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The Witnesses - They Witnessed a Crime - Full Movie English Thriller
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00:00:28Transcription by CastingWords
00:00:42CastingWords
00:01:12CastingWords
00:01:42CastingWords
00:01:55CastingWords
00:02:25CastingWords
00:02:27I have, however, decided to read a chapter from my last book.
00:02:34But in the spirit of the Works in Progress series,
00:02:37I promise to read it in a new way.
00:02:46Everything that happened after that happened in slow motion.
00:02:51Or perhaps that's just the way his memory recorded it.
00:02:58Connor.
00:02:59Connor, hi.
00:03:00I just wanted to say I tape all the readings, but yours I actually enjoyed.
00:03:04Oh, that's good.
00:03:05At least I'm not speaking into a total vacuum.
00:03:07Well, actually, I heard you used to work here.
00:03:09Well, I had a job here, but I never actually worked.
00:03:13Actually, I got fired for reading on duty.
00:03:16Yeah, well, they stuck me in video.
00:03:18But actually, I'm a writer.
00:03:19Oh.
00:03:21Is there any way you can look at my book?
00:03:28Is it any good?
00:03:31I've, I've absolutely no idea.
00:03:35Well, anyone who chews pencils with this much passion must have something worth saying.
00:03:42I'll give it a read.
00:03:45You're welcome.
00:03:45Yeah.
00:03:56Oh, Connor.
00:03:57You're here.
00:03:59What?
00:04:00Yeah, this is still my bedroom.
00:04:01What are you doing here?
00:04:03At least until we sell it.
00:04:05Or so your ex-wife says.
00:04:09She also said that we could show this any time after 10.
00:04:16I understand that this is her apartment.
00:04:20Well, come on in.
00:04:21I should warn you, though.
00:04:22I sleep naked.
00:04:23No.
00:04:24Um, perhaps we'll go into the guest room first.
00:04:27Are you sure?
00:04:28No.
00:04:28It's fine.
00:04:29Well, that's no problem.
00:04:30No, the guest room's good.
00:04:31It's good.
00:05:02Well, this is great.
00:05:03This is the picture you choose for my next novel.
00:05:06Can I be frank with you?
00:05:08The second half of your book is even worse.
00:05:10That's not frank.
00:05:10That's brutal.
00:05:11Well, I'm sorry.
00:05:12It just doesn't seem like you really put yourself into this one.
00:05:14This one's harder.
00:05:16Okay?
00:05:17I just keep second-guessing myself.
00:05:19I just...
00:05:19Connor, a writer is only as good as his instincts.
00:05:24I think that's my line, isn't it?
00:05:26You're blown, Summer, but I think I can still make Christmas, maybe.
00:05:30That's great.
00:05:31It's a perfect holiday read.
00:05:32400 pages about a marriage falling to pieces.
00:05:35If you are still hung up about Peggy, work is the best therapy.
00:05:38Hey, don't start up about Peggy again.
00:05:41Six weeks, Connor.
00:05:42Six weeks, I need another rewrite.
00:05:43Can you do that?
00:05:44Fine.
00:05:46You know, I put my whole life into that first book.
00:05:48You guys pay me a king's ransom, and you say, do it again.
00:05:51Well, you know what?
00:05:52I don't have a new life to write about.
00:05:56Well, then, get one.
00:05:58Fast.
00:06:16Hey, Connor, this is Fritz.
00:06:18Your next-door neighbor?
00:06:20Hater friend?
00:06:21Remember me?
00:06:22Yeah.
00:06:25Okay.
00:06:25I've decided to take your advice.
00:06:28And before I advise against that, what was my advice?
00:06:31About me turning the big 4-0.
00:06:34Oh.
00:06:36I mean, I hate birthdays, but how about you and I go out tomorrow and we celebrate?
00:06:41Okay.
00:06:42Cool.
00:06:42Uh, please.
00:06:43No presents.
00:06:46Okay.
00:06:48See you later.
00:06:49See ya.
00:07:07So, how's your wife, Antonio?
00:07:09Ha-ha.
00:07:10Still putting up with me.
00:07:12Uh, she agrees with a Buddhist.
00:07:13Ha-ha.
00:07:14First thought, best thought.
00:07:16Ha-ha.
00:07:16I'm sorry it did not work out that way for you, my friend.
00:07:19Well, my first thought was not to get married.
00:07:21It was my second thought that was the problem.
00:07:23Ha-ha.
00:07:23Next time, promise, you will think with your heart, not with your head, eh?
00:07:27Yeah.
00:07:28Now, do you see anything you'd like for your friend's birthday?
00:07:31Well, Fritz is an artist.
00:07:33I was thinking of something that, you know, had a little more character, like an antique.
00:07:37Oh, I've got an old Hamilton in the pack.
00:07:41That sounds great.
00:07:42Very reasonable.
00:07:43I'll be right back.
00:07:43Great.
00:07:54Antonio, someone's at the door.
00:07:56If it's a customer, how's your name, my friend?
00:08:00Okay.
00:08:08Thanks.
00:08:10How you doing?
00:08:11Good.
00:08:11How you doing?
00:08:20Get out.
00:08:22Now!
00:08:27No more.
00:08:30Nothing!
00:09:04I don't know.
00:09:05One minute we're talking Buddhist philosophy, next minute, boom, he's gone.
00:09:08Now, you tell me something.
00:09:09What kind of a writer would tackle a shooter like that?
00:09:12A writer who doesn't want to finish his book, I guess.
00:09:16You're lucky.
00:09:16There could have been two bags.
00:09:21Should never have let the guy in.
00:09:23Don't worry about it.
00:09:24He would have gotten in anyway.
00:09:45Connor, it's Peg.
00:09:47Hopefully you're out looking for an apartment.
00:09:50I'm busy tonight, but call me in the morning.
00:09:52We need to talk about the divorce papers.
00:09:57He always did have great timing.
00:10:09Don't rush.
00:10:09Be real certain.
00:10:12You take your time, Connor.
00:10:16Don't rush.
00:10:26Don't rush.
00:10:31Don't rush.
00:10:32Don't rush.
00:10:41Don't rush.
00:10:44It's number three.
00:10:46You're positive?
00:10:48It's a face I'm not gonna forget for a very long time.
00:10:55Hector Strozner, age 29, Argentinian national.
00:11:00That's great.
00:11:02Antonio leaves Argentina to escape the death squads,
00:11:05comes here to the States, gets killed by an Argentinian.
00:11:06It's a wonderful world, ain't it?
00:11:08They picked up Strozner six months ago for extortion.
00:11:11You let him go?
00:11:13Our star witness's life was threatened that she refused to testify.
00:11:17Whoa, whoa, whoa.
00:11:19Is this some subtle way of telling me that my life's in danger?
00:11:26Look, Connor, we can't prosecute 40% of our homicides
00:11:29because of reluctant witnesses. We need you.
00:11:32All we've got is circumstantial.
00:11:34You didn't find a murder weapon?
00:11:36No. Basically, it's your story against his,
00:11:38and the DA's expecting you to come up with a better story.
00:11:43After all, you're the pro.
00:11:48Well, I don't have a story. I have the truth.
00:11:57Eris' husband identifies killer.
00:12:01He makes you seem like a gigolo.
00:12:03Well, it's sexier than burnout novels.
00:12:08You sure you got the right guy?
00:12:09Oh, yeah.
00:12:11Yeah, and it wasn't just in the way he looked.
00:12:14It was the way he held himself, like...
00:12:17like he was braced with a killer's...
00:12:22secret knowledge.
00:12:23And it was in his eyes.
00:12:26You know what a killer's eyes look like?
00:12:28They're exactly like yours and mine,
00:12:30only where there's supposed to be a light.
00:12:34This is Dead Zone.
00:12:38Sounds like the guy I reviewed in my last show.
00:12:44Go, let me get this.
00:12:45No, no, no, no, no.
00:12:46What's used to being an heiress' husband
00:12:47if you can't treat your friends?
00:12:49It used to be a favorite.
00:12:50Don't steal the tip this time.
00:12:53I'll see you.
00:12:54Thanks.
00:13:05Connor McEwen?
00:13:06You gonna testify against Hector?
00:13:09Who wants to know?
00:13:11You're making a big mistake.
00:13:13Maybe you are.
00:13:14It's called witness harassment.
00:13:16Hey, there's a cop down the street.
00:13:18You wanna have me arrested?
00:13:19Look, you gotta believe me.
00:13:20He's my boyfriend, okay?
00:13:22And I know he's not perfect, but there is no way he's a killer.
00:13:25Yeah, well, people are full of surprises, okay?
00:13:27And they're not always pleasant ones.
00:13:28Yeah, and sometimes people make mistakes
00:13:30and pick the wrong guy out of a lineup.
00:13:32Let me ask you something.
00:13:33You have any South American friends?
00:13:36Yeah, but I can't tell any of them apart.
00:13:38Is that what you wanna hear?
00:13:41He's got a kid to support.
00:13:46Is it yours?
00:13:49I just really hope that you search deep down inside your heart, okay?
00:13:53Because you could be ruining an innocent man's life
00:13:55and that little boy's life, too.
00:13:57Just think about it.
00:14:07You say you had a clear look at the killer's face.
00:14:10Yes.
00:14:12But have you ever heard of the expression gun focus?
00:14:15Objection.
00:14:16The witness is not testifying as an expert here.
00:14:19Well, I'll rephrase.
00:14:21A gun focus is a common syndrome.
00:14:23Somebody points a gun in your face and all you see is the weapon.
00:14:28I got a good look at his face before and after he shot at me.
00:14:32So you've told the court in rather florid detail.
00:14:36You've also stated that you're a writer.
00:14:39What do you write, Mr. McEwen?
00:14:44Fiction.
00:14:46Oh.
00:14:47In other words, it's your job to make things up with your imagination.
00:14:52Objection.
00:14:53The witness's occupation is irrelevant.
00:14:56Sustained.
00:14:57The jury will disregard the last comment.
00:15:00I'm just trying to account for your unbelievably detailed memory
00:15:04of a very stressful experience.
00:15:06It's a writer's job to observe.
00:15:09You've had a chance to observe me these last few minutes
00:15:12in an unstressful situation.
00:15:14I'm sure you would have no trouble describing my shirt and tie to the jury.
00:15:18Objection.
00:15:19This is absolutely irrelevant, Your Honor.
00:15:21Another witness claims to be a skilled observer.
00:15:25I'll allow it.
00:15:26You may answer the question.
00:15:45Well, you're wearing a copy of an English prep school tie.
00:15:51It's blue and gold on a maroon background.
00:15:56You've tied it in a double Windsor knot, which adds to the overall impression of tradition
00:16:01and respectability, but the effect is undercut by the missing button on your shirt.
00:16:13No further questions, Your Honor?
00:16:15The witness may be excused.
00:16:36You're a reporter?
00:16:39No.
00:16:40No.
00:16:40No.
00:16:40I'm a human rights investigator for America Watch.
00:16:43So what do you want with me?
00:16:45Between the military and the left, too many Argentinians have killed each other back home.
00:16:49So when this happens here, I want to know why.
00:16:53Can you tell me if you saw or heard anything you weren't asked about today?
00:16:58Not that I can think of now.
00:17:01Well, if you can remember anything, sometimes a detail that means nothing to the police can
00:17:08mean a lot to us.
00:17:11Okay.
00:17:34Here you go.
00:17:35Thanks.
00:17:36I wasn't expecting you.
00:17:37Yeah, well, I really don't know what I'm doing here.
00:17:41There's nothing like seeing your ex-wife walk into a room with this month's hot young writer.
00:17:46Well, if you'd made your deadline, you'd be next month.
00:17:49If I'd made a deadline, I'd still be married.
00:17:51Connor, I'm sure you know Dexter.
00:17:53Yeah.
00:17:54Connor, Peggy's told me a lot about you.
00:17:57Congratulations.
00:17:58I just heard about the verdict.
00:18:00The verdict?
00:18:01Your trial.
00:18:02They found him guilty.
00:18:04They did?
00:18:05That's great.
00:18:06That's great.
00:18:07The jury didn't deliberate very well.
00:18:09Well, I'm sure you were a brilliant witness.
00:18:12Well, I'm just glad to see that the system works.
00:18:15If the system worked, they'd fry him by midnight.
00:18:17Next, you'll be advocating public flogging for overdue writers.
00:18:20Well, I could get behind that.
00:18:22I'm sure you could.
00:18:23I'd say this deserves a toast.
00:18:25Definitely.
00:18:26Oh, well.
00:18:27To justice.
00:18:32To justice.
00:18:33To justice.
00:18:46To justice.
00:19:03You're positive?
00:19:06So face, I'm not gonna forget for a very long time.
00:19:10Mess him!
00:19:17And sometimes people make mistakes and they hit the wrong person out of a line-up.
00:19:39Hey! Hey!
00:19:42Hey!
00:19:53Hey! You! Stop!
00:20:02Get out of my way.
00:20:07What's all this going on?
00:20:09Come on, hurry!
00:20:09He's coming through!
00:20:19Bush, watch out.
00:20:20Hey!
00:20:23Ow!
00:20:25Oh!
00:20:29Good! Get out of the way!
00:20:33Hey!
00:20:38Hey!
00:20:39Ow!
00:20:42Hey, watch out!
00:21:06Oh!
00:21:09Oh!
00:21:13Oh, man!
00:21:13Oh, man!
00:21:13Oh!
00:21:13There he is!
00:21:15Hey!
00:21:15Hold it!
00:21:16Hey!
00:21:17Take it easy!
00:21:18Right there!
00:21:19Stop that guy!
00:21:20Right there, buddy!
00:21:21I got him.
00:21:21Stop him!
00:21:22He's a killer!
00:21:23Take it easy!
00:21:24Let me cuff him!
00:21:25Hold still, man!
00:21:27Jesus!
00:21:31What are you doing running the subways all night?
00:21:33You think that's gonna help?
00:21:34Look, it was him.
00:21:35I got a good look at him.
00:21:36What, as good as the look you got in our lineup?
00:21:39Look, Connor, I've seen this before.
00:21:43People who testify, they feel guilty, like it's their fault they put some asshole in jail.
00:21:48It's called witness remorse.
00:21:50Look, I didn't have any remorse.
00:21:52Not until now.
00:21:53We put the wrong man in jail.
00:21:57You know, I read your book, Unscheduled Landings.
00:22:00It's out of print.
00:22:01I'm a good detective, and you're a good writer.
00:22:04Let's keep it that way.
00:22:09Connor, that motherfucker was guilty as hell.
00:22:11So go home.
00:22:14Forget about Hector Stroessner.
00:22:16Forget about this whole goddamn thing.
00:22:18Please.
00:22:22So let's just say that you're out one night driving, right?
00:22:25Now it's pouring.
00:22:26It's raining.
00:22:27It's coming down in sheets.
00:22:28But you're all cozy and warm, and you got your stereo on.
00:22:31Mm-hmm.
00:22:32And then suddenly you hear this, this, this thud, like you hit something, right?
00:22:36Yeah.
00:22:36You look in the rearview mirror.
00:22:38There's nothing on the road.
00:22:40Then imagine the next morning, you're having your coffee, pick up the paper, and you see this picture of a
00:22:47little girl killed by a hit-and-run driver on that same road at the same time of night you
00:22:51were there.
00:22:52What would you do?
00:22:52I don't hide the car.
00:22:54But seriously, I think that our eyes play tricks on us.
00:22:57That is a painter's stock and trade.
00:22:59And I think that maybe this guy that you saw was a look-alike.
00:23:05See, the problem is I just can't live with maybe.
00:23:14Yeah.
00:23:19Connor, I'm standing here looking at your new cover.
00:23:21What do you mean you're not bringing me any pages?
00:23:23Connor, if this is about some girl, I-
00:23:26Why is it that every time there's a problem, you think it has something to do with a girl?
00:23:31Goodbye.
00:23:51Can I see your identification, please?
00:23:52Connor McEwen for Hector Strassman.
00:23:53Yeah, he's okay.
00:23:54Right.
00:24:18What the hell are you doing here?
00:24:20Probably the same thing you are.
00:24:22Oh, yeah?
00:24:22Really?
00:24:23You rode on a hot bus for three hours to bring Hector a picture of his kid too?
00:24:33I need to talk to Hector.
00:24:35Don't you think it's a little late?
00:24:38I think I might have made a mistake.
00:24:45I was at the movies.
00:24:48Alone.
00:24:51Why didn't you tell that to the jury?
00:24:54My lawyer said they'd laugh.
00:24:56I didn't have no ticket stubbed.
00:24:58No witness.
00:25:02You were arrested before.
00:25:03That was bullshit.
00:25:05They did a sweep.
00:25:06They busted all the cheros.
00:25:08The cheros?
00:25:09My friends.
00:25:10My boys.
00:25:12Except that time they dropped the charge.
00:25:19Do you have any family?
00:25:23I have five sisters and a little boy and I think, you know.
00:25:28My son.
00:25:32And Nicky.
00:25:34Don't worry, baby.
00:25:35I'm gonna get you out of here.
00:25:36You gotta get me out of here soon.
00:25:38You don't know what it's like.
00:25:39I mean, they got me in here with the fucking animals.
00:25:42I can't take it.
00:25:45I'm begging you, man.
00:25:48You put me in here.
00:25:50You gotta get me out.
00:25:54I'm begging you.
00:26:03Look, it's gonna be okay.
00:26:05I have a friend who's one of the best attorneys in town.
00:26:08And I think he can get Hector out.
00:26:10If you listened to me in the first place, he wouldn't even be in there.
00:26:17I wanna ask you something.
00:26:20If he was like some Park Avenue doctor and I was his wife, you would've believed me, right?
00:26:24Look, I made a mistake, okay?
00:26:28But I'm gonna rectify it.
00:26:31I'm sorry.
00:26:33I'm just being a bitch.
00:26:35It's okay.
00:26:37I'm sure it's very hard on you.
00:26:45It's gonna be alright.
00:26:54I screwed up.
00:26:56No, it's good.
00:26:58Can you try to make the nose a little sharper?
00:27:01No, yeah.
00:27:01No, last night I screwed up.
00:27:03I slept with my dealer.
00:27:05You slept with Larry?
00:27:06No, no, no.
00:27:07My new dealer, Debbie Stein.
00:27:10No, yeah.
00:27:10If I slept with Larry, he might as well some paintings.
00:27:15Well, you just redeemed yourself.
00:27:17That is perfect.
00:27:20Sorry.
00:27:21One hour photo took an hour and a half.
00:27:23Sorry.
00:27:30Yeah.
00:27:32It sorta looks like Hector.
00:27:37But older.
00:27:39And mean.
00:27:47Well, let's just hope the DA sees it that way.
00:27:51Would you just take a look at this?
00:27:52Connor, you swore under oath that you were 100% certain.
00:27:55So now what?
00:27:56You're 101% certain you were wrong?
00:27:58I'm sure enough that I want this case reopened.
00:28:00Your identification wasn't our only evidence.
00:28:02Well, you didn't even have a murder weapon.
00:28:04If it shows up, we'll be glad to take another look.
00:28:06Until then.
00:28:07Wait.
00:28:09If Hector Straussner was a Park Avenue doctor, would you feel the same way?
00:28:13Justice is blind, Connor.
00:28:16And obviously, death as well.
00:28:20I warned you.
00:28:22You know, the machinery of justice is hard enough to move forward, but it's almost impossible to reverse.
00:28:28And it's very, very expensive.
00:28:32Yeah, look, Connor.
00:28:34If you want the firm to handle this, we're gonna need $100,000 up front.
00:28:38$100,000?
00:28:40In advance.
00:28:41Although if we don't get any new evidence, there's really not much we can do.
00:28:49Well.
00:28:54He turned us down.
00:28:55We're gonna have to file for an appeal.
00:28:58Jesus.
00:28:59When am I gonna tell Hector that he has to put his faith in some other lawyer?
00:29:04You just tell him that we're gonna get him a new trial.
00:29:06No matter what it takes, okay?
00:29:14It's okay.
00:29:19It's okay.
00:29:28Do you wanna have some dinner?
00:29:33Okay.
00:29:54Good evening, ma'am.
00:29:55Hi.
00:29:56Have a great night.
00:30:00And, sir?
00:30:03Those hotshot lawyers are gonna suck you for all you're worth.
00:30:05Let me worry about that, okay?
00:30:08Besides, your appeal's a long shot.
00:30:09I mean, my uncle couldn't even give us forty to one.
00:30:12Your uncle?
00:30:13Yeah, he's a bookie.
00:30:15I work for him part-time.
00:30:17Hmm.
00:30:19What?
00:30:20What, does that make me some sort of bad person?
00:30:22Like maybe somebody who'd go out with a killer?
00:30:25Look, if I didn't think Hector was innocent, I wouldn't be here, would I?
00:30:32Do you mind if I ask you a personal question?
00:30:34Sure.
00:30:37How did you and Hector get together in the first place?
00:30:41Why, you don't think that we're a match made in heaven?
00:30:45I didn't say that, but if I was writing the story, he'd be with a different guy.
00:30:54Yeah?
00:30:56What'd you have in mind?
00:31:04Thanks.
00:31:05It was good.
00:31:06Glad you liked it.
00:31:07We're in the hells of a lay-hat.
00:31:11Hey, what in the hell are you doing?
00:31:12That's a classic!
00:31:14God, this guy's fucking crazy!
00:31:25Ah!
00:31:27Ah!
00:31:30Ah!
00:31:32Ah!
00:31:34Ah!
00:31:35Ah!
00:31:37Ah!
00:31:41Apparently you're not aware that I got off the auto theft detail 18 years ago.
00:31:44Look, I told you it wasn't a car thief.
00:31:47The guy tried to run us over.
00:31:48Aren't you being a bit paranoid?
00:31:51Your car's out front.
00:31:53They found it five blocks from the restaurant.
00:31:55Maybe if you're lucky they waxed it and left you a full tank of gas.
00:32:00Thanks.
00:32:03Come on.
00:32:06Maybe it was just some joyrider.
00:32:09Joyriders try to get away.
00:32:10They don't try to run you over.
00:32:11Oh, come on.
00:32:11How would he even know where we were?
00:32:13Well, my name was in the newspaper.
00:32:15My address is in the phone book.
00:32:16What?
00:32:17I mean, you think that this guy might still be following us?
00:32:19I don't know.
00:32:21Sorry I took your last one.
00:32:23I don't smoke.
00:32:26What?
00:32:26What?
00:32:28Oh, fuck.
00:32:29They're his.
00:32:29Oh, that's great.
00:32:30That should narrow our list of suspects down to 20 million or so.
00:32:33No, no, no.
00:32:33Maybe we can do better than that.
00:32:36Club El Jaguar.
00:32:37I mean, it sounds like some sort of dance club.
00:32:39Let's go check it out.
00:32:40No, no, no, no, no.
00:32:41No, no.
00:32:42That's not our job.
00:32:44Oh, I forgot.
00:32:45A writer's job is simply to observe, right?
00:32:47I almost observed myself being run over tonight and I'm not going to push this thing any further.
00:32:51I'll take these to Detective Hardaway tomorrow and see what he thinks.
00:32:55Great.
00:32:55The shithead who screwed Hector.
00:32:57I thought I was the shithead who screwed Hector.
00:33:00Yeah, you got a point.
00:33:02All right, just take me home.
00:33:04I'm right on the right.
00:33:30Sorry to startle you.
00:33:34Don't tell me.
00:33:35You came to move all the furniture out tonight, right?
00:33:39Actually, I was having second thoughts about selling.
00:33:47You taught me how to do this.
00:33:49Sit in the dark.
00:33:50Shut up.
00:33:53And observe.
00:33:55Peggy.
00:33:56You also taught me how to like sex with the light song.
00:34:01Can I pour you a glass?
00:34:02I'm not really in the champagne mood.
00:34:04I, um...
00:34:08Got my head wrapped around this murder.
00:34:10Well.
00:34:13Well.
00:34:14I can think of better things to wrap your head around.
00:34:23I'll show you out.
00:34:27That's the way you want it?
00:34:36I didn't come here to seduce you.
00:34:38Just to plant the seed in your mind.
00:34:40That's good.
00:34:40Your car's here.
00:34:41Mm-hmm.
00:34:43You know, they're good.
00:34:46Not here.
00:34:51Peggy.
00:34:55Mm-hmm.
00:34:56I just don't know what in the hell to do.
00:35:01I know, I know.
00:35:02I understand what you're saying.
00:35:06Meet Peggy.
00:35:08Rich.
00:35:09Sophisticated.
00:35:10Connected.
00:35:12Willing to admit she's wrong.
00:35:14On the downside,
00:35:16there's high maintenance and neurotic.
00:35:19But, on the other hand, there's Nikki.
00:35:23Fresh.
00:35:24Sexy.
00:35:25Down to earth.
00:35:26And speaking as a professional.
00:35:28Visual dynamite.
00:35:30It's a dilemma out of Shakespeare.
00:35:32I think you're confusing Shakespeare with Judith Krantz.
00:35:35With this, you can spend the next 20 years writing the great American novel,
00:35:39not have to worry about a dime.
00:35:41With this, everything goes right.
00:35:44Get Hector out of jail,
00:35:45and slit your throat for bonking his old lady.
00:35:49You know what Kafka said about sex?
00:35:52No.
00:35:55It's punishment for the happiness of being together.
00:35:59Kafka never saw a body like Nikki's.
00:36:02Book of matches, you call this evidence?
00:36:05Look, we found it in a pack of cigarettes that he left in the car.
00:36:08It could be a club he goes to or something.
00:36:11This is not evidence.
00:36:13Let me ask you something.
00:36:14You ever read the Quincy's on murder considered as a fine art?
00:36:17No. Are you gonna investigate this or do I have to do it myself?
00:36:21You know, the problem with you writers is that you think that you're outlaws.
00:36:24And you gotta prove it by hanging out with wise guys and killers.
00:36:26Only sometimes that backfires.
00:36:29Like Norman Mailer getting Jack Henry Abbott out of jail
00:36:31so that piece of shit can turn around and stab some innocent guy to death.
00:36:35And what about the innocent guy we sent to Sing Sing?
00:36:37You got a bad conscience. Give some money to save the whales.
00:36:40I understand you people go nuts for that shit, but stay out of this, Connor.
00:36:43Because we put the right motherfucker away. Now get out of here.
00:36:47Go on.
00:36:48Okay.
00:37:04What's the matter?
00:37:05It's Hector. He tried to kill himself.
00:37:08He what?
00:37:09They just called. He's in the prison hospital.
00:37:14Is he gonna be okay?
00:37:16They don't know.
00:37:19They won't even let me go and see him.
00:37:22We gotta fucking do something, Connor, don't you see?
00:37:25Look, just calm down, okay?
00:37:26No! There's nothing to calm down about!
00:37:30What do you want me to do?
00:37:34I want us to find the camp.
00:37:40I want us to find the camp.
00:37:51This looks like it.
00:38:03This ain't no disco.
00:38:03Well, this ain't no disco.
00:38:24You see the sign? Members only.
00:38:27Well, we're looking for one.
00:38:28Show me your car to get out.
00:38:30Well, uh, this do?
00:38:34Big fucking deal.
00:38:36Mark Fletcher, attorney at law.
00:38:41My client and her son are victims of a deadbeat who refuses to pay child support.
00:38:45So?
00:38:46So we have reason to believe he's a member of this club.
00:38:57You're number 14, Mr. Benitez.
00:39:07This guy got any?
00:39:08Well, there's a problem.
00:39:09He, uh, uses several aliases, but we do have this picture.
00:39:15Looks like this guy sold out him.
00:39:17Got in trouble for shooting hot loads.
00:39:20Wait here.
00:39:21My boss will move.
00:39:25Now, I knew you were a smooth talker, but that shit was poetry.
00:39:30It's something about a friendly gun club that inspires creativity.
00:39:33We've gotta get that address.
00:39:36Jesus, it's a gun bag.
00:39:38What?
00:39:39God, the subway had the same one.
00:39:42That boss says that guy's never been here.
00:39:45But you just said his name was Soldado.
00:39:47My mistake.
00:39:48You'll have to leave.
00:39:49Now.
00:39:51Uh, I'm just gonna take a little look around.
00:39:55Back here.
00:39:59Get off, you fucker!
00:40:01Jesus, shit!
00:40:02Get your hands off me!
00:40:06Ow!
00:40:07Get off!
00:40:09Fuckin' fuck!
00:40:12Get the fuck out of here!
00:40:13Hey, hey, hey!
00:40:14Back up!
00:40:15Let's go!
00:40:17Let's go!
00:40:18Fuck!
00:40:19Get off me!
00:40:20Shit!
00:40:21See you now!
00:40:22Fuckin' come back!
00:40:29Fuckin' come back!
00:40:32Did you get the address?
00:40:34Ooh!
00:40:36Bullshit!
00:40:36That's not Soldado.
00:40:37It's gotta be him.
00:40:39There's only one way to find out.
00:40:51Let's see if he's home.
00:40:57What are you doing?
00:40:58Getting us in.
00:40:59Wh-what you want?
00:41:01Um, it's Mrs. Wilson.
00:41:04Apartment 27.
00:41:05I forgot my keys.
00:41:08Human nature.
00:41:10Come on, let's go.
00:41:17There's five.
00:41:22Here it is.
00:41:28I, uh, lock myself out a lot.
00:41:31Uh, yeah, so do I, but...
00:41:33I find that this works better.
00:41:35Excuse me.
00:41:36Hey!
00:41:37What are you doing?
00:41:38Put your hands up!
00:41:39It's okay.
00:41:40Don't move or I'll shoot you both.
00:41:42Come on!
00:41:43Come on, put them up!
00:41:45Almost!
00:41:46It's okay.
00:41:46Up against the wall.
00:41:47Come on.
00:41:49You think I'm Rey Soldado?
00:41:53Fuck you, man.
00:41:55I'm the super of this building.
00:41:59He owes this woman child support.
00:42:01Maybe you can help us find him.
00:42:03Oh, yeah?
00:42:03Well, he owes me three months' rent.
00:42:05He's lucky I don't shoot him.
00:42:09Well, you look like a hard-working man, Mr. Uh...
00:42:13Julio.
00:42:14May I'm Julio.
00:42:15Julio.
00:42:16Well, Julio, this is Benjamin Franklin.
00:42:20It's the only guy on a bill who's not a dead president.
00:42:24I'm gonna write my number on this half.
00:42:27And if you see Rey Soldado, you give me a call.
00:42:33I tell you what.
00:42:35Why don't you give it to me right now?
00:42:38And I'll let you go into the apartment.
00:42:42Okay.
00:42:48Por favor.
00:43:00Holy shit.
00:43:03Jesus Christ.
00:43:08The guy's been following me.
00:43:47I think I found it.
00:43:56That's it, isn't it?
00:43:58It looks like it.
00:43:59Don't touch it.
00:43:59It could have his fingerprints on it.
00:44:01I can't get any harder evidence than that.
00:44:03If this is the murder weapon, and Soldado's prints are on it, Hector's a free man.
00:44:09Come on.
00:44:09Wait, wait.
00:44:10What?
00:44:12I don't want to go back to him.
00:44:15Well, then you don't have to.
00:44:19Nikki, we should go.
00:44:25Wait.
00:44:26Wait.
00:44:27Wait.
00:44:27Wait.
00:44:29Come here.
00:44:36It's him.
00:44:37Come on.
00:44:43Hold it.
00:44:53Let's go this way.
00:45:20No.
00:45:20Grab the gun.
00:45:22Come on.
00:45:23Let's get out of here.
00:45:28Shoot him!
00:45:35I think you got him.
00:46:05Come on.
00:46:06Come on.
00:46:07The bus.
00:46:36Come on.
00:46:42I do good work now.
00:46:44Maybe I'll use you again sometime.
00:46:48Oh, come on, man.
00:46:49I got a lot of mess to clean up.
00:46:52You don't want to pay me?
00:46:53That's okay.
00:46:55I'll go to the rich gringo.
00:46:56He'll give me his number.
00:46:58And maybe you'll call the police.
00:46:59No, I was kidding.
00:47:00Relax, my friend.
00:47:02I know you always want more.
00:47:04Mas, mas, mas.
00:47:05So, I'm going to give you a little present.
00:47:09Huh?
00:47:09Yeah, I want to try it on like this.
00:47:11Yeah, let me put it on you.
00:47:11Try it like this.
00:47:12I like it like this.
00:47:14You like it?
00:47:15Come on.
00:47:15Maybe you'll find something in the pocket you'd like.
00:47:21Come on.
00:47:23Come on.
00:47:24Finish up.
00:47:29I write a friend that found it.
00:47:31Now he left it.
00:47:34You know, you can always extort money when you have a good threat.
00:47:38What the fuck are you doing?
00:47:42Planks, pendejo.
00:47:43Relax.
00:47:47I don't fucking believe you, man.
00:47:52I don't fucking believe you, man.
00:47:52But you better know who you make that threat to.
00:48:00It's working perfect.
00:48:08I think you're going to need some stitches.
00:48:12Maybe we should call a doctor or something.
00:48:16I think I should call the police.
00:48:19And tell them what?
00:48:20What?
00:48:20That we found this guy's gun and we just happened to try and kill him with it?
00:48:23What else are we going to do?
00:48:25Trust me.
00:48:25The police have not believed you yet.
00:48:27They are not going to start now.
00:48:31It's just we had him.
00:48:32Now we have no fucking chance in hell.
00:48:38Could have been worse.
00:48:41Yeah, how?
00:48:43You could have been killed.
00:48:46You too.
00:48:59You can begin in here.
00:49:01All the furniture and art goes.
00:49:18What the hell are you doing here?
00:49:19Did you really think I wasn't moving out today?
00:49:22I have no regrets about the other night, Connor.
00:49:25But Abbott and Costello are already carting off the living room.
00:49:35Well, I see you didn't let the sheets get too cold.
00:49:58What's the matter?
00:50:00Didn't you say goodbye?
00:50:07I never knew you went in for such rough trade.
00:50:48I never knew you were going to do something.
00:50:57I was going to go there.
00:50:58No, no, no, no.
00:50:58out of me maybe i need a shower too cut it ray i don't screw my partners in any sense
00:51:06of the word
00:51:07only pompous riders huh you think this guy means anything to me
00:51:14he's a mark okay that's all
00:51:19i do what i have to do to win his trust okay good then he'll believe you when you're telling
00:51:24you're leaving town what you want to screw things up i got this guy right where i want him i
00:51:31know
00:51:33excuse me between your legs you're a pig and you're a whore i want no more contact we got what
00:51:42we needed
00:51:44i've got to see him one more time or he's going to suspect
00:51:49when i give you an order you obey it that wasn't in my job description
00:51:54you've got a big mouth you could end up just like julio super what did you do to him figure
00:52:02it out
00:52:05be a good girl
00:52:11nikki are you in if you're in would you please pick up
00:52:18look i don't know i don't know what happened last night but
00:52:25yeah there's a detective hardaway here to see you
00:52:28okay but buzz him in nikki if you're if you get this message please just call me back because i'm
00:52:36worried
00:52:36okay
00:52:39All right, bye.
00:52:51Detective?
00:52:53What, are you allergic to furniture?
00:52:55My ex-wife came by this morning. I took it all away.
00:52:59Unless this is important, I have kind of a busy day ahead of myself.
00:53:01What happened? She found out you were banging Hector Stroessner's girlfriend?
00:53:05The D.A. says he saw you two being very friendly outside court.
00:53:11Well, if consoling someone is a crime, then harass me, but, uh...
00:53:14The man got shot in the basement last night, Connor.
00:53:16111 West, 169th Street.
00:53:21It's not exactly my stomping ground.
00:53:23Well, the victim was wearing a leather jacket with a crown on the back.
00:53:27That sound familiar?
00:53:30This looked like the jacket you saw?
00:53:33Preliminary ballistics suggest it could be the same gun that killed your jeweler, friend.
00:53:39Well, that's, uh, that's good. That puts Hector in the clear, right?
00:53:42Cut the bullshit, Connor. I know you fit into this.
00:53:44The victim had a taped-up C note with your name and your phone number on it.
00:53:48Now we know you're in the phone book, but it got me thinking.
00:53:51A writer obsesses he's put the wrong guy in jail.
00:53:54Detective, I really don't have time for this.
00:53:56Encouraged by this guy's girlfriend, who he's been consoling,
00:53:59he decides he's gonna find the real killer.
00:54:01But he gets himself into a jam, shoots,
00:54:04kills a guy wearing an identical jacket.
00:54:06You think I got a story?
00:54:08I think you've been reading too many mystery novels.
00:54:11And are you sure you were alone when you went up there last night?
00:54:14I never said I was there last night.
00:54:16And maybe I forgot to tell you.
00:54:18You forgot your car.
00:54:21Unless you're booking me, Lieutenant.
00:54:23I'd appreciate it if you'd leave.
00:54:25Connor, Connor.
00:54:27You know, I really hope your new girl makes a good alibi,
00:54:32because...
00:54:34you're gonna need one.
00:54:37Uh-huh. I'll call you back.
00:54:39Ma'am, I hope he's in a real important meeting.
00:54:42I'll go tell you, sir. I'll try. Just get it done.
00:54:45What are you doing here?
00:54:46You wouldn't take my calls, Maury.
00:54:48I'm very busy. If you want to talk, make an appointment.
00:54:50Jesus!
00:54:50You hooked me up with a fucking psycho.
00:54:53A client came to me looking for a good scam artist.
00:54:55You're the best one I know.
00:54:56I introduce you and the story.
00:54:57Bullshit! Your client's killing people!
00:54:59Hey, I didn't hear that!
00:55:00You know, you should've stuck with just faking car accidents for me,
00:55:03but no, you had to bust my balls looking for a big payday.
00:55:06You know, you griptors are all the same.
00:55:08You think you can get out if you just make that one big score?
00:55:11I am getting out,
00:55:12and you are gonna tell that motherfucker to lay off!
00:55:15You need a skippy change if the guy even looks at me funny.
00:55:19Maury, sweetie.
00:55:21They still putting lawyers in jail for insurance fraud?
00:55:25I'm on the case, babe.
00:55:27Yeah, thought so.
00:55:27– No, I'm going to get you until you see him again. – No.
00:55:47I'm going to die.
00:55:49Hello?
00:55:50Hello?
00:55:52It's me.
00:55:54Hey.
00:55:55I've been trying to call you.
00:55:56Are you all right?
00:55:57Hey.
00:55:57Hey.
00:55:59Not really.
00:56:03I'm gonna have to go out of town for a while.
00:56:06Why?
00:56:10Because I am in way over my head.
00:56:15Look, whatever happens, I just want you to know that...
00:56:21things aren't always what they seem, okay?
00:56:23Look, I'm in over my head too, Nikki.
00:56:26I'm coming with you.
00:56:27No.
00:56:28There's a plane leaving every hour.
00:56:29We could go down there and we could try to figure this thing out together.
00:56:41All right.
00:56:42Okay.
00:56:45Meet me at the airport at 6, Terminal 3.
00:56:49I've got a lot to tell you.
00:56:52Come on.
00:57:03See, I don't have a problem with the layout.
00:57:05The colors are all around the silk book about passion, isn't it?
00:57:08And I just don't think that Blue's gonna sell it.
00:57:10I mean, you gotta give the reader an idea.
00:57:12Julie, could I speak with you?
00:57:14Excuse me.
00:57:15One second.
00:57:24What?
00:57:24I had to go to town for a while and I wanted to give you this.
00:57:26Ah, great.
00:57:27Perfect timing.
00:57:28We can make Christmas.
00:57:29It's not mine.
00:57:30It's, um, it's a kid who works at the library.
00:57:33It's one of the best things I've read.
00:57:35I can hardly wait to read it then.
00:57:37Connor, I want to see your book.
00:57:39Well, friends don't let friends reap garbage.
00:57:43I, uh, I burned it.
00:57:45This isn't a joke.
00:57:47We'll make you pay back your advance.
00:57:50If that's what it comes to, so be it.
00:57:52Hey.
00:57:53What?
00:57:54What's wrong with you?
00:57:55What's wrong?
00:57:58Well.
00:57:59What?
00:58:01My life has become a bottomless pit.
00:58:07Actually, I feel strange calling it my life because it really doesn't feel like my life anymore.
00:58:16But it's not all bad.
00:58:19At least I'm at a bookie I like.
00:58:21I gotta go.
00:58:29547 to Boston now boarding at K.K.
00:58:32547 to Boston now boarding at K.K.
00:58:41547 to Boston now boarding at K.K.
00:58:42547 to Boston now boarding at K.K.
00:58:43547 to Boston now boarding at K.K.
00:58:45Please, let me take that for you.
00:58:47I tried calling you.
00:58:48Uh-huh.
00:58:49He said he was gonna leave town, so I just thought that shit's down top of him.
00:58:52Really? Well, I thought you were ready to take orders and play like a team.
00:58:55I just made a quick decision.
00:58:57Mm-hmm.
00:58:58Well, you made the wrong one.
00:58:59You really think that puto could protect you?
00:59:02Do you?
00:59:03Hmm?
00:59:06What are you gonna do, fucking kill me?
00:59:08No, not you.
00:59:11If anything goes wrong, I'll kill him.
00:59:14Do you understand?
00:59:16Now get your ass going.
00:59:42She left without her deposit.
00:59:48Well, did she have any family members or regular visitors?
00:59:51She's only been here like two weeks.
00:59:53Rent a foreign shirt and then send a bath.
01:00:02I'm busy, honey.
01:00:03Go play in your room.
01:00:12Is that your son?
01:00:13Yes.
01:00:14He missed a lady.
01:00:16She was nice.
01:00:17Took his picture.
01:00:24You're very welcome.
01:00:26What do you mean he was never admitted to the prison hospital?
01:00:30Yeah, he tried to kill himself.
01:00:32He's in critical condition.
01:00:36Yeah, okay.
01:00:38Thanks.
01:01:22Don't shoot him.
01:01:23Just a painter.
01:01:23Shit.
01:01:28He's getting the shit out of me.
01:01:31Hello?
01:01:32If you want to make sure the police don't get the real gun, it's $250,000.
01:01:40Look, man, I don't have any money.
01:01:42You have it ready, Chad.
01:01:43You'll wait for my owners.
01:01:54What kind of trouble are you in, Connor?
01:02:05See, sometimes it can come down to a single word.
01:02:08Uh-huh.
01:02:09He used the word chero.
01:02:11And Hector used it, too.
01:02:12So?
01:02:13Well, so I know it's some kind of a slang, but I don't know what it means or who uses
01:02:16it.
01:02:17And if there's a connection, which I think there is, this guy will know.
01:02:21You should learn Spanish, my friend.
01:02:24It's the language of your continent.
01:02:26Maybe you can give me a crash course.
01:02:27You were right about chero.
01:02:30It means he's probably Argentinian.
01:02:32Though, more importantly, Ray Soldado is not a name.
01:02:37It means king soldier.
01:02:39He wore a leather jacket with a crown on it.
01:02:41With three points?
01:02:43It's the symbol of a particular death squad.
01:02:46One of the worst in Buenos Aires.
01:02:48They leave a three-pointed crown on the heads of their victims, usually after decapitating them.
01:02:53Great.
01:02:55Well, why would they use this in the States?
01:02:59Refugees came here.
01:03:00The monster followed.
01:03:02Here they used their terror for extortion.
01:03:05Maybe they were extorting your jeweler friend.
01:03:08Antonio never would have paid.
01:03:09And so he was murdered.
01:03:10And then they came after you for the profits they lost.
01:03:15These are a little grainy, but it's the best we can do.
01:03:20Would a group like this work with an American?
01:03:23A female American?
01:03:24If they did, they wouldn't think twice about killing her.
01:03:28They trust no one outside of the squadron.
01:03:33Oh, senior class picnic.
01:03:41Hey, hey, hey, hey, there's Ray.
01:03:43Yep, right down front.
01:03:45Looks like he's the unit commander.
01:03:50Um...
01:03:54No.
01:03:55Up there.
01:04:00That's Hector.
01:04:04Check out the name tags.
01:04:10Brothers.
01:04:11No wonder you made a mistake.
01:04:15I'm not so sure I did.
01:04:21So maybe the cops were right.
01:04:22Maybe Hector did it.
01:04:24I pick him out of the lineup.
01:04:26His brother reads about me in the paper, thinks I'm rich, and...
01:04:28And then the Nicky.
01:04:30I don't know.
01:04:32Hey, listen, if it's any consolation, I'm sure you're not the first guy that she's conned.
01:04:35Yeah, well, if it was all an act, it was one of the great performances of all time.
01:04:40For 250 grand, I hope it was worth it.
01:04:45So, listen, you're gonna call the cops?
01:04:46You want me to?
01:04:47Cops aren't gonna help me find out what I need to know.
01:04:49As far as Nicky goes, I want to hear from her mouth first.
01:04:54You're asking me for $250,000?
01:04:57It's a lot of money, Connor.
01:04:59It's only a loan.
01:05:00But I don't have the right to know what it's for.
01:05:02I just think it's better that you don't.
01:05:04You know, if you'd accept the prenuptial agreement, you wouldn't need this.
01:05:07Look, Peggy, I never wanted any money from you at all, okay?
01:05:10But now I don't have a choice.
01:05:17If you don't feel comfortable with this, I understand.
01:05:26Well, if there's one thing you've always kept,
01:05:31it is your word.
01:05:42Yeah?
01:05:50Listen to me very carefully.
01:05:52Do you have the money?
01:05:54Yeah, I got it.
01:05:55Good.
01:05:56In 1,400 hours, I want you to carry it in a black bag to the 42nd Street Station.
01:06:00A train platform.
01:06:02And get pushed in front of the train?
01:06:04No, I don't think so.
01:06:05It's my money, my plan, okay?
01:06:09We'll meet at the public library on 41st and 5th at 5 o'clock in the main room.
01:06:15I'll give the money to Nicky.
01:06:16If I see you, the deal's off.
01:06:18You got that?
01:06:21So what?
01:06:22Did you go for it?
01:06:23He doesn't have a choice.
01:06:31Thinks he's fucking with me.
01:06:33He has no idea.
01:06:34He has more ideas than you'll ever have.
01:06:37How about a truce, huh?
01:06:38We got some money to pick up here.
01:06:41Do all your partners end up dead or in jail?
01:06:43Even your own brother?
01:06:44Shut up.
01:06:45My brother made a mistake.
01:06:47He should have killed your right of friend when he had the chance.
01:06:49I'm just taking advantage of the situation.
01:06:57How you doing?
01:06:58Fine.
01:06:58You got everything ready?
01:07:00Yeah.
01:07:00All right, now look, whatever you do, don't try to be a hero, okay?
01:07:03No, no, no, no, I'm not the type.
01:07:05But I owe you because your editor called that.
01:07:06She liked my novel.
01:07:07Yeah?
01:07:08Yeah.
01:07:09Well, whatever you do, don't give it to her cheap, all right?
01:07:11What?
01:07:28Yeah.
01:07:28Nikki's here.
01:07:29She's on her way up the front steps.
01:07:32Okay, I'll meet her in the lobby.
01:07:44Detour time.
01:07:48Military punctuality, it's very impressive.
01:07:50Yeah.
01:07:51Shut up, asshole.
01:07:52Move.
01:07:58On your knees.
01:07:59Let's see what's in the back.
01:08:08Fair is fair.
01:08:09You didn't bring the gun.
01:08:11Psst.
01:08:19You remember Frankie, don't you?
01:08:23So where is it?
01:08:25It's in the fiction section.
01:08:27Where this used to be.
01:08:29All right, let's move.
01:08:34Your friend is in deep shit.
01:08:35Now, he told me he'd be here at five with a pile of evidence.
01:08:37What the fuck is going on?
01:08:39He's got it.
01:08:39He's inside.
01:08:42Come on, you don't want to miss this.
01:08:43Inside, huh?
01:08:55Here you go.
01:08:56Count it.
01:09:00You know what your problem is?
01:09:02You think you're smart.
01:09:04No, my problem is that I never should have second-guessed myself.
01:09:07I was right the first time I testified against your brother, wasn't I?
01:09:10He probably gave you that gun to get rid of.
01:09:13I'm sure Nicky came up with a better idea.
01:09:15That bitch is a day worker.
01:09:16Hired help.
01:09:17This was an intelligence operation.
01:09:20As soon as I read about you IDing Hector, I knew that you were the perfect mark.
01:09:24A guilty liberal pussy licker with no faith.
01:09:27No real conviction.
01:09:29Confuse you enough, then you'd want to believe you made a mistake.
01:09:32That's how smart you are.
01:09:36You know, with your knowledge of character, you should be a novelist.
01:09:39Put it in the bag.
01:09:47Here you go, battle trophy.
01:09:50I'm sure you'd prefer a human ear.
01:09:53Gun?
01:09:54You want it?
01:09:58Gun?
01:10:07You all right?
01:10:09Get that bag.
01:10:14We got a lot of book theft lately.
01:10:15Open the bag.
01:10:16Open the bag, motherfucker.
01:10:17Just take your hands off.
01:10:19Don't fuck.
01:10:19Down!
01:10:23Cover me.
01:10:24Be careful.
01:10:30Go, go, go!
01:10:43We got a shooter here.
01:10:44Give me an ambulance.
01:10:45It's on backup now!
01:10:54Connor Freeze!
01:10:56You're still a suspect.
01:10:58I used to work here.
01:10:59I know my way around.
01:11:02Down!
01:11:05Move!
01:11:11Okay, smart guy.
01:11:12Get us out of here.
01:11:16Officer down!
01:11:17Library basement!
01:11:18Library basement!
01:11:19Where the fuck is that ambulance?
01:11:24You okay?
01:11:25See, you don't look so happy to see me.
01:11:28They would have killed you if I didn't come.
01:11:29Shut up!
01:11:31Which way?
01:11:32Well, you have to excuse me.
01:11:33I'm a bit flustered.
01:11:34I'm not used to having people blown away in front of my face, okay?
01:11:37I should have put a bullet in your head when you pull that bullet trick.
01:11:39Never underestimate the power of reading.
01:11:41The power of a nine millimeter.
01:11:43Just tell them!
01:11:47It's this way.
01:11:51Okay.
01:11:54You should have left things alone.
01:11:56It's not in my nature.
01:11:59So how much of it was an act?
01:12:02Where do you want me to begin?
01:12:04I never even met Hector until, uh, the day in court.
01:12:08I'm not talking about the con.
01:12:09I'm talking about us.
01:12:10What is that?
01:12:12It's a train.
01:12:13There used to be a subway station under the library.
01:12:15It's where I was taking you.
01:12:16It's the only way out.
01:12:17Let's go.
01:12:18Moving.
01:12:22Move it.
01:12:25Hold it.
01:12:28Frankie.
01:12:30Give her your gun.
01:12:34Go on.
01:12:37What are you doing, Ray?
01:12:41Shoot him.
01:12:49You're acting like a fucking crazy prison, Ray.
01:12:52Let's just get out.
01:12:55He knows too much.
01:12:57Shoot him.
01:12:58It's an old game we like to play, Nicky.
01:13:00Go into a village.
01:13:01Walk into a home.
01:13:03Make lovers.
01:13:06Shoot each other.
01:13:09Now!
01:13:12Look!
01:13:24Dad!
01:13:25Shit!
01:13:26Go!
01:13:28Oh!
01:13:29Oh!
01:13:32Oh!
01:13:33Oh!
01:13:58Oh, my God.
01:14:21Oh, my God.
01:14:40Oh, my God.
01:15:09Oh, my God.
01:15:09You okay?
01:15:10I'm okay.
01:15:13Oh, my God.
01:15:27Oh, my God.
01:15:32I don't want to watch you get old in some prison.
01:15:39Go on.
01:15:44Nicky?
01:15:52Have a good life.
01:15:55Oh, my God.
01:15:58Oh, my God.
01:16:24I swear to God.
01:16:25But where's the cash?
01:16:27I don't know.
01:16:29I got the whole thing on tape.
01:16:35You're a friend here tells me you handed over 250 grand.
01:16:41Where's the cash?
01:16:43His partner must have taken it.
01:16:45Who?
01:16:46The girl?
01:16:49No, it was a guy.
01:16:51He was about, uh, 20.
01:16:53Latin.
01:16:54You're full of shit, Connor.
01:16:56Where is the girl?
01:16:57Well, I wish I knew detectives.
01:17:00Yeah.
01:17:08What a mess.
01:17:30Now, this is one book that I'm gonna read very carefully.
01:17:34Don't worry.
01:17:35Don't worry.
01:17:35The names were changed to protect the innocent.
01:17:38You take care.
01:17:39You too, detective.
01:17:47Well, he went through a bit of a dry period and it was hell,
01:17:49but I never lost faith in him.
01:17:53What's your name?
01:17:54Larry Kramer.
01:17:55With a K.
01:18:00There you go.
01:18:01You're welcome.
01:18:16Hi.
01:18:17Hi.
01:18:18Hi.
01:18:22So, I would like to buy one.
01:18:25Well, you're a little late.
01:18:26We're all sold out.
01:18:27Oh.
01:18:29Well, then, um, maybe you'll let me order one from you.
01:18:39Two hundred and fifty thousand.
01:18:43Okay.
01:18:44Hey.
01:18:44Yeah, I told you I was pretty good with numbers.
01:18:48Don't worry about it.
01:18:49I've got some, uh, interest in a couple mini-malls in Miami.
01:18:54So you think this makes us even?
01:18:58Well, I was just hoping that maybe we could go back to zero.
01:19:04Zero is for people with no history.
01:19:07You like?
01:19:09Yeah, I do.
01:19:14I think we deserve better than that.
01:19:16Don't you?
01:19:17Yeah.
01:19:21Actually, I already read your book.
01:19:23You did?
01:19:24I liked it.
01:19:26But there are a few points that, you know, maybe I would have handled differently.
01:19:30Like, perhaps, the central female character?
01:19:34The relationship.
01:19:35Hmm.
01:19:35I mean, it could have been a little more romantic.
01:19:39Well, what do you think about a sequel?
01:19:41I could get behind that.
01:20:08Do you see the little character in the sea?
01:20:11Yeah.
01:20:21It's so funny.
01:20:21Oh, yeah.
01:20:26I'm so sorry.
01:20:26I better see the little character out in the sea.
01:20:27Yeah.
01:20:29Oh, yeah.
01:20:30Oh, yeah.
01:20:33Oh, yeah.
01:20:35Oh, yeah.
01:20:36Oh, yeah.
01:20:36Oh, yeah.
01:20:37Oh, yeah.
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