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The Crown S02E04 [Full Movie] [Long Version]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47We kind of start to come home
00:03:48We kind of go
00:04:00You tell me
00:04:04And I'm your old faithful
00:04:05We kind of roll
00:04:10And all of our friends
00:04:11We kind of want to come home
00:04:12And the youth
00:04:13We kind of love
00:04:13And now
00:04:14We kind of love
00:04:14And now
00:04:20Mummy said something interesting the other day.
00:04:26She said that the first ten years of marriage were just an
00:04:30overture. That there's often a crisis at ten years, but then you
00:04:36work it out and settle in. And it's only then that it really
00:04:42gets into its stride. I suppose that's what's happened to
00:04:49us? Possibly. I was thinking perhaps we should have a big
00:05:02anniversary party this year to celebrate hitting our stride.
00:05:14All right.
00:05:22Yes? All right.
00:05:28So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to
00:05:34kill oneself in equal measure. It took forever to get there.
00:05:39Mummy was a nightmare. Mercifully, they sent a helicopter to bring us
00:05:43back. And I had this horrible feeling that somewhere in the middle of it
00:05:52all. I agreed to get married myself. What? To whom?
00:06:03Billy Wallace. Goodness. Congratulations.
00:06:11Oh, Christ. So if I were to accept, it would be a yes from you?
00:06:23Yes, of course. An emphatic yes. And Philip and I were just discussing having a party for our
00:06:40time. That's a nice idea. Well, that's settled then. Thank you. My pleasure. Good night, Margaret.
00:09:31Right.
00:09:32You know, after the war, they said...
00:09:33I'm absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage, as in any marriage.
00:09:49There'll be ups and downs, but one must work to get things back on track.
00:09:54Rather in the same way that a doctor examines a patient...
00:09:58They say that listening is important.
00:10:00But this is really quite a simple...
00:10:01In any marriage.
00:10:03...first try.
00:10:04Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19How are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time, I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:48I'm determined to end it.
00:10:51It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:11:31With a one, two, three, flash.
00:11:34Oh, quite magnificent.
00:11:37Thank you, Martin.
00:11:38Why does it always have to be Cecil Beaton taking my official Berkeley portrait?
00:11:42I don't know.
00:11:42What's wrong with Cecil?
00:11:43When it came out last year, everyone said how pretty you look.
00:11:47No, they said how much I look like you.
00:11:50Well, quite.
00:11:52Cecil does just one thing.
00:11:54Fairy tales.
00:11:56Yes, but he does it so well.
00:11:59And to me, your Royal Highness, little less chin and...
00:12:06What do you think?
00:12:08I asked my new lady-in-waiting here today...
00:12:10Your Majesty.
00:12:11...to offer her opinion.
00:12:14Having at least one foot in the real world.
00:12:17I think birthday portraits should evolve and mature with age.
00:12:21Like the subject.
00:12:23Show change in the character.
00:12:25Complexity.
00:12:27Reality.
00:12:30No one wants complexity and reality from us.
00:12:34Do sit down.
00:12:37People have enough of that in their own lives.
00:12:40They want us to help them escape.
00:12:42Indeed, your Majesty.
00:12:45Imagine this, if you will.
00:12:48A young woman.
00:12:49A commonplace creature.
00:12:51She sits in her drab little scullery.
00:12:53So much work to do.
00:12:55So much washing up.
00:12:57How she longs for comfort.
00:13:00For hope.
00:13:01And again.
00:13:02One, two, three, and flash.
00:13:05She wants to believe her life has some meaning.
00:13:08Beyond chores.
00:13:10She opens a magazine.
00:13:12And she sees her Royal Highness's photograph.
00:13:15For one glorious transforming moment.
00:13:19She becomes a princess too.
00:13:22She is lifted out of her miserable, pitiful reality.
00:13:26Into a fantasy.
00:13:32Later, she will step out of her house.
00:13:35In a...
00:13:36A new neckerchief, perhaps.
00:13:39For which she has saved.
00:13:41Oh, she will hold her head up high.
00:13:43She is renewed.
00:13:45And all thanks to you, your Royal Highness.
00:13:49And to the ideal.
00:13:51Which you represent.
00:13:54And now with a one, two, three, and flash.
00:13:58Quite marvellous.
00:14:00Ding dong, the bells are ringing.
00:14:03Ding dong, the bells are ringing.
00:14:06Ding dong, the bells are ringing for you and I.
00:14:12Ding dong, the bells are ringing.
00:14:15Ding dong, the bells are ringing.
00:14:17Ding dong, the bells are ringing.
00:14:17Ding dong, the bells are ringing.
00:14:20Ding dong, the bells are ringing.
00:14:21In the twenty or so years, we've known the hapless, misshapen crane that is Billy Wallace.
00:14:26Has any woman ever looked at him as an object of desire?
00:14:29I mean, even remotely.
00:14:32Certainly not.
00:14:34Then how can one begin to explain that?
00:14:36What?
00:14:39Ding dong, the bells are ringing.
00:14:43How can one begin to treat it together?
00:14:48Ding dong, the bell.
00:14:49Ding dong, the bell.
00:14:50Ding dong!
00:15:02Ding, it'll join me as hell, "'La stump of love Philip, hin Christ,"
00:15:05and Raan, do you?
00:15:06Ma'am, Lord Blanford just telephoned to apologize and say that Mr. Wallace may be indisposed this evening.
00:15:12They can't be indisposed. We're announcing our engagement.
00:15:15Something about an injury. Rather a serious injury.
00:15:33Where is he?
00:15:36Oh.
00:15:41Your Royal Highness, the Princess Margaret.
00:15:44Out on my way.
00:15:45Oh, shit. You must keep a leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01What's going on? It's our announcement this evening.
00:16:05Unforeseen cirques, I'm afraid. Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that. I had to do something for the pain.
00:16:15What happened?
00:16:17Wait till you hear. You'll laugh till you spit.
00:16:20Your friend Tennant rather took offense at something I did.
00:16:23You came to blaze with Colin.
00:16:25I believe the word duel was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:32A little childish in this day and age, if you ask me, but a duel is a duel, so I
00:16:36stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:42Don't!
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:52But we face the dawn with clear heads and strong hearts.
00:16:58Now Tennant wanted to motor up to Glenn to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:16Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46And why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement, I've found myself quite the centre of
00:17:55attention.
00:17:56It's as though every good-looking girl on earth has taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a bow, much less a catch.
00:18:06It seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:15An actress.
00:18:18Anyway, Tenant's got wind of it.
00:18:19It's gone very cross.
00:18:27Yes, with reason.
00:18:32A pathetic, weak, contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity or desperation.
00:18:48And now you insult me.
00:18:50You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:01Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:25Margaret.
00:19:27Margaret.
00:19:29Margaret.
00:19:31Margaret.
00:19:32West DGOT.
00:19:44Ma'am, I've been asked to tell you that that Princess Margaret will not be announcing engagement this evening.
00:19:51Our Royal Highnesses shall explain everything later.
00:19:53Yes, I'm sure she will.
00:19:54Thank you, Michael.
00:20:19all right all right settle down so on my recent tour of the Pacific I was
00:20:25introduced to a man who said to me my wife is a doctor of philosophy and much more important than
00:20:31I am to which I could only reply ah yes sir we have that trouble in our family too
00:20:43you know when I imagined our marriage in the early days I imagined two people welded together
00:20:49into some sort of combined existence ten years ten years has taught me the secret of a successful
00:21:00marriage is actually to have different interests but different interests but not not not entirely
00:21:12different so it's a funny business one sees the whole of the other person you see even that part
00:21:19of them that they don't see themselves and presumably they see that hidden part of you
00:21:27one ends up knowing more about one's partner than they know about themselves and it could be pretty
00:21:34tough to keep quiet about it so you have to you have to come to an accommodation an arrangement a
00:21:42deal
00:21:45if you like to take the rough with the smooth the extraordinary thing is down there in the rough in
00:21:58the long
00:21:59reeds of difficulty and pain that is where you find the treasure so I would like to propose a toast
00:22:14in the name of love in the name of our beloved country in the name of steadfastness in the name
00:22:24of
00:22:25another ten marvellous years I give you mon petit chou
00:22:40little bit Elizabeth the Queen
00:26:19I want only you.
00:26:21I've tried again with Harold.
00:26:25Tried and tried.
00:26:27I know.
00:26:29I know.
00:26:30I just can't.
00:26:32I can't have it touch me.
00:26:34Be near me.
00:26:35His weakness repels me.
00:26:40His love disgusts me.
00:26:44I know.
00:27:05I can't have it.
00:27:08I can't have it.
00:27:10I can't have it.
00:27:12I can't have it.
00:27:13Beautiful day.
00:27:16I bought something to cheer you up.
00:27:20Cecil's magnificent work.
00:27:23He's quite outdone himself this time.
00:27:27I can tell you which one I would choose as the official birthday portrait.
00:27:32And Cecil immediately agreed.
00:27:35But of course, it's for you to decide.
00:27:56So, I think that's a good idea.
00:27:57I think it's great.
00:27:57I'm very proud of you.
00:27:57I'm proud of you.
00:27:58I'm proud of you.
00:27:59I'm proud of you.
00:28:04I'm proud of you.
00:28:12I'm proud of you.
00:28:13regards to Billy Wallace. Don't mention that name. I've had him on the telephone to me
00:28:18all morning, quite distraught. Then his mother, then his grandma. I'm never speaking to him
00:28:23again. Then we will find you someone else. I don't want you to find me anyone. Moritz
00:28:33Landsgrave of Hesse. He's a distant cousin. Now his mother was a Catholic, but their lands
00:28:40are still intact and he gives a very good show of himself on the polo field. No
00:28:44one! Someone suggested Prince Christian of Hanover, a descendant of Queen Victoria.
00:28:52Served in the Luftwaffe, but we won't hold that against him. I do know what the
00:28:57official duties of the lady-in-waiting are. Accompanying me on foreign trips, dealing
00:29:01with my mail. Do you suppose it might also include helping me climb over the wall to escape?
00:29:08I just can't bear it anymore. I'm having some people to dinner. Tonight.
00:29:16Normal people. Yes, they're all normal. But in their own way, they're all quite exceptional
00:29:23too. You can go. Possibly not deferential.
00:29:29That's fine. As long as they still meet the main requirements.
00:29:33Which are? That none of them breeds horses, owns Lend, or knows my mother.
00:30:04All right, all of you? Hello? Everyone? I'd like you to say hello. I'd like you to say hello.
00:30:12say hello to our guest of honour, Her Royal Highness, the Princess Margaret.
00:30:19Hello.
00:30:22Are you ready, ma'am? Here come the introductions.
00:30:26Here we have Dudley on the piano.
00:30:31And this here is Shilpa.
00:30:36Oh, God, Jane.
00:30:47You know that our designer's crap,
00:30:50and she said it was sad.
00:30:55What the hell wrong?
00:30:56But I don't agree.
00:30:57That's fine.
00:30:58No, but this is tonight.
00:30:59I feel it has to be read the outside of my mind.
00:31:01You just leave me, leave me.
00:31:03I don't think you have to give me.
00:31:08Lastly,
00:31:11Rich, you're feeling a little left out.
00:31:15You're thinking to yourself,
00:31:18these dabblers and freaks all seem to know one another very well.
00:31:28Then you'd be absolutely right.
00:31:32Now, be honest.
00:31:35Can you remember any of the names?
00:31:41No, not really.
00:31:42Can't remember me either.
00:31:45What we've met.
00:31:46We have.
00:31:48Where have we met?
00:31:50Perhaps they'll come to you.
00:31:52Now, where to begin?
00:31:55Huh.
00:31:56Far corner.
00:31:58The irresistible so-and-so with the mustard-colored pearly neck.
00:32:01Irresistible.
00:32:02Oh, come on.
00:32:03A nine, surely.
00:32:05Seven.
00:32:07It's called Jeremy.
00:32:08He's heir to a chocolate fortune,
00:32:10married to the blonde beauty opposite.
00:32:14Oh, she doesn't eat.
00:32:15Isn't she?
00:32:17Yes, they dazzle in public, those do.
00:32:20They don't disappoint in private, either.
00:32:23More of that another time, I think.
00:32:24Who's next?
00:32:26Ah, yes.
00:32:27Our flushed and fleshy friend in Paisley.
00:32:30His name's Ken Russell.
00:32:31Makes documentaries for BBC.
00:32:33Travels everywhere on a bus.
00:32:38You've probably never been on a bus, have you?
00:32:43No.
00:32:45Pity.
00:32:46You really do meet the best people.
00:32:51Tell me about the woman with the, uh, extraordinary eyes.
00:32:57Brown is Frankenstein.
00:33:00She played opposite Boris Karloff of that movie, you know, actress.
00:33:04Who?
00:33:05No one can quite make out why she loves a rather
00:33:07brilliant film producer for a dreary politician.
00:33:13His name's John Perfumo.
00:33:16Fucking dull.
00:33:17It's true.
00:33:18It's true.
00:33:19But...
00:33:20the older gentleman.
00:33:22Poseidon.
00:33:23Oh, no, no, no, no.
00:33:23I know who that one is.
00:33:24That's John Becham, poet.
00:33:28Um...
00:33:29Books from Boots and Country Lanes.
00:33:31Free speech.
00:33:33Free passes.
00:33:34Class distinction.
00:33:36Distinction.
00:33:39Democracy.
00:33:40Democracy.
00:33:41And...
00:33:42proper dreams.
00:33:45Just so.
00:33:50Is it really true he has two wives?
00:33:54I hope so.
00:33:56Better if he has three.
00:34:00We don't want anyone conventional around here.
00:34:10Now, tell me about you.
00:34:12Oh, God, you don't remember?
00:34:13No.
00:34:15I'm a photographer.
00:34:18Oh, the wedding photographer.
00:34:20Ah, that was a favorite.
00:34:21It's not my normal line of work.
00:34:23What is?
00:34:26This.
00:34:30Ah.
00:34:31What?
00:34:32These are yours?
00:34:34Yes.
00:34:36Portraits.
00:34:37I don't like that word.
00:34:39It's stuffy and traditional.
00:34:41Oh, sorry.
00:34:43What are they then?
00:34:45Mmm...
00:34:46People.
00:34:46Faces.
00:34:47They're the most interesting subject that I've found so far.
00:34:52If you can think of anything more interesting, do let me know.
00:34:57Oh, I like them.
00:35:00As if there's no camera at all.
00:35:03Caught them off guard.
00:35:05Ah, it's all luck, really.
00:35:07Made the ugliness beautiful.
00:35:09I despise posturing and pretentiousness and humbug.
00:35:14Don't you?
00:35:17Is that why you took up photography?
00:35:21Maybe.
00:35:23Maybe it's just a good way to get behind closed doors.
00:35:26Somebody's door in particular.
00:35:28Just doors, generally.
00:35:29The facade is only useful as a markup or something one has to get behind or beyond.
00:35:33The surface is so dreary, I don't think.
00:35:37What people want to show themselves, the idealised version of no interest to me.
00:35:41What people hide...
00:35:44That interests me.
00:35:49But you get so close.
00:35:53Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes.
00:35:57That's exactly what photography is.
00:36:00I use a small Leica, nothing fancy, a natural light, which means that I can prowl around.
00:36:06All the while I'm getting closer and closer.
00:36:09And in the end it's kind of like...
00:36:12It's a...
00:36:13Intrusion.
00:36:18Intimacy.
00:36:29Intrusion.
00:36:38How would you feel about taking my photograph?
00:36:41Well I'd consider it.
00:36:43On one condition.
00:36:46Go on.
00:36:48When you come to my slum studio, leave the titles and princess outside.
00:36:53I'm happy to.
00:36:54And for the duration of the session, you do everything I say.
00:37:00Don't look like that.
00:37:03You're dying to.
00:37:07Dying to what?
00:37:09Be a supplicant.
00:37:13I can tell.
00:37:19It was the first room I'd ever been to where nobody got up.
00:37:22Bowed.
00:37:24Curtsied.
00:37:25Some just carried on having conversations if I wasn't there at all.
00:37:28Those that did talk to me, did it with such...
00:37:32Indifference or...
00:37:34Norchalance it verged on.
00:37:37Impertinence.
00:37:38There was this one, in particular.
00:37:41Tony.
00:37:42Anthony, surely.
00:37:43No.
00:37:44He insisted.
00:37:45Tony.
00:37:46Armstrong Jones.
00:37:47Mrs.
00:37:48Photographer.
00:37:50Like Cecil?
00:37:50No.
00:37:51Nothing like Cecil.
00:37:52Couldn't be less like Cecil.
00:37:54Well, maybe a bit like Cecil.
00:37:56He's obviously queer.
00:37:58Interestingly, Elizabeth denies it.
00:38:00Elizabeth who?
00:38:02Cavendish.
00:38:03I called him when I got home last night and interrogated her.
00:38:05What are the five most important things I need to know about that man?
00:38:09Why five?
00:38:10I don't know.
00:38:11It felt like the right number.
00:38:13Why not three?
00:38:14It's more interesting than three.
00:38:17So, what did she say?
00:38:19One.
00:38:20It is Welsh.
00:38:21Is that interesting?
00:38:23No, not particularly.
00:38:25Well, he had polio as a child.
00:38:27He has a passion for inventing things.
00:38:30And he would never dream of being anything as straightforward as simply queer.
00:38:35What on earth does that mean?
00:38:37Not altogether, sure.
00:38:40But, I'm also not even curious to find out.
00:38:43What was number five?
00:38:45You can go.
00:38:46No, that was five.
00:38:47No, Margaret.
00:38:48That was four.
00:38:49Well, alright.
00:38:50Five is...
00:38:52I liked him.
00:38:54Yes.
00:38:55I can tell that.
00:38:58There's a contempt in him.
00:39:00What for?
00:39:04For me.
00:39:06For us.
00:39:08For everything we represent.
00:39:14I actually think you'd like him.
00:39:17That's what's so dangerous about him.
00:39:21Upstairs!
00:39:21Is left...
00:39:21You're right, guys.
00:39:31What's so dangerous?
00:39:46Oh yeah, guys.
00:40:00Right.
00:40:02Right.
00:40:06Wait there.
00:40:13Back in a minute.
00:40:22There.
00:40:48But to the other side,
00:40:51I don't know.
00:41:48I don't know.
00:41:51I don't know.
00:42:36I don't know.
00:42:51I don't know.
00:42:53I don't know.
00:43:02I don't know.
00:43:20I don't know.
00:43:24I don't know.
00:43:26I don't know.
00:44:20I don't know.
00:44:33I don't know.
00:44:52I don't know.
00:44:53I don't know.
00:45:31I don't know.
00:45:32I don't know.
00:45:40I don't know.
00:45:41I don't know.
00:45:45I don't know.
00:45:50I don't know.
00:46:03I don't know.
00:46:05I don't know.
00:46:15I don't know.
00:46:20I don't know.
00:46:41I don't know.
00:46:50I don't know.
00:46:53I don't know.
00:47:09I don't know.
00:47:12I don't know.
00:47:28I don't know.
00:47:42I don't know.
00:47:42Bob Boothby's love child.
00:47:44I don't know.
00:47:52I don't know.
00:47:53I don't know.
00:47:54I don't know.
00:48:16I don't know.
00:48:17It's not being agile.
00:48:17Get off.
00:48:20Oh sorry.
00:48:24Yeah.
00:48:25Come on.
00:48:25Have a look at this.
00:48:26This might amuse you.
00:48:36Well people have signed their names.
00:48:38Oh nicknames.
00:48:40Yeah.
00:48:41Who's Tigger?
00:48:42Cleare Land.
00:48:46a snitch
00:48:48Doug Bogart
00:48:53oh look
00:48:54you already have a princess
00:48:56that's Tony Richardson
00:48:59will you sign
00:49:01and keep a diamond to the purpose
00:49:05go on
00:49:06I'm not sure I've ever had a nickname
00:49:10what should I put
00:49:12something that will throw them
00:49:14off the scent
00:49:16Beryl
00:49:18Beryl
00:49:20alright
00:49:39rhymes with peril
00:49:47put it back
00:49:53right
00:49:55should we look at the photograph
00:49:57yes
00:49:58please
00:49:59if you want you to know
00:49:59oh yeah
00:50:10so
00:50:10I'll place your face
00:50:11and I'll women
00:50:11I'll place it
00:50:13in theurlle
00:50:14but I'll place it
00:50:14but you want to
00:50:14I'll have to
00:50:14come to вой Tech
00:50:14I'll place it
00:50:25all together
00:50:26you can 통
00:50:27you can see
00:50:27I said
00:50:54All right.
00:51:14First, the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:44Why?
00:51:46Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24You're insufferably vain.
00:52:29But now I see you're not queer.
00:52:35Then you...
00:52:36pushing us the fixer.
00:52:44This hill routine is hard to practice and well oiled.
00:52:50Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:57Mm-hmm.
00:53:01Then...
00:53:07We hang her up.
00:53:21What do you think?
00:53:27Margaret, I've never seen before.
00:53:31No one's ever seen before.
00:53:34No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46Someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:55Sure.
00:53:55Well...
00:53:56Then I must go.
00:54:04You, um...
00:54:05You won't stay a little longer?
00:54:08No.
00:54:10This is where the routine ends.
00:54:15For now.
00:54:18Alright.
00:54:20You come with the driver?
00:54:22Yes.
00:54:24He's waiting outside.
00:54:26Good.
00:54:26Then he can follow us.
00:54:40We are most honored to have been guest in your majesty beautiful home.
00:54:51Huh.
00:54:53We have a lot of beautiful islands.
00:54:56We have a lot of beautiful islands.
00:55:04How old time?
00:55:23Thank you so much.
00:55:24You've been a pleasure.
00:55:26Thank you very much.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on rather.
00:55:33On and on and on and on and on.
00:55:37And on.
00:55:37Yeah.
00:55:55I know.
00:56:07I know.
00:56:07Definitely non-queer.
00:56:13Keep it.
00:56:14Keep it.
00:56:34My love must be a kind of blind love.
00:56:43I can't see anyone but you.
00:56:50Come on, come on.
00:56:54Come on, come on.
00:56:58Come on, come on.
00:57:02Come on, come on.
00:57:06Come on, come on.
00:57:08Are the stars out tonight?
00:57:15Come on, come on.
00:57:16I don't know if it's cloudy or dry.
00:57:22I only have eyes.
00:57:29I am blue, dear.
00:57:40Come on, come on.
00:57:42Come on, come on.
00:57:42The moon may come behind me.
00:57:49Come on, come on.
00:57:50Come on, come on.
00:57:50But I can't see a thing in the sky.
00:57:55I only have eyes for you.
00:58:15I don't know if we're in a garden.
00:58:25I don't know if.
00:58:26I don't know if we're in the sky.
00:58:27If we can't see a thing in the sky...
00:58:34I'm on the throne of...
00:58:40...Avelooo.
00:58:42I don't know if we're in the sky...
00:58:48But I don't know if I'm here.
00:58:51Good night.
00:58:53Good night.
00:59:21And I only have a heart for you.
00:59:33Oh, gracious.
00:59:39Oh, la, la.
00:59:52Oh, la, la.
01:00:24Oh, la.
01:00:25Oh, la.
01:00:26Oh, la.
01:00:29Oh, la.
01:00:31Oh, la.
01:00:37Oh, la.
01:00:37Oh, la.
01:01:00Oh, la.
01:01:02Oh, la.
01:01:14Oh, la.
01:01:15Oh, la.
01:01:17Oh, la.
01:01:28Oh, la.
01:01:40Oh, la.
01:01:43Oh, la.
01:01:45Oh, la.
01:01:46Oh, la.
01:01:47Oh, la.
01:01:56Oh, la.
01:01:58Oh, la.