- 9 hours ago
In Other Words, I Love You englishsub watchfull⚡️⚡️
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🎥
Short filmTranscript
00:00:02I've always described the world in words.
00:00:06People, moments, places.
00:00:09But in that moment, I forgot them all.
00:00:12Be careful.
00:00:13You're talking about the king of actions.
00:00:15He's hot.
00:00:16I don't find bullies attractive.
00:00:19Good morning.
00:00:20He's lonely and kind of pathetic.
00:00:22Breathe the room before opening your mouth.
00:00:25American.
00:00:26She said you'd be moving in today.
00:00:29There's been some kind of misunderstanding.
00:00:31I'm not staying here.
00:00:32You must stay.
00:00:35I heard you stay to the whole thing for attention.
00:00:39Charles, we need to talk.
00:00:41If you don't do anything about it, it's only going to get worse.
00:00:46You're lying to everyone, including her.
00:00:50You didn't have to come.
00:00:52Don't tell me what I have to do.
00:01:03I've always described the world in words.
00:01:06People, moments, places.
00:01:09All through metaphors and margins.
00:01:12You okay?
00:01:13Like my mom.
00:01:15Self-made, stubborn, and never wrong.
00:01:19Almost there.
00:01:20You excited for your first day?
00:01:21She calls this a fresh start.
00:01:22I call it terrifying.
00:01:30You've got this.
00:01:32Just be yourself.
00:01:34That's kind of the problem.
00:01:43I'm stuck in space.
00:01:45Start a day, dream running through my brain every day.
00:01:52Heaven in my dead.
00:01:55I'm working on the floor, but I don't stay anyway.
00:02:01I want to see you again.
00:02:03Okay.
00:02:05Morning, class.
00:02:09And you're not seated because?
00:02:11I don't have a seat.
00:02:15Ah, a new transfer.
00:02:17Alice Keaton, right?
00:02:18Let's see.
00:02:22There's a spot next to Charles.
00:02:25Charles' case, Sherry.
00:02:27Seriously?
00:02:27A charity case sitting next to Charles?
00:02:30God, why is she?
00:02:32Quiet, Charles.
00:02:37I've always had words for everything.
00:02:39But in that moment,
00:02:43I forgot them all.
00:02:53Charles, move your things.
00:02:57I'd rather not.
00:02:58She'll be a distraction.
00:03:00From what?
00:03:01Sleeping.
00:03:02From everything.
00:03:03If anything, Charles,
00:03:05Miss Keaton will be a positive influence on you.
00:03:07She was top of her class at her previous school.
00:03:10With all due respect, sir,
00:03:12her previous school was American.
00:03:15I highly doubt that.
00:03:18That's enough.
00:03:20She can sit here.
00:03:21It's fine.
00:03:25Back to Goldie.
00:03:27You got it.
00:03:28I'm Sherry Bourne.
00:03:29Alice Keaton.
00:03:30It's very important that we look at the...
00:03:33What he's talking about their experience of the time.
00:03:39Wait.
00:03:40You sat next to Charles?
00:03:42She didn't.
00:03:43You totally shut her down.
00:03:44Oh, knew it.
00:03:45Don't take it personally.
00:03:46He's impossible.
00:03:48Can everyone stop acting like the goal was getting into his pants?
00:03:51What?
00:03:52He's hot.
00:03:53Everyone kind of is.
00:03:56I...
00:03:56I've seen...
00:03:57Connor.
00:03:58He's not my type.
00:03:59You're joking.
00:04:01I don't find bullies attractive.
00:04:03Hey!
00:04:03Be careful.
00:04:04You're talking about the king of Ashford.
00:04:07The what?
00:04:08His family basically own the school.
00:04:10And the town.
00:04:11Maybe even the country.
00:04:12Yeah.
00:04:13Everyone's tried to get close.
00:04:15No one can get past his ego.
00:04:16You're not the first to get iced.
00:04:18Okay.
00:04:19First of all, I wasn't iced.
00:04:21It's more like a mutual decision.
00:04:24And second, I think he's arrogant.
00:04:26Cold.
00:04:27Thinks he's untouchable.
00:04:28But if you really look at Charles, he just seems isolated.
00:04:32Like he's faking it all.
00:04:34Honestly, I just think he's lonely and kind of pathetic.
00:04:47You were saying I'm lonely and pathetic.
00:04:55Next time, read the room before opening your mouth, American.
00:05:01And then, we're not in Kansas anymore, Alice.
00:05:22Hey, how was your first day?
00:05:24Uh, good.
00:05:26Anything exciting happen?
00:05:26Not really.
00:05:28Super uneventful.
00:05:30Really?
00:05:31How's your new job?
00:05:33Yeah, all right.
00:05:34Get this?
00:05:35They said we can stay in the servant's wing.
00:05:36Seriously?
00:05:37Hmm.
00:05:38Apparently, the young master won't mind the company.
00:05:41The young master.
00:05:44This is your boss's house.
00:05:47Yeah?
00:05:48Isn't that incredible?
00:05:48I mean, I wouldn't call it a house.
00:05:51It's a museum with better landscaping.
00:05:59Wait here.
00:06:00I'll talk to the butler.
00:06:06Wow.
00:06:07Rich people.
00:06:09You've topped yourselves again.
00:06:13Stephen King.
00:06:16First edition.
00:06:26I'm breaking and entering now.
00:06:29How American of you.
00:06:31I...
00:06:40You've been paying rent here in my head
00:06:44To divide it all.
00:06:52You can get up now.
00:06:54I...
00:06:54I'm trying.
00:06:55Wait!
00:06:58Are you serious?
00:07:00Well, you said you were trying.
00:07:03What is wrong with you?
00:07:05Funny.
00:07:05I was about to ask you the same thing.
00:07:08What are you doing in my house?
00:07:11You...
00:07:12Wait.
00:07:13Your house?
00:07:15My house.
00:07:16My library.
00:07:17And now, apparently...
00:07:19My unwanted guest.
00:07:22Ah, Master Charles.
00:07:24You must be Miss Alice.
00:07:25Anne's daughter.
00:07:26She said you'd be moving in today.
00:07:28She what?
00:07:29There...
00:07:29There's been some kind of misunderstanding.
00:07:31You see, I'm not actually moving in.
00:07:34Is that so?
00:07:35Yeah.
00:07:36I'm not staying here.
00:07:37Like, at all.
00:07:38That's a shame.
00:07:39Your mother seemed quite pleased with the arrangement.
00:07:41Well, I just don't think it's appropriate.
00:07:44Well, if you're sure, then absolutely not.
00:07:48Come on, Alice.
00:07:51You must stay.
00:07:54It'll be fun.
00:07:57My dear classmate.
00:08:01I'm dead.
00:08:02Like, mentally, socially, and actually dead.
00:08:12Just trying to figure out how exactly my life went off the rails.
00:08:17Get it together, Alice Keaton.
00:08:19You've been through hell.
00:08:24Actually, no.
00:08:26This is hell.
00:08:30Uh, good morning!
00:08:31Uh, good morning!
00:08:39Wow.
00:08:46Sir, is that Miss Keaton?
00:08:49Well, f***ing doesn't know.
00:08:51That's often closed for months.
00:08:52She's going to be late.
00:08:59Hey, how long is this thing going to take?
00:09:02Maybe I'll just walk?
00:09:04Five miles to school!
00:09:07Okay, if I sprint, maybe I'll make it before first period.
00:09:12Or die of exhaustion on the way.
00:09:17Or die of exhaustion on the way.
00:09:21What are you doing here?
00:09:22Didn't you already leave?
00:09:26Wait.
00:09:27Did you come back for me?
00:09:30Relax.
00:09:32I forgot my textbook.
00:09:34Don't flatter yourself.
00:09:36Wait!
00:09:39Since you're already here,
00:09:41maybe you could be a decent person and give me a ride?
00:09:47No.
00:09:49Seriously?
00:09:50Your car is huge!
00:09:52Yeah.
00:09:53And I'm not a fan of sharing.
00:09:56Says the guy who forced me to live in his house!
00:10:03Unbelievable!
00:10:13Ashford Institute, please.
00:10:19Who needs an entitled brat anyway?
00:10:22Sir, you called the cab.
00:10:24Why not just give Miss Keaton a lift?
00:10:31Why not just give Miss Keaton a lift?
00:10:33And have the whole school go crazy.
00:10:36She's new.
00:10:37Everybody's already talking.
00:10:39So you're worried about her?
00:10:41You're overthinking.
00:10:41I mean, I just don't like drama.
00:10:50Asshole.
00:10:51Who?
00:10:53Morning, Klaus.
00:10:55Back to Golding.
00:10:57Remind me what he's saying through Lord of the Flies.
00:11:04Mr. Kenwood, care to share what you found so amusing?
00:11:08Not particularly.
00:11:10Oh, I insist.
00:11:12You seem very entertained by Golding.
00:11:14I'm not entertained by Golding, sir.
00:11:17On the contrary.
00:11:18I think his ending is weak.
00:11:23Wait, wait.
00:11:24You must have read it?
00:11:25Quiet.
00:11:28That's an interesting take.
00:11:29Explain.
00:11:32He had the setup for something brutal.
00:11:35Something honest.
00:11:36In the end, he backed out.
00:11:38He could have left the boys on the island.
00:11:40Forced them to confront the collapsible morality.
00:11:43Let them choose survival.
00:11:45Or death.
00:11:45But instead, he gave them a rescue boat.
00:11:49Slapped a happily ever after on a book about savagery.
00:11:55It's a waste.
00:11:57Don't you think?
00:11:58I'm delightfully surprised, Charles.
00:12:00Didn't think you had such strong literary opinions.
00:12:03I'm always a model student, sir.
00:12:05Let's not get ahead of ourselves.
00:12:09So, a critique of Golding's mercy.
00:12:12Anyone disagree?
00:12:28I think Golding knew exactly what he was doing by ending the book that way.
00:12:32It's not mercy.
00:12:34It's irony.
00:12:35How so?
00:12:38The rescue isn't a happy ending.
00:12:41You don't just walk back into society and forget you're a monster.
00:12:44Golding didn't save them.
00:12:45He left us with the discomfort of pretending they could be saved.
00:12:48That's an interesting take, Miss Keaton.
00:12:50You still think it's a harsh critique?
00:12:53In some ways.
00:12:54But not harsh enough.
00:12:57Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:13:02And the civilized world?
00:13:04Toxic, violent.
00:13:05He didn't call that out nearly as much.
00:13:07So, yeah, I don't think Golding pushed far enough, but I think it's unfair to call it a happy ending.
00:13:16Thank you, Miss Keaton.
00:13:18Well said.
00:13:19Anyone else?
00:13:22Both opinions are valid.
00:13:24Okay, that's kind of epic.
00:13:26And let's not forget, Golding faced major backlash when he first published the book.
00:13:30Good literature will always divide opinions.
00:13:35What's happening to me?
00:13:42Okay, what is going on?
00:13:44Why is everyone staring at me?
00:13:46Well, you're new.
00:13:48And apparently had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle of this epic feud as you've seen in years.
00:13:55We're not even fighting.
00:13:57Well, according to everyone, you confessed your love on day one, got rejected, begged to sit next to him, got
00:14:03rejected again.
00:14:04And today in class, you broke down crying about not believing in happy endings and stormed out in tears.
00:14:12You were there, Sherry.
00:14:14That is not what happened.
00:14:16Doesn't matter.
00:14:17People believe what they want to believe.
00:14:19And they want Charles to be flawless, untouchable.
00:14:23Wow.
00:14:24Is misogyny like a rich kid thing or just a British specialty?
00:14:27Honestly, both.
00:14:30But seriously, Alice, some people already see you as a threat.
00:14:41Okay.
00:14:42Loaded.
00:14:44Looks like the new girl's in for a rough first semester.
00:15:01Hello?
00:15:04Hello?
00:15:06Is somebody out there?
00:15:08Oh, come on!
00:15:11Come on!
00:15:13Come on!
00:15:14Come on!
00:15:16Come on!
00:15:16Come on!
00:15:17Come on!
00:15:17Come on!
00:15:22Come on!
00:15:38Seriously?
00:15:41Shit!
00:15:47What the hell?
00:15:49Anne!
00:15:51I thought you were having dinner with Alice?
00:15:52She hasn't come home.
00:15:53Her phone is off.
00:15:55Maybe you've seen her this evening?
00:15:59Yikes.
00:16:00Looks like the new girl's in for a rough first semester.
00:16:08Shit!
00:16:14Alice!
00:16:15Alice!
00:16:16Alice!
00:16:16Mr. Pelton, Charles Kenwood here.
00:16:18I was wondering if I could get the timetable for Alice Keaton.
00:16:21She hasn't come home.
00:16:22I'll have it sent over.
00:16:25Check the common room in the library.
00:16:26I'll take the rest.
00:16:30Alice!
00:16:39Come.
00:16:43Come on, Alice.
00:16:46Close your eyes and jump.
00:16:48It's fine.
00:16:50You're fine.
00:16:51Help me, help me, help me.
00:17:21Help me, help me, help me, help me.
00:17:40You're welcome.
00:17:42I didn't say thank you.
00:17:44I figured saving your life might earn me basic manners.
00:17:46Someone just dumped swamp water on me.
00:17:49Excuse me if I'm not feeling very polite.
00:17:51You smell like a biology experiment.
00:17:54Wow.
00:17:55You should try falling out of a window into someone's arms and getting insulted for it.
00:17:59Wouldn't recommend it.
00:18:00You're heavier than you look.
00:18:03I hope you pull your shoulder.
00:18:10Are you okay?
00:18:12No.
00:18:13But I will be.
00:18:16Someone did this on purpose.
00:18:17What do you think, golden boy?
00:18:20Don't worry, I can handle it.
00:18:22You shouldn't have to.
00:18:26I'm sorry.
00:18:34I'm sorry.
00:18:39Did you just apologize to me?
00:18:42Don't get used to it.
00:18:43I wouldn't dream of it.
00:18:46Alice?
00:18:48Over here.
00:18:49Oh my god.
00:18:52You okay?
00:18:55Why are you drenched?
00:18:56Yeah.
00:18:57I just took a weird shower.
00:19:00Top exploded.
00:19:02Come on.
00:19:03Let's go.
00:19:14Alice Keaton, right?
00:19:17I heard you stage the whole thing for attention.
00:19:43I know how this place works.
00:19:45If you don't do anything about it, it's only going to get worse.
00:19:50I'll look into it.
00:19:52Charles?
00:19:55Good on you.
00:19:56How many of you would speak up?
00:20:02I can't believe someone actually locked you in.
00:20:04That's insane.
00:20:05Where the hell was the school when this was happening?
00:20:08Busy protecting their golden boys and trust funds.
00:20:11Well, for what it's worth,
00:20:12I heard Charles looked pretty freaked out when he ran out last night.
00:20:17Please, he just didn't want a lawsuit.
00:20:36Being a scholarship student has its perks,
00:20:39like saving a fortune on tuition
00:20:41and getting into schools that normally wouldn't even let you pass the gates.
00:20:46Hey, we miss you in Paris.
00:20:49Though there are enough Americans to remind us of you.
00:20:51But sometimes, being here means standing behind
00:20:55and watching Ashford Elites go on a two-week enrichment program
00:20:59you can never afford.
00:21:02Have fun.
00:21:03Bring me something overpriced and unnecessary.
00:21:10The trip cost 20 grand in pounds,
00:21:13which translates to
00:21:14Mom's salary for half a year.
00:21:16So, yeah.
00:21:18I didn't go.
00:21:40What are you doing here?
00:21:42Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:45It's comfortable.
00:21:46You look like a rejected Ewok.
00:21:48This, this is not even your kitchen.
00:21:51And this is not even your house.
00:21:52And yet, you're here, dressed like this.
00:21:55Just don't, look, go away.
00:21:57Hard not to,
00:21:58when you're walking around dressed like that.
00:22:00What do you guys call it?
00:22:02Um, buzzkill?
00:22:05Cockblock.
00:22:06You're insufferable.
00:22:07You're the one cosplaying at breakfast.
00:22:09You know what?
00:22:10I don't get it.
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people live for that kind of thing.
00:22:15Why do you think?
00:22:21How would I go?
00:22:22I could practically recite the itinerary in my sleep.
00:22:27Florence.
00:22:28Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:22:33Or Titian, if you want to sound extra pretentious.
00:22:37Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:22:42Next stop, Napoli, marvel at Pompeii, pretend you're shocked, ancient people had plumbing.
00:22:49The final stop, Paris, the ultimate city of romance.
00:22:54And naturally, Woody Allen's favourite city outside of New York.
00:23:02That's word for word.
00:23:04I told you.
00:23:05I've done this tour so many times, I could run it.
00:23:08Okay, but still, it's Europe.
00:23:09Most people would kill for that chance.
00:23:11Most people haven't had their phones stolen in Paris.
00:23:14Twice.
00:23:16Also, I hate the accommodations.
00:23:18Aren't they all five-star hotels?
00:23:20Standard rooms in five-star hotels?
00:23:23No, thank you.
00:23:25Wow, some were born in Rome, huh?
00:23:28That's unfortunate, it's a very chaotic city.
00:23:30One word of advice, shut up.
00:23:32That's two words.
00:23:36You're weird.
00:23:36You're loud.
00:23:37You're annoying.
00:23:38You're in my kitchen.
00:23:39You have three other kitchens.
00:23:40And I prefer this one.
00:23:42Just for today.
00:23:43Come back when you've got a shirt on.
00:23:45Come back with normal clothes on.
00:23:46You don't have to come.
00:23:47Don't tell me what I have to do.
00:23:58Master Charles, roads are flooded.
00:24:00Staff won't make it tonight.
00:24:01Will you be alright sorting dinner?
00:24:06I've got it sorted.
00:24:19Jesus, what are you doing?
00:24:21Relax.
00:24:24I'm here to make a deal.
00:24:25What deal?
00:24:26You nearly gave me a heart attack.
00:24:31You'll survive.
00:24:33I'm not selling my body.
00:24:39I'm not selling my body.
00:24:45Wow.
00:24:46I am deeply offended.
00:24:49That thought disgusts me.
00:24:51Then what are you doing?
00:24:52Staff's off tonight.
00:24:54I'm buying dinner.
00:24:58Did you seriously think I'd spend 100 pounds on...
00:25:01No, I'm...
00:25:01Jesus.
00:25:03Wait.
00:25:04You think I'm not worth 100 pounds?
00:25:08I'm not spending 100 pounds to snort you back up.
00:25:12You know what?
00:25:12Dinner's cancelled.
00:25:16Are you sure about that?
00:25:18Are you sure about that?
00:25:19I present to you.
00:25:21Meatball spaghetti, stir-fried veggies, and french fries.
00:25:24You're welcome.
00:25:26Interesting combo.
00:25:27Well, I know we're not in Italy or France, but this will do.
00:25:31It's...
00:25:32It's...
00:25:32Good.
00:25:39Was that a compliment?
00:25:41Although...
00:25:42I am obliged to inform you.
00:25:44Meatball spaghetti isn't Italian.
00:25:46It's American.
00:25:47And french fries, likely bought in South America.
00:25:51You should read more.
00:25:53Put it down.
00:25:55I paid for it.
00:25:56You really just have to win every argument, don't you?
00:25:58To be fair, you make it very easy.
00:26:03It's only easy because it costs 200 pounds.
00:26:06You know, if you'd ask for more, I probably would have given it to you.
00:26:08I'll make sure that.
00:26:23Okay, Alice.
00:26:25It's fine.
00:26:26You're fine.
00:26:34911 looks for your emergency.
00:26:41911, what's for your emergency?
00:26:43It's my dad.
00:26:44He needs help.
00:26:44He just had a stroke.
00:26:45Okay, miss.
00:26:46Hurricane constant traffic shut down.
00:26:48We'll get to you as soon as we can.
00:26:49Please, you're not well.
00:26:51I understand.
00:26:52Can you confirm your address?
00:26:55Dad, yes, I'm right here.
00:26:57All right.
00:27:00My daughter.
00:27:01Please, stay with me, dad.
00:27:02Please.
00:27:07No.
00:27:09Please, wake up.
00:27:14Dad, please.
00:27:16Please don't leave me.
00:27:43I don't know.
00:27:49you what are you doing here you were crying loudly kind of hard to ignore
00:28:01right sorry for the night wait you know snarky come back not tonight i'm too tired
00:28:10if you're here to argue knock yourself out
00:28:14you were calling for your dad right
00:28:18hurricane hit new york power went down traffic froze dad had a stroke but he couldn't get
00:28:27help in time i sat there with a candle while he laid there peaceful but he was asleep but
00:28:41he wasn't
00:28:45so that's why you and your mom moved here this used to be our hometown after dad left
00:28:54we had nowhere else to go
00:29:00what are you doing
00:29:05come on
00:29:22wait i thought the peril was out it is we have our own generator wow rich people houses her just
00:29:31for tonight
00:29:32i'll allow it
00:29:35allow what you can call this place your house so enjoy it stephen king's first edition
00:29:41alan gisberg's handwritten letters jane austen's notes all yours
00:29:50this is your home alice keaton
00:29:59careful almost sounded sweet don't push it okay then
00:30:07i have one request
00:30:21are you ever going to make a move wait give me a second i'm thinking you had one wish anything
00:30:29in the world and in the middle of a thunderstorm inside a literal mansion you chose chess
00:30:36yes
00:30:36yeah got a problem it's just so cool like spies or genius villains in movies
00:30:43it's literally a board game says the guy who owns a custom set
00:30:47wait does the night go diagonally
00:30:50for the tenth time it moves in an l shape
00:30:54one two then turn
00:30:58there
00:31:00happy
00:31:00ecstatic
00:31:03no
00:31:04that's suicide
00:31:05or a brilliant long term sacrifice
00:31:07you are playing checkers at a chess board
00:31:09still beating you in sarcasm
00:31:11you literally haven't won any past arguments
00:31:13golding disagrees
00:31:14it's going to be a long night
00:31:16oh my no
00:31:18why what's wrong with that
00:31:19you can't do that
00:31:20i can do that
00:31:20i can do that as well
00:31:21no no no oh my god
00:31:42maybe he's not so awful after all
00:31:52um who are you
00:31:59what are you doing here well your parents said you were still at home thank god you skipped
00:32:04that boring grand tour who needs italy and france again right when did you get back
00:32:09last night from zurich you didn't answer my messages
00:32:14i missed you anyway thought i'd come surprise you apparently i'm transferring to ashford
00:32:21your parents were so thrilled they didn't tell me about this i wanted to deliver the
00:32:26happy news myself they said it'd be lovely for us to reconnect you know considering the
00:32:32engagement and all engagement oh did no one tell you he's promised old money stuff very
00:32:42retro i didn't agree to that you didn't have to it's never up to us
00:32:47where did you find this little toy serena you know oh an american how refreshing
00:33:00goodbye
00:33:01wait
00:33:18where are you going you still owe me breakfast
00:33:21you only paid for dinner i had homework goodbye
00:33:28your little toy has quite the temper serena can you please just stop what teasing the help
00:33:40that's her that's the one from kenwood's house was she like the maid or something
00:34:01oh my god what's wrong with people they're saying you live with charles oh and serena what about her
00:34:08apparently she told everyone you were caught sneaking into his room of course she did
00:34:26careful alice you're starting to look desperate
00:34:44come to the music room urgent i just remembered i need to check something you guys go ahead
00:34:50okay
00:34:57hello is someone there
00:34:59seriously
00:35:00this is getting old
00:35:13wait
00:35:14wait
00:35:15music room what
00:35:19james
00:35:19is anybody in here earlier just miss serena said she was waiting for you
00:35:25sir
00:35:27sir
00:35:28sir it's raining
00:35:40come on alice you're fine
00:35:43you're not that girl again
00:35:51wait can you remind me one more time
00:35:54okay
00:35:55rooks move in straight lines
00:35:57yeah
00:35:58bishops move diagonally
00:36:06hello
00:36:15hello
00:36:17oh
00:36:18oh
00:36:18oh
00:36:21oh
00:36:22oh
00:36:22oh
00:36:23oh
00:36:23oh
00:36:24her
00:36:29thing
00:36:30i just feel like...
00:36:34the text
00:36:36are you okay are you... are you hurt?
00:36:39i... i'm okay i saw the text and i thought... i've seen the message.
00:36:45Serena took my phone i didn't know i'm sorry.
00:36:48I'm okay.
00:36:51You're gonna catch a cold.
00:36:53You're freezing.
00:36:53You didn't have to come.
00:36:57Don't tell me what I have to do.
00:37:23That wasn't a mistake.
00:37:24If that's what you're about to say.
00:37:27I wasn't going to.
00:37:41I'm really bad at this, you know.
00:37:44What? Kissing?
00:37:45Hiding feelings.
00:37:46Oh, I don't.
00:37:48You're the best in the rhythm of your heart.
00:37:51This is not forgiving.
00:37:53You're not flying in the air.
00:37:55Tell me what you said.
00:37:57Tell me where you want to be.
00:37:58Tell me how you do.
00:38:08Dump those Ewok pajamas.
00:38:10Oh, you wish.
00:38:13Seriously, it's a cock block.
00:38:16You kissed me.
00:38:19That's basically consent to everything.
00:38:27Dangerous words, Keaton.
00:38:29I might hold you to that.
00:38:40You'll be working in pairs on your comparative essays.
00:38:43The list is on the board.
00:38:46One, two, three, four.
00:38:49One, two, three, four.
00:38:50Paper planes.
00:38:51Are you okay?
00:38:53Fly me to outer space.
00:38:57That's where I'll see your face.
00:39:01And have you with me.
00:39:05And have you with me.
00:39:07It may seem dark.
00:39:11But you always like a bright spark.
00:39:21You're welcome.
00:39:26They're either enemies or secretly married.
00:39:30Honestly?
00:39:31Right?
00:39:34I was sure I'd never find someone to make my head spin around.
00:39:38No one's ever gonna be the thing I need.
00:39:41They all just let me down.
00:39:43But baby, you saved me.
00:39:46Time been new.
00:39:49Everything's so different now.
00:39:52So, the night goes in an L shape, right?
00:39:56Why is that the only one you remember?
00:39:58Because it's weird.
00:40:00And I like weird.
00:40:09Check.
00:40:15You're cheating.
00:40:17I'm winning.
00:40:18There's a difference.
00:40:19You are very distracting.
00:40:22And you like it.
00:40:33Charles.
00:40:35We need to talk.
00:40:44I expected poor judgment.
00:40:46But this, in my house?
00:40:48It isn't what it looks like.
00:40:50No?
00:40:51Kissing a servant's daughter in the family library.
00:40:55Enlighten me then, Charles.
00:40:56We came back tonight after speaking with Serena.
00:40:59Imagine our surprise walking in on this.
00:41:03She isn't just, she isn't just, you have no right to barge in.
00:41:07On my property.
00:41:11I care about her.
00:41:13I'm not ashamed of that.
00:41:14That's enough.
00:41:17Why do you think she does not belong in your world.
00:41:36We think she does not belong in your world.
00:41:46She's ready?
00:41:52I'm asking you, do you think she's ready to lose everything, regardless of how little that is, just to be
00:41:59with you?
00:42:00What are you talking about?
00:42:02You left us no choice, son.
00:42:04You shouldn't disobey your father.
00:42:08Helton, it's Frederick Kenwood.
00:42:11Ah, Mr. Kenwood.
00:42:13How can I help?
00:42:13If a scholarship student were to violate our behavioral code in a public setting with photographic evidence, would that warrant
00:42:22a review?
00:42:23Yes, sir.
00:42:27So, answer me again.
00:42:30Do you think she's ready to lose everything, just to be with you?
00:42:46Charles, what happened?
00:42:47Did your parents say something?
00:42:48Are they mad?
00:42:48Is everything okay?
00:42:50Pack your things.
00:42:53You can't stay here anymore.
00:42:55What?
00:42:57My parents fired your mother.
00:42:59She's leaving.
00:43:00So are you.
00:43:01Wait, why?
00:43:03Is it because of us?
00:43:04We can fix this.
00:43:05I'll get a job.
00:43:06Stop, stop it.
00:43:07You don't get it.
00:43:09If I don't walk away from this, they'll cut me off.
00:43:12Okay?
00:43:13No card.
00:43:14No trust.
00:43:15No support.
00:43:17Nothing.
00:43:18Then, then we'll figure it out.
00:43:20We don't need all that.
00:43:22We can...
00:43:22Do you really think I'm going to live like that?
00:43:30No.
00:43:33No.
00:43:37No.
00:43:40No.
00:43:41No.
00:43:43No.
00:43:54No.
00:44:10No.
00:44:11No.
00:44:11No.
00:44:13No.
00:44:13No.
00:44:13No.
00:44:17No.
00:44:20No.
00:44:23No.
00:44:25No.
00:44:30No.
00:44:31No.
00:44:32No.
00:44:34No.
00:44:35No.
00:44:37No.
00:44:37No.
00:44:38No.
00:44:39No.
00:44:39No.
00:44:40No.
00:44:40No.
00:44:40No.
00:44:41No.
00:44:42No.
00:44:42No.
00:44:42I own. I'll survive the loss. Right. I should have known. Guys like you don't end up with
00:44:56girls like me. You play with them, then you throw them away. Go to sleep, Alice.
00:45:15This fall is a little more than I expected. In so deep I can barely see myself. Yeah, around
00:45:29me feels so heavy but depleted. But I find that's the place to test myself.
00:45:46Oops.
00:46:04Oh, sorry. Didn't seem that. Then again, nobody does. Move, please.
00:46:11Try begging. You know what? Keep it.
00:46:25Poor thing. So dramatic. Don't.
00:46:30Excuse me. I warned you. Walk away, Serena.
00:46:55Last week's group assignments were mostly forgettable. But one pair surprised me in a good way.
00:47:02Charles Kenwood and Alice Keaton. Would you mind giving us a short summary?
00:47:08She loves the sound of her own voice. Better have it.
00:47:11I couldn't stay. I couldn't wait. But I thought that you should know that I would have.
00:47:18Can hang around. Our essay explored what happens when two fundamentally different voices meet.
00:47:23Like logic and chaos or silence and noise. Different worlds, different rules.
00:47:32At first glance, they clash. But what makes the story interesting is what happens next.
00:47:38Confusion. Curiosity. But in the end, some stories aren't about staying.
00:47:44And yes, there is no such thing as a happy ending.
00:47:57And yes, there is no such thing as a happy ending.
00:48:01Is she still talking about the essay?
00:48:06Miss Keaton? Dramatic as always.
00:48:09All right. Thank you, Alice. That was later.
00:48:16Are you okay?
00:48:17A reminder that good literature always stirs something.
00:48:24Hello?
00:48:25Hi, here's Alice Keaton. This is Whitmore Press. We've been following your work.
00:48:28We'd like to offer you a long-term publishing contract. Name your price. We'll make it work.
00:48:33Sorry, what?
00:48:44That's kind of insane. Who's behind this?
00:48:48Your sponsor wishes to remain anonymous.
00:48:51Can... Can I meet them?
00:48:55I want to. Please. Or at least tell me a name.
00:49:03Sorry, they wish to stay anonymous. So they're only interested in words, not the person.
00:49:07I'd really like to meet them.
00:49:08Oh, I'm sorry, Miss Keaton. They were very good.
00:49:11I think the most jealous of we've ever given is in your answer.
00:49:14I see.
00:49:15Congratulations again.
00:49:21You got the interview.
00:49:22It's just an interview. I haven't gotten in yet.
00:49:24Still, Alice Keaton at Oxford. That's iconic.
00:49:36You okay?
00:49:38Yeah, I'm sorry.
00:49:40I'm so excited!
00:49:54It's done, Mr. Kenwood. Miss Keaton signed the contract.
00:49:58Good.
00:50:00It's a generous deal. You sure you don't want it to know?
00:50:03No.
00:50:05No.
00:50:06No, it's better if I stay out of her life.
00:50:17Congratulations, Alice Keaton. Go live the life you were always meant to.
00:50:28Your engagement and announcement should align perfectly with the Foundation Gala.
00:50:33And the Browns already offered to host the London reception.
00:50:38It's all coming together beautifully.
00:50:44I've lost my appetite.
00:50:48I'll go check on him.
00:50:55What's your problem, Charles?
00:51:00This engagement is not happening.
00:51:03It's not up to you. You know that.
00:51:04Serena, we're not doing this.
00:51:08You've changed.
00:51:12Or maybe I finally just stopped pretending.
00:51:39Or maybe I finally just stopped pretending.
00:51:42Charles.
00:51:44You're the sponsor.
00:51:45You've been funding Alice Keaton this whole time.
00:51:50So?
00:51:51You lied to everyone, including her.
00:51:54I protected her.
00:51:58You loved her.
00:52:00Still do.
00:52:02Let it go, Serena.
00:52:05There's no point.
00:52:15I need a favour.
00:52:17Find out when the Oxford interview is.
00:52:20Make sure Alice Keaton won't show up.
00:52:27Anything? No?
00:52:30She's not answering.
00:52:31The interview's almost over.
00:52:33Well, she won't just not show up.
00:52:35Something's wrong.
00:52:37Where's Alice?
00:52:39When was the last time you heard from her?
00:52:41Last night.
00:52:42She said she was prepping all evening.
00:52:48James, track someone for me.
00:52:51Wait.
00:52:52Where are you going?
00:52:56Hey.
00:53:00Chill.
00:53:01Okay.
00:53:01It won't hurt you.
00:53:03Yeah.
00:53:04We're just supposed to keep you awake from the interview.
00:53:06That's it.
00:53:14Shit.
00:53:15Come back.
00:53:47了解
00:53:48guess
00:53:55Hey, hey, hey, Alice, Alice.
00:53:58Alice, stay with me, stay with me, stay with me, Alice.
00:54:00Alice.
00:54:07You're awake.
00:54:09Where, where am I?
00:54:11A local clinic.
00:54:13Passer-by brought you in.
00:54:15Passer-by?
00:54:16He found you on the side of the road.
00:54:18He had to leave, he didn't leave a name.
00:54:22Oh.
00:54:24The interview, what time is it?
00:54:26Easy, it's okay.
00:54:28Someone already contacted the university
00:54:30and sent in your writing samples.
00:54:32They've rescheduled your interview for tomorrow.
00:54:34Wait, what, who?
00:54:36No idea, but it's all taken care of.
00:54:41What did you say?
00:54:43Nothing.
00:54:45I just...
00:54:46had a dream.
00:54:58I got him!
00:55:00Oh, I knew it!
00:55:05Too bad Charles isn't here to watch you crush it.
00:55:08He's not here.
00:55:10Oh, you didn't know?
00:55:12Know what?
00:55:14He left.
00:55:15A few days ago, yeah, everyone doesn't really know where he went.
00:55:19Honestly, Astra's been quieter without him.
00:55:21It's probably for the best.
00:55:22Come on.
00:55:23Come on.
00:55:32The summer I met Charles Kenwood was loud.
00:55:37Chaotic.
00:55:38Unexpected.
00:55:41And with his absence...
00:55:43Come on!
00:56:03And joining us today,
00:56:06the DACA's most unexpected literary phenomenon,
00:56:09Alice Keaton.
00:56:10Thank you for having me.
00:56:11Now, your words moved millions.
00:56:14They say your stories feel real,
00:56:18especially the ones about love.
00:56:20Which brings us to the most obvious question.
00:56:22How's your dating life like these days?
00:56:25No comment.
00:56:26A little bird told me that the past four years
00:56:29has been just writing and working,
00:56:31not even a single date.
00:56:33Let me guess, a bird named Sherry.
00:56:34She caught me.
00:56:35Still no comment.
00:56:36All right, all right.
00:56:37No matter what you say,
00:56:39you write love like someone who's lived it.
00:56:44If you're so real...
00:56:45Because once, I did.
00:56:46That's why today when you're sharing the story
00:56:48behind Alice Keaton's love...
00:56:50And no one ever quite matched the light after that.
00:56:53And let's give it up for Alice Keaton one more time.
00:57:07Congratulations, Alice.
00:57:08The numbers just came in.
00:57:10You broke your own record.
00:57:13That's...
00:57:13Incredible.
00:57:14We're thinking celebration,
00:57:16press,
00:57:17photos,
00:57:17maybe tonight.
00:57:18Actually,
00:57:20there's something I'd rather do.
00:57:23I'd like to meet with the person who
00:57:24believed in me first.
00:57:27My sponsor.
00:57:28You're sure?
00:57:29Yeah.
00:57:30Just once.
00:57:32Tonight, 7pm.
00:57:44Good evening.
00:57:49Good evening.
00:57:53May I sit?
00:58:03Hi.
00:58:05Hi.
00:58:08You look well.
00:58:11And you look like you just stepped out of a GQ cover.
00:58:14You always did.
00:58:17You were expecting someone else.
00:58:19I was...
00:58:21hoping.
00:58:23But I guess I always knew.
00:58:26I didn't come here to confuse you.
00:58:28Or to reopen anything.
00:58:32I just wanted to say congratulations.
00:58:35Oh.
00:58:39I didn't know you're still reading.
00:58:41You were rich enough not to do so.
00:58:45Always.
00:58:45Either way,
00:58:48your sponsorship started my career,
00:58:50so...
00:58:50No.
00:58:51No, you've...
00:58:52You earned everything.
00:58:56Every word.
00:58:58Every page.
00:59:00Every reader.
00:59:02That's what I came to say.
00:59:08It was good to see you again, I hope.
00:59:10Charles.
00:59:12Can you just...
00:59:15Wait a little longer?
00:59:23I think I knew it was you.
00:59:26There was one email.
00:59:28You said something.
00:59:30It felt familiar.
00:59:32Really?
00:59:32You kind of had that
00:59:33rich asshole with a conscience energy.
00:59:36Very on brand.
00:59:38I should have anonymized my grammar.
00:59:40Too late.
00:59:41Your semicolon usage gave you away.
00:59:44Still the only girl I know
00:59:45who flirts through punctuation.
00:59:47Still the only guy I know
00:59:48who uses wiles unironically.
00:59:52You've changed.
00:59:55But...
00:59:56Not really.
00:59:59You haven't changed.
01:00:01But maybe you've grown into
01:00:03who you really were.
01:00:06Anyway.
01:00:07I wanted to say...
01:00:12And...
01:00:13Thanks for being here tonight.
01:00:15You didn't have to come.
01:00:17Don't tell me what I have to do.
01:00:22You didn't have to come.
01:00:24Don't tell me what I have to do.
01:00:46If you could go back,
01:00:48if you had the chance
01:00:49to do it all again,
01:00:50would you do anything differently?
01:00:57No.
01:01:03No.
01:01:07I see.
01:01:12I know my answer now.
01:01:13I didn't have the power back then.
01:01:16Not enough to protect you.
01:01:17I couldn't watch you get crushed
01:01:19because of me.
01:01:21Because of my name.
01:01:22My family.
01:01:25I didn't want to be the reason
01:01:27you lost everything.
01:01:28So you just disappeared.
01:01:30Without a word.
01:01:34If you had the chance
01:01:35to see the world
01:01:36without me weighing you down.
01:01:38If you still chose me
01:01:40after that.
01:01:44You keep saying
01:01:45you wanted to give me a choice.
01:01:48But you made a choice for me.
01:01:52Did it ever cross your mind
01:01:53that maybe
01:01:56I would have chosen you anyway?
01:02:04I didn't think I was
01:02:05the smart choice.
01:02:06You weren't.
01:02:10But I never claimed
01:02:11to be that smart.
01:02:20This is me.
01:02:22Right.
01:02:30I'm still mad at you,
01:02:31you know.
01:02:34I'm still in love with you,
01:02:35you know.
01:02:44Do you want to come in
01:02:45for a bit?
01:02:48You're asking your ex,
01:02:50who you haven't seen
01:02:51in four years,
01:02:52to come into your hotel
01:02:54at approximately 11pm.
01:02:57You were right.
01:02:59You never were that smart.
01:03:01You don't have to come.
01:03:03Don't tell me
01:03:04what I have to do.
01:03:05It's almost like you say
01:03:08the best thing
01:03:10is where you could go.
01:03:19Stop quoting yourself.
01:03:21I recycle.
01:03:21It saves energy.
01:03:24This feels
01:03:25wildly irresponsible.
01:03:26You sound like a disclaimer.
01:03:27You're the one
01:03:28who wants called
01:03:29romance a distraction.
01:03:30I said that?
01:03:31Yeah,
01:03:32before calling
01:03:32Wuthering Heights
01:03:33overrated.
01:03:34Tell us, Dillis.
01:03:36You're lucky
01:03:37you're a good kisser.
01:03:41That is cute, too.
01:03:43Don't you dare
01:03:44quote poetry.
01:03:45I wasn't going to.
01:03:46I forgot all
01:03:47of it the day
01:03:48you left.
01:03:49Then shut up
01:03:51and prove it.
01:03:58I still can't believe
01:03:59this is happening.
01:04:00I told you
01:04:01they're either
01:04:01worst enemies
01:04:02or secretly married.
01:04:03And I told you
01:04:04they're both.
01:04:31I vow to always
01:04:33tell you the truth.
01:04:35except for when
01:04:35you ask how
01:04:36your cooking was.
01:04:37Then I lie.
01:04:39Respectfully.
01:04:42I vow to keep
01:04:43choosing you.
01:04:44Loudly.
01:04:46Quietly.
01:04:48Always.
01:04:49Even when
01:04:50you forget
01:04:50to do the laundry.
01:04:53Is he
01:04:54actually good at this?
01:04:55I mean,
01:04:56he did beat
01:04:57over at Sarkis.
01:05:01I vow to argue
01:05:02with you
01:05:03at least twice a week.
01:05:04Especially
01:05:04without Shakespeare.
01:05:06I vow to write
01:05:07you into every story.
01:05:09Even when I say
01:05:10I didn't.
01:05:11You will always
01:05:12be part of my life.
01:05:14If she quotes
01:05:15Austen in this toast,
01:05:16I'm out.
01:05:17No you're not.
01:05:17You're going to cry
01:05:18harder.
01:05:42I can't believe you picked Paris.
01:05:44I can't believe you picked Paris.
01:05:46and if she wants to go back to her.
01:05:46one day honeymoon destination.
01:05:48Guard your phone.
01:05:50Relax.
01:05:50Just don't dress like a
01:05:51walking inheritance
01:05:52and you'll be fine.
01:05:56You are not wearing that
01:05:57on our honeymoon.
01:06:00Please,
01:06:00Alice,
01:06:01go change.
01:06:02Don't tell me what I have to do.
01:06:07No.
01:06:09No.
01:06:09No,
01:06:10no, no, no.
01:06:10That is not an invitation.
01:06:11Do not take off
01:06:12these clothes.
01:06:13You're overroared.
01:06:14You look much better
01:06:15without them.
01:06:21To the ones
01:06:22who loved in silence,
01:06:24in chaos,
01:06:25in chapters,
01:06:27you will find
01:06:28your way home.
01:06:34She's very sad.
01:06:36No.
01:07:03It's up to us
01:07:04to make sure
01:07:05that we can gain what's been passed through these books. Help us develop, learn, and grow.
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