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FunTranscript
00:00There is a character named Himmatlal Master
00:02who is named Bidhe Master
00:05Babita said that he is best friend in the Mandar
00:08Stop! I'll leave you there!
00:10Save it!
00:10I'll take it!
00:11He didn't come to the house,
00:12he didn't come to the house
00:14he didn't come to the house
00:15he didn't come to the house
00:16he didn't come to the house
00:17I don't think he didn't come to the house
00:23Bidhe Ghari Astana
00:24How are you doing this?
00:26In the original life, he is Bidhe
00:30I've come to the house of Gogi
00:31Moolat Jain
00:32How are you doing this?
00:3512 episodes, 18th year, OTT, web series, films, theatre
00:42and all the things you have to do
00:44He's actually a part of it
00:45I've got 10 drafts from the house
00:48Dilib Zoshi has a great advantage
00:50but the best thing is that he has a great reaction
00:52If he has a great reaction
00:54he has a great idea
00:56Yeah, I have one of my favourite characters
00:58in Taroq Meta
00:58Aisil is Ayers
01:00Yaayya
01:01Because I have a great scope of my child.
01:04I have a great job.
01:06And I think I have a great job to do with my child.
01:08I don't have to say anything.
01:10I don't have to say anything.
01:11What is the character of our child?
01:13How much of our group is in Marathi?
01:15What are the groups that you do?
01:18I don't know about that.
01:20I don't know about that.
01:20I don't know about that.
01:21I don't know about that.
01:21I don't know about that.
01:24If you're a friend, you can't get involved in it.
01:27I think we're going to get involved in it, but you don't have to get involved in it.
01:29He's definitely going to get involved in it.
01:31I'm sure you're going to learn something about this.
01:33I think it's a Vento car, white.
01:36I mean, I think I'm going to take a picture with a typical photo card.
01:40I'm going to get involved in it.
01:42I'm going to get involved in it.
01:43I'm going to get involved in it.
01:45I'm going to get involved in it.
01:46We're going to talk about the first episode.
01:48I've been doing it for 18 years.
01:50How do you expect the humor in every moment?
01:55What's up to all of you guys?
01:56You've got a question.
01:58The government wrote,
02:01The money's worth,
02:02The money is worth $1 ,"
02:13But the money,
02:15The money's worth is worth to come to the States.
02:18Feel free,
02:18The money's worth paid for the money to be in Dubai.
02:19I'll get the money out for all the money.
02:19The money's worth of everything.
02:19The money's worth of all it all.
02:19But to the money,
02:19The money's worth of other money.
02:21The money's worth of money.
02:21They're worth of money.
02:22The money's worth of money in Dubai
02:23No local has struggled with no one.
02:26What the hell is going on?
02:27It's just the truth.
02:30And now, in 2008,
02:33We got a society in the US
02:36and we got the right place in the state of India,
02:40a UK and the only secretary of the government,
02:45Atmaran Tukaram.
02:46It was a 18th place in the state of India,
02:49that we had the government to build a house,
03:15Thank you very much.
03:26Thank you very much.
06:37I was so excited to say that I was very happy to continue.
06:40And I was so excited to say that I was a big fan.
06:43That's why I was so excited and that was the process.
06:48I was wondering, when I was shooting at the shooting,
06:51I was thinking that I was performing with Kasha Paddat.
06:55I was thinking, what is the song that I was singing?
06:58I was thinking that I was playing with the song that I was playing with the song.
07:02We have a character playing.
07:04We have a question about 17-17.
07:08In this case, when we perform this character,
07:10we have to develop.
07:13Exactly.
07:13I think there is only one thing to do.
07:15It is not the same thing.
07:17I think we have a good idea of the person who is the person who is the person.
07:21I think that protagonist and me-anticonist,
07:24the main conflict is being made.
07:27I think I have given a brief article.
07:29The company was a tapu.
07:31I was a tapu.
07:34I was a tapu.
07:38I was a best friend.
07:41I am a tapu.
07:43I thought I would have performed this.
07:47The secretary of society is a secretary.
07:49The secretary is a job honorary,
07:51I don't have to pay attention.
07:52I am a good person.
07:54I am a good person.
07:54I think that's the way I can do that.
07:56And I think that's the way I think that
08:01it's not a good thing.
08:04That's the way I think.
08:06I think I've been telling you that you've performed it.
08:10I've been told you about the character of Kaldavadi.
08:13I've been told you about the original writer of Khamdabad.
08:17I've also told you that
08:18I've been told you about the original Tarek Mehta
08:20I was a character named Himmatlal Master
08:24So he said, I don't understand what I'm saying
08:29I was talking about Aasid Maudin
08:31Aasid Maudin told him that he didn't know what he was doing
08:34So he did a little work out
08:37But he did a lot of work out
08:40So he was so excited to be the character
08:43That I was a Miss Favorite actor
08:45He was the most famous actor
08:47So that's how I'm going.
08:49I think that's what I'm going to do.
08:51I just said, you're already going to get a deal right.
08:53If you're a father, you're going to take a deal with that father.
08:58Basically, you're going to start with that.
09:01The only thing is that you're going to get the fear of Dilip Zoshy.
09:06But that's all about this kind of question.
09:11Dilip Zoshy has the most common economic impacts,
09:13but it's a lot of reaction to this.
09:15And the most powerful reaction is that the most powerful reaction is.
09:21Because everyone is acting like acting.
09:24The actor is acting like acting by the way.
09:27But the human beings react to this.
09:30And in the reality, the reaction is a big impact on the comedy.
09:37I'm going to ask you a little bit about your question.
09:40In Dubai, there is a country in Dubai.
09:41How do we do this job?
09:46And if you don't have the idea of the job,
09:49you don't have to do this job,
09:50you don't have to do this job.
09:52You don't have to do this job.
09:57Actually, I've heard a lot about this work.
10:00I've heard a lot about it.
10:01I don't have to do this work.
10:03I don't know.
10:04I don't know.
10:07I don't know.
10:08I don't know.
10:10I've heard a lot about it.
10:13I'm sure you might have a lot of questions.
10:15I don't know.
10:16If you have any questions and questions,
10:19you can answer them.
10:22Now,
10:23I've heard a lot about it.
10:24I've heard that story first.
10:26I have heard a lot about it.
10:30I mean,
10:32I think the truth is
10:34We have a good job.
10:39We have a stage fair.
10:42And the problem is that we have a job.
10:46We have a typical middle class.
10:48We have a job.
10:53We have to do a job.
10:56We have to do a job.
10:57We have to do a banquet.
10:58We have to do a job.
10:59We have to do a job.
11:02We have to do a job.
11:03our job is called our job.
11:05We have to be called a job.
11:07We have to do a job.
11:09We have to do a job.
11:12We had to do a job.
11:13We had to do a job.
11:17I got going on to do a job,
11:19in Dubai.
11:23There came a lot.
11:24You have to come from a job.
11:25Have you come from me?
11:28I don't think it's going to happen, because I think it's going to be a serious serial in Duridarshan.
11:33And I think it's going to start my work. But what is that?
11:37There are many channels, like Duridarshan and ZTV and Sony TV.
11:44I remember it in 1995-1960.
11:50I think it's going to be a commercial.
11:52We are going to be a career set. We are going to be a career set.
11:57But if you have to take a job, I don't think it's going to be a little bit.
12:01I think it's going to be something that is going to be a country.
12:07I think it's going to be a group of people.
12:11I called the group for each group.
12:14There are 3-4 Hindi, Urdu, Hindi, and Ashinaatka.
12:18We have made a group that is going to perform.
12:21So, for three years, I didn't think that the group would continue.
12:26I mean, in Dubai...
12:27No, in Dubai.
12:28I mean, at that level, there are people who perform.
12:32Okay.
12:32Yes, sir.
12:33Who is your first name?
12:35My first name is All The Best.
12:38Mohan Vaghan, sir.
12:39And Devendra Payam.
12:40Yes, Devendra Payam.
12:41What did I do?
12:42I said that all the best, all the best,
12:45all the best, basically,
12:48I was a good leader.
12:49I was a good leader.
12:51I was a good leader.
12:54I was a good leader.
12:54I was a good leader at Adi Souravati.
12:56He was a good leader.
12:59I said, what are you doing?
12:59I told you this job.
13:00I'm a good leader.
13:04I was a good leader.
13:06I was like, I'm a good leader.
13:07But I was thinking about this,
13:10because it's been a series to talk about.
13:13And there are two teams.
13:15I was just thinking about it.
13:16I am Rahul Gore Rajesh Kulan and Prachi Randad.
13:20We are now in the same way.
13:22We are also in the same way.
13:25We are in two teams, one team is in Mumbai and one team.
13:29We are in the same way.
13:30We are in the same way.
13:31We are in the same way.
13:33We are in the same way.
13:34We are in the same way for the rehearsal of Mumbai.
13:40I am the first one.
13:42We are in the same way.
13:44We are in the same way.
13:46How would you say that?
13:47There is a story from that song.
13:50If you had an injury,
13:52you had to go to the school and you had to go to school.
13:56What is the story of Kolapur?
13:58Oh my God.
14:00The story is all about it.
14:01We were in the same way.
14:02We were in the same way.
14:03We were in the same way.
14:05We were in the same way.
14:07We were in the same way.
14:13We went to school and decided,
14:16at the same time we had to do something structure.
14:19That we had to do something,
14:20that we were in the same way.
14:21We were all about the dialogue.
14:23We were going to keep the dialogue together.
14:26We were doing it.
14:27We were aware of that.
14:29We were in the same way we had to do something.
14:31But the audience was not said,
14:33And I thought, there was no one who had a character with me.
14:40Then there was a great paper.
14:42And that paper was used by the paper.
14:46And the paper was also used by the paper.
14:46So, the paper was not used by the paper.
14:47I think the paper was used by the standing audition.
14:53The paper was used by a very large paper.
14:57I think it was made of light.
15:02You play with light, we all play with light and we all play with light.
15:15But we all play with light but we all play with light.
15:21That's why you said earlier,
15:23like a cooker for a pre-made cook.
15:28That's why I said it's a good idea.
15:31I don't think it's a good idea.
15:33There's a fan that's made a CD.
15:38That's why I said it's a cooker for a pre-made cook.
15:41I don't think it's funny, but there's a lot of fun.
15:44There's a lot of food.
15:45There's a lot of food.
15:46There's a lot of food.
15:49During the interview I was doing something very well.
15:51I was in the UK and joined the interview for the US.
15:56I was in the UK and I was in the UK and I was working in the UK.
15:58I was in the UK and in the UK and it was a monkey business.
15:59I was looking for a funny thing called,
16:00I was looking for a few months and I was getting a lot of attention to my friends.
16:05Then I was working very well.
16:09I was working with a director of the work of the International Association.
16:13And the director of the International Association,
16:16It's called Malvani and cut-to-English. Direct. It's completely different.
16:22But I really liked it. I shared a room with the video,
16:25and I thought I'd like to know who's in the show.
16:28So, I think it's a great experience.
16:33And you came from Dubai to Dubai.
16:35Because you've given an audition for that 7 years.
16:40In Tarak Mehta, there's an audition for that.
16:45I've got to get the auditions to the audience.
16:46I've got to get the auditions to the audience.
16:52How did you get the auditions to the audience?
16:59No, I think that we're giving the auditions to the audience.
17:02The auditions to the audience is to give the audience.
17:08I think it's a good job.
17:09I think it's important to be able to do the work in Ad Films.
17:14When I was in KđđVYAYA shift, I thought that when I was in KđđVYAYA shift, I was in Daadar.
17:19Daadar, Western and Daadar, Andhiri.
17:22Andhiri would have been in Shriji Hotel in Aram Nagar.
17:29I thought that when I was in KđđđVYAYA, I was in KđđVYAYA.
17:34I was in KđđVYAYA.
17:37I was in a small ambience that I had to enter an audition.
17:39Then I was in KđđVYAYA.
17:42I was in KđđVYAYA and I was in KđđVYAYA.
17:46I was in KđđVYAYA, and I was in KđđVYAYA.
17:49But I was in KđđVYAYA, but I really liked it.
17:52So, I was in KđđVYAYA andedari.
17:58I thought you were doing a lot of film.
17:59I didn't think the film was for the film.
18:02Dhamini was an entry point in Dhamini to work on the Maradi series.
18:08Who asked me if I wanted to do Dhamini first and now I'm going to go to the industry.
18:12That's right.
18:15Dhamini was an entry point in Dhamini.
18:18Paddy and Nirvi Chatenchi had a series.
18:20Gangubai Non-Mattery.
18:22That's why it was a great episode.
18:24I think it was very big in Anglican, but Laksha Dhranari was a great series.
18:30It was a great series.
18:32I worked on it.
18:34The most interesting series was that I worked on it.
18:38I was in Dubai in the first two years.
18:42I worked on it for the first two years.
18:44I worked on it for the first two years.
18:45I worked on it for Ramoji.
18:46That's where it was ETV.
18:48It was a Maradi shooting.
18:49I was in the first place where I was working on it.
18:56I was working on it for Pigness Joshi.
18:57And I worked on it for the first two years.
18:59But I was working on it for the first two years.
19:01But you said that Marathi is a leader in the second one.
19:04What is that?
19:06What is that?
19:06What is that?
19:06What is that?
19:07What is that?
19:08What is that?
19:10What is that?
19:10What is that?
19:12We don't think that we are good in our minds.
19:16We are not good in our minds.
19:18Four times in the first one to watch.
19:21We do not talk about the first three years.
19:23We are busy by the first three years.
19:24You can do that.
19:28It is a good thing.
19:28Because our series is free.
19:32It is free.
19:33First, it is a big deal.
19:36It was 40-year-old.
19:37By the month before.
19:4550-year-old.
19:48Right?
19:48and at the evening we had 12 people packed up
19:50and we had to go to the hotel and get the bus
19:54and we had to miss the bus
19:55and we had to go to the hotel
19:56so I don't know how to do that
20:00but I can't do it
20:01I was in the film city and make-up room
20:04but I was wondering
20:08that you don't have to work in Maradhi
20:11and I don't have to do that
20:13but what is the reason?
20:16I don't have to work in Maradhi
20:18I have no decision for the work in which the recognition is obviously
20:21I am not sure how much you achieve the work
20:23I have no decision for the work
20:23It is so important that we can choose the work
20:26When we can get done, we can get done
20:28Even though we can get done
20:30I have no decision about that
20:33to get done
20:34I could do good work for eight years
20:36but there are a lot of reasons for this
20:38I am doing a successful decision
20:39But this is not just the best
20:41I have done what the research came from
20:45But I've done it
20:46In the market, in the Marathi industry, television, cinema, do you think there are different groups?
20:54I don't think there are any other questions, but I think we have a lot of different things.
20:58I think we have a comfort zone, but I think we should get out of our comfort zone.
21:03When we're going to get out of our own, we're not going to get out of our group, but we
21:08don't have a suit.
21:09That's why we're definitely going to get out of our country.
21:11But I think that when I was here, I would like to know that I would like to go outside.
21:16Because you have to be a comfort zone.
21:18You have to be a comfort zone.
21:20I think that there is no problem.
21:24I worked for the last year, I worked for 18 years.
21:27If I was a new project, I would like to go outside.
21:33I would like to go outside.
21:34I would like to be a group.
21:37So, it's a comfort zone.
21:38It's a comfort zone.
21:40But the ability to understand in Mumbai is that
21:44the land of the land of the land is so short.
21:48What do you think about that?
21:50I think I have three essential needs to be called Gheran, and Gheran,
21:54What?
21:55When the land of the land of the land of the town of Gheran and Gheran,
21:59they do also work for 18 years.
22:01I also think that when the land, Gheran, and Gheran,
22:04I have to be handed the early days.
22:06My wife and I.
22:07Did you tell us something about this?
22:09Yes, basically.
22:11What about this?
22:13My first time my first time my first time was to take a village.
22:16I was from western.
22:17I was born and died.
22:21Finally, I was born and finally
22:23I have been born and I have been born and
22:25I have become a whole economy
22:26We have been born and born and born.
22:30You should be born and born?
22:31I was born and born and born
22:33I was born and born and born
22:36In 2005, I went to Mother Sikshan, College, R.M. Bat Shada, Guru Nanak Khalsa College, College, etc.
22:45But I was wondering if I was in college, I didn't know what to say.
22:50I didn't know what to say.
22:53I was going to go to Mithra, Ganesh Pandit, Ambar Ardha, and Mithra.
22:58I was going to go to Mithra.
22:59The BP name is Mithra.
23:01Balak Palak.
23:02The BP name is Mithra.
23:04The BP name is Mithra.
23:06It was the BP name is Mithra.
23:09The BP name is Mithra.
23:10The BP name is Mithra.
23:14The BP name is Mithra.
23:15I had a play back in Sanity.
23:20I was also associated with Mithra.
23:22But the BP name is Mithra.
23:26I don't understand the BP name of Bharapur.
23:28The BP name of the BP name.
23:30I think it's a great opportunity for my brother.
23:34But I think that in the school,
23:37we can't even see this.
23:38We can't even see this.
23:41But it's all about sports.
23:44But obviously, we can't even see this.
23:47So, we can't really see this.
23:50We can't even see this.
23:53We can't even see this.
23:54We can't even see this.
23:55That is a great place over here.
23:57And our beautifulourer here.
24:00Is this another part.
24:05I've heard from the youngster and you've been to a Marathi avenue for these two years.
24:09We have a lot of comfort zone in the city of Marathi, but our thinking is a perfect place.
24:13Not for such a moment.
24:15So, when we hear from the parents and their families, I have to repent and keep in mind the same
24:21way.
24:21I think we have so much tuning in that we have to do the same punch.
24:28I miss between the lines of humor, but I just highlight it.
24:35There are small things that I have to do with Navora.
24:39We don't give a lot of fun, but we highlight it.
24:42We highlight it.
24:44I think that in Madhvi, I think that it's a lot of things.
24:48I've been a long time since my degree was a good job, but you do not have a lot of
24:53success.
24:54I think that as a business owner of my life, it was a good job, but it was a good
25:02job.
25:04And so I think that the chemistry of my life was a good job.
25:10But I think that as a business owner of my life, I think the business owner of me is an
25:15important job.
25:15I don't know how to do it.
25:18So, everyone is thinking,
25:20how do we do it?
25:22We do it typically.
25:25We do it very well.
25:26I think we do it very well.
25:28What is the similarity between the people and the people and the people?
25:32What is the similarity?
25:34What is the difference?
25:35Everything is the difference.
25:38I am a student of NCC.
25:40I have a lot of different students in my class.
25:41We know things have the same benefit of our kids.
25:44And that's what we have a lot of impact.
25:47Today, we have to do the routine.
25:49We have to fix the routine.
25:51We have not the same life as a place when we live.
25:54Then we get to a certain level of a conflict.
25:57We have to do so much work.
25:59I think when we come to film industry.
26:04You get a great routine.
26:06You travel to the night, and you work.
26:08In the same group, in the same group, we have 3-4 parties.
26:14We are normal.
26:16There are 4,000 episodes, 18 years.
26:22In the same time, OTT, web series, films, theatre, etc.
26:30This is an actual response.
26:32I would say that if you have a remote service, you will only keep one second.
26:36You will hold 25-20 minutes.
26:39This is a huge response.
26:40Sometimes, there are also dedicated.
26:43There are discipline.
26:44I have to give credit to the current and the current is very important.
26:50The current is dedicated.
26:53So, it's a great deal.
26:56So, for America, there was a meeting.
26:59There was a discussion.
27:02There were 10 drafts.
27:04Every scene.
27:04Every scene.
27:05Every scene.
27:06Every scene.
27:07Every scene.
27:08It's a great deal.
27:12We have to do some work.
27:15We have to do some improvise.
27:18What do we do?
27:19I'm impressed.
27:20What do we have to do?
27:22We need to do the 4-5.
27:24What's your idea?
27:25We do a lot of work.
27:26We don't have to do anything.
27:30We don't have to do anything.
27:31We don't have to do anything.
27:33We don't have to do anything.
27:35We can do a theater artist.
27:41There are certain things.
27:43That's a great deal.
27:44We don't have to do anything.
27:46You have to do something.
27:49You have to do something.
27:50We have to do something.
27:54Every day.
27:59I don't have to do something other than myself.
28:05I want to get to a relationship.
28:06You can do something and you can do something.
28:07You can do something.
28:09It's my responsibility.
28:11The first thing.
28:12I can do something about you.
28:14I don't think it's a bad thing.
28:17I think I had a mistake in terms of personal related stuff.
28:22I don't think it's a bad thing.
28:23But I don't think it's a bad thing.
28:29I didn't miss the work of Nattu.
28:31The original Nattu, the original Nattu, the original Nattu.
28:34The original Nattu, the original Nattu.
28:34The original Nattu is the one that we have a choice.
28:36The story is created by Mr.Hathi.
28:39I say that the story is originally coming.
28:44What seems to be the original for full of the history of the story is that the history of the
28:45story is the original.
28:50So, it's going to go to the story of that story.
28:54And that stuff became the original.
28:59I thought that people had to join his father.
29:26It's a way of life.
29:30It's a way of life.
29:33Actually, technically, I'm going to be able to live life in Mandar.
29:39I've been able to live in 12 years.
29:42I've been able to live in the Mandar.
29:45Practically and technically, I'm going to be able to live life in the Mandar.
29:49I've been able to live in a long time and continue to live in a long time.
29:55I've been able to live in a long time for years in my country.
29:57haben منذ her many years, of course.
30:01Don't you know how about me?
30:02I've been learning a big way.
30:04I've been learning a big role in nature.
30:05How do you think about your own business or your own business?
30:09Like you never used any different things.
30:11In my original life, it's like three people.
30:14What kind of business do you think about your own business?
30:18I don't think I'm going to incorporate some more things in the film, but I'm going to incorporate some more
30:25things in the film.
30:26And there are actors who are working on the work of the Hindi.
30:31You work in Hindi, but you are working in the work of the Hindi?
30:36No, no, no.
30:38I'm going to do Hindi, but you are working in the work of the Hindi.
30:40I'm so glad you did that.
30:41There was a lot of people who were in the city and were in the city.
30:46I got a lot of money.
30:49I was a very happy man.
30:51We didn't know about the city in a typical city.
30:54I was told that.
30:58I was like, actually, I was like,
31:01I was like, I'm going to go home.
31:04I'm like, I'm going to go home.
31:05I'm like, I'm going to go home.
31:09I'm going to go home.
31:10You can tell me about that.
31:11But it's not the same thing.
31:12But I think that it's not the same thing.
31:17It's not the same thing.
31:18I've got a lot of money.
31:20I don't have money.
31:22It's an illusion.
31:24And that's not the illusion.
31:27And I think that in the 18th century,
31:30I've worked hard for a second.
31:33I've got to say that I've got to be a lot of money.
31:37I've got to be a lot of money.
31:38And Delhi has already taken a lot of work.
31:42We are all together.
31:44But when we come here, when we come here,
31:47we are very good.
31:48And Nattu Gaga, Ghancham Nayak,
31:50we have seen a lot of film in Gujarati theater.
31:55But in Gujarati theater, there is a lot of film in Nattu Gaga.
31:58The illusion of all artists is that they don't break.
32:02And Kadashti doesn't make a lot of work.
32:04That's what I was saying.
32:06But in Tarak, we have to understand that this is a society.
32:11It's a society that we have to live in such a way.
32:14They all have to be big.
32:15So, what do you think?
32:17And do you think you're going to have to live in your life?
32:23Or do you think you're going to have to live in real life?
32:27You're going to have to live in your life.
32:29You're going to have to live in your life.
32:30With Moe and Danse provisions,
32:36You're going to have to live a bit of engagement.
32:37And I also am aware that
32:41how we to have shoot 20-22 days and a day and a night shooting,
32:46we have good rent and there is more place in your life.
32:48So, there is more than 80% more than 85%.
32:50From I don't know how parents tend to be operative.
32:53But your branding is a lot of customers
32:55And who is not as便宜店理 делать?
32:57So we are not nasty.
32:59So it's inbuilt.
33:01What kind of stuff you need to do?
33:02There are many things, but it's not a big deal.
33:05So we have to bully,
33:06Naveen Kodi or the baby,
33:09or the baby,
33:09or the baby,
33:12or the baby,
33:12or the baby,
33:13and then how do you do it?
33:16And then we have to say,
33:20that this is my auntie.
33:22So that's a good thing.
33:24But frankly,
33:26Frankly, I think it's a healthy level, but it's not serious.
33:30But I think it's a difficult situation in the world.
33:35The rest of us are very sincere.
33:38If we think of Gogi's, it's a great deal.
33:42But I think it's a great deal.
33:44I think it's a great deal.
33:47I think it's a great deal.
33:53I think it's a great deal, but the rest of us are in this situation.
33:58But my mind is not a great deal.
34:02You're not a great deal, right?
34:04Yes, the first one is a great deal, it's a great deal.
34:08The second one is a great deal.
34:13And then also, both the other two Samaritans.
34:15And even the one's best such a great deal with Marathi.
34:22Yes, but it's a great Marathi
34:25In Mumbai, it's a great Marathi
34:27It's a great Marathi
34:28It's a great Marathi
34:28It's a great Marathi
34:30It's a great Marathi
34:32It's a great Marathi
34:33I mean, Babitha is your best friend in the Mandar
34:38Why are you doing it?
34:39No, we're actually brothers and sisters
34:44One of the things that we've been here
34:48I've been running a very small life in about two hours
34:52I've also been in a very small house
34:54I've been working with a very small house
34:55I've been working with a very small house
34:55you've been working with a career
34:56and you've been working with a very young man
34:59But I've been working with one of those
35:02I mean, we're pretty miserable
35:05So that's one aspect of our relationship
35:07I've had to be a good relationship
35:09I've told him to tell the woman
35:09I've said, we're not going to do it
35:11I don't have to do it
35:12But that's when we're like
35:15brother and sister
35:16In the 18th century, what is the difference between them and their relationship, and how they built up their relationship
35:27in such a year?
35:29It's a difference. I think it's a difference.
35:35I think it's a difference.
35:36I have a lot of praise from Swami Narendra Ramantat, Swami Narendra Dhanchiddar Vela and Saba Vagrayas.
35:42I think that in my opinion, I think that in my opinion, I have a lot of thinking.
35:48My main role is to think that I am going to get a punch or I am not going to
35:54get a punch.
35:55I am not going to get a punch.
35:56I am not going to get a punch.
35:57I am going to get a punch.
36:04I am not going to get a punch, but I am going to get a punch.
36:08I am going to get a punch.
36:12I am going to get a punch.
36:15That is good.
36:19And what do you say about Dilip Bhagan?
36:21I cannot mention these two things.
36:28How does Dilip Bhagan describe you?
36:29How do you do that?
36:32Well, it doesn't mean that Charlie can't do it.
36:37But it doesn't mean that it's physical.
36:40And if the person who is a young lady is a young lady,
36:43it's a young lady.
36:44I think that you can get rid of it.
36:47And it's obvious that you can get rid of it, obviously.
36:50But in Madhinderi, there was a film, a play.
36:54You can get rid of it.
36:56That's the level of it.
36:58Do you know the film, Sir?
37:01I don't know.
37:02I'm very young.
37:03I don't care.
37:05So, I'm very related to the artist.
37:07Yes.
37:08I don't know about that.
37:09I don't know about that.
37:11I don't know about that.
37:11I don't know about that film.
37:13I don't know about that film.
37:17But we all know about that.
37:20What are your questions?
37:23What are your questions?
37:24We've got to start improvising.
37:27So, you work in such a few years.
37:29If you do improvising in the script,
37:31there will be a lot of questions.
37:33There will be a lot of questions.
37:36There will be a lot of questions.
37:48There will be a lot of questions.
37:50There will be a lot of questions.
37:54But in every scene, we have to start improvising.
37:57The simple thing is that when you're out of the wing, you're going to open the door.
38:06This is a normal scene.
38:10You're going to open the door and you're going to open the door.
38:15But I've got a lot of things to improve the situation.
38:20Because, when we all say that it is the only thing that we have to do,
38:26we all say that there is not only a job in our land,
38:26but we all say that there is no job.
38:29So, we all say that we are going to do better,
38:31we all say that we all say that we are going to need a place,
38:42so that we all say that it is not good.
38:50I was going to play badminton with my friends and friends.
38:55So, I was thinking about it.
38:56I was thinking about it as long tennis, basically.
38:59I was going to play in the UK.
39:01I was thinking, what name is Marathi name?
39:07I said, what is Marathi name?
39:08In long tennis?
39:10Yes, I was thinking about it.
39:12I was thinking about it as a name.
39:15I was thinking about it as a word.
39:17I was thinking about it as an improvisation.
39:18I will do that.
39:20I will do that.
39:22I will do that on screen.
39:27How do you bond with the two people?
39:31I will be very honest.
39:34I will observe and learn on screen.
39:37I will learn on screen and not.
39:38I will learn a lot.
39:41I will learn a lot.
39:41You will learn a lot.
39:43You will learn a lot.
39:43You also asked me,
39:44I have a series of 8 years.
39:48I have worked on one project.
39:49In this year, I have worked on one project.
39:52It is a great task.
39:53But I thought you would have switched.
39:56I would have switched.
39:57The same thing is that.
40:00I would have switched.
40:02No, I would have said that it is not a corporate job.
40:04I would have said that it is not a corporate job.
40:08It is not a corporate job.
40:12I think it is a lot of different things.
40:16It is not a lot of monotonous feel.
40:18It is a great job.
40:25It is a great job.
40:26I am the best part of my work.
40:26What is that, Tarak,
40:27is your best episode?
40:30It is a great episode.
40:32My best is.
40:34So the fact that we noticed that the grass is a huge amount of trees dropping from the old inside.
40:44We don't know that the trees are overexposed in this episode or in the same way.
40:48It's like a break, break, break, break…
40:49It was like, you know, we can do it, we can do it.
40:52We can do it and do it and try to do it.
40:55Then we got that piece of work.
40:57I was told that there was an episode where I was able to get free from my head.
41:06So, I had a question.
41:07I was told that if I had a gap, I had a gap in my head.
41:14So, I thought, Darmesh, it was fun.
41:16I was able to do the timing when I was able to do something.
41:19So, it was so unnatural.
41:20So, what else can I do?
41:22I thought, I had a toy.
41:24But I didn't want to do it.
41:25I thought, as I am, I did not have a toy.
41:30But the first time I got a toy.
41:34I was able to do it and I started watching it.
41:36But I thought that this episode was so natural.
41:39So, it was like a very good film.
41:41Other people couldn't get there.
41:42I thought it was the only one.
41:44The whole story was so beautiful.
41:45So, I was asked.
41:47The whole story.
41:48The whole story was so beautiful.
41:50The whole story was so beautiful.
41:52I don't know how much we can do this.
41:54But for us, we'll have to go to the gym.
41:58We will have to go to the gym.
42:00We'll have to go to the gym.
42:01We'll have to go to the gym.
42:02It won't go to gym.
42:09But for us, we'll have to go to the gym.
42:12We'll have to go to gym.
42:16Out of the box equation.
42:18When the older Guru Ji came to Aiyusha, what did you give a good life for today?
42:25Mobile?
42:28Mobile?
42:29Mobile?
42:29Because the rest of the world were normal.
42:32Because if you have a good life for me, you don't have a good life for me.
42:40Unfortunately.
42:41And it is actually unfortunate.
42:43I don't think the benefit from mobile.
42:45But tj is a great part of the difference.
42:47In the sake of living, we have all of the bad children.
42:49We have to have dreams.
42:52We have to talk about the events,
42:54but we have to have time passes.
42:56We have to have pictures.
42:59And that's nothing to do.
43:02If you have a mobile, you can be like,
43:08you just want to connect them.
43:10We have like to get them!
43:14Sir, you are speaking of secretaries for the 18th century.
43:18You have become a secretary of house, and you have become a secretary of society.
43:25So, how do you understand that you have the same character of Yael?
43:31Yes, Yael, obviously.
43:32When I were talking about Yael, who is still here?
43:38When I was in the election, I would say that you will actually do it.
43:42I mean, no!
43:43I would say that you have the same money.
43:46So, I would not have the same money.
43:47So, you threw the same money?
43:49I would say that you have the same money as you have.
43:52But when I was thinking about how to deal with this real life,
43:56I would also say that you would also deal with it.
43:58And you would rather handle that problem.
44:01Sir, do you want to complain about the tennis ball?
44:03Yes, I will complain about the tennis ball.
44:05I will complain about the tennis ball.
44:08But I also noticed that the tennis ball will not be able to complain about the tennis ball.
44:16We will talk about the movie from the fans.
44:20This is the 18th century.
44:22Does your video come to you and fans?
44:26It is a very profound story.
44:28I have never heard of it, I have never heard of it.
44:31In this story, people came to this story for about 15 years.
44:35No, it was 10 years ago.
44:37I had a Vento car.
44:39It was a white color.
44:41When I was my wife and my husband,
44:45it was about 10-7 years ago.
44:48I had to eat a donut.
44:52Made over a donut.
44:55Made over a donut.
44:57I had to eat a donut.
44:59I came with a baby.
45:03My daughter had a donut.
45:06I had a donut.
45:08I had an donut.
45:10I had a donut.
45:13I don't know what I had to do anymore.
45:17I was like,
45:17I have a picture of the other.
45:23I'm tired.
45:24So, he said, I'm going to the window down for this side.
45:28He said, I'm going to the window down for this side.
45:30And I thought, almost, I don't know.
45:33He said, Shiva Ji.
45:36I said, who?
45:39Shiva Ji.
45:40I'm going to the Ola book.
45:43You said Shiva Ji.
45:44He said, Shiva Ji is the name of the Ola book.
45:47His car is white, obviously.
45:49His car is white.
45:51He said, I'm going to the Ola driver.
45:54And I thought, I don't know how much we are going to the Ola driver.
45:58No.
45:58He said, I don't want to do this.
46:00He said, what exactly he came to the Ola?
46:04Who is it?
46:06He said, I'm going to the Ola driver.
46:08He said, I'm going to the Ola driver.
46:10But he said, I don't want to do this.
46:15I want to tell you, I want to tell you,
46:18that I don't want to tell you about social media.
46:19If you have a very good job of your account,
46:23you don't have to think any criteria.
46:26You have to do that.
46:27but you have to think that your account does open
46:28for the first time.
46:30You have to do this or more than 12 days.
46:33And you have to know that.
46:34You have to know the most of us.
46:48and you can at least comment on how much you can make it.
46:53Because it is trolling.
46:55It means that people are not going to be too much.
46:58It doesn't matter how much they are doing it, but it will not be too much.
47:02What is it? What is it?
47:05We are also talking about how much you can make it.
47:08It's about 18 years.
47:10Who does it mean?
47:12You expect this humor.
47:13I expect you to do something very good.
47:14But you know, we are doing something very good.
47:20I have heard a whole episode of you.
47:22I would like to compare it very well.
47:24I would like to compare it very well.
47:27I would like to say that we are doing something very good.
47:30But what kind of the work is that?
47:34In 2008, when I was in the balcony,
47:36I would like to do something very well.
47:40You could do something very well.
47:41It's a serial life.
47:44The characters grow and sound.
47:50I don't think I can get a character.
47:53I don't believe it.
47:55I don't think I can get a character.
47:56I don't think I can get a character.
47:57I don't think I can get a character.
47:59So, I think we should be able to get into our stories.
48:03So, I think that social media is something that comes to mind.
48:07Serial means that every character is very famous.
48:10Every character is famous.
48:11I mean, he is famous as a father.
48:14How do you think about your character in the same way?
48:19And who will you think about your character in the same way?
48:23No.
48:24Serial means?
48:25No, I don't think about it.
48:25I think that your character is correct, and that's the power of God.
48:30That's the reason why I have a column.
48:34I don't even think about it.
48:36I don't even think about it.
48:37Yes, but my favourite character in Tarek Mehta is Ayer.
48:41That's why I have a lot of scope.
48:45I think that's what I think about it.
48:47I think that your character is also Ayer,
48:48but it's a big angle.
48:50But I don't think about it.
48:52That's why I have a lot of scope.
48:55Even if I put my letter like a Times,
48:57it's really bad for me.
48:58But it was really open and helped me.
49:02However, if you are a person,
49:03I think that's a lot of Marathi children.
49:05That's Marathi is.
49:05It's not Marathi.
49:07They're not.
49:08It's not a lot of people.
49:10It's no place.
49:10No, it's not a place.
49:12But how are you talking about Tarek Mehta
49:14about Marathi and you?
49:16Mr. Hatiji, who is a great friend of Ambi, Sonali, me, and Tannuj Mahashabde.
49:26It's all about this.
49:28I think that in this village, there were a song for us.
49:34Why did we do this?
49:35And who did the song for the song for Macmon?
49:39What kind of song?
49:41When I was young, I was very famous for the record dance, and the orchestra was very famous for the
49:49orchestra.
49:50The orchestra was famous for Patel Brothers and Mohan Patel.
49:54And it was the price distribution of Mac Mohan.
50:00So, Amitabh was a typical typical picture of Amitabh's children.
50:04I was very proud of the songs and the drama of Amitabh's children.
50:10So, I was very proud of the dance and the dance.
50:15I was very proud of the dance, but I was very proud of the dance that I was a hero
50:22that was a film.
50:25But I was very proud of the film industry.
50:29I think it's a big difference in the 1980s and 1980s.
50:33I think it's a big effort to make that part of it.
50:37But otherwise, it would be like a Sunday.
50:39But then you thought that Macmon would be like,
50:43he's not a samba?
50:44No, he's not.
50:45He would be like,
50:46he would be like,
50:46he would be like,
50:47he would be like,
50:48that's it.
50:50In Marathi,
50:51he was doing a Chitra Badh
50:53and he was doing a Sunday,
50:55but he was doing a good job.
50:56And I think that you can do something right now.
51:00Because of the reason that we can make a choice,
51:04that we can be able to do something.
51:06Just do something that would be a restriction,
51:08but that's why I think it's a good job.
51:16I think it's a good job.
51:18I think,
51:19he's very useful,
51:21I can say some of the things,
51:22and things like that is,
51:25I'm not comfortable. I'm not comfortable at all.
51:29I'm not comfortable at all.
51:30I don't want to do anything like this anymore.
51:34I don't want to do anything like this anymore.
51:37So I'm going to start with that type of work.
51:40In Dubai, you started a project called Prathibimba.
51:44There is a theatre.
51:45How do you want to do Marathi?
51:49No, it's practically possible.
51:52It's a commitment.
51:53It's a commitment.
51:55It's a commitment.
51:57It's a commitment.
52:00It's not possible to do anything like this.
52:04It's not possible to do anything like this.
52:05How do you want to do that in Marathi?
52:08Yes, I think it's a genre.
52:10Comedy.
52:12I think that if you're in the middle of the world,
52:16if you're in the middle of the world,
52:18you'll get a lot of compliments.
52:21So let's start with a rapid fire.
52:24Okay.
52:25I'm going to ask you a question.
52:27You want coffee?
52:29Do you want coffee?
52:30I want.
52:31What do you want?
52:33I want to drink coffee.
52:35I don't drink coffee.
52:48I don't drink coffee.
52:50I want coffee.
52:52I want coffee.
52:53I want coffee.
52:54I want coffee.
52:56You want coffee,
52:59I want coffee.
53:00And I want coffee.
53:01I want coffee.
53:02I love coffee.
53:04I like coffee.
53:05So one of the music.
53:06So, that is the music.
53:07And you, when I hear it,
53:07I have a great song.
53:08So that is a good song.
53:09So, dancing or singing?
53:10Singing.
53:12What do you do?
53:14I was doing the dance in the bathroom.
53:18I was also doing the dance.
53:20I was also doing the dance.
53:23It was seasonal.
53:24I was thinking about dance.
53:26I was singing 24 by 7.
53:29I was singing.
53:31I was singing.
53:31I was singing.
53:32I was singing.
53:32I was singing.
53:38Marathi Television or Hindi Television?
53:41Television.
53:41I was singing.
53:44I was singing.
53:45I was singing.
53:46Entertainment.
53:47Entertainment is the criteria.
53:50There are others.
53:50OTT or Television?
53:53Television.
53:54Television.
53:55Television is so many years.
53:57Television has a few years.
53:59What do you think about the fans?
54:04Follow the discipline.
54:06I don't like it.
54:08You have to achieve your goal.
54:10You have to do it automatically.
54:12Follow the discipline.
54:13What is it?
54:15As long as you can change your values.
54:17What is it?
54:18It's a little bit of a way.
54:20It's a little bit of a way.
54:23Consciously.
54:23It's not that.
54:25It's not that.
54:26Fitness or food loving?
54:28Oh God.
54:31Food loving.
54:32I need to be a good fit.
54:34I need to be a good fit.
54:36I need to be a good balance.
54:38And I need to be a good balance.
54:39And what is it?
54:39What is it on wedge?
54:40Wege?
54:42Wege?
54:42Wege prefer.
54:47Wege?
54:56Wege prefer.
54:57Prachandha Prem, Prachandha Adhar, Prachandha Ashirvaad, and Paisa.
55:07Thank you so much for watching the No Filter episode of No Filter.
55:11We will see you in the film of Rassika Prekshakanna,
55:14the Mandar Sandward Kar Arthathas,
55:17and we will see you in the next episode of No Filter.
55:20And Amitran, how do you know the No Filter episode?
55:25We will see you in the next episode.
55:26Please comment on this video.
55:27See you in the next episode.
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