- 10 hours ago
In Other Words, I Love You englishsub watchfull⚡️⚡️
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Short filmTranscript
00:00:02I've always described the world in words.
00:00:06People, moments, places.
00:00:09But in that moment, I forgot them all.
00:00:12Be careful.
00:00:13You're talking about the king of actions.
00:00:15He's hot.
00:00:16I don't find bullies attractive.
00:00:19Good morning.
00:00:20He's lonely and kind of pathetic.
00:00:22Breathe the room before opening your mouth.
00:00:25American.
00:00:26She said you'd be moving in today.
00:00:29There's been some kind of misunderstanding.
00:00:31I'm not staying here.
00:00:32You must stay.
00:00:35I heard you stay to the whole thing for attention.
00:00:39Charles, we need to talk.
00:00:41If you don't do anything about it, it's only going to get worse.
00:00:46You're lying to everyone, including her.
00:00:50You didn't have to come.
00:00:52Don't tell me what I have to do.
00:01:03I've always described the world in words.
00:01:06People, moments, places.
00:01:09All through metaphors and margins.
00:01:12You okay?
00:01:13Like my mom.
00:01:15Self-made, stubborn, and never wrong.
00:01:19Almost there.
00:01:20You excited for your first day?
00:01:21She calls this a fresh start.
00:01:22I call it terrifying.
00:01:30You've got this.
00:01:32Just be yourself.
00:01:34That's kind of the problem.
00:01:43I'm stuck in space.
00:01:45Start a day, dream running through my brain every day.
00:01:52Heaven in my dead.
00:01:55I'm working on the floor, but I don't stay anyway.
00:02:01I want to see you again.
00:02:03Okay.
00:02:05Morning, class.
00:02:09And you're not seated because?
00:02:11I don't have a seat.
00:02:15Ah, a new transfer.
00:02:17Alice Keaton, right?
00:02:18Let's see.
00:02:22There's a spot next to Charles.
00:02:25Charles' case, Sherry.
00:02:27Seriously?
00:02:27A charity case sitting next to Charles?
00:02:30God, why is she?
00:02:32Quiet, Charles.
00:02:37I've always had words for everything.
00:02:39But in that moment,
00:02:43I forgot them all.
00:02:53Charles, move your things.
00:02:57I'd rather not.
00:02:58She'll be a distraction.
00:03:00From what?
00:03:01Sleeping.
00:03:02From everything.
00:03:03If anything, Charles,
00:03:05Miss Keaton will be a positive influence on you.
00:03:07She was top of her class at her previous school.
00:03:10With all due respect, sir,
00:03:12her previous school was American.
00:03:15I highly doubt that.
00:03:18That's enough.
00:03:20She can sit here.
00:03:21It's fine.
00:03:25Back to Goldie.
00:03:27You got it.
00:03:28I'm Sherry Bourne.
00:03:29Alice Keaton.
00:03:30It's very important that we look at the...
00:03:33What he's talking about their experience of the time.
00:03:39Wait.
00:03:40You sat next to Charles?
00:03:42She didn't.
00:03:43You totally shut her down.
00:03:44Oh, knew it.
00:03:45Don't take it personally.
00:03:46He's impossible.
00:03:48Can everyone stop acting like the goal was getting into his pants?
00:03:51What?
00:03:52He's hot.
00:03:53Everyone kind of is.
00:03:56I...
00:03:56I've seen...
00:03:57Connor.
00:03:58He's not my type.
00:03:59You're joking.
00:04:01I don't find bullies attractive.
00:04:03Hey!
00:04:03Be careful.
00:04:04You're talking about the king of Ashford.
00:04:07The what?
00:04:08His family basically own the school.
00:04:10And the town.
00:04:11Maybe even the country.
00:04:12Yeah.
00:04:13Everyone's tried to get close.
00:04:15No one can get past his ego.
00:04:16You're not the first to get iced.
00:04:18Okay.
00:04:19First of all, I wasn't iced.
00:04:21It's more like a mutual decision.
00:04:24And second, I think he's arrogant.
00:04:26Cold.
00:04:27Thinks he's untouchable.
00:04:28But if you really look at Charles, he just seems isolated.
00:04:32Like he's faking it all.
00:04:34Honestly, I just think he's lonely and kind of pathetic.
00:04:47You were saying I'm lonely and pathetic.
00:04:55Next time, read the room before opening your mouth, American.
00:05:01And then, we're not in Kansas anymore, Alice.
00:05:22Hey, how was your first day?
00:05:24Uh, good.
00:05:26Anything exciting happen?
00:05:26Not really.
00:05:28Super uneventful.
00:05:30Really?
00:05:31How's your new job?
00:05:33Yeah, all right.
00:05:34Get this?
00:05:35They said we can stay in the servant's wing.
00:05:36Seriously?
00:05:37Hmm.
00:05:38Apparently, the young master won't mind the company.
00:05:41The young master.
00:05:44This is your boss's house.
00:05:47Yeah?
00:05:48Isn't that incredible?
00:05:48I mean, I wouldn't call it a house.
00:05:51It's a museum with better landscaping.
00:05:59Wait here.
00:06:00I'll talk to the butler.
00:06:06Wow.
00:06:07Rich people.
00:06:09You've topped yourselves again.
00:06:13Stephen King.
00:06:16First edition.
00:06:26I'm breaking and entering now.
00:06:29How American of you.
00:06:31I...
00:06:40You've been paying rent here in my head
00:06:44To divide it all.
00:06:52You can get up now.
00:06:54I...
00:06:54I'm trying.
00:06:55Wait!
00:06:58Are you serious?
00:07:00Well, you said you were trying.
00:07:03What is wrong with you?
00:07:05Funny.
00:07:05I was about to ask you the same thing.
00:07:08What are you doing in my house?
00:07:11You...
00:07:12Wait.
00:07:13Your house?
00:07:15My house.
00:07:16My library.
00:07:17And now, apparently...
00:07:19My unwanted guest.
00:07:22Ah, Master Charles.
00:07:24You must be Miss Alice.
00:07:25Anne's daughter.
00:07:26She said you'd be moving in today.
00:07:28She what?
00:07:29There...
00:07:29There's been some kind of misunderstanding.
00:07:31You see, I'm not actually moving in.
00:07:34Is that so?
00:07:35Yeah.
00:07:36I'm not staying here.
00:07:37Like, at all.
00:07:38That's a shame.
00:07:39Your mother seemed quite pleased with the arrangement.
00:07:41Well, I just don't think it's appropriate.
00:07:44Well, if you're sure, then absolutely not.
00:07:48Come on, Alice.
00:07:51You must stay.
00:07:54It'll be fun.
00:07:57My dear classmate.
00:08:01I'm dead.
00:08:02Like, mentally, socially, and actually dead.
00:08:12Just trying to figure out how exactly my life went off the rails.
00:08:17Get it together, Alice Keaton.
00:08:19You've been through hell.
00:08:24Actually, no.
00:08:26This is hell.
00:08:30Uh, good morning!
00:08:31Uh, good morning!
00:08:39Wow.
00:08:46Sir, is that Miss Keaton?
00:08:49Well, f***ing doesn't know.
00:08:51That's often closed for months.
00:08:52She's going to be late.
00:08:59Hey, how long is this thing going to take?
00:09:02Maybe I'll just walk?
00:09:04Five miles to school!
00:09:07Okay, if I sprint, maybe I'll make it before first period.
00:09:12Or die of exhaustion on the way.
00:09:17Or die of exhaustion on the way.
00:09:21What are you doing here?
00:09:22Didn't you already leave?
00:09:26Wait.
00:09:27Did you come back for me?
00:09:30Relax.
00:09:32I forgot my textbook.
00:09:34Don't flatter yourself.
00:09:36Wait!
00:09:39Since you're already here,
00:09:41maybe you could be a decent person and give me a ride?
00:09:47No.
00:09:49Seriously?
00:09:50Your car is huge!
00:09:52Yeah.
00:09:53And I'm not a fan of sharing.
00:09:56Says the guy who forced me to live in his house!
00:10:03Unbelievable!
00:10:13Ashford Institute, please.
00:10:19Who needs an entitled brat anyway?
00:10:22Sir, you called the cab.
00:10:24Why not just give Miss Keaton a lift?
00:10:31Why not just give Miss Keaton a lift?
00:10:33And have the whole school go crazy.
00:10:36She's new.
00:10:37Everybody's already talking.
00:10:39So you're worried about her?
00:10:41You're overthinking.
00:10:41I mean, I just don't like drama.
00:10:50Asshole.
00:10:51Who?
00:10:53Morning, Klaus.
00:10:55Back to Golding.
00:10:57Remind me what he's saying through Lord of the Flies.
00:11:04Mr. Kenwood, care to share what you found so amusing?
00:11:08Not particularly.
00:11:10Oh, I insist.
00:11:12You seem very entertained by Golding.
00:11:14I'm not entertained by Golding, sir.
00:11:17On the contrary.
00:11:18I think his ending is weak.
00:11:23Wait, wait.
00:11:24You must have read it?
00:11:25Quiet.
00:11:28That's an interesting take.
00:11:29Explain.
00:11:32He had the setup for something brutal.
00:11:35Something honest.
00:11:36In the end, he backed out.
00:11:38He could have left the boys on the island.
00:11:40Forced them to confront the collapsible morality.
00:11:43Let them choose survival.
00:11:45Or death.
00:11:45But instead, he gave them a rescue boat.
00:11:49Slapped a happily ever after on a book about savagery.
00:11:55It's a waste.
00:11:57Don't you think?
00:11:58I'm delightfully surprised, Charles.
00:12:00Didn't think you had such strong literary opinions.
00:12:03I'm always a model student, sir.
00:12:05Let's not get ahead of ourselves.
00:12:09So, a critique of Golding's mercy.
00:12:12Anyone disagree?
00:12:28I think Golding knew exactly what he was doing by ending the book that way.
00:12:32It's not mercy.
00:12:34It's irony.
00:12:35How so?
00:12:38The rescue isn't a happy ending.
00:12:41You don't just walk back into society and forget you're a monster.
00:12:44Golding didn't save them.
00:12:45He left us with the discomfort of pretending they could be saved.
00:12:48That's an interesting take, Miss Keaton.
00:12:50You still think it's a harsh critique?
00:12:53In some ways.
00:12:54But not harsh enough.
00:12:57Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:13:02And the civilized world?
00:13:04Toxic, violent.
00:13:05He didn't call that out nearly as much.
00:13:07So, yeah, I don't think Golding pushed far enough, but I think it's unfair to call it a happy ending.
00:13:16Thank you, Miss Keaton.
00:13:18Well said.
00:13:19Anyone else?
00:13:22Both opinions are valid.
00:13:24Okay, that's kind of epic.
00:13:26And let's not forget, Golding faced major backlash when he first published the book.
00:13:30Good literature will always divide opinions.
00:13:35What's happening to me?
00:13:42Okay, what is going on?
00:13:44Why is everyone staring at me?
00:13:46Well, you're new.
00:13:48And apparently had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle of this epic feud as you've seen in years.
00:13:55We're not even fighting.
00:13:57Well, according to everyone, you confessed your love on day one, got rejected, begged to sit next to him, got
00:14:03rejected again.
00:14:04And today in class, you broke down crying about not believing in happy endings and stormed out in tears.
00:14:12You were there, Sherry.
00:14:14That is not what happened.
00:14:16Doesn't matter.
00:14:17People believe what they want to believe.
00:14:19And they want Charles to be flawless, untouchable.
00:14:23Wow.
00:14:24Is misogyny like a rich kid thing or just a British specialty?
00:14:27Honestly, both.
00:14:30But seriously, Alice, some people already see you as a threat.
00:14:41Okay.
00:14:42Loaded.
00:14:44Looks like the new girl's in for a rough first semester.
00:15:01Hello?
00:15:04Hello?
00:15:06Is somebody out there?
00:15:08Oh, come on!
00:15:11Come on!
00:15:13Come on!
00:15:14Come on!
00:15:16Come on!
00:15:16Come on!
00:15:17Come on!
00:15:17Come on!
00:15:22Come on!
00:15:38Seriously?
00:15:41Shit.
00:15:47What the hell?
00:15:49Anne!
00:15:51I thought you were having dinner with Alice.
00:15:52She hasn't come home.
00:15:53Her phone is off.
00:15:55Maybe you've seen her this evening?
00:15:59Yikes.
00:16:00Looks like the new girl's in for a rough first semester.
00:16:08Shit.
00:16:14Alice!
00:16:15Alice!
00:16:16Mr. Pelton.
00:16:17Charles Kenwood here.
00:16:18I was wondering if I could get the timetable for Alice Keaton.
00:16:21She hasn't come home.
00:16:22I'll have it sent over.
00:16:25Check the common room in the library.
00:16:26I'll take the rest.
00:16:30Alice!
00:16:31Oh no.
00:16:43Come on, Alice.
00:16:46Close your eyes and jump.
00:16:48It's fine.
00:16:50You're fine.
00:16:51Help me, help me, help me.
00:17:21Help me, help me, help me, help me.
00:17:40You're welcome.
00:17:42I didn't say thank you.
00:17:44I figured saving your life might earn me basic manners.
00:17:46Someone just dumped swamp water on me.
00:17:49Excuse me if I'm not feeling very polite.
00:17:51You smell like a biology experiment.
00:17:54Wow.
00:17:55You should try falling out of a window into someone's arms and getting insulted for it.
00:17:59Wouldn't recommend it.
00:18:00You're heavier than you look.
00:18:03I hope you pull your shoulder.
00:18:10Are you okay?
00:18:12No.
00:18:13But I will be.
00:18:16Someone did this on purpose.
00:18:17What do you think, golden boy?
00:18:20Don't worry, I can handle it.
00:18:22You shouldn't have to.
00:18:26I'm sorry.
00:18:34I'm sorry.
00:18:39Did you just apologize to me?
00:18:42Don't get used to it.
00:18:43I wouldn't dream of it.
00:18:46Alice?
00:18:48Over here.
00:18:49Oh my god.
00:18:52You okay?
00:18:55Why are you drenched?
00:18:56Yeah.
00:18:57I just took a weird shower.
00:19:00Top exploded.
00:19:02Come on.
00:19:03Let's go.
00:19:14Alice Keaton, right?
00:19:17I heard you stage the whole thing for attention.
00:19:43I know how this place works.
00:19:45If you don't do anything about it, it's only going to get worse.
00:19:50I'll look into it.
00:19:52Charles?
00:19:55Good on you.
00:19:56How many of you would speak up?
00:20:02I can't believe someone actually locked you in.
00:20:04That's insane.
00:20:05Where the hell was the school when this was happening?
00:20:08Busy protecting their golden boys and trust funds.
00:20:11Well, for what it's worth,
00:20:12I heard Charles looked pretty freaked out when he ran out last night.
00:20:17Please, he just didn't want a lawsuit.
00:20:36Being a scholarship student has its perks,
00:20:39like saving a fortune on tuition
00:20:41and getting into schools that normally wouldn't even let you pass the gates.
00:20:46Hey, we miss you in Paris.
00:20:49Though there are enough Americans to remind us of you.
00:20:51But sometimes, being here means standing behind
00:20:55and watching Ashford Elites go on a two-week enrichment program
00:20:59you can never afford.
00:21:02Have fun.
00:21:03Bring me something overpriced and unnecessary.
00:21:10The trip cost 20 grand in pounds,
00:21:13which translates to
00:21:14Mom's salary for half a year.
00:21:16So, yeah.
00:21:18I didn't go.
00:21:40What are you doing here?
00:21:42Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:45It's comfortable.
00:21:46You look like a rejected Ewok.
00:21:48This, this is not even your kitchen.
00:21:51And this is not even your house.
00:21:52And yet, you're here, dressed like this.
00:21:55Just don't, look, go away.
00:21:57Hard not to,
00:21:58when you're walking around dressed like that.
00:22:00What do you guys call it?
00:22:02Um, buzzkill?
00:22:05Cockblock.
00:22:06You're insufferable.
00:22:07You're the one cosplaying at breakfast.
00:22:09You know what?
00:22:10I don't get it.
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people live for that kind of thing.
00:22:15Why do you think?
00:22:21How would I go?
00:22:22I could practically recite the itinerary in my sleep.
00:22:27Florence.
00:22:28Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:22:33Or Titian, if you want to sound extra pretentious.
00:22:37Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:22:42Next stop, Napoli, marvel at Pompeii, pretend you're shocked, ancient people had plumbing.
00:22:49The final stop, Paris, the ultimate city of romance.
00:22:54And naturally, Woody Allen's favourite city outside of New York.
00:23:02That's word for word.
00:23:04I told you.
00:23:05I've done this tour so many times, I could run it.
00:23:08Okay, but still, it's Europe.
00:23:09Most people would kill for that chance.
00:23:11Most people haven't had their phones stolen in Paris.
00:23:14Twice.
00:23:16Also, I hate the accommodations.
00:23:18Aren't they all five-star hotels?
00:23:20Standard rooms in five-star hotels?
00:23:23No, thank you.
00:23:25Wow, some were born in Rome, huh?
00:23:28That's unfortunate, it's a very chaotic city.
00:23:30One word of advice, shut up.
00:23:32That's two words.
00:23:36You're weird.
00:23:36You're loud.
00:23:37You're annoying.
00:23:38You're in my kitchen.
00:23:39You have three other kitchens.
00:23:40And I prefer this one.
00:23:42Just for today.
00:23:43Come back when you've got a shirt on.
00:23:45Come back with normal clothes on.
00:23:46You don't have to come.
00:23:47Don't tell me what I have to do.
00:23:58Master Charles, roads are flooded.
00:24:00Staff won't make it tonight.
00:24:01Will you be alright sorting dinner?
00:24:06I've got it sorted.
00:24:19Jesus, what are you doing?
00:24:21Relax.
00:24:24I'm here to make a deal.
00:24:25What deal?
00:24:26You nearly gave me a heart attack.
00:24:31You'll survive.
00:24:33I'm not selling my body.
00:24:39I'm not selling my body.
00:24:45Wow.
00:24:46I am deeply offended.
00:24:49That thought disgusts me.
00:24:51Then what are you doing?
00:24:52Staff's off tonight.
00:24:54I'm buying dinner.
00:24:58Did you seriously think I'd spend 100 pounds on...
00:25:01No, I'm...
00:25:01Jesus.
00:25:03Wait.
00:25:04You think I'm not worth 100 pounds?
00:25:08I'm not spending 100 pounds to snort you back up.
00:25:12You know what?
00:25:12Dinner's cancelled.
00:25:16Are you sure about that?
00:25:18Are you sure about that?
00:25:19I present to you.
00:25:21Meatball spaghetti, stir-fried veggies, and french fries.
00:25:24You're welcome.
00:25:26Interesting combo.
00:25:27Well, I know we're not in Italy or France, but this will do.
00:25:31It's...
00:25:32It's...
00:25:32It's...
00:25:33Good.
00:25:39Was that a compliment?
00:25:41Although...
00:25:42I am obliged to inform you.
00:25:44Meatball spaghetti isn't Italian.
00:25:46It's American.
00:25:47And french fries, likely bought in South America.
00:25:50You should read more.
00:25:53Put it down.
00:25:55I paid for it.
00:25:56You really just have to win every argument, don't you?
00:25:58To be fair, you make it very easy.
00:26:02It's only easy because it costs 200 pounds.
00:26:06You know, if you'd ask them more, I probably would have given it to you.
00:26:08I'll make sure they make it more.
00:26:24Okay, Alice.
00:26:25It's fine.
00:26:27You're fine.
00:26:349-1-1, what's with your emergency?
00:26:419-1-1, what's with your emergency?
00:26:43It's my dad.
00:26:44He needs help.
00:26:44He just had a stroke.
00:26:45Okay, miss.
00:26:46Hurricane constant traffic shut down.
00:26:48We'll get to you as soon as we can.
00:26:49He's not well.
00:26:51I understand.
00:26:52Can you confirm your address?
00:26:55Dad, yes, I'm right here.
00:26:57All right.
00:26:59My daughter.
00:27:01Please stay with me, Dad.
00:27:02Please.
00:27:07No.
00:27:09Please wake up.
00:27:14Dad, please.
00:27:16Please don't leave me.
00:27:18Please.
00:27:50What are you doing here?
00:27:55You were crying.
00:27:58Loudly.
00:28:00Kind of hard to ignore.
00:28:02Right.
00:28:03Sorry for the night.
00:28:06Wait.
00:28:06You know Snarky come back?
00:28:08Not tonight.
00:28:09I'm too tired.
00:28:10If you're here to argue, knock yourself out.
00:28:14You were calling for your dad, right?
00:28:18Hurricane hit New York.
00:28:20Power went down.
00:28:22Traffic froze.
00:28:24Dad had a stroke.
00:28:26But he couldn't get help in time.
00:28:29I sat there with a candle while he laid there.
00:28:36Peaceful.
00:28:38Like he was asleep.
00:28:41But he wasn't.
00:28:45So that's why you and your mum moved here?
00:28:48This used to be our hometown.
00:28:51After Dad left,
00:28:54we had nowhere else to go.
00:29:00What are you doing?
00:29:05Come on.
00:29:22Wait.
00:29:23I thought the power was out.
00:29:25It is.
00:29:26We have her own generator.
00:29:28Wow.
00:29:29Rich people houses her.
00:29:31Just for tonight,
00:29:32I'll allow it.
00:29:35Allow what?
00:29:36You can call this place your house.
00:29:38So enjoy it.
00:29:40Stephen King's first edition.
00:29:41Alan Gisberg's handwritten letters.
00:29:44Jane Austen's notes.
00:29:45All yours.
00:29:49This
00:29:51is your home.
00:29:53Alice Keaton.
00:29:59Careful.
00:30:01It almost sounded sweet.
00:30:03Don't push it.
00:30:04Okay then.
00:30:06I have one request.
00:30:12What is it?
00:30:21Are you ever going to make a move?
00:30:23Wait.
00:30:24Give me a second.
00:30:25I'm thinking.
00:30:26You had one wish.
00:30:28Anything in the world.
00:30:29And in the middle of a thunderstorm inside a literal mansion you chose chess.
00:30:36Yeah.
00:30:37Got a problem?
00:30:38It's just so cool.
00:30:39Like spies or genius villains in movies.
00:30:43It's literally a board game.
00:30:44Says the guy who owns a custom set.
00:30:47Wait.
00:30:48Does the night go diagonally?
00:30:50For the tenth time,
00:30:51then it moves in an L shape.
00:30:54One.
00:30:55Two.
00:30:56Then turn.
00:30:58There.
00:30:59Happy?
00:31:00Excited.
00:31:03No.
00:31:04That's suicide.
00:31:05Or a brilliant long-term sacrifice.
00:31:08You are playing checkers at a chessboard.
00:31:09Still beating you in sarcasm.
00:31:11You literally haven't won any past arguments.
00:31:13Golding disagrees.
00:31:15It's going to be a long night.
00:31:16Oh my.
00:31:17No.
00:31:18Why?
00:31:18What's going on with that?
00:31:18You can't do that.
00:31:20I don't know.
00:31:20Can I do that as well?
00:31:21I don't know.
00:31:22Can I do that as well?
00:31:23You had to shop a trip when I bought it all wrong.
00:31:26I tried to pull you in close as we're locked on the phone.
00:31:42Maybe he's not so awful after all.
00:31:52Um, who are you?
00:31:59What are you doing here?
00:32:01Well, your parents said you were still at home.
00:32:03Thank God you skipped that boring grand tour.
00:32:06Who needs Italy and France again, right?
00:32:08When did you get back?
00:32:09Last night.
00:32:10From Zurich.
00:32:11You didn't answer my messages.
00:32:14I missed you.
00:32:16Anyway, thought I'd come surprise you.
00:32:19Apparently, I'm transferring to Ashford.
00:32:21Your parents were so thrilled.
00:32:23They didn't tell me about this.
00:32:24I wanted to deliver the happy news myself.
00:32:26They said it'd be lovely for us to reconnect.
00:32:30You know, considering the engagement and all.
00:32:34Engagement.
00:32:36Oh, did no one tell you?
00:32:39He's promised.
00:32:40Old money stuff.
00:32:41Very retro.
00:32:42I didn't agree to that.
00:32:43You didn't have to.
00:32:44It's never up to us.
00:32:47Where did you find this little toy?
00:32:50Serena.
00:32:50I didn't hear you, you know.
00:32:52Oh, an American.
00:32:54How refreshing.
00:33:00Goodbye.
00:33:01Wait.
00:33:17Where are you going?
00:33:19You still owe me breakfast.
00:33:21You only paid for dinner.
00:33:23I had homework.
00:33:25Goodbye.
00:33:28Your little toy has quite the temper.
00:33:30Serena, can you please just stop?
00:33:32What?
00:33:33Teasing the help.
00:33:40That's her.
00:33:41That's the one from Kenwood's house.
00:33:44Was she, like, the maid or something?
00:34:01Oh, my God, what's wrong with people?
00:34:04They're saying you live with Charles.
00:34:06Oh, and Serena.
00:34:07What about her?
00:34:09Well, apparently she told everyone you were caught sneaking into his room.
00:34:13Of course she did.
00:34:26Careful, Alice.
00:34:27You're starting to look desperate.
00:34:44Come to the music room.
00:34:46Urgent.
00:34:47I just remembered I need to check something.
00:34:49You guys go ahead.
00:34:50Yeah, okay.
00:34:57Hello?
00:34:58Is someone there?
00:34:59Seriously?
00:35:01They're getting old.
00:35:13Wait.
00:35:15Music room, what?
00:35:19James?
00:35:20Is anybody in here earlier?
00:35:22Just Miss Serena.
00:35:23Said she was waiting for you.
00:35:25Sir?
00:35:27Sir, it's raining.
00:35:39Come on, Alice.
00:35:41You're fine.
00:35:43You're not that girl again.
00:35:51Wait.
00:35:51Can you remind me one more time?
00:35:54Okay.
00:35:56Rooks move in straight lines.
00:35:57Yeah.
00:35:58Bishops move diagonally.
00:36:00And knights...
00:36:01The knight's the weird one.
00:36:07Rooks.
00:36:09Straight lines.
00:36:11Bishops.
00:36:13Diagonally.
00:36:15Hello?
00:36:17Hello?
00:36:18Hello?
00:36:19Hello?
00:36:19Hello?
00:36:19Hello?
00:36:21Hello?
00:36:35The text.
00:36:37Are you okay?
00:36:38Are you hurt?
00:36:39I...
00:36:40I'm okay.
00:36:41I...
00:36:41I saw the text and I thought...
00:36:43I...
00:36:43I didn't see the message.
00:36:45Serena took my phone.
00:36:46I didn't know.
00:36:47I'm sorry.
00:36:48I'm...
00:36:49Okay.
00:36:50I...
00:36:51You're gonna catch a cold.
00:36:53You're freezing.
00:36:53You didn't have to come.
00:36:57Don't tell me what I have to do.
00:37:00Give me hope that feels like hope...
00:37:22That wasn't a mistake.
00:37:24If that's what you're about to say.
00:37:27I...
00:37:27Wasn't going to.
00:37:40I'm really bad at this, you know.
00:37:44What?
00:37:44Kissing?
00:37:45Hiding feelings.
00:37:46Oh, I don't.
00:37:47Do you want to vest in the rhythm of your heart?
00:37:51This is not forgiving.
00:37:52I'm flying in the air.
00:37:55I don't know.
00:37:55Tell me what you said.
00:37:57Tell me where you want to be.
00:37:58Don't be happy.
00:38:04Oh, I don't know.
00:38:14It's a cock block.
00:38:17It's a cock block.
00:38:17You kissed me.
00:38:19That's basically consent to everything.
00:38:27Dangerous words, Keaton.
00:38:29I might hold you to that.
00:38:40You'll be working in pairs on your comparative essays.
00:38:43The list is on the board.
00:38:47One, two, three, four.
00:38:49Paper planes.
00:38:51Are you okay?
00:38:53Fly me to outer space.
00:38:57That's where I'll see your face.
00:39:01And have you with me.
00:39:07It may seem dark.
00:39:11But you always like my spark.
00:39:21You're welcome.
00:39:26They're either enemies or secretly married.
00:39:30Honestly?
00:39:31Right?
00:39:34I was sure I'd never find someone to make my head spin around.
00:39:38No one's ever gonna be the thing I need.
00:39:41They all just let me down.
00:39:43But baby, you saved me.
00:39:46Time been new.
00:39:49Everything's so different now.
00:39:52So, the night goes in an L shape, right?
00:39:56Why is that the only one you remember?
00:39:58Because it's weird.
00:40:00And I like weird.
00:40:09Check.
00:40:15You're cheating.
00:40:17I'm winning.
00:40:18There's a difference.
00:40:19You are very distracting.
00:40:22And you like it.
00:40:23I'll be there for you, babe.
00:40:27I'll be there for your darkest days.
00:40:31I'll hold you in my arms.
00:40:33Charles.
00:40:35We need to talk.
00:40:44I expected poor judgment.
00:40:46But this, in my house?
00:40:48It isn't what it looks like.
00:40:50No.
00:40:51Kissing a servant's daughter in the family library.
00:40:55Enlighten me then, Charles.
00:40:56We came back tonight after speaking with Serena.
00:40:59Imagine our surprise walking in on this.
00:41:03She isn't just...
00:41:05You have no right to barge in.
00:41:07On my property.
00:41:11I care about her.
00:41:13I'm not ashamed of that.
00:41:14That's enough.
00:41:17Why do you care?
00:41:19We're protecting our son's future.
00:41:21And our name.
00:41:23You think this protects me?
00:41:25We think she does not belong in your world.
00:41:31Then maybe I don't either.
00:41:35You're ready to give up everything.
00:41:37For a girl you barely know.
00:41:41Yes.
00:41:42Then, are you sure she's ready?
00:41:52I'm asking you.
00:41:54Do you think she's ready?
00:41:55To lose everything, regardless of how little that is.
00:41:59Just to be with you.
00:42:00What are you talking about?
00:42:02You left us no choice, son.
00:42:04You shouldn't disobey your father.
00:42:08Pelton.
00:42:09It's Frederick Kenwood.
00:42:11Ah, Mr. Kenwood.
00:42:13How can I help?
00:42:13If a scholarship student were to violate our behavioral code in a public setting with photographic evidence, would that warrant
00:42:22a review?
00:42:23Yes, sir.
00:42:27Sir.
00:42:29Answer me again.
00:42:30Do you think she's ready to lose everything just to be with you?
00:42:35Yes.
00:42:38Sir.
00:42:45Charles, what happened?
00:42:47Did your parents say something?
00:42:48Are they mad?
00:42:48Is everything okay?
00:42:51Pack your things.
00:42:53You can't stay here anymore.
00:42:55What?
00:42:57My parents fired your mother.
00:42:59She's leaving.
00:43:01So are you.
00:43:01Wait, why?
00:43:03Is it because of us?
00:43:04We can fix this.
00:43:05I'll get a job.
00:43:06Stop, stop it.
00:43:07You don't get it.
00:43:09If I don't walk away from this, they'll cut me off.
00:43:12Okay?
00:43:13No card.
00:43:14No trust.
00:43:15No support.
00:43:17Nothing.
00:43:18Then, then we'll figure it out.
00:43:20We don't need all that.
00:43:22We can...
00:43:23Do you really think I'm going to live like that?
00:43:28So that's what this was?
00:43:30Just fun until it got inconvenient.
00:43:34What did they promise you?
00:43:35No.
00:43:38Nothing.
00:43:41They just reminded me of what's real.
00:43:47Charles, I'm not stupid.
00:43:50You don't just turn into a cold stranger because of one conversation.
00:43:53What did they threaten you with?
00:44:00What did they threaten you with?
00:44:02This is the difference between me and you.
00:44:04What?
00:44:05You think you know me.
00:44:07Or what I have.
00:44:09You don't, Alice.
00:44:11You're still lying.
00:44:12I'm not, Alice.
00:44:14Look around you.
00:44:15This mansion you thought was a museum.
00:44:18It's my house.
00:44:20My world.
00:44:22I was bored.
00:44:23I was bored into this.
00:44:24I am not choosing between this and something I picked up for a moment of fun.
00:44:34Don't do this, Charles.
00:44:36You don't mean it.
00:44:37It was fun.
00:44:39But you?
00:44:41You don't compare to what I own.
00:44:45I've survived the loss.
00:44:49Right.
00:44:51I should have known.
00:44:54Guys like you don't end up with girls like me.
00:44:59You play with them, then you throw them away.
00:45:03Go to sleep, Alice.
00:45:14Go to sleep, Alice.
00:45:15This fall is a little more than I expected.
00:45:22In so deep I can barely see myself.
00:45:28Yeah, around me feels so heavy but depleted.
00:45:34But I find that's the place to test myself.
00:45:46Oops.
00:46:04Oh, sorry.
00:46:06Didn't see that.
00:46:07Then again, nobody does.
00:46:10Move, please.
00:46:11Hmm.
00:46:12Try begging.
00:46:18You know what?
00:46:19Keep it.
00:46:25Poor thing.
00:46:26So dramatic.
00:46:29Dance.
00:46:30Excuse me?
00:46:31I warned you.
00:46:33Walk away, Serena.
00:46:55Last week's group assignments were mostly forgettable.
00:46:59But one pair surprised me.
00:47:01In a good way.
00:47:02Charles Kenwood and Alice Keaton.
00:47:05Would you mind giving us a short summary?
00:47:08She loves the sound of her own voice.
00:47:10Better have it.
00:47:11I couldn't stay.
00:47:12I couldn't wait.
00:47:14I thought that you should know that I would have.
00:47:18Our essay explored what happens when two fundamentally different voices meet.
00:47:23Like logic and chaos.
00:47:26Like logic and chaos or silence and noise.
00:47:28Different worlds, different rules.
00:47:32At first glance, they clash.
00:47:35But what makes the story interesting is what happens next.
00:47:38Confusion.
00:47:40Curiosity.
00:47:40Curiosity.
00:47:41But in the end, some stories aren't about staying.
00:47:44And yes, there is no such thing as a happy ending.
00:47:57And yes, there is no such thing as a happy ending.
00:48:06And yes, there is no such thing as a happy ending.
00:48:09All right.
00:48:11Thank you, Alice.
00:48:12That was later.
00:48:16Are you okay?
00:48:17A reminder that good literature always stirs something.
00:48:24Hello?
00:48:25Hi, here's Alice Keaton.
00:48:26This is Whitmore Press.
00:48:27We've been following your work.
00:48:28We'd like to offer you a long-term publishing contract.
00:48:31Name your price.
00:48:32We'll make it work.
00:48:33Sorry, what?
00:48:44That's kind of insane.
00:48:47Who's behind this?
00:48:48Your sponsor wishes to remain anonymous.
00:48:51Can I meet them?
00:48:55I want to.
00:48:56Please.
00:48:57Or at least tell me a name.
00:49:03Sorry, they wish to stay in office.
00:49:05So they're only interested in work, not the person.
00:49:07I'd really like to meet them.
00:49:08I'm sorry, Miss Keaton.
00:49:09They were very good.
00:49:11I think the most generous offer we've ever given in New York City.
00:49:14I see.
00:49:16Congratulations again.
00:49:21You got the interview.
00:49:22It's just an interview.
00:49:23I haven't gotten in yet.
00:49:24Still, Alice Keaton at Oxford.
00:49:27That's iconic.
00:49:36You okay?
00:49:38Yeah.
00:49:40I'm so excited.
00:49:54It's done, Mr. Kenwood.
00:49:55Miss Keaton signed the contract.
00:49:58Good.
00:49:59It's a generous deal.
00:50:01You sure you don't want it to know?
00:50:03No.
00:50:05No, it's better if I stay out of her life.
00:50:08I will be for you, babe.
00:50:13I'll be there in your darkest days.
00:50:17Congratulations, Alice Keaton.
00:50:19Go live the life you were always meant to.
00:50:28Your engagement announcement should align perfectly with the Foundation Gala.
00:50:33And the Browns already offered to host the London reception.
00:50:38It's all coming together beautifully.
00:50:43I've lost my appetite.
00:50:48I'll go check on him.
00:50:54What's your problem, Charles?
00:51:01Disengagement is not happening.
00:51:03It's not up to you.
00:51:04You know that.
00:51:04Serena, we're not doing this.
00:51:08You've changed.
00:51:12Or maybe I finally just stopped pretending.
00:51:36What's your problem, please?
00:51:42Tals, you're the sponsor.
00:51:45You've been funding Alice Keaton this whole time.
00:51:50So?
00:51:51You lied to everyone, including her.
00:51:54I protected her.
00:51:58You loved her.
00:52:00Still do.
00:52:02Let it go, Serena.
00:52:05There's no point.
00:52:15I need a favour.
00:52:17Find out when the Oxford interview is.
00:52:20And make sure Alice Keaton won't show up.
00:52:27Anything?
00:52:28No?
00:52:30She's not answering.
00:52:31The interview's almost over.
00:52:33Well, she won't just not show up.
00:52:35Something's wrong.
00:52:37Where's Alice?
00:52:39When was the last time you heard from her?
00:52:41Last night.
00:52:42She said she was prepping all evening.
00:52:48James, track someone for me.
00:52:51Wait, where are you going?
00:53:00Chill, okay?
00:53:02We won't hurt you.
00:53:03Yeah, we're just supposed to keep you awake from the interview.
00:53:06That's it.
00:53:14Shit.
00:53:15Come back!
00:53:17Shit!
00:53:19Come back!
00:53:20No!
00:53:29Shit!
00:53:44I remember how I met, didn't need a second guess.
00:53:54Hey, hey hey, Alice, Alice.
00:53:58Alice, stay with me. Stay with me. Stay with me, Alice. Alice.
00:54:07You're awake?
00:54:09Where... where am I?
00:54:11Local clinic. Passerby brought you in.
00:54:15Passerby?
00:54:16He found you on the side of the road. He had to leave. He didn't leave a name.
00:54:22Oh.
00:54:24The interview, what time is it?
00:54:26Easy. It's okay. Someone already contacted the university and sent in your writing samples.
00:54:32They've rescheduled your interview for tomorrow.
00:54:34Wait, what? Who?
00:54:36No idea, but it's all taken care of.
00:54:41What did you say?
00:54:42Nothing. I just... had a dream.
00:54:58I got him!
00:54:59Oh, I knew it!
00:55:05Too bad Charles isn't here to watch you crush it.
00:55:08He's not here.
00:55:10He's not here.
00:55:10Oh, you didn't know?
00:55:12Know what?
00:55:14He left.
00:55:15A few days ago, yeah, everyone doesn't really know where he went.
00:55:19Honestly, Ashford's been quieter without him. It's probably for the best. Come on.
00:55:31The summer I met Charles Kenwood was loud. Chaotic. Unexpected. And with his absence...
00:55:43Come on!
00:55:45It ended quietly.
00:55:49Like summers always do.
00:55:51Like a fantasy.
00:55:52Did you feel it come across the room? Did you feel a little ancient?
00:56:03And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.
00:56:10Thank you for having me.
00:56:11Now, your words moved millions. They say your stories feel real, especially the ones about love.
00:56:20Which brings us to the most obvious question. How's your dating life like these days?
00:56:25No comment.
00:56:26A little bird told me that the past four years has been just writing and working, not even a single
00:56:32date.
00:56:33Let me guess a bird named Sherry.
00:56:34She caught me.
00:56:35Still no comment.
00:56:36Alright, alright. No matter what you say, you write love like someone who's lived it. If you're so real.
00:56:45Because once, I did.
00:56:46That's why today we're here sharing the story behind Alice Keaton's love.
00:56:50And no one ever quite matched the light after that.
00:56:53And let's give it up for Alice Keaton one more time.
00:57:07Congratulations, Alice. The numbers just came in. You broke your own record.
00:57:13That's... incredible.
00:57:14We're thinking celebration, press, photos, maybe tonight.
00:57:18Actually, there's something I'd rather do.
00:57:23I'd like to meet with the person who believed in me first.
00:57:27My sponsor.
00:57:29You're sure?
00:57:29Yeah. Just once.
00:57:32Tonight, 7pm.
00:57:44Good evening.
00:57:49Good evening.
00:57:53May I sit?
00:58:03Hi.
00:58:04Hi.
00:58:05Hi.
00:58:08You look well.
00:58:11And you look like you just stepped out of a GQ cover.
00:58:14You always did.
00:58:17You were expecting someone else.
00:58:20I was...
00:58:22hoping.
00:58:23But I guess I always knew.
00:58:26I didn't come here to confuse you.
00:58:28Or to reopen anything.
00:58:30Hope you liked the attention.
00:58:32I just wanted to say congratulations.
00:58:35Oh.
00:58:39I didn't know you were still reading.
00:58:41You were rich enough not to do so.
00:58:44Always.
00:58:46Either way, your sponsorship started my career, so...
00:58:50No.
00:58:51No, you've...
00:58:52You earned everything.
00:58:56Every word.
00:58:58Every page.
00:59:00Every reader.
00:59:02That's what I came to say.
00:59:08It was good to see you again.
00:59:09I hope.
00:59:10Charles.
00:59:12Can you just...
00:59:15Wait a little longer?
00:59:23I think I knew it was you.
00:59:26There was one email.
00:59:29You said something.
00:59:30It felt familiar.
00:59:32Really?
00:59:32Kinda had that...
00:59:33Rich asshole with a conscience energy.
00:59:36Very on brand.
00:59:38I should have anonymized my grammar.
00:59:40Too late.
00:59:41Your semicolon usage gave you away.
00:59:44Still the only girl I know who flirts through punctuation.
00:59:46Still the only girl I know who uses wiles unironically.
00:59:52You've changed.
00:59:55But...
00:59:56Not really.
00:59:59You haven't changed.
01:00:01But...
01:00:02Maybe you've grown into who you really were.
01:00:06Anyway...
01:00:07I wanted to say...
01:00:12And...
01:00:13Thanks for being here tonight.
01:00:15You didn't have to come.
01:00:18Don't tell me what I have to do.
01:00:22You didn't have to come.
01:00:25Don't tell me what I have to do.
01:00:46If you could go back.
01:00:48If you had the chance to do it all again.
01:00:50Would you do anything differently?
01:00:57No.
01:01:03No.
01:01:07I see.
01:01:12I know my answer now.
01:01:13I didn't have the power back then.
01:01:16Long enough to protect you.
01:01:17I couldn't watch you get crushed because of me.
01:01:21Because of my name.
01:01:22My family.
01:01:25I didn't want to be the reason you lost everything.
01:01:28So you just disappeared.
01:01:30Without a word.
01:01:34If you had the chance to see the world.
01:01:36Without me weighing you down.
01:01:38If you still chose me after that.
01:01:44You keep saying you wanted to give me a choice.
01:01:48But you made a choice for me.
01:01:52Did it ever cross your mind that maybe.
01:01:56I would have chosen you anyway.
01:02:04I didn't think I was the smart choice.
01:02:06You weren't.
01:02:09But I never claimed to be that smart.
01:02:21This is me.
01:02:22Right.
01:02:30I'm still mad at you, you know.
01:02:34I'm still in love with you, you know.
01:02:44Do you want to come in for a bit?
01:02:48You're asking your ex.
01:02:50Who you haven't seen in four years.
01:02:52To come into your hotel.
01:02:54At approximately 11pm.
01:02:57You were right.
01:02:59You never were that smart.
01:03:01You don't have to come.
01:03:03Don't tell me what I have to do.
01:03:19Stop quoting yourself.
01:03:21I recycle.
01:03:21It saves energy.
01:03:24This feels wildly irresponsible.
01:03:26You sound like a disclaimer.
01:03:28You're the one who wants called romance a distraction.
01:03:30I said that?
01:03:31Yeah.
01:03:32Before calling Wuthering Heights overrated.
01:03:34Trust it is.
01:03:36You're lucky you're a good kisser.
01:03:42Alice Keaton.
01:03:43Don't you dare quote poetry.
01:03:45I wasn't going to.
01:03:46I forgot all of it the day you left.
01:03:49Then shut up.
01:03:51And prove it.
01:03:58I still can't believe this is happening.
01:04:00I told you.
01:04:01They're either worst enemies or secretly married.
01:04:03And I told you.
01:04:04They're both.
01:04:31I vow to always tell you the truth.
01:04:35Except for when you ask how your cooking was.
01:04:37Then I lie.
01:04:39Respectfully.
01:04:42I vow to keep choosing you.
01:04:44Loudly.
01:04:46Quietly.
01:04:48Always.
01:04:49Even when you forget to do the laundry.
01:04:53Is he actually good at this?
01:04:55I mean, he did beat over at Sarkis.
01:05:01I vow to argue with you at least twice a week.
01:05:04Especially over Shakespeare.
01:05:06I vow to write you into every story.
01:05:09Even when I say I didn't.
01:05:11You will always be part of my life.
01:05:14If she quotes Austen in this toast.
01:05:16I'm out.
01:05:17No you're not.
01:05:17You're gonna cry harder.
01:05:18For the rest of life.
01:05:25For the rest of life.
01:05:27For the rest of life.
01:05:30For the rest of life.
01:05:42I can't believe you picked Paris.
01:05:44Such a cliché honeymoon destination.
01:05:48Guard your phone.
01:05:50Relax.
01:05:50Just don't dress like a walking inheritance and you'll be fine.
01:05:56You are not wearing that on our honeymoon.
01:05:59Please, Alice, go change.
01:06:02Don't tell me what I have to do.
01:06:07No.
01:06:09No, no, no, no.
01:06:10That is not an invitation.
01:06:11Do not take off these clothes.
01:06:13You're overruled.
01:06:14You look much better without them.
01:06:21No.
01:06:22To the ones who loved in silence.
01:06:24In chaos.
01:06:25In chapters.
01:06:27You will find your way home.
01:06:32Sometimes I wanna be on my own.
01:06:35But I don't wanna die alone.
01:06:38No.
01:06:38I'll be on my own.
01:06:41I'll be on my own.
01:06:49You're so happy.
01:06:51Oh my heart.
01:06:57You're so happy for me.
01:06:58I'm so happy.
01:07:01You're so happy.
01:07:03You're so happy.
01:07:04I started to go.
01:07:06what's been passed through these books. Help us develop, learn and grow.
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