Spider Noir 2026 Episode 2 Eng Sub | Spider Noir Ep 2 eng dub - video Dailymotion

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Transcript

00:00THE END

00:09Silvermane.

00:10Charged of organized crime for 30 years.

00:12Someone burned down his mansion a couple of nights ago.

00:15Addison!

00:16You keep following me, it won't end the way you want it to.

00:18Does this guy have superpowers, like you?

00:22Do me a favor, hold off on printing that.

00:24I want to warn Donnerville before he gets himself killed.

00:27It's a little for that.

00:28There's gonna be a free-for-all.

00:29The people could use a hero.

00:32I hope they find someone.

00:33I can't help but wonder what Ruby would think.

00:36I'm not that guy anymore.

00:38Any chance you know who this is?

00:40Oh, that's Cat Hardy.

00:41Star attraction over at the alcove.

00:43Is there somewhere we can talk?

00:44It's business.

00:45Clint?

00:45Despite what I do, we don't enjoy hurting people.

00:52Don't hurt him.

00:54What the hell is this?

00:55Just leave us alone, please.

00:56When someone tells you what they are, you have to listen.

00:59And what is he?

01:01Retired.

01:02I came here to offer him a job.

01:04My friend we met last night, he's disappeared.

01:33You were saying Flint's your bodyguard.

01:36Yes.

01:36He protects me and he's loyal.

01:38Hard to find these days.

01:40No kidding.

01:41I didn't marry my husband for his looks.

01:43What else can you tell us?

01:44Does he have family?

01:45Friends?

01:46I don't know anything but his personal life.

01:48I know his address.

01:50Are we here to talk about the fact that he turned into some kind of sand monster?

01:55What I know, she knows.

01:57What I know, she knows.

01:58It started about six months ago.

02:00Slow at first.

02:02But it's been getting worse.

02:04And he never remembers when it happens?

02:07Oh, he always remembers.

02:08Unless he gets clubbed in the head with an iron girder.

02:12That's it?

02:12He turned into sand.

02:14That's it.

02:14It was sand, right?

02:15It just seems kind of like a big deal.

02:17So do you have any clues as to what's causing this to happen?

02:20You haven't given us much to go on.

02:22Isn't that what the money's for?

02:24You're an investigator.

02:26Investigate.

02:28You know, an artist doesn't just paint with air.

02:30He needs a canvas, brushes, paint.

02:32Do you think I'm withholding from you, Mr. Riley?

02:35What if I said I did?

02:36I'd ask why you thought that.

02:37I'd say a lifetime of experience.

02:39With clients?

02:39With women.

02:43As fun as this little game is, I'm afraid I have other business to attend to.

02:47Get to painting, Mr. Riley.

02:58What do you think?

02:59I think you might need a cold shower.

03:02I think I might need one.

03:06But you're right.

03:07I think she is hiding something.

03:09All the fun ones do.

03:11I'm gonna check out Flint's apartment.

03:13Why don't you go down to the...

03:14Bureau of Criminal Records?

03:16Yeah.

03:17Been a while since we've had a real case.

03:19But it ain't been none long.

03:22You gotta accentuate the positive feeling.

03:29Money to negative and latch on to the affirmative.

03:35Don't mess with Mr. In-Between.

03:37You gotta spread joy up to the maximum spring bloom.

03:44Down to the minimum and have faith.

03:47Amen.

03:48A pandemonium lovel to walk upon the sea.

03:53Amen.

04:01I'm gonna meet a new supplier at the docks tomorrow.

04:05Canadian.

04:07You didn't tell me that.

04:08I'm telling you now.

04:11It's not smart for you to go out in public

04:12till we know who tried to take you out.

04:15I'll go where I want.

04:16With all due respect, you don't pay me what you pay me

04:19for my charm or disposition.

04:21You pay me to keep you alive,

04:22and I'm telling you it's a bad idea.

04:25If you dying benefited me,

04:26I would have done it myself ten years ago.

04:28But I know what I'm good at,

04:30I know what I'm not,

04:31and I need you to stay alive and in power.

04:34So pretty please, with cherries on top,

04:36let me go down to the docks ahead of you,

04:38and once I make sure everything's kosher,

04:39you can waltz on in

04:40and show everyone the brightness of your feathers.

04:44Are you finished?

04:48The problem is not that the guy is out there.

04:50The problem is that they thought they could take me out at all.

04:54Ever since the spider disappeared,

04:56things have been comfortable.

04:58Maybe someone's thinking that I got complacent.

05:01Or soft.

05:03Maybe you were one of them.

05:06Thinking you could take me out?

05:09If you could set yourself on fire like Addison,

05:11then you wouldn't have a shot.

05:13Imagine controlling that kind of power.

05:17How Flint goes missing.

05:19Right after.

05:21He's been acting strange lately.

05:23If those two things are related,

05:26go look for Flint.

05:32And when the boys find our P.O., Riley,

05:36bring him straight to me.

05:53The colors fading from the photograph.

05:55I could tell the story.

05:57But still you wouldn't know the hair.

06:00This love has brought to life from shots of glass.

06:03When you kiss me, there's a shifting in the sepia tone.

06:07Can't escape the madness, baby.

06:09Magnetism.

06:10Run away, but something pulls me back into it.

06:14Lately, I've been staring at a broken mirror.

06:17Needing someone to come out.

06:20Hey, brother.

06:24I need someone to save me now.

06:27For all the pain I suffer.

06:30Ain't anyone who wears me now?

06:34Can't you know the oil or the pain I see?

06:38It's been tough to taste.

06:40But you can be my saving grace.

06:45Na na na na,

06:46Na na na na,

06:48Na na na na na na,

06:51Na na na na na.

07:34Great.

07:47Hi, this is Robbie Robertson calling.

07:49Mr. Robertson, how many times do I have to tell you

07:52you're never getting your old job back?

07:54Now, listen, I don't know if Walters has seen

07:56my article in the Gazette, but I just...

07:57Mr. Robertson, there's no point in...

07:59What I'm saying is I just need to sit with him, that's all.

08:02Mr. Robertson, please.

08:03But if you...

08:03Mr. Robertson, I'm going to hang out now.

08:06I'm on to something truly sensational.

08:09It's the biggest story of years.

08:10There hasn't been anything this big since the spider.

08:14Mr. Robertson, I promise it'll be worth his while.

08:21I'll see what I can do.

08:30Good, Marco.

08:32Got a delivery.

08:34Anybody home?

08:35Oh.

08:35Uh...

08:36Uh...

08:37Uh...

08:38...

08:44Let's go.

09:22Let's go.

09:52Check the bedroom.

10:15Check the bedroom.

10:18Check the bedroom.

10:50yeah a bit fancy from my taste and i got a pretty good idea why why let's go you think

11:00you got a new lady that why he ain't coming to poker lately

11:10if you're cool and you don't know where to go to why don't you go where fashion sits

11:23oh no not me hank said to report i'm dumb as ever

11:30i'm just sitting outside i didn't know if i belonged to anyone

11:38no my wife made me quit eating these okay well in that case i last i checked you ain't my

11:44wife

11:47name flint marco all right right back when you did touch that bag it ain't a bribed if i don't

11:53get to eat it

11:56damn it you're deceased

11:57oh hey charlie how you doing

12:02quite the record our mr marco grew up in brooklyn working class came back with no prospects

12:09small crimes then bigger ones arrest arrest arrest now an enforcer for silverman

12:17that winston guy showed up while i was at flint's

12:20you hid in the closet i hid in the closet

12:24mo sargon didn't you fight there too yeah it was one of the biggest battles of the war

12:30and where a million of us are hold on

12:33is that addison looks like they were in the war together is that what cat is hiding from you

12:39i bet she knew that flint had a friend with superpowers

12:41oh i know what i don't know is why she didn't tell me

12:45probably thought you wouldn't have taken the case

12:46she would have been right

12:49so

13:00so

13:24I don't think I've ever heard that one.

13:26I wouldn't think so.

13:28It's an original.

13:31I visited Flint's apartment today.

13:36Does this mean anything to you?

13:38I knew he was in the war.

13:40Hard to believe he was ever so young.

13:43What about this guy?

13:44You see him?

13:45This little guy right over here?

13:47You ever come around the alcove to visit Marco?

13:51Can't say I've ever seen him.

13:53His name's Addison.

13:57He's the guy that burned down Silverman's mansion.

14:00He's dead now.

14:01So is the P.I. that shot him.

14:04What can I say?

14:06The world's a dangerous place.

14:12You're pretty cool under pressure.

14:13I wasn't aware I was under any.

14:15Why don't you tell me Flint worked for Silverman?

14:17Would you have taken the case if I had?

14:18I don't like surprises.

14:19I'll remember that when your birthday rolls around.

14:24The deed is under my name, but it's no secret Silverman owns this place.

14:29And Flint's a good way to protect his investment.

14:32And you.

14:33And me.

14:35You see, this club lives and dies on people walking through that door because they want

14:39what I give them.

14:43You trying to get me, Mr. O'Reilly?

14:46Get you?

14:48Understand me.

14:49Seems you got my number.

14:51I've learned a lot of them over the years.

14:53Oh, want one for every Tom, Dick, and Harry?

14:56Hmm.

14:57You're interesting.

14:58Oh, yeah?

14:59How's that?

15:00Oh, the other night when we met, you called yourself a coward.

15:03But I think you're braver than you let on.

15:06Oh, you're good.

15:08In an obvious sort of way.

15:10I must settle as the situation requires.

15:13You see, I have business with Silvermane and I have business with you, Mr. O'Reilly.

15:17One has nothing to do with the other.

15:19Now, have I said enough for you to keep the money you came here to return?

15:23Or have I misjudged you?

15:25No, I'll keep working the case.

15:27Not because I'm brave.

15:30Why, then?

15:30Uh, a singer's got to know all the numbers.

15:34Maybe a detective just got to know all the answers.

16:05Oh, my God.

16:24Hey, Dad.

16:25Shh.

16:25Shhh.

16:35Uh...

16:38It's, uh...

16:39Tai Chi.

16:40Yeah, that's right, it's Tai Chi.

16:42It's, uh, it's good.

16:43It's good for breathing and relaxation.

16:47I recommend it.

16:50I don't have the slightest clue what you're talking about.

16:52We don't care either.

16:56Oh!

17:02A toaster, really.

17:04Gosh, I shouldn't have thrown it so hard.

17:15Come on, let's go for a ride.

17:27You mind telling me why I'm here?

17:30Silverman wants to see you.

17:31I figured that. I'm asking you why.

17:33We're not really the why guys.

17:35Maybe you wouldn't be here if you didn't try ripping the boss off.

17:38Ah, Donegal.

17:40I don't have anything to do with this little scheme.

17:42I actually try to talk him out of it.

17:44Like I said, the boss just wants to talk.

17:46And I've got no idea who hired Addison to burn down your boss's house.

17:50You don't know nothing, huh?

17:52Double negative, but we'll set that aside for now.

17:54My point is I'm not much of a detective.

17:56Yeah, then you got nothing to worry about.

17:57Just like Donegal, right?

17:58Oh, yeah. Just like Donegal.

18:01By the way, I am sorry about the nose.

18:04Me?

18:05That was him.

18:12Get out!

18:21Where'd he go?

18:22Check the side.

18:30Boss ain't gonna like this.

18:32Yeah, he wanted us to bring him in.

18:35Get in the car!

18:37You dumbass.

18:47Times are tough all over.

18:49But the true measure of a city

18:51is in how it responds to the hard times.

18:54And this isn't Topeka or Kalamazoo.

18:58This is New York.

18:59We're gonna link arms and stand strong

19:02against the rising tide.

19:07What's the headline here?

19:10Desperate Morris delivers dud.

19:13I'd go with quadruple M.

19:15Mayor's missive misses Mark.

19:18Man, I wouldn't trust Hudson to do my laundry.

19:20That man's gonna beat Morris by ten points.

19:22Sometimes you just want a different brand of snake oil.

19:25No.

19:25So, uh, you gonna explain your face?

19:29Let's just say you should lay off the Addison reporting.

19:34Silverman?

19:34He's on a warpath about Addison.

19:37He wants to know what's coming after him.

19:38So tread...

19:39brightly.

19:41I'm not the one with the face that looks like hamburger meat.

19:44I've traveled with those guys before.

19:46As the man with the mask and the goggles.

19:49New York's beloved hero of the hour.

19:52Not as Ben Reilly.

19:53You know what?

19:54Give me that.

19:54I'm making a declaration right now.

19:57That's right.

19:59If I'm reelected, you can say goodbye to prohibition.

20:03The man knows his audience.

20:04As God is my witness, you'll never go thirsty again!

20:10Look, all I'm saying is, you're in it with Silverman now.

20:13The choice is to suit up or die.

20:16It might be time to tango again.

20:17Maybe you'd be doing the city a favor in the process.

20:20Oh, come on, Robbie. Enough of that.

20:22You know what I'm doing after this?

20:23What?

20:24Being beautiful.

20:25And working the Addison story.

20:28I don't publish, I don't eat, my friend.

20:33I've been thinking about the Canadians.

20:36You gonna let me handle it?

20:38Nah, I'll do it.

20:41Plan stands, but...

20:43Go ahead of me. Scout it out.

20:50Huh.

20:52But I think it's stylish.

20:54What do you think, Winston?

20:57I'm not one for fashion.

20:58But the whole thing is a little old.

21:02Tired.

21:02Now, Winston, have you got a gripe at her?

21:07No, I just think there's a better thing to spend time on than dressing up dolls.

21:11Ha!

21:12Well, there's fashion and there's taste.

21:15Box it up.

21:16You like it too, right?

21:18Honestly, I think it's...

21:20Yeah, yeah, it's perfect.

21:40Excuse me, ma'am.

21:41I'm looking for the Addison.

21:55Mrs. Addison?

21:57Mrs. Addison?

22:09I don't know.

22:28Who are you?

22:34Hey, brother.

22:35Don't hate brother me.

22:37I asked you a question.

22:38You sure did.

22:40And seeing as you are a very large and angry man,

22:44I'm gonna answer.

22:46Looking for Vera Addison?

22:48You know who she is?

22:49Why'd you want to know?

22:50Well, I am a reporter

22:53working a story on James Addison's death.

22:55I wanted to talk to his widow.

23:01Jimmy's dead.

23:04Oh, I'm sorry.

23:05You guys were friends.

23:08How did he die?

23:10Well, there was an explosion.

23:14Standard oil depot.

23:16Why are you writing about him?

23:18Well, before he died,

23:19he burned down the wrong house.

23:21Whose?

23:23Silverman.

23:32I think it's time for you to leave.

23:33Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.

23:35Hmm.

23:36Addison didn't just take it upon himself

23:38to burn down the house

23:39of the most dangerous man in the city.

23:40Someone paid him to do it.

23:42Now, look, he was your friend,

23:43so I'm guessing he wasn't a bad guy.

23:46He was sick.

23:47And these days,

23:48call for men to use their sicknesses to get by

23:50until their sicknesses eat them alive.

23:52Hang on, what do you mean he was sick?

23:54I don't know who hired him.

23:57But yeah,

23:59his wife, mate.

24:00And do you know where I can find her?

24:02Try the Jeffrey Hotel.

24:04She always went there when they came in some money.

24:05And when she came back,

24:07the money was gone.

24:09Go figure.

24:11Oh, thanks.

24:13I'll be here for a visit.

24:18I told you.

24:20He hardly comes to the office anymore.

24:22I can't remember the last time I saw him.

24:24Well, maybe this will show you a memory.

24:27Please, don't tell you the truth.

24:31For your sake, I hope so.

24:34We'll be back.

24:51Janice, did they hurt you?

24:54No, not this time.

24:56But they said they'd be back.

24:58Then they put a gun to my hand.

25:01They kept saying that I'd end up like Donagol,

25:03that if I didn't tell them where you were,

25:06he and I'd be crossing the river six together.

25:09What does that mean?

25:12It means Donagol's dead.

25:14Silverman killed him.

25:16But I'll take care of it.

25:18Ever since Ruby died,

25:19I've been waiting for you to get it back together.

25:21Back to the man I know is buried somewhere inside you.

25:25Five years.

25:28And this is how it ends.

25:31Janet, go home.

25:33Get some rest.

25:34You'll feel better.

25:35And I'll call you when it's safe.

25:38Yeah, I'm gonna go home.

25:41But I am not coming back.

25:43I care about you, Ben.

25:45So deeply.

25:48But not enough to die for you.

25:51Janet.

25:54Janet!

25:55Janet!

26:44Hiya, I'm Pete with me.

26:46Wait a minute.

26:46Sorry about the leak.

26:47It'll be no problem.

26:48I'll just...

26:48Gosh, the unit downstairs.

26:50Big mess.

26:51Water.

26:52Everywhere.

26:52What's going on?

26:53Something about a leak?

26:54You know, I like what you've done with the place.

26:56Although, if you move the table over by the window,

26:58you really get that sunset glow at dinner.

27:00I told you that.

27:01I'm sorry.

27:02Have you been here before?

27:03I am familiar with the unit, yes.

27:05Bathroom's that way.

27:06Hmm.

27:26Well, don't you stand there and say something.

27:27Um, sir, what exactly are you fixing?

27:32Oh, yeah, I found the issue.

27:34You've got a busted cherry basket.

27:37It's a misalignment of the mission joint.

28:03Excuse me, what's happening in there?

28:06You're in an existential crisis, if I'm honest.

28:11About my toilet?

28:29I don't think that guy was a plumber.

28:31I don't think that guy was a plumber.

29:04Mrs. Addison I didn't order anything my name is Robbie Robertson I'm a reporter

29:14hold on hold on hold on now I just I just want to talk you have three seconds to get

29:19out of here

29:20I'm gonna scream then I don't think you want a white woman screaming about a black man trying

29:23to force his way into her hotel room actually I got a hunch that you wouldn't want the city's

29:30most ruthless gangster knowing that the money someone paid your husband to kill him was being

29:36spent on lobster and designer clothes so go ahead and scream honey unless you want me to do it I

29:43got

29:43a pretty deep voice it really carries

30:09that's it what do you mean no tears I just told you your husband died people grieve in different

30:16ways you already knew James was a lot of things but not the type to cut and run when he

30:27didn't come

30:27home that night I figured he was never coming home when did he start setting fires six months ago

30:32suddenly discovered he had an innate talent for it who hired him for the silver main job

30:38just because I didn't scream doesn't mean I'm an open book

30:42as far as I'm concerned James dug his own grave and now he's lying in it

31:02this place feels horny to ask as it is

31:09speaking of ghosts

31:12jimmy addison's dead what what a couple days ago some reporter came around asking about him

31:20wanted to know who hired him to kill silver man

31:27you didn't know if I'd known I would have stopped him

31:40flint you don't look so good

31:43it happened again

31:45changed completely this time never changed back

31:48and not all the way

31:52it's like the doc said

31:54our clocks are ticking

31:58faster and faster now

32:00everything we went through

32:05we deserve better you and I

32:08let's get out of here you can crash at my place

32:12better for us to stick together right now

32:16yeah

32:18you have to check every crate

32:20is it because we're Canadians

32:21yeah it's because you're Canadian

32:23no boss doesn't trust anyone myself included

32:26the place still runs this town

32:30shipping's good boss

32:31ready for you to come

32:32all right I'm on my way

32:47you have to check every night

32:51you have to check every night

32:53you have to check every night

32:54you have to check every night

32:55you have to check every night

32:58you have to check every night

33:00you have to check every night

33:08What is that?

33:16Hey, go check it out!

33:17Go, go, go, go, go, go!

33:21He found the room!

33:28Shoot him!

33:39Oh!

33:49Where'd he go?

34:10Where'd he go?

34:13Come here!

34:15Thank you!

34:18Oh, God!

34:20Don't you ever run out of bullets?

34:23Guess you do!

34:34Well, what the hell are you waiting for?

34:38After you.

34:39No.

34:40No.

34:41By all means.

34:41Out of the car!

34:51Whoa, whoa, whoa!

34:53Not another step!

34:57See?

34:59See?

34:59Hi, Che.

35:12It's been a while.

35:14You've done well without me around, haven't you?

35:17I didn't know you did hit jobs now.

35:19Do you mind if I ask you who hired you?

35:21Nobody hires me.

35:23I'm here because of Ben Riley.

35:25Riley the Flatfoot?

35:26Yeah, that's right.

35:27I owe him a favor.

35:29Sorry.

35:30Where are my manners?

35:30Do you want a drink?

35:31No.

35:32I want you and your gums to lay off Riley.

35:35He doesn't know who tried to kill you, and roughing up his secretary isn't going to change

35:39that.

35:40So, I leave the gums to you alone, and that's it?

35:43Because you know, back in the day, you really couldn't leave me alone, could you?

35:47I don't think you're listening to me, Silverman.

35:50This is your only warning.

35:52If you mess with Riley or any of his people, I will kill you.

36:34I'll kill you, bitch.

36:39You said you're looking unlocks, poor people, but you're looking for me, and you find

36:39Don't stop.

36:39I don't need you.

36:50It's you this you're doing what are you talking about you heard about that

36:57huh

36:59Cops had an ambush set up for silverman at the docks someone gave them a tip about a booze exchange

37:04Someone tipped off the cops about a silverman booze exchange

37:07Yeah, they're rounding up about a dozen of his guys right now

37:09Cops were all set to catch the man himself in the act, but silverman never showed

37:13Do they know why he didn't show?

37:16No, don't worry, police got word that someone stopped silverman from coming

37:19They don't know it was you

37:21Shit, gotta go, I ain't trying to die in no phone booth

37:50What the hell did I just do?

37:52What the hell did I just do?

37:58Now, you say you're a lonely

38:05Said you cried the whole night through

38:09Well, you can cry me a river

38:15Cry me a river

38:19Cause I cried a river over you

38:24Ooh

38:27Now you say you're sorry

38:33For being so untrue

38:40So what?

38:42Just cry me a river

38:44Just cry me a river

38:46Cry me a river

38:49I cried a river over you

38:56You drove me, you drove me out of my head

39:05Why you never shed a tear

39:11Remember

39:13I remember all you said

39:18Told me love was too lovely

39:20And told me you were through with me

39:25And now you say you love me

39:32Well, just prove

39:35You do

39:37Go on and cry me a river

39:42I'd like to see you cry a river

39:48Cause I'm tired of crying over you

39:57I'm tired of crying over you

40:01I'm tired of crying over you

40:02I'm tired of crying over you

40:05I'm tired of crying over you

40:08I'm tired of crying over you

40:10I'm tired of crying over you

40:12I'm tired of crying over you

40:13I'm tired of crying over you

40:14I'm tired of crying over you

40:15I'm tired of crying over you

40:16I'm tired of crying over you

40:17I'm tired of crying over you

40:18I'm tired of crying over you

40:19I'm tired of crying over you

40:21I'm tired of crying over you

40:25I'm tired of crying over you

Spider Noir 2026 Episode 2 Eng Sub | Spider Noir Ep 2 eng dub

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