03:44Someoce.
03:45Oh, someoce.
03:47I'm going to go with it.
03:49Can you go to lunch with someoce?
03:58Yes, that's my fault.
04:13Now, it's one kilometer.
04:15I'll study it first and then I'll cut it off.
04:18If you wrote it, you won't do it, then you'll lose.
04:21What will it be?
04:22There are some rules of game.
04:24You won't follow rules, then you'll lose.
04:26Now, shut up. I'll do it again.
04:28Then I'll do it. It's hot time.
04:31Move on. Zip.
04:33I'll do it again.
04:35That's what I have done.
04:38Have you ever tried to get some food?
04:42I've never tried to get some food anymore.
04:45I'll try to get some food before you.
04:49I have never tried anything, but this will be good.
04:56Come on, this experience will be done.
05:14I am going to get out of the car or go out of the time machine.
05:18Why did everything change?
05:48Allah, what will happen?
05:49He died in the tomb.
05:50God bless you.
05:51God bless you.
05:55Where is it?
05:56Where is it?
05:57I will not leave today.
05:58I will not leave today.
05:59Come inside, brother.
06:00Come inside.
06:01Come inside.
06:02Hey Sherry?
06:03Yes.
06:07You?
06:08Who is it?
06:09And where is Bushra?
06:13What are you doing?
06:15Uncle Ji,
06:17Fakura Apa.
06:18I know you are making me a fool.
06:21This is Uncle Ji.
06:23This is Fakura Apa.
06:24And you.
06:25Yes, you.
06:26You are Bushra.
06:30What happened?
06:31You are not going to be sweet today.
06:32Is it?
06:41What are you doing?
06:43What are you doing here?
06:46Oh Uncle Ji.
06:47Don't harm me.
06:48You are now making my auntie.
06:50Hey!
06:51You got my auntie.
06:53I'm with your mother.
06:54I'm with your mother.
06:55I'm with you.
06:56And I'll ask her.
06:57I'll ask her.
06:59The rest of her.
07:00Let me take the wig first.
07:01Wait.
07:02Wait.
07:03Wait.
07:04I'll tell you.
07:05Come here, big boy.
07:06I'll call my wife.
07:07I'll call my wife.
07:08I'll call my wife.
07:09I'll call you.
07:10I'm not going to harm you.
07:11Let go.
07:12Hey Uncle Ji.
07:13What do you want to tell her?
07:14I'll kill you.
07:15I'll kill you.
07:16Hey Uncle Ji.
07:17I'll kill you.
07:18I'll kill you.
07:19I'll tell you.
07:20I'll kill you.
07:22I'll kill you.
07:24Huh?
07:25I'll kill you.
07:26I'll kill you.
07:27Well, you're not going to kill you.
07:29When I saw you first, my personality was very different.
07:35We say that every person is our face.
07:39Can you see my own face?
07:41Yes.
07:42Where I entered, there was a girl.
07:45She was a senior in home economics.
07:48She's got a face with you. It's a shame.
07:52And her hands are like this.
07:54Okay.
07:56I asked her if you're cutting and slicing,
08:00then how do your hands hurt?
08:03What did she say?
08:05She said in the kitchen,
08:08there are very basic and important rules.
08:12You should have to cut on the cutting board.
08:15It's not possible to cut.
08:17And every chef needs a cutting knife.
08:22Like the meat, the vegetables, the whole meat,
08:28the whole thing is cut.
08:30So, you have to have to use the water.
08:32My mother also said this.
08:36You know, they had so many knives.
08:40Yes.
08:41You know, I asked her if your hands are so beautiful.
08:45So, she told me that in the kitchen,
08:47there are lemon peel and lemon peel.
08:51You put it on your hands?
08:53It's beautiful.
08:54It's beautiful.
08:55My mother also used to use limo and rose water.
09:00Wow.
09:01Do you still have a knife set for your mother?
09:04Yes.
09:06I have kept it on your hands.
09:09I can see.
09:11So, I don't know that I would call you 25 times a day.
09:15So, why don't you call yourself your phone?
09:17You don't want to call yourself.
09:19I don't want to call yourself.
09:21It doesn't matter.
09:22I'll be able to call you 25 times a day.
09:24Okay.
09:24If someone can call you 25 times a day,
09:26I'll send you a text.
09:28If someone can call you 25 times a day,
09:29I'll send you a emoji.
09:30Actually, I thought that you have a custom emoji design.
09:34I'll take a bite.
09:35Is it okay?
09:36Is it my pleasure?
09:37No.
09:39Yes.
09:40But we both have so much understanding that
09:43it can be a lot of pleasure.
09:45I don't know.
09:46These little things are made in my mind.
09:50Now, what are you going to call yourself?
09:53That day, when you were able to explain your plans,
09:57you were able to explain your plans, right?
09:59So, what will I tell you to tell you?
10:03Hmm.
10:05I don't know.
10:06I'm feeling weird from my heart.
10:07So, are you surprised me?
10:10No.
10:11Why do I have no doubt?
10:13No, no, no.
10:14So, what does this mean?
10:16Tell me something in my mind.
10:18Tell me something.
10:20Mirab has been told to you.
10:22Hmm.
10:23I can't remember.
10:24Yes.
10:25And that's the same thing.
10:26He has killed himself.
10:28Why?
10:29That's the same thing.
10:30But the same thing,
10:32he has all cleaned up the house,
10:34and cleaned up the house,
10:34and cleaned up the house.
10:36And then, Mirab gave me two of them to eat.
10:39So, Mirab knows what happened.
10:41But then, the triumph came.
10:42It's a lie.
10:43But then, Mirab has learned how to make it.
10:48It's fun.
10:50It's fun, it's fun.
10:52When Bush came to help them,
10:54like a President Bush.
10:55That means, there are two triumphs.
10:57Are you in front of them?
10:57Yes, Third World War.
10:59Don't worry about it.
11:00On one side, Mirab.
11:01On the other side, Bushra.
11:03And on the other side,
11:04I said, no, no, I don't want to leave you.
11:07So, Mirab attacked on Bushra,
11:10that on one side, he fell down,
11:11so he fell down to the Twin Towers.
11:13Oh, no.
11:14What?
11:15What did you miss this show?
11:17Yes, it was a big worth watching scene.
11:19Then, Mirab and Nasra,
11:22came to forgive him.
11:24He renewed his agreement.
11:26I mean, Bushra and his brother,
11:29are only a few mistakes.
11:31Hmm.
11:32Now, there's no doubt in this plan.
11:34We work.
11:36We marry.
11:37We sell their showroom.
11:38We take care of them.
11:39We take care of them.
11:41Hmm.
11:43Hmm.
11:44Here, let's try it.
11:47Hmm.
11:49Hmm.
11:50Hmm.
11:51Hmm.
11:52Yeah.
11:54Hmm.
11:55Hmm.
11:56Hmm.
11:57Hmm.
11:58Hmm.
11:59Hmm.
12:00Hmm.
12:01Hmm.
12:02Hmm.
12:03Hmm.
12:04Hmm.
12:05Hmm.
12:06Hmm.
12:07Hmm.
12:08I was able to get out of the way.
12:10I had to make a French dough and make a bread dough.
12:14And make a bread dough and a bread dough.
12:16So, it's a real hero?
12:18I'm not a hero.
12:20I'm not a hero.
12:22But I must make a good friend.
12:24I'm a big brother.
12:26My height is double.
12:28I'm not a double.
12:30I'm not a hero.
12:32I'm not a hero.
12:34I'll sit down and sit down.
12:36I will give you the advice.
12:37It's like Irfan.
12:39I had to leave all the young people for the children.
12:44And when Musha took your hand,
12:49I asked a question to my heart.
12:52I said, Mushir, today is your pleasure.
12:56Do you know your happiness or your own happiness?
12:59Do you know what the answer is?
13:02Your happiness.
13:06Oh, wow.
13:07You have to wait for lunch.
13:09Today, you have some samosas.
13:12It's a great pleasure.
13:15In fact, she wanted me a little bit for a few hours.
13:23What's that, Irfan?
13:24Yes.
13:25I don't want to give her a good attitude.
13:30I want to show her a doctor.
13:32Okay, go.
13:34Go.
13:35It's nice.
13:38Why are you so ashamed?
13:40I understand, Irfan.
13:41It's the same thing.
13:43Which one?
13:44It's the same thing.
13:46Oh.
13:47Oh.
13:48It's brown.
13:49Yes.
13:50Yes.
13:51Are you ready?
13:52Yes.
13:54Are you ready?
13:55Yes.
13:56What did you do?
13:57Yes.
13:58What did you do for lunch?
13:59Yes.
14:00Yes.
14:01Yes.
14:02Yes.
14:03Yes.
14:04Yes.
14:05Yes.
14:06Yes.
14:07Yes.
14:08Yes.
14:09Yes.
14:10Yes.
14:11Yes.
14:12Yes.
14:13Yes.
14:14Yes.
14:16Yes.
14:17Yes.
14:18Yes.
14:19Yes.
14:20It's my car.
14:21Yes.
14:22Yes.
14:23Yes.
14:24Well, I don't know.
14:26Okay, let's go.
14:28Wait a minute, I'll go out and open the door.
14:32You're going to get out.
14:34We're going to get out.
14:36I don't know if we're going to see who's going to do it.
14:38Oh!
14:40You're going to go out and you're going to go out.
14:51This is good for me.
14:53You're going to get out of the room in the room.
14:57And I'm sitting here alone.
15:02Hey, Mom.
15:04Don't say anything to me.
15:06Don't leave me alone.
15:10Hello, Mom?
15:13What?
15:15What's she saying, Mom?
15:17She arrived there?
15:20She killed her?
15:23She was scared from everyone.
15:25Mom, what did she do?
15:32What are you doing in Nandur?
15:34I'm a bad girl.
15:35I'm a bad girl.
15:36I'm a bad girl.
15:37What's she doing?
15:38She's just getting out of the room.
15:40She's getting out of the room.
15:42Oh!
15:43Did she get out of the room?
15:44Yes.
15:46What was the way you were going to do?
15:49They were saying normal things.
15:51It's home.
15:53There is no way to get out of the way.
15:56The mission is this.
16:03Okay.
16:04When are you going to be here?
16:07I can't even go.
16:09I'm going to keep them with me.
16:14The show is finished, Bushra.
16:17Go back.
16:19What do you want to do?
16:21It's been done.
16:22It's not possible.
16:24It's not possible.
16:25Even if something happens,
16:27it will not be able to see your face.
16:30And Fakra,
16:31it will not be able to do that.
16:33Okay.
16:34I will tell you.
16:44You must have children.
16:48But they are not willing to do it.
16:51If you have to take care of them,
16:53then you will have to take care of them.
16:55You will enjoy them.
16:56Otherwise, you will enjoy them.
16:58I will tell you.
17:04If you want to take care of them,
17:05I will show you a nice game.
17:07I'm going to do it.
17:22I'm going to do it.
17:24Yay!
17:31Oh, good to see you.
17:33This is a very scary thing.
17:35What is going on?
17:37I'm going to die through my mind.
17:39My son, you're going to die from my husband.
17:43I'm going to take the bus to pick up the 10 number of us.
17:47All right.
17:49Sorry, God bless me.
17:51It's going to be a little bit.
17:53I'm going to die again.
17:55You're going to die, son.
17:59You're going to die.
18:01You're just going to die.
18:03you have to reach home to your house.
18:07Hey! It's on this one!
18:09Come with me! Come, come, come!
18:11Run, Rizwan. Run.
18:28Go! Go! Go!
18:33Music
18:58Now, eat some sandwich.
19:01Wow, that's a good idea.
19:03Today, there are many people in the kitchen.
19:10My brother Koshir, I've spoken to you.
19:14What do you mean?
19:16I mean, I'll come to the kitchen after marriage.
19:22What is the matter of hiding in it?
19:24In fact, you said that in front of Salih,
19:30if you have been in front of yourself,
19:33then you will knock.
19:35But now, you're in your head.
19:37What?
19:40Knock?
19:42It doesn't knock.
19:45Now, what's inside it?
19:48My brother?
19:52My brother?
20:18He's a hero.
20:19He's a hero.
20:25He's a hero.
20:28As with the fact,
20:29you should be killing his family.
20:30If I can't get the scars on my feet,
20:31I will turn my hands all over.
20:32We will leave the house all over.
20:33How do you stay here?
20:34How do you stay here?
20:35I will stay here with my family.
20:36How do you stay here with Rizwan and Abba?
20:38Yeah, you just came to see that Abba is my family.
20:40What's the need to tell him?
20:41How do you stay here with your family?
20:42What do you have to tell him about this?
20:43What have you need to tell him about this?
20:44What do you need to tell him about this?
20:45How do you need that to tell him about this?
20:46What was that?
20:47I was so tired and I was so tired.
20:50And what was that?
20:51I didn't want to be a sweetie.
20:53Who is that?
20:54What was that?
20:55When I left out of this house,
20:57my husband was open to the theater.
20:59He was going to be a drama.
21:01He was going to be a drama.
21:02So what will he do?
21:03He will come to the police.
21:05Bushra also wanted money for any college.
21:08He will also have money for him.
21:11What do you mean?
21:13Who else?
21:14No.
21:15No.
21:16No.
21:17No.
21:18I'm telling you that
21:19we are going to send it to him to him.
21:23To him.
21:24Yes.
21:25There is such a big house.
21:26There are so many doors.
21:27There are so many doors.
21:28There are so many people.
21:29There are so many people.
21:31What is that?
21:33Listen to me.
21:34I will take you to the people's love
21:36and I will take you.
21:37I will not dance at this stage.
21:39Mom doesn't dance.
21:41It's a very decent story.
21:43I will not dance at this stage.
21:44I will have five young children.
21:46Bushra.
21:47Snow White?
21:48It's such a bad story.
21:49It's a bad story.
21:50I will not do anything.
21:51Seven of them
21:53and they will sing the song in the jungle.
21:55Is that how it is?
21:56The wrong way is that
21:57the girl told her how to do the child.
21:59I will not do anything in the world.
22:01I will not do anything in the drama.
22:03Mom, just do it for God.
22:05You put your hands on it.
22:07There will be no work of production.
22:09But leave it from here.
22:11Otherwise, it will come back to the protein shake.
22:14Yes, right, right.
22:16Don't put my phone on it.
22:17Let me take it from here.
22:19Take it from here.
22:20God bless you.
22:27Sir, what's your name?
22:30My mother.
22:31What?
22:33What's your name?
22:34Oh, what's your name?
22:37He's a dog.
22:38He was angry at the house.
22:39He didn't run away.
22:41Do you want to catch him?
22:42Sir Rizwan?
22:44OMZ, sir.
22:46Stop, stop.
22:48Sir Rizwan, stop.
22:51Sir Rizwan, he's a tutor.
22:54Do you understand the dog?
22:55This?
22:57Tutor?
22:58Yes, yes.
23:00He's a dog.
23:01What?
23:02I listen to the dog.
23:04I've called my machine in the bag.
23:06To put a new cell.
23:07Myself, Rizwan Salim.
23:09M-A-M-Z.
23:12I'm going to go with my dog.
23:13You want to join us?
23:14I'm going to join us?
23:15I'm going to join us?
23:16I'm going to join us.
23:17You're probably going to join us.
23:18I'm going to join us.
23:19My research is like this.
23:20I understand.
23:21A healthy body carries a healthy mind.
23:23I'm going to join us.
23:24You're also going to join us.
23:25My research is like this.
23:26I understand.
23:27A healthy body carries a healthy mind.
23:30Are you also joining us?
23:33Yes.
23:34What is this?
23:41Why did you take me here?
23:43I'm going to join you now.
23:44I'm going to join you now.
23:45I'm going to join you now.
23:46I'm going to join you now.
23:47She was showing her mother's face.
23:49She was going to join me with her.
23:51You took me here.
23:52Why did you take me here?
23:53Why did you take me to fix my career?
23:56It was an emergency.
23:58Two ships came to have reached the house and we put her hair in between.
24:05I'm going to get her hair in the house.
24:06I'm not going to cross the part.
24:07I'm also scared of her.
24:08Then she was trying to.
24:09I lost her hair in love.
24:10She put her hair in the throat.
24:11Do you have a word?
24:13Who built her hair in a wheel?
24:15I'm not going to take my mom.
24:17I'm going to take her hair.
24:19You take her hair.
24:21You take her hair.
24:22My mom threw her hair in the house.
24:25I was trying to kill him and kill him.
24:27He was running away.
24:28He was running away.
24:29He was running away.
24:31And there are all kinds of things.
24:33I'm going to take my mom.
24:37Stop, girl.
24:39Look at that.
24:41There is a scene in the middle.
24:43You need to take my mom and take my mom.
24:47You handle it.
24:49I'm going to take my mom.
24:50This is a drama.
24:52I can't leave my mom alone.
24:56Abba Ji.
24:57You don't have any role.
24:59My child is running away.
25:01Look at that child.
25:03She is running away from her mother.
25:05Come on.
25:07Vishmilakhan.
25:12Now she's coming.
25:13If she gets the money from her family,
25:16she will come.
25:17She won't come.
25:20Tell me.
25:21Yes.
25:22You go to the kitchen.
25:26This churi,
25:27she used to dice the vegetables.
25:33And she used to roast roast.
25:37And...
25:39this is for chopping.
25:41That is how my father has become the best man.
25:45This man has become the best man.
25:47I've never felt like that,
25:55that it never had to kill for my family.
25:57When he goes on, he tells the truth about what he's going on.
26:08That's right.
26:14Sameer?
26:19We've never talked about them about them.
26:22My brother, that's what happened in the restaurant.
26:30If you don't understand him, what do you think?
26:34Investigations had to happen.
26:38Investigations had to happen too.
26:41What happened?
26:47Why are you crying?
26:52My father left.
26:54I'm not your father.
26:59Why are you?
27:01What's your job?
27:02No, it's a job.
27:03It's an emergency.
27:04You have to go to the minister.
27:05I'll talk to Sameer.
27:06Talk to him about it.
27:07We'll talk to him about it.
27:08Please.
27:09Your brother, go.
27:10It's important to him.
27:11See?
27:12Come on.
27:22Come on.
27:23I am going home.
27:25I'm here.
27:26My husband, always loves you.
27:28My mom always loves you.
27:29Over me..
27:31My baby is always happy.
27:32She loves you.
27:33She loves you..
27:34My brother is always happy.
27:35She loves you.
27:36She likes to play a games.
27:37She loves you.
27:38She loves you.
27:41Her family.
27:42Her family is a big good.
27:43She loves you.
27:44She likes her.
27:45She likes you.
27:46She loves you.
27:47He put his head on his head and his head on his head.
27:55He's in his head.
28:08How many heads are you?
28:10Oh, dear.
28:14I say that I have to leave here.
28:17I have to leave here.
28:35She says to us,
28:37What was that?
28:39I'm sorry.
28:41I can say,
28:43I can say,
28:45I can't be able to get any of my hands.
28:47It was just my uncle.
28:49Did you check the wig?
28:51Yes.
28:53Did you get the wig?
28:55No.
28:57It was such a technique,
28:59that it didn't get the wig.
29:01Do you think that it was my uncle?
29:05That it was my uncle,
29:07because the wig didn't get the wig.
29:09Hey,
29:11I've got a job in the gym.
29:13I've made so much fun.
29:15I've made so much fun.
29:17But if you eat the wig,
29:19it's like this.
29:21It's like this.
29:23So you can understand
29:25the other people of the world
29:27that the man of the khalifah
29:29is also a man.
29:31I'll tell you,
29:33why are they not connected to those people?
29:35Why do they have to do that?
29:37Why are the women who can't believe
29:39that the women of the party
29:40can be the same thing?
29:42That's why they do this.
29:43I feel like they do these things.
29:45I feel like I have to do it.
29:46Every move to them,
29:47I feel like they have to do it.
29:49I feel like they'll be the same thing.
29:51You will have to be a mother.
29:52You can also have to be a woman like Imam Khalifa.
29:56That's the same.
29:57You have to marry your uncle, 6-6 children.
30:00You have to win a gold medal in the Olympics.
30:02And the best thing about Imam Khalifa,
30:04that's a real man.
30:06Now I have to believe that you have to be a man.
30:10Alpha mil.
30:12Yes, Alpha mil.
30:14Alpha mil.
30:20Safiya!
30:22Safiya!
30:24Safiya!
30:26Safiya is gone.
30:28Habeep has taken a bag with her.
30:32Where is Safiya?
30:34I don't know. Habeep has taken a bag with her.
30:36How is it possible?
30:38At this time it's lunch time.
30:40How can you go to the house?
30:42At this time Mirov was a tutor.
30:44I think he was running away.
30:45I told him to chase him.
30:46I don't know if he's gone.
30:48Mirov and Uriya are sitting in his room.
30:51Where are they sitting in his room?
30:52I was running outside.
30:53I was watching Safiya.
30:54Safiya has taken care of him.
30:58Bindiya,
30:59either you are crazy,
31:01or there is a game in this house
31:03that has been a lot in my mind.
31:05Tell me,
31:06this is Mirov's tutor.
31:07Where did he come from?
31:13Aya-chan?
31:18Aya-chan is coming from this time.
31:20But Bushra,
31:21Bushra was going to look at my mother's vintage knives.
31:24Why?
31:25Samia,
31:26you are learning to make Samosa from Bashir.
31:28What happened to you?
31:29Everything is so messed up.
31:31It's so messed up.
31:32Bushra,
31:33it's so messed up.
31:34It's so messed up.
31:35It's so messed up.
31:36It's so messed up.
31:37It's so messed up.
31:38What happened to you?
31:39It's so messed up.
31:44Tell me,
31:45I know Safiya was here at this time.
31:47What would you know?
31:49I was standing there,
31:50Mirab was running with a teacher.
31:51Habib was opening the gate for her.
31:53Safiya was cheering for her.
31:55She was a good friend.
31:57I told her,
31:58and I told her,
31:59is that Mirab safe?
32:00Safiya is going around.
32:02I told her to tell her.
32:03How would I tell her?
32:05I will never come back to you.
32:10What was the emergency?
32:14I will never come back to you.
32:18What was the emergency?
32:31I'm coming to you.
32:33I'm coming to you.
32:35My brother, Bashir, is coming.
32:49Listen to me, children.
32:51Listen to me.
32:53I'm not going to be a real person.
32:55I'm not going to be a good person.
32:57I'm not going to be a good person.
32:59And so, the showbiz and media, they share their stories.
33:05In films and dramas, they kill 100-100 people.
33:09But in real life, they can't do it.
33:13Okay, let's listen to another story.
33:16You can remember to keep it in mind.
33:18It's a good game here.
33:20Yes.
33:25So...
33:27The real thing is that...
33:28What is the real thing?
33:32My mother took care of the house.
33:35And she sent two women from the house
33:38who were giving them to the house.
33:40So?
33:44We can't send the father to the house, right?
33:48No, but...
33:50Because in the set,
33:51the whole supporting cast is now controlling.
33:54So...
33:55That's not possible.
33:57We've also brought Samiyah here too.
33:59Abba Ji.
34:01Is that it?
34:03My mother was crying a lot.
34:07I...
34:08I can understand.
34:09I can understand.
34:13I know that you and Samiyah are doing something.
34:16I can't understand much about your mother.
34:19I can understand.
34:22I can understand.
34:23Look, it's not only your mother.
34:25It's my mother.
34:27I've got money from you.
34:29I know that my work is here.
34:32And...
34:33I've been here for 10-12 days.
34:35I've been here for 10-12 days.
34:37But...
34:38How do I leave my mother?
34:40Oh...
34:45Look...
34:46You...
34:47You...
34:48You're not here.
34:49Mushra?
34:50No.
34:51This is a drama,
34:53but the mother is a mother.
34:55When she comes to the mother,
34:57she doesn't have anything.
35:00The whole thing has not been so long,
35:02if she doesn't have anything,
35:03then...
35:04if she doesn't have anything else,
35:05then what?
35:10What's your mind?
35:11What?
35:12No.
35:13No.
35:14No.
35:20No.
35:21No.
35:22No.
35:23No.
35:25No.
35:27No.
35:30No.
35:31No.
35:36No.
35:47No.
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