Tharlay Forever Team Fun | "मराठी रंगभूमीचा नवा स्वॅग! हृता दुर्गुळे आणि टीम 'ठरलंय Forever' सोबत गप्पा नाही डायरेक्ट कल्ला
#hrutadurgule #tharlayforever #marathientertainment #marathitheatre #celebritynews #entertainmentnews #breakingnews #latestnews #viralnews #marathirangbhoomi #actress #lokmatfilmy
#hrutadurgule #tharlayforever #marathientertainment #marathitheatre #celebritynews #entertainmentnews #breakingnews #latestnews #viralnews #marathirangbhoomi #actress #lokmatfilmy
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FunTranscript
00:00I'm an accidental actor.
00:02Who's a serious actor on my own film?
00:04My product told me that she did.
00:06At 18-18, we're a sustainable actor here.
00:10It's not a joke about Daruna PD,
00:11but I always like him.
00:13We're doing Daruna's music here at him.
00:17You're a girl who even played it.
00:18I mean, not Daruna PD.
00:25It's him living in too much than 12,000 euros.
00:25I cannot wait for the tickets to stand up now, no concerts.
00:28I don't know who to find a place, but I don't know.
00:31Now I don't know how much you eat.
00:33Can you ask me, Shree? I will not even throw a towel.
00:36My brother, I will not be able to get you in the morning, I will.
00:55I think we will make it a lot like that.
00:57We will never make it a lot like that.
01:01But we will never make it any more.
01:06We will never be able to make it a lot like that.
01:08Please welcome Ruta and Akshay.
01:11How are you?
01:12What is going on?
01:13Who is going on?
01:14I am a hero.
01:16We are going to do 10 minutes later.
01:19We will be back in time.
01:21And we will have a lot of time.
01:24What do you want?
01:25Finally!
01:26Wow!
01:27We've got 10 minutes left.
01:29We've got 10 minutes left.
01:30We've got 10 minutes left.
01:34What's your question?
01:35Female artist writers or male artist writers?
01:37Okay, you say female writers.
01:41Writers or artists?
01:42Yes, yes, yes.
01:45You've got a lot of them.
01:47You've got a lot of them.
01:48Shamas.
01:49Shamas.
01:50You've got 10 minutes left.
01:50Not as a character.
01:51Even if you've got 10 minutes left.
01:52Good.
01:55Because you've got 10 minutes left.
01:57We've got 10 minutes left.
01:59This is a hero of Natakar.
02:02This is a character of Natakar.
02:02And today we've got 10 minutes left.
02:05But this is a character of superheroes.
02:07You've got to be a writer.
02:08Let's see.
02:09So, welcome to the film of Lokmat.
02:14Not to tell you.
02:15Not to tell you.
02:17I don't know how to do it, but I don't know how to do it.
02:21If we don't do it, then we can do it.
02:25We can understand every person in this area.
02:29If we don't know how to do it, then we can do it.
02:36I want to be an accidental actor.
02:39Why?
02:39I don't know how to do it.
02:41I don't know how to do it.
02:43I don't know how to do it.
02:46But I actually worked as an assistant director.
02:48They also do advertising mass media.
02:51And we all know that you have an on-field experience.
02:57So, I am an assistant director of this series.
03:00They also become a costume editor.
03:02So, I can audition for the first audition.
03:09I don't know what happens.
03:11We all have to be able to do it.
03:13So, my name is Ayesha.
03:15When I am a student, you can't harvest more.
03:21I can't wait until I have a father's daughter.
03:22So, for that, I actually started the role of this series.
03:26And there is a good news for me.
03:28And in my songs, for me, we're talking about good news.
03:29And for me, I'm not going to do it again.
03:30So, I had to live a good news in my television.
03:34Then, I thought, I was just wondering about that
03:36In the field, in Marathi, mainly, our students,
03:40who are acting as an actor as an actor,
03:44very frankly.
03:45Because you don't have to worry about stage and stage.
03:50Television, cinema, you have to be close, master,
03:54that's what happens in this field.
03:57So, in the theatre, you don't have retex.
04:00And also, you have to be able to do as an actor.
04:03You can do it.
04:05After some point, I played 10 years,
04:07and then I thought,
04:10I didn't want to be able to shoot 9 to 5.
04:15It's almost like an office.
04:16I shoot at the daily show,
04:18and it's packed up.
04:19It's not 9 to 5.
04:21It's only about 4.
04:22That's it.
04:23So, I thought,
04:24why don't you play this role?
04:25Also, because, like I said,
04:26why don't you play this role in our field?
04:29Which I genuinely feel.
04:30Why don't you play this role in cinema,
04:34and that's a serial?
04:37I think it's the beginning of the series.
04:39In March, I think,
04:44it's about 13 years.
04:46I do a good job.
04:48It's important to have a good job,
04:48but I have a good job
04:49and I work with the medium,
04:52I think that's important as my goal.
04:56And I think,
04:57all of these HISP DNA products
04:58extremely grateful.
05:00I've seen a great job,
05:01film a film,
05:02film a film,
05:03films a film,
05:04film a film,
05:05that's it.
05:06I think we have a lot of financial stability in the television.
05:11And also the main talent, like in the gym or reps.
05:16So I think we have a lot of the television.
05:18And I think we have confidence that we can explore other mediums.
05:22Okay.
05:23Now, if you meet one million, you do this.
05:27But you don't do this in the other world.
05:30Yes.
05:31Yes.
05:32That's the same.
05:33That's the same.
05:37Actually, it's a great thing.
05:38I think we have a lot of experience.
05:39I think we have a lot of experience in Sampurna Maharashtra.
05:42I think we have a lot of experience in this world.
05:44We have a lot of experience in this world.
05:50But...
05:52But, you know, you work in this film.
05:56It's the same.
05:57You know, you're a big fanboy.
05:59No, you're not.
06:01I think we have a lot of experience.
06:02It's a lot of tension.
06:03It's a lot of tension.
06:04So I think from the producer, you're a lot of tension.
06:06And also, I think we have a lot of tension.
06:08And I think, if you have a lot of experience in the actor,
06:11he's doing this, he says,
06:12he doesn't have a lot of experience.
06:14So you don't have a lot of option.
06:15But you are answerable to your team.
06:17So I think, that's very stressful.
06:19But the growth is going on.
06:23The tension is going on.
06:25So I'm enjoying it.
06:26I think that the growth is going on.
06:30And when the growth is going on Saturday, Sunday,
06:33the growth is going on.
06:35What are you going on?
06:38I'm going to say that the better friend of Rishi Devshakshil is going on.
06:42They are the front runners.
06:43I'm genuinely saying that the growth of Rishi Devshakshil is going on.
06:49This is the question of the back-end and the front-end will be a star in front-end.
06:54What is the question?
06:55The question is, if you have a star of a star of a star of a star of a star
07:02of a star of a star of a star of a star of a star of a star.
07:11The star of a star isficult. What does this question happen to you?
07:19I see, Mr Gosh Finna has a great difficulty for you.
07:23Because every time in the moment, dunno.
07:27It's significant the best possible world.
07:27After 1886's career had been questioned,
07:30the extreme life crisis got bigger.
07:39But the histó coming from experience the suicide,
07:41the
07:42system is running well
07:44the
07:45people are
07:47supporting
07:52the
07:53manager
07:55the
07:57business
07:58the
08:00business
08:00the
08:01business
08:01foreign
08:31you know in this country, when you say to others,
08:32what is the most difficult thing about the things such as how the little village.
08:35When we say something about the village,
08:38we say that the village is not about the village,
08:40but we know that people are just about the village,
08:47but we say that the village is about to resources.
08:48We want to stay in the village,
08:51whereas people arrive there suddenly,
08:53and people wait until you see that the village will continue to do it.
08:59Because the village will not go through the village.
09:07It's a very optimistic and positive thing about it.
09:14It's a young crowd.
09:17It's not just that we can sing.
09:20Because the youth can sing.
09:22And the youth can sing.
09:26So I don't want to sing.
09:29We can sing.
09:29I think that we can sing.
09:32I think that we can sing.
09:36We can sing.
09:36I think that we can sing.
09:41Because my dad has a good news.
09:43In 2018, we are now at a time.
09:46It's a very difficult time.
09:48There's a lot of OTT booms.
09:51There's a lot of viewing patterns.
09:53There's a lot of people.
09:54We had a lot of Covid.
09:54We have a lot of people.
09:55We have a lot of travel.
09:58People think that we can do that.
10:01We can do that.
10:02They can do that.
10:04They can do that.
10:17They have a lot of people.
10:18They have a lot of people.
10:20They have a lot of people.
10:24They have a lot of people.
10:25They have a lot of people.
10:26In fact, when we are now at a time,
10:28we have to think about how to do it.
10:30How to do it.
10:31In the book, in the book, in the newspaper, in the book, in the newspaper, in the Instagram.
10:34So that we can figure out.
10:36You can do that.
10:40We can do that.
10:42Yes.
10:42You can do that.
10:44Yes.
10:45Yes.
10:45The first one, we were going to be doing this.
10:47We weren't learning.
10:49I'm looking for what happened.
10:50I'm looking for something.
10:52I'm doing everything out here.
10:53I'm doing everything out here.
10:55I'm going to be doing this.
10:55We're going to go to the first purpose of the house.
10:58No.
10:58I think that the appeal of the people that are very important is that we have a lot of questions.
11:08Because the amount of effort, the amount of money you invest,
11:12obviously as an actor, I think that we will recover our project.
11:18Because of the time, we have to live our lives.
11:21We have to live our lives.
11:22We have to live our lives.
11:22So I definitely don't have to say anything about that,
11:26that you have to say something like that,
11:28and how do you do it?
11:29But how do you do it?
11:30Why do you do it?
11:31Because I was thinking about it.
11:32So sometimes it's hard to say,
11:33sometimes it's hard to sell it.
11:35But it's hard to say.
11:37If you open the newspaper,
11:39you have to say,
11:42why do you choose people?
11:44And in fact,
11:45why do you choose people?
11:47Because you have to say,
11:49you have to say,
11:50that is how you know each other,
11:53and that is very difficult.
11:54Because you have to say,
11:56there is a word called Tarunpidi.
11:58Right?
11:59Yes.
12:00So I thought,
12:02the idea was that you can raise Tarunpidi.
12:06Because you are writer of this,
12:08you have to say,
12:09So you have to say,
12:11a beautiful book,
12:12a beautiful book.
12:15So,
12:16these ideas,
12:17You would not think about it as you know,
12:19we would not think of it as one of the countries
12:23like 4-4 per day,
12:25or if we wouldn't think the world would go
12:28back to 200 million US,
12:30we'd say it,
12:31that this would not be the world to give us
12:32We would not like that.
12:34So our audience would like to say,
12:37we don't need to step up to getting
12:40the background in our field.
12:44So what are we doing?
12:53I think option number 2 was very much feasible for me and I think I'm deliberately back of the mind.
12:59I don't think that my heart is a primary motive.
13:11I think I have a lot of questions about the truth, but also about the truth.
13:18If I think that the truth is not clear, I think that the truth is not clear.
13:25I think it's clear that my heart is not clear that my heart is clear and that my heart has
13:32the truth.
13:32That means, that is not human beings. Young is human beings.
13:38Your hope is to be human beings.
13:41This is not human beings.
13:43Exactly. It's not age barrier.
13:47We are immediately transported back to...
13:51Exactly. You are almost the same.
13:58So, tell us about this,
14:01and tell us about this.
14:02Do we have a question?
14:05Do we have a question?
14:06Do we have a question?
14:07Do we have a question?
14:07Do we have a question?
14:10To be very honest,
14:16because we have a genuine answer.
14:18We have a question.
14:19Do we have a question?
14:23No, no, no.
14:24I think I appreciate your honesty.
14:27So, I'll be very honest.
14:29See, Lihina itself was a mammoth of a task.
14:33So, I mean,
14:35we did the first draft,
14:39but eventually,
14:40we had to refine the final draft.
14:43I mean,
14:45on the page,
14:46I mean,
14:49again,
14:50it's a call.
14:52It's a teamwork.
14:52So,
14:53it's a work that works.
14:53I mean,
14:54it's a work.
14:54We have to fill in business.
14:56And they work on board,
15:02and they work on the spot ready.
15:04So,
15:04tell us about this.
15:06That's the only pat to make it for us?
15:08Can it tell us about this one or another one?
15:09No,
15:09I'll tell you about it.
15:11So,
15:12you start to do this show.
15:14We got to know each other.
15:16What is the question?
15:18You think that you do that.
15:20How do you think you do that?
15:23What is it?
15:24I do not think so.
15:26What is the name name?
15:26It is the name name name.
15:28I think the name name is the name name of the cinema.
15:35One of the products, one of the cinema, is the name name of the cinema.
15:38You are very lucky.
15:41But it's not a real name, but the file of the film is the name of the cinema.
15:46So, what do you think about this reason?
15:49First, I have a very honest answer.
15:52I think it's important to work with female writers.
15:55Because I think that female writers...
15:57I don't know what to do with my dad's good news.
16:00There is a series called Kalyani Pandit.
16:03There is also a series called Kalyani Pandit.
16:06And I think it's important to work with female writers.
16:08I think it's important to work with female writers.
16:12Because I think that the sensibility of female writers...
16:17That's why I think this is a very important part.
16:21I think that many writers have been interviewed for this interview.
16:23Definitely, please, I don't know.
16:26I think that we can't do anything to work with female writers.
16:30Because I think that we are doing a lot of work.
16:33I think that we are doing a lot of work.
16:36I believe a lot in collaboration.
16:37And as I said, the script is great.
16:40I think that my father is great.
16:42And I think the language of the Ada is great.
16:45And that's why I think that I think that my youth is great.
16:49That's why my lingo is a lot of work.
16:52Even if you don't say untie and non-tie.
16:55I am teaching this subject.
16:58I don't teach them anything.
17:00But that is the direct tool of my friends.
17:00I think that we have done very well.
17:01I think that the intent of the project and the intent of that person really matters.
17:06that we have to get good or good.
17:10That's what we have to do.
17:11So we have to do this.
17:13I think that's the same thing.
17:17And then,
17:18the same thing is that we have to do
17:20and that is the honest thing.
17:23That's why we have to do this.
17:25Because we have to do this problem.
17:28Exactly.
17:29And we have to do this very difficult.
17:32Because we have to do this problem.
17:33And I think that we can get the money and get the money.
17:38And that's why I think that we can do it every month.
17:42And I don't think I'm delusional.
17:46That I don't want to go to the bus and get the money.
17:50That's not it.
17:51We can fight every weekend.
17:53I think that we can do that.
17:54And I think that we can do that balance in our team.
17:58And I think that's the intent.
18:00That's the best.
18:01How do you cast in Kapil?
18:03I am going to be late at the show.
18:07Yes, Kapil, how do you cast in Kapil?
18:08You say that.
18:09Yes, Kapil, how do you cast in Kapil?
18:11Sometimes an actor has to stand up for himself.
18:14He says, I don't have any thoughts about her.
18:19I'm going to make a joke.
18:20I'm not going to make a joke.
18:21I'm not going to make a joke.
18:23I'm going to make a joke and I'm going to make a joke.
18:28I'm going to make a joke.
18:30I'm not going to make a joke.
18:31But I'm not going to make a joke.
18:35I'm not going to make a joke.
18:36Somehow, the story became postponed.
18:41I was going to make a joke,
18:43and I thought,
18:47to be able to make a joke,
18:48and to be able to make a joke,
18:49I thought that the script went out.
18:50That's all.
18:51I thought that was a joke.
18:54I thought that the story had gone out.
18:56I was not going out.
18:58I don't have to do a movie.
18:59I think the movie is a great one.
19:01Because I think it's a great one.
19:04I think that Kapil is a great one.
19:08I think that Kapil is a great one.
19:08Because I think that's a great fantasy.
19:11If you remember.
19:12Kapil is a god.
19:14You should come and watch.
19:16Yes, I am.
19:17I am going to go to the movie.
19:18I don't want to know that Kapil is a great one.
19:22When he comes to the movie,
19:23what do you think about it?
19:25The first question is that the relatability and quality is extremely high.
19:30The first question is that if we have a youthful content, we have to connect to the audience.
19:43Why shouldn't we step up and do this for ourselves?
19:45Again, as an actor, I had to step up.
19:48As a director, I had to step up.
19:49As a director, I had to step up.
19:50I had to step up.
19:51I had to step up.
19:54I had to step up.
19:55I had to step up.
19:56I had to step up.
19:56I figured out that everybody was similarly passionate.
19:59I heard that everyone had to do that.
20:04I had to step up.
20:05I had to step up.
20:06I saw that my product was a good shape.
20:08I was looking for R&D and the basics, it was a great work.
20:14I was looking for small, small, small, small.
20:15I was looking for my actors.
20:18It is a platter.
20:19It's a dream for any actor, I would say.
20:24He's more likeable, more vulnerable, more sensitive.
20:31It's very nice. He's a very attractive character.
20:34You've seen a lot of characters in the film.
20:37You've seen a lot of characters in the film.
20:40Who's your favourite character?
20:42I don't know.
20:44I don't know. I don't know.
20:47I don't know how to make an immersive, but when I'm in 5D,
20:50I'm going to make an immersive film.
20:52I'm doing this.
20:54I've had an immersive experience before.
20:58I've been out and out.
20:59There's a character.
21:01I'm Harish.
21:04I don't know the character being an actor and artist.
21:07It's not the role that you have.
21:10I'm just going to show you a shell break.
21:13He'll always be very special for me.
21:16I don't think we have to do this work, but we have to do this work.
21:22What do you think about this work?
21:27I don't think that's it.
21:28Okay, so I'm going to write a script and I'm going to write a script.
21:33How many people do this work?
21:34No, I'm going to write a script.
21:37I'm going to write a script.
21:39I'm going to write the script I'm going to write a script.
21:45So, no matter what it is, I have written some of the books.
21:51I am going to write a script.
21:54I'm going to write a script.
21:57I have a strong feedback from that reason.
22:00It's like this script is written.
22:04I'm going to write it in the script.
22:06So, eventually, we had the poster.
22:14We had the execution, but we had the execution.
22:19We had the people who had the same place and they had it.
22:22When we started, they had the 4 units and it was so good
22:27that we had the poster and we had the same place.
22:30And it tells a lot, that scratch bus is not going to be one of the most.
22:35So I definitely think that Rishi is doing well because it's a good thing.
22:41Language is very good.
22:43It's a small piece of jazz.
22:48I guess Rishi can sing a lot.
22:52I think that Rishi can sing a lot.
22:55Of course I can sing a lot.
22:58But Rishi can sing a lot like Rishi.
23:02So I think that Rishi can sing a lot like Rishi.
23:15Next question to Ruta and Rishi.
23:19How do you play in Marathi?
23:22Why do you play in Marathi?
23:23Why do you play in Marathi?
23:25Because there is a LED screen.
23:27It's a little bit.
23:28It's a little bit.
23:30It's a little bit.
23:31It's a little bit.
23:33It's a little bit.
23:35It's a little bit.
23:36It's not Ruta.
23:38But we play live.
23:40Let me mention that Ruta's play.
23:42And if we did not play live,
23:43and if we did a series of events in the background,
23:45we did a lot of live?
23:46I actually did a lot of work.
23:48I didn't do that.
23:50If I took a picture,
23:52If you want to go live, do you want to go live?
23:56No.
23:58No, that's not possible.
24:01What is possible?
24:02No, but we don't have to go live.
24:05We're going to go live.
24:06Yes, we're going to go live.
24:09Because I think we've got to go live.
24:12I think we've got to go live.
24:14We've got to go live.
24:18We've got to go live.
24:19We are going to go live.
24:22The problem is that we don't have to go live.
24:28Because we love to go live in our culture.
24:31I think we've been worried about that we are working in America.
24:33It doesn't have drama, emotions, and things seem to be angry.
24:38It is not only a rollercoaster of emotions,
24:40it is great.
24:42This song is 7 years.
24:43It is very difficult for us to think about what is happening in Abir and Meera, and what is happening
24:48in Abir and Meera?
24:50When I was in the middle of the scene, I would like to say,
24:55Om Shantyom would be the first time.
24:57Om Shantyom would be the first time I would like to say something.
25:00Like Shah Rukh Khan, D.P. Kapadukhan would be the first time,
25:02and it turns into a dream world.
25:08So, these two are the same songs,
25:11and they are also the same songs.
25:13And they also have to pause.
25:16So, we have to pause.
25:18We have to pause on stage.
25:18We have to pause on the screen.
25:21And Chandra is pink and goes into a dreamy world.
25:24And these two are very beautiful and they dance.
25:28So, I don't think we have any concerns about the people who are here,
25:32or the people who are here,
25:34that is the point of the time.
25:35to not allow you to come back in the day.
25:37But I have to question one question,
25:40which is my advice,
25:42which is your advice?
25:44Why is your advice, your advice?
25:46Yes, I'll give you advice.
25:50How is that?
25:51It's your advice, it's your advice.
25:54You're just one of the advice.
25:56I cannot discriminate.
25:59Because I think a way to stop
26:01it doesn't look like it's a position
26:18I don't know how it happened, but the way the Akshata is the same thing is similar to Akshata's.
26:26And this is the second one.
26:28The last one has a sharpness.
26:29The sharpness is very similar.
26:31Then we have made two other people of color.
26:34And one of them is the same.
26:36My friend is a couple of times..
26:38And we just have to say that these are the same.
26:41They are all the same.
26:43They are all the same.
26:44But we can have to say that.
26:46And then they are all the same.
26:46It's like we have to say that.
26:48But we have to say,
26:48the same casting,
26:52we don't have to say that.
26:53That's not true.
26:54No one with it.
26:55Everybody has all these people on board.
26:59Abhinita Kapil.
27:01Abhinita Kapil, Abhinitri Bat 就 would want to talk about it.
27:04One name, bring me the name of it.
27:06Yeah.
27:11See, it seems like it's just the team.
27:14One question is how you don't enjoy the situation and how you don't enjoy it.
27:23My first question is the question of the Dhamlian,
27:28I don't know, but I will put my clothes on the other side.
27:34The other thing is the other thing is the one thing that has come to me.
27:37I don't know how much of it has come to me,
27:38I don't think I have seen the energy in the next couple.
27:42but I am a fan of this.
27:45I was asked and I was asked.
27:47And what do I do to do to do to do to do a job?
27:51No, I do to do a job.
27:53I have done a job for working.
27:56No, so we are the director.
27:58I am doing it first.
28:00First, of course, I do my job.
28:02But the first person is, you're scared.
28:05I have to do a direction.
28:07I do a direction.
28:09No, I am not.
28:10No, you have to leave.
28:11No, I understand.
28:14The first part of the work was to do this first.
28:17Oh, my God.
28:19So, you don't have any part of the work?
28:22No part of the work?
28:24The work is done in the work.
28:26No.
28:27I don't think it's your work.
28:29But these work is done in the work.
28:33I'm talking about the work of the work.
28:35And these work is done in the work.
28:36We have a lot of work.
28:37He was in a very good place and he was in a very good place and he was in a
28:41very good place.
28:43So, he would go to that place.
28:45Okay.
28:47Kapil!
28:48I was the same as the Nattak, the Aishat, and then he would be like this.
28:52He was the same.
28:53The same as the Nattak.
28:55And I was in Tripal, he was the one and I was the one.
28:58In my house I came to see the Nattak and the Nattak was the one and there was one.
29:03But I think that's the first thing that I've ever seen before, I think that's the first thing that I've
29:08ever seen before.
29:10Which artist?
29:11Sagar Gunjala's mentor, Sagar Gunjala's mentor.
29:15And I think that's a good thing.
29:18It's a lot of fun.
29:19I think that's the first thing that I've ever seen before.
29:22One, two, three.
29:24No, no, no.
29:25If I've ever seen this, I'll do it.
29:29No, no, no.
29:33You're too good writer, no.
29:34Absolutely.
29:36Now you're very good.
29:38Amazing.
29:40So, first of all, I think that's the first thing that I've ever seen before.
29:42And the second thing is that I've ever seen before.
29:44I mean, I've never seen a big push.
29:48I've never seen it before.
29:49I've never seen it before.
29:51I've never seen it before.
29:51Nice.
29:52Akshay, are you?
29:53No, I think it's distinctly aughty.
29:57I think it's a glimpse.
29:58All the things to come on.
30:01I haven't seen it before.
30:02The other thing is that I haven't seen
30:03These days?
30:08Was đầu going into this?
30:09What happened now?
30:12Oh, there aren'träторы for us.
30:13I have never seen it.
30:13And she'snt that light-off,
30:18My wife ho can do that during a few times.
30:23I find the images right now,
30:24The image 뭐 happened?
30:26On the other hand,
30:26So, I must be the image.
30:28so you don't see meshing Тут.
30:28I'm not a fan of the London references, all of those people are like,
30:31All right, all right, all right, all right, all right.
30:33But I just said that I was improvising my story.
30:36I just said that I was at home,
30:39like, I was at home.
30:40So I used to say that,
30:42and that is why I'm not a fan of the work.
30:44But I don't know.
30:47But that's my lesson,
30:50so you repeat.
30:51I think I am very interested in them.
30:55So I don't even talked about this.
30:57The first thing we have came about is Sa.
31:01I am making a leap for a baby.
31:04Sa or Sa?
31:05Sa.
31:06Sa is a blue one for us, but
31:09we don't care about Sa.
31:13But Sa is a leap for a baby.
31:17We are getting a leap for you.
31:19We are notYou.
31:19We have no idea.
31:21It is not so big.
31:22I don't know what the stock is like.
31:25I mean what's going on to be like?
31:26No, we have not.
31:28It's happening in the past.
31:29I think my pre-marriage question is very easy to think about.
31:32That's right.
31:33Why don't you say this?
31:34Why don't you say that?
31:35That's not the job.
31:35We are doing work.
31:37We are doing work good,
31:38We are doing work with Shikha Stesk and Cinderella.
31:41We are doing one year old analogy.
31:43We are doing one game with Ovi.
31:44We have done one game with different people.
31:48So, do you want to talk about the dialogue?
31:50It's very difficult to talk about the dialogue.
31:53There's a lot of dialogue.
31:54But we've got a lot of dialogue.
31:57Recently, we came to the GR,
31:59and we've got 10 years,
32:01and we've got a lot of dialogue.
32:04We've got a lot of dialogue.
32:05So, we've got a lot of dialogue.
32:07Sorry, sorry.
32:08But we've got a lot of dialogue.
32:10So, yeah, this is the distinct memory
32:12that we've got a lot of dialogue.
32:13I've got a lot of dialogue.
32:14I've got a lot of dialogue like this.
32:19We've got a lot of dialogue that's done.
32:20How many of you have to do it,
32:23and how many people can do it.
32:24I've got a lot of dialogue in my life.
32:25But you've got to have a lot of dialogue.
32:28You've got to have a lot of dialogue in my life.
32:31I've got to have a lot of dialogue.
32:31Oh, man, I was amazed.
32:35I thought, how are you fast?
32:37How are you doing?
32:38How are you doing?
32:41It was amazing. I heard it, I heard it, that it was a great song.
32:46But I think it was a great song. You know, you have to be impressed with it.
32:52I'm amazed at how much this was possible.
32:54And my dad's good news is about to say.
32:58But you do have to be able to sing with this song.
33:01You are making a song, you are making a song, you are making a song, you are making a song.
33:04You are making a song with Marathi, Rangabhumiwar, and how do you get a song?
33:08So how are we going to do this?
33:10We are going to continue forever.
33:13Because I think we are going to focus on forever.
33:17Because we are going to continue 27 years in this period.
33:20And we are going to continue to do this.
33:22Because this is a great effort to do this.
33:25I am sure we are going to do this every project.
33:27But we are going to do this work.
33:31We are not going to go to the next project.
33:32So we are going to do this work.
33:33Because all of this projects that are happening
33:35and work is hard to do it.
33:38So if we have a huge priority this world,
33:42we are going to try to move together.
33:43And thank you very much for being here.
33:45Thank you for inviting us, all this contentment liberal.
33:46I am very sure ...
33:48The transformers will show you ...
33:50But now everyone is working with the recent article.
33:53But you will not ask about this article.
34:01This article is a powerful article.
34:18Thank you very much for joining us today and thank you for joining us today.
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