- 23 saat önce
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TV ve DiziDöküm
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10:37.
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12:08.
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12:39.
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12:45Biri 1,0'dan beniz sağlamak ¡E!
12:49Evet, haydi!
12:50Yoksuk
12:53grammy
12:53grammy
12:55grammy'de
12:57Geul'sוף
12:58.B. oke
12:58B.A.?
12:59Elgi G.B.
13:02E.B.
13:03Mümelde
13:05Mümelde
13:05Mümelde
13:06Mümelde
13:07Mümelde
13:07Mümelde
13:07Mümelde
13:14Mümelde
13:15ve şarkı başkası için çok APPARMAYIN.
13:18Bu şarkı bir şarkı var.
13:20Ben şarkı var mıydı?
13:29Bir şarkı var mıydı?
13:34İngiltere mi şarkı var mıydı?
13:37Bir şarkı var mıydı?
13:38Bir şarkı var.
13:38Evet, bu, benim parents sadece oynayken the Beatles.
13:43Ve yani, yani, ''Fool on the Hill'' ve ''Happiness is a Warm Gun'' ve
13:51Yardım, yani, ''Because'''i heviarken de ilk bir tanımda.
13:54Ben, birkaç...
13:57Bu, benim sevdiğim birimde bir şeydi.
14:00''Happiness is a Warm Gun'' ve yıldır bir şeydi?
14:03Yani, bu, bakımda bir şeydi?
14:05I think when I was growing up at this point in the 90s a lot of music it wasn't in
14:11any
14:11way mono but it was just very kind of slammed and so then when I would listen to the Beatles
14:15on my headphones I didn't really know what panning was but you take off an earphone
14:19and you only hear John you put this one and you only hear bass and drums and then I'm
14:24the walrus there's those people laughing there's the you know they were the dawn of stereo
14:27they were doing insane things so I didn't understand what that meant but I thought it
14:32was so interesting and then I got this Roland like VC something this little like that machine
14:39and I started hard panning which is something I still really enjoy doing and for the people at
14:43home who have an armchair interest in music but don't actually know what a producer does yeah
14:49how would you describe what your job is well it's like the most like reduced way I feel like I
14:56can
14:56put it is like you have a an idea or a feeling or a sense of something that isn't tangible
15:02or even
15:03really explainable and trying to make that something that you can like press play on and there's many
15:08different like routes to get there it gets very literal like what if there was an orchestra here
15:12what if the drums sounded all like this or that blah blah but at the end of the day it's
15:16like a feeling
15:17that you're trying to make a physical thing that can be played feel me yeah no I think so all
15:25right
15:25well if I came to you and asked you to produce a record for me yeah where would we begin
15:29well I
15:30like the way you talk so I feel like it would be really interesting to hear you just like playing
15:36some really interesting changes and then like giving like a sermon no interesting yeah but it kind of
15:41doesn't yeah so like it's really great to have you here today because you are a legend in every
15:48single way but now change it it's really great it's really great to be alive today to be alive today
15:55because I'm because I am what do you feel I'm bit of lost got a fantastic producer that's yeah so
16:02that's something like that's one of the best songs that's ever happened yeah thank you sorry there
16:05great but I think sleigh bells on it Christmas number one I you know I I wrote a Christmas song
16:13and and now I've been putting sleigh bells on everything they're really um anything could be
16:17the Christmas number one well not just that but like I was listening a lot of suicide recently it's
16:21like what are other things that are like this and sleigh bells you know harpsichords etc I Jules
16:26that's a good song maybe we shouldn't you maybe this the show should stop and we should just all
16:30that's it do that every all the band yeah we've just got a hit let's do it yeah you're gonna
16:33it's great
16:34yeah it's spontaneity that's the thing does that I mean that's an important part of music isn't it
16:38people if the idea comes up bang don't do this let's do something else I mean you've produced Lord
16:42St. Vincent Lana Del Rey France on the street I mean so many different people but is there approach
16:47you have if you're in the judo with Taylor Swift do you have to make the mood do you have
16:50to so what
16:51well I I just like being I really my whole life have loved writing music and playing music and then
16:56helping my friends with music I didn't realize that that was producing when I was a kid but I really
17:00like being in the studio with people who like it's like this it's like it's like you see the same
17:06thing and you chase it together and that's just a really fun exciting life-affirming process for me
17:13because I think what we all do is real powerless like we're just like grabbing at ideas and we get
17:19them
17:19or we don't and anytime you get one maybe everyone in the room agrees you're automatically filled with
17:26this horrible feeling like well that's the last one but then you get another one and that I like
17:31that you've got a great new record you were talking about bleachers your band and and presumably when
17:36you're producing them it's your songs your production you know you get on with the producer
17:41the writer and the arranger because it's you yeah but then I kind of flip into a different zone and
17:45I
17:45lean pretty hard on my band and I kind of yeah then I turn into like the balloon and they're
17:51holding me
17:51kind of you know that that type of metaphor the balloon yeah you know that metaphor you like you
17:56know it's nice to be the balloon on the string if someone's holding you right very freeing it's not
18:01nice if no one's holding you so I feel very held by them it's like a different part of my
18:06brain what
18:07are you gonna play for us in a moment we'll play a song called I can't believe you're gone which
18:11is
18:11about how even like years after a loss you can just access the totality of it from like an object
18:17nice beautiful beautifully put we're really looking forward to seeing that Jack yeah I love
18:23being here it's great come anytime or we'll write another song I don't even know what happened there
18:27we have it on tape great hope so is the tape running not sure hope so yes great thank you
18:36very much
18:36Jack Antonoff thank you fantastic next a band from New York who've been touring the world they're
18:47about to support Harry Styles with a track from their album please welcome great name and I'm going
18:53to say it fuckers
19:23time to hear
19:25time to hear
19:27okay you
19:30okay
19:30okay
19:31okay
19:31okay
19:32okay
19:34okay
19:34okay
19:45I'm lucky
19:46why
19:47oh
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26:57...leaving me next to Bowie.
26:59And then Bowie eventually turned to me and he said to me,
27:02''Tim Pope'' he went, ''Funny little arsehole, aren't you?''
27:07He hadn't said anything to this point.
27:08No, he had said nothing to me at this point.
27:11And then my retort was,
27:12and I can't really say it on broadcast TV,
27:15being a bit of a mouthy Enfield git, which I am,
27:19I then turned to him and I said,
27:21''David Bowie, complete...''
27:24''Aren't you?''
27:24And I saw his face and I thought, ''Oh, my God,
27:27this is a bloke I've wanted to work with all my bloody life.''
27:29And I've just screwed it up in my first thing.
27:32But anyway, I saw a moment where he was teetering,
27:35like, ''I shouldn't be called that name.''
27:37And then we worked together for 12 years.
27:39There you go. He loved it, really.
27:41And you asked Freddie Mercury to dress as a giant Mediterranean prawn.
27:45Well, that was quite funny, cos I was filming him in Germany,
27:48Queen asked me to make a video,
27:50and I go to Germany and I make this video with him
27:53and he was, like, being very secretive about this costume.
27:56And I kept getting glimpses of, like, these eyeballs
27:59and this mad mane of hair.
28:03And eventually he said to me, they said,
28:05''Oh, Freddie wants to see you downstairs.''
28:06So I go downstairs and he's behind this curtain.
28:09He says, ''Just a moment, darling.''
28:10And he swishes open this curtain and, oh, my God,
28:14I've never seen anything like it.
28:15I don't think the rest of the band particularly liked it.
28:17But, yeah, that got called.
28:19If you watch the video called ''It's a Hard Life'',
28:21Freddie is dressed in this glorious Mediterranean prawn outfit.
28:24But that was your idea?
28:26Well, it was Freddie's, really, but, you know...
28:28But who else?
28:29I like prawns.
28:30Yes, exactly.
28:31Yeah, so I'm sure that's why it works so well.
28:33Yeah.
28:33In 1982, the award-winning music video,
28:36''Friday I'm In Love'', sent the cure,
28:38helped turn that record into a huge hit.
28:40And at the time it was seen around the world
28:42by several million people.
28:44You know, it was on MTV and everything.
28:45Now, since then, it's on YouTube
28:48and all the other platforms and what have you.
28:50It's been seen by literally hundreds of millions of people
28:53because that's the way the modern world works.
28:55What do you make of that?
28:55I think it's incredible.
28:57I had to do a bit of research for that,
28:58particularly with the cure...
28:59Actually, there's one which is...
29:00I did a video with the Bangles, a girl band,
29:03and...
29:04Not a very good video, I'd say.
29:06But that has been seen, like, 250 million times.
29:10I mean, it is crazy with YouTube and everything.
29:12It is really incredible.
29:14All the cure videos are shown.
29:16I did something like 37 videos with the cure alone,
29:19and they're all shown, you know, millions of times.
29:24Someone once said to me that all my videos
29:26have been seen over a trillion times,
29:28and that is something to think about.
29:30Any advice to somebody who wanted to do,
29:32to go into that world now?
29:34Well, I do, which is they have no excuse.
29:37People come up to me all the time,
29:38and we've all got, like, a phone in our pocket now,
29:41and now you have, like, in effect,
29:43you know, a studio in your pocket,
29:45so there's no excuse for not making videos, you know?
29:48So that would be my one piece of advice, really.
29:51It's very nice to have you.
29:52This book comes out in August in England,
29:54and, as I say, I think your videos are magical
29:56and so strange and so out there
29:57because they're an extension of your wonderful self.
30:00Tim Pope!
30:01Thank you.
30:03The wonderful Tim Pope!
30:05There, Tim.
30:06Thank you very much.
30:10And now...
30:11Do you need any videos doing?
30:13Pardon?
30:14Do you need any videos doing?
30:15Yeah.
30:15Yeah, there you go.
30:16Got your bit of work already.
30:17There you go.
30:18I'll get your number later.
30:20Always helping, always getting in there.
30:22And now I'm really pleased to be welcoming back
30:24the wonderful Holly Humberstone.
30:27Thank you.
30:29Yeah.
30:54Thank you.
30:56Thank you.
37:35Ben, şarkı.
37:36Thank you.
37:37Kimseye ver.
37:38Thank you.
37:41Thank you, Kimseye ver.
37:43And now, over to the corner,
37:44and the delicious sound of the vocalisation and the band
37:47and the wholeness,
37:48which is...
37:49We welcome back, Sam Henshaw.
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