- 2 weeks ago
Vanished S01E01 [Full Movie] [Full Story]Full EP - Full
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🎥
Short filmTranscript
00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:49At the end of the day
02:50Up next
02:50In the day
02:52The day
02:53If you love me
02:59See the day
03:00See the day
03:02In the day
03:03In the day
03:05There's nothing
03:06At the end
03:07That's right
03:08That's right
03:13As we start
03:14Lets break
04:27Excuse me.
04:29Hi, my name is Alice Munro, and I need help.
04:32My boyfriend, Tom Parker, he works for this charity, and he's missing.
04:38Can someone help me?
04:39Can I speak to someone in charge?
04:40Tom Parker?
04:41Yes, Tom Parker.
04:42One minute, please.
04:49Hi, this is Tom Parker.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have?
05:07You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a student.
05:12But, metaphorically speaking, what happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but, like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36The weekend route calls through here so you don't have to pay international charges.
05:39But, uh, I know he's coming here after vacation, so there's no need for him to call him before.
05:45We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but...
06:16When Tom comes back all happy and healthy, I'd prefer if you kept me out of it, okay?
06:21Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:39things were already hard, but that night it got even worse.
06:42His mom went into labor alone in the middle of the night.
06:47She was very sick, had no one to help her.
06:49So Malik ran for four miles, all the way to where the SOS team was staying, and got Tom to
06:56drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse.
07:04So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and...
07:15Yeah, Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family
07:23was taken care of.
07:26But, unfortunately, bandits were ready to camp.
07:35They took women and children, and no one knew who had survived.
07:42And Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and...
07:52Eventually, they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, 10 clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in.
08:15We got him a counselor, we tried to give him support, but something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore.
08:27He just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:34I don't think he ever really came back from what happened to me, but I don't think he ever really
08:39came back from what happened to me.
08:40Sorry, I...
08:42I...
08:43You didn't know any of this?
08:46Alan...
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets under your skin.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:24Alice will find him.
09:56Thank you, sir.
10:00Thank you, sir.
10:03Fantastic.
10:03You're welcome.
10:06Thanks, sir.
10:47Hello?
10:48Hey, Helen. It's Alice.
10:50Hello, Alice. Has your boyfriend returned?
10:53No, he hasn't.
10:55But does the name Orly mean anything to you?
10:58Is it a place in Marseille?
11:00It could be a person...
11:01Orly?
11:02Where did you find that?
11:04I was looking in Tom's notebook, and it was in there.
11:08Orly?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really. I was just on a post-it note.
11:18Okay.
11:19Leave it with me. I will look into it.
11:51How do you know it's a boat?
11:53Oh, I don't. It's a hunch.
11:56Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then, they'll run away to sea with their buddies.
12:16And here's...
12:18And here's...
12:20Aurélie.
12:29Anyone here?
12:31Bonjour.
12:33Hello.
12:34There's someone?
12:35Well, what are we going to do?
12:39What the heck?
12:41What?
12:41Oh.
12:42Every good journalist carries them.
12:45Oh, my God.
12:46Keep lookout.
13:52Oh, my God.
13:57Is it his?
14:06Alice?
14:08Alice?
14:10Alice?
14:13Alice?
14:13Alice?
14:14Alice?
14:15Active?
14:33It's Uncle Brian. He's in London.
14:35He's in London.
14:38It's Uncle Brian. He's in London.
14:42Who are you going to tell me about that?
14:44I was wondering what you'd notice.
14:47He may be useless with cars, but he could talk a dog of a mitra.
14:51A dog of a mitra.
15:10Yeah, I came as soon as I could.
15:12Hey.
15:14Um...
15:15Yeah, I spoke to Jordan.
15:19You were right.
15:20Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:31Alice, there is no easy way to say this.
15:35No, um, I met her, actually.
15:39That...
15:40That woman that you're...
15:42Were...
15:44Were they...
15:46Are they...
15:47It's really not in my place to speculate.
15:50Come on.
15:57He's not thinking rationally.
15:59He's not thinking rationally.
16:04He's not thinking rationally.
16:07So...
16:08What happens now?
16:09No.
16:12My goddess, he will show up somewhere, or makes contact with someone in the next 48 hours,
16:18and then you both need to decide what happens next.
16:20Thanks.
16:23If I were you, I would go to R.
16:26Go to R.
16:27There's no need to hang around, I must say.
16:30If he turns up, you'd be the first one to know.
16:33Okay?
16:33All right?
16:35Great.
16:38Alice, um...
16:39I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me for Ma, yeah?
16:51If you need anything at all.
17:04Nice.
17:07Hey.
17:17Hey.
17:20I don't know.
18:41I don't know.
18:49Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday night,
18:56you go.
18:57Sister, one day we will be free from fighting, violence, people crying in the street.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:25I kind of want you to show me your world.
19:30Come on.
19:31Oh, yeah, oh, yeah.
19:38This is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah, why?
19:53I think your job is safe.
19:58Really?
20:00Come on, Jeff.
20:04Come here.
20:09Yeah.
20:11This was built by the Nepotians.
20:15What's that?
20:16Ninth century?
20:17Fourth century.
20:18A.D.?
20:19B.C.
20:19B.C.?
20:22Did you say the Nepotians?
20:24Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what all it was.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course, it's gorgeous.
20:37Rock-cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the sixth century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:54As is that interesting to you.
21:03Very.
21:13Andy?
21:14You guys looking forward?
21:17No, I didn't.
21:19Rachi?
21:21Go.
21:35He's coming back.
21:37He's coming back.
23:59Excuse me?
24:00Excuse me.
24:02Excuse me.
24:04I need help.
24:06Please.
24:06Hello?
24:08Hello?
24:11Hello?
24:11Hello?
24:12Hi.
24:13I'm looking for Maurice Giroux.
24:15Is he around here?
24:16Maurice?
24:17I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Why?
24:24It's personal.
24:26Do you have an address or a number or something?
24:29I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
24:33I don't.
24:33He was the conductor on a train I took recently and I need to tell you.
24:37Yeah.
24:37Okay.
24:38I'm sorry.
24:38When was that?
24:39I can't...
24:41I can't just give out his address, you understand?
24:43Yes.
24:44Of course.
24:46Okay.
24:47Sorry.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant
24:59with Maurice's child.
25:01I need to speak to him right now.
25:02Qu'est-ce qu'elle dit?
25:03Oh, ouais.
25:06Elle dit qu'elle est enceinte de Maurice.
25:07...
25:16Sorry.
25:17I'm sorry about my colleagues, sorry.
25:19Of course, I'll give you his address.
25:22Sorry.
25:23Good.
25:25Here.
26:05Stop, stop, stop.
26:07Stop, stop, stop.
26:37Stop, stop.
26:37Stop, stop.
26:39Stop.
26:45Stop, stop.
26:53Stop, stop, stop.
26:55Get out of my way.
26:56Stop.
26:58Stop.
26:59Stop.
27:01Stop.
27:02Stop.
27:13Stop.
27:19Stop.
27:20Stop.
27:20Stop.
27:26Stop.
27:27Stop.
27:29Stop.
27:30Stop.
27:31Stop.
27:33Stop.
27:34Stop.
27:35Stop.
28:05Stop.
28:05Stop.
28:05Stop.
28:06Stop.
28:11Stop.
28:13Stop.
28:21Stop.
28:22Stop.
28:25Stop.
28:30Stop.
28:32Stop.
28:32Stop.
28:35Stop.
28:40Stop.
28:42Andrew Giroux?
28:51Hello?
29:12Oh my god. Oh my god.
29:13I'm here.
29:15Oh shit.
29:17Oh my god. No, no, no, no, no.
29:19Okay.
29:26What the fuck?
29:32Madame?
29:37Madame, Madame, hold on.
29:38Wait, wait, wait. Hold on. It's okay.
29:40I know, but just...
29:42I'm so sorry. I don't want that.
29:44I know. I just got in there.
29:46Okay, hold it.
29:47Alice!
29:48Alice!
29:50Alice!
29:51Alice!
29:53Alice!
29:55Alice!
29:56Alice!
29:58Alice!
30:02Alice!
30:02Alice!
30:12Alice
30:40The meuf crase de ouf, ouais !
30:44Les assisteurs ont t'a crié !
30:46T'inquiète pas, je vais m'occuper de toi, là.
30:53Je connais chaque rocon et chaque rouelle d'ici là.
31:00C'est quoi la vie ?
31:02Venez, on a carrément coupé la rue.
31:48Sous-titrage Société Radio-Canada
32:04It's not a matter of policies, it's a matter of marketing.
32:08When did you get so cynical?
32:10Here's your money.
32:15Something has happened, I need to see you right away.
32:18Hey, Alyssa, is everything okay? I thought you'd left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train, and when I got
32:26there, he was dead. He was dead. He was dead.
32:28Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular, he had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:10She's at the Hotel, room 218.
33:14Go to the hotel now.
34:15Alice, which hotel? Which hotel are you staying at?
34:20Perron.
34:21I'm coming now. Do not speak to anyone. You hear me? Do not speak to anyone.
34:27Come on.
34:28Come on.
34:59Livraison.
35:14J'ai une livraison pour Alice Monroe.
35:43J'ai une livraison pour Alice Monroe.
36:16J'ai une livraison pour Alice Monroe.
36:35J'ai une livraison pour Alice Monroe.
36:37J'ai une livraison pour Alice Monroe.
36:39J'ai une livraison pour Alice Monroe.
36:51J'ai une livraison pour Alice Monroe.
37:30J'ai une livraison pour Alice Monroe.
37:52J'ai une livraison pour Alice Monroe.
38:23J'ai une livraison pour Alice Monroe.
38:45J'ai une livraison pour Alice Monroe.
38:58J'ai une livraison pour Alice Monroe.
39:09J'ai une livraison pour Alice Monroe.
39:25J'ai une livraison pour Alice Monroe.
39:39J'ai une livraison pour Alice Monroe.
39:49J'ai une livraison pour Alice Monroe.
40:11J'ai une livraison pour Alice Monroe.
40:40J'ai une livraison pour Alice Monroe.
40:53J'ai une livraison pour Alice Monroe.
41:09You have nowhere to go.
41:55You have nowhere to go.
42:08You have nowhere to go.
42:45You have nowhere to go.
43:16You have nowhere to go.
43:38You have nowhere to go.
43:41You have nowhere to go.
43:41You have nowhere to go.
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