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मायानगरी में पहचान बनाने वाले छत्तीसगढ़ के लेखक, निर्माता और निर्देशक नीरज विक्रम से प्रवीण सिंह ने की EXLCUSIVE बातचीत
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00:18I want to know that people are going to Raya Purz from Bombay to Bombay and they don't come back.
00:28But how has your journey changed from Raihpur to Bombay?
00:34Now, people go to Bombay for life and progress.
00:38People come to Raihpur.
00:41If there is no scope for progress in Raihpur,
00:44they come to Raihpur.
00:46In Raihpur, the progress is a little less,
00:48then Bombay will go.
00:49If we progress from Bombay,
00:52then America will go.
00:53So, this is a process.
00:55I have been studying from Raihpur to Bombay.
01:02So, I was studying law here.
01:04I am basically from Kanpur.
01:06We have been studying in Kanpur.
01:10Kanpur, Agra, and Sultanpur.
01:13My dad settled here in 1974.
01:15So, after that, we have been here.
01:19But I finished my graduation.
01:21I was studying law.
01:21I was studying law.
01:22Then I was studying law.
01:23But through the time of Turns,
01:24I had to go to an online film line.
01:27So, after following law,
01:28I literally run in Bombay.
01:31Since then,
01:33there was a voluntary company on a Golden Devine.
01:35So, there a house field here.
01:36There was also a accommodation.
01:38I started to look at the divorce line.
01:42But I went here.
01:43I saw an expense of an army officer here.
01:45A tailor for short service commission,
01:46for 5 years.
01:49So, after 2-3-4 years, I asked that you have a selection in return.
01:55You have to take the interview and the physical test.
01:59Then I took the company from Golden Dopego, and then I went to Elabad.
02:03There was also my selection.
02:05Then people said, okay, so I thought, what will I do?
02:09Then I said, where is the film industry going?
02:11We will go there for 5 years.
02:13We will save some money.
02:14You will not have to struggle here.
02:16Then we will struggle here.
02:18So, I went to the army.
02:19I was in my dad's airport.
02:20I was in my cousinogar army.
02:21I saw the life of my whole life.
02:23So, I felt that life was good.
02:25Then I went to Bombay from the army.
02:27Then I went to Bombay.
02:28So, I went to Bombay to Bombay.
02:31People go to Bombay.
02:33But that time, you had a mode that you wanted to join the army.
02:37What was your selection?
02:38Yes.
02:39The life of the army is a very respectful.
02:40I was in my life.
02:41So, I said, I was in the army.
02:43I was in the army.
02:44I was in the army.
02:44Then I was in the army.
02:45I was in the army.
02:47I was in the army.
02:48I was in the army.
02:50I was in the army.
02:51You got a different respect.
02:53You will go there and say, I am a writer.
02:56I am Neeraj Dupram.
02:57So, you will look at yourself.
02:59Where you have ranked the army officer,
03:01Captain or Major.
03:02I had to talk about the level of the army.
03:05A particular respect?
03:05And that's the way you are going to talk about,
03:06it's an important respect for this army.
03:07Well, I have to tell you that
03:07in the army.
03:10I just mean that you have to find a great platform.
03:12But, when people talk about the level of the army,
03:13It does change the emotions of the army,
03:21that makes me a lot of advantage
03:23so, to find out,
03:27that makes me a lot of advantage.
03:30But I am a lot of good understanding of the army.
03:31I am very good understanding about the army.
03:31How do you do with the army?
03:31I have been working on this film line.
03:35Who was the first working or the first working company?
03:41I was from Bombay to Marina Gasthau and the bandwagon.
03:46There was a lot of struggle with the work of working on the land.
03:49Whether it was an actor or a writer, I was there.
03:52I was there with a new director.
03:55I was there because I was there because there will be a lot of attention.
03:57You're one of the field?
03:58Yes, one of the field.
03:59So, I introduced them to some directors and introduced them to many plays.
04:08But I was young, in the army, physically fit and smart.
04:12So, I didn't feel like acting.
04:16The director said,
04:17If you look at the writing, then start a film with me.
04:22So, my two films started with Revue Kishan.
04:27I was a villain and a revue Kishan hero.
04:30But the director of those films was trying to do a series.
04:35He was a producer, but he didn't have a subject.
04:37So, he told me,
04:39You are always listening to me.
04:41So, I listened to a subject for a series.
04:43So, I went to the producer,
04:46Kiran Kumar was a hero.
04:47Everyone liked it.
04:48So, I got the first series.
04:49His name is Dunyadari.
04:50He was made for DD.
04:50He was made for DD.
04:51So, I opened the series here.
04:55After that, the series' news was a big actor.
04:58Like Vazna Singh, Kiran Kumar.
05:02So, there was a little news that the writer was good.
05:05So, he was a big writer.
05:08He was a producer.
05:11He wanted to write me.
05:12So, in his manner, I wrote many series.
05:15And then, the UTV people called me.
05:17I wanted to write about the series.
05:20You read about the film, you read about the film.
05:21Yes, it is.
05:22You watch TV and the film line.
05:24To be able to write about film lines.
05:24But in the film, I was also playing some acting roles.
05:27Yes.
05:29Yes.
05:29As you know, Motu Patlu has written a lot of elements.
05:31And the other kind of animation.
05:33How do you think of this character?
05:34Where do you think of it?
05:36How do you think of it?
05:37How do you think of it?
05:39How do you see it in the film?
05:39Do you see it in the film?
05:41No.
05:41Motu Patlu is a loadport serial character.
05:44There are some characters, like Inspector Chingnam and other characters,
05:48but Motu Patlu is a big fan of the loadport magazine character.
05:52Our producer, Ketan Mehta Ji,
05:55has made the rights of the loadport serial.
06:00When a writer was a writer,
06:03he was working there, Dheeraj Behri.
06:06He was also in the production of me.
06:08So, he called me.
06:10So, my animation journey started from Motu Patlu.
06:13Tell me about any other characters you've done in Motu Patlu.
06:17I've seen many series in live action.
06:19I've seen Sonpuri, Shara Raaj, Shaka Laga Bumum.
06:22So, we've made these characters.
06:25I've already thought about some of the producers,
06:27but I've made some of them.
06:30I've made some of them.
06:31In animation, I've also made some of the series,
06:33like Shiva, Rudra Da Magician, Gattu Batu,
06:36Hina, Deka, Chacha Batija.
06:38I've written a lot of series.
06:40So, I don't even know how many series I've written.
06:44And when you see some of those characters,
06:46as well as some of the characters,
06:48even in the past,
06:49sometimes some of those characters in the past.
06:50Maybe they might be interested in this part
06:52where you answer some major issues,
06:52if you haven't just created a topic or had to describe a topic?
06:56No.
06:57We have to confuse people with embrace,
06:59the faces of our minds is not.
07:01We have to confuse them.
07:02We don't want to feel that we will get knowledge.
07:08This is our knowledge.
07:09Children will not see.
07:13Manoranjan is a hidden message.
07:16We need to use wrong language,
07:18we need to use wrong work,
07:20we need to use wrong work.
07:22That is a hidden message.
07:23If John is killed in the Mottoputlum,
07:25he will go to jail.
07:26If John is killed in the Mottoputlum,
07:29we don't accept it.
07:31Children have a lot of tuition classes,
07:34they are coaching,
07:34they will go to the TV sale,
07:36so they will not watch it.
07:37We give these subtle hidden messages.
07:40Yes, yes,
07:42he has a wrong message,
07:43he has a wrong message.
07:45This is the type of message,
07:47but the back of the mind is coming.
07:50The back of the mind is coming.
07:53You are talking about Hindi,
07:56you are talking about Hindi,
07:57you are talking about Hindi,
07:58you are talking about Hindi.
07:59The language is called the ball-char.
08:02And the language is very different.
08:06It is different.
08:07And when you are looking at the tone,
08:09you are looking at the tone.
08:10How many things can be done?
08:13Yes, it is.
08:14But we have our local content,
08:17we keep our attention
08:18of the language.
08:19that the language is good,
08:20and they are not good.
08:27Everything is decent.
08:29We cannot control anything.
08:31We are in all of the government.
08:32There are guidelines of government,
08:33which may not be bad,
08:34but we keep our attention
08:36to the local content.
08:39So, in the end, we keep the attention of this.
08:41If you look at the picture, you're going to be a picture.
08:44Do you want to tell us about that?
08:47What kind of picture is this?
08:48This is a love story.
08:50We made a picture in 2019.
08:52It was also a love story.
08:54It was also a comedy.
08:56Basically, I believe in comedy.
08:59I think that there are many problems in people's lives.
09:03There are some problems.
09:05So, when you go to the picture,
09:05you're going to be a little bit of entertainment.
09:09You should get a little relief.
09:10Then you'll go to your house and get a problem.
09:13So, you should get a good time for 2-3 hours.
09:14You should get a good time.
09:16This is my romantic comedy.
09:20A love story with comedy.
09:22We have seen that love is supreme.
09:25Love is the biggest thing.
09:26People can give their knowledge.
09:28People can leave their lives.
09:31We have seen that love is everything.
09:33Do you have any particular place in the shooting?
09:35Do you have any particular place in the shooting?
09:38We have done the shooting in Gariya Bandh,
09:39and it has been around the jungle.
09:41So, Gariya Bandh is a very beautiful location.
09:45There is a new temple there.
09:47There is a place there.
09:49So, there is no problem in the good location.
09:51We have a우 there.
09:53You will have any further problems.
09:55How about the film in the film?
09:56Like many other industries,
10:01there is a steepleaf come in Gariyaban,
10:04there is no problem in Gariya Bandh's life.
10:06And then,
10:06there is no lot of interest in Gariya Bandh.
10:07There is a lot of interest in Gariya Bandh.
10:11I guess a lot of interest in Gariya Bandh,
10:12I think that is the most important interest in Gariya Bandh.
10:17The first thing is that our 36-year-old people don't have a lot outside.
10:24For 36-year-old people don't have a lot outside.
10:26Like Marathi cinema, like Bhuchpuri.
10:29So all these things are released outside because they are outside.
10:34The 36-year-old people don't have a lot outside, so they can't release outside.
10:40And the OTT platform also doesn't have a lot outside.
10:42It hasn't been done yet.
10:43Maybe I hope it will be.
10:45The 36-year-old people don't have a lot outside.
10:48So you can see that there is no benefit.
10:51No, Shashan is helping.
10:53Abhi Shashan has started to give a subsidy.
10:55We don't have a subsidy.
10:57Whatever the movie will be made, we will get a subsidy.
10:59So this is a kind of help for us.
11:01Abhi Shashan is making a film city.
11:04So if the film city will be made in the film city,
11:06we will get more help from everyone.
11:08We will get people to get people.
11:09We will also come to film shooting.
11:11And we will get people to film shooting.
11:13So the government will help themselves.
11:15So the government will do whatever they can do.
11:17Now you can see that the film is coming to the EY Slime.
11:19You can see that the film is coming to the Bambai.
11:23So what do you think?
11:24Do you have a scope to get more in the 36-year-old?
11:26Or do you have to do anything else?
11:27Or do you have to do anything else?
11:28No, no, there is nothing.
11:30In the 36-year-old now, everyone has its own dreams.
11:34Someone's dream to work with Bollywood.
11:37So I don't like to work with Bollywood,
11:38i.e.
11:39In the 36-year-old.
11:40And then Bollywood will go through.
11:42If one really needs to be a dream,
11:42If anyone's dream to work with Bollywood.
11:44Then it will stay here.
11:45If anyone's dream to work with a 36-year-old movie,
11:55There is no difference in that.
11:57People go outside for progress.
12:00People leave India and go to America.
12:02People leave Raipur and go to Bombay.
12:06In every field, people go outside for progress.
12:09People leave Bombay, so there is no difference in that.
12:11But they don't need to follow up with them.
12:13They need to come back with them.
12:14They need to be connected with the 36th girl.
12:16Do you think you're connected with Bombay and Raipur?
12:20Yes, I'm always connected with Bombay and Raipur.
12:25That's why I made a film before.
12:27Now I'm making another film.
12:28I'm making another film in Raipur.
12:31I'm in Bombay.
12:34I've been in Bombay since 1990.
12:38But in Bombay, it's a materialistic world.
12:42It's a professional world.
12:44It's a professional world.
12:45It's a professional world.
12:48It's a professional world.
12:49It's a small industry.
12:50But everyone is in the same place.
12:51You have a family.
12:52It's a great city.
12:54It's a great city.
12:55It's a great city.
12:55It's a great city.
12:56It's not the time.
12:58It's a great city.
13:03It's a great city.
13:19and Motu Padlu is still running.
13:21Besides, I don't have time to do new series because I'm busy in the film,
13:24so this film will be released on June 12th.
13:26Its name is Mahou Dilwala, Tahou Dilwale.
13:28After this, I'm planning a new film to make a new series.
13:33Now, what do you want to come to this line?
13:36What do you want to come to this line?
13:38They want to come to this line, but they need to understand their talent.
13:41Many people say, I'm going to become an actor.
13:43They come, but they can do acting.
13:45So, they need to see that I can do acting.
13:47Self-assessment is very necessary.
13:49We've seen many girls here.
13:52When they give a audition, they'll have zero acting.
13:54But they're going to go.
13:56So, self-assessment is very necessary.
13:57What is my talent?
13:59I'm a good writer.
14:00If you read it, listen to your friends.
14:02If you read it, you can be a writer.
14:05If you can do good acting,
14:06you can see what you live in your town.
14:09I'm a good actor.
14:11You should be a good actor.
14:12The one you're good in the line, the one you're good in the line,
14:14the one you're good in the line, the one you're good in the line.
14:16That's a good thing.
14:17You're good.
14:18You're good.
14:21You're good.
14:22But you deserve it.
14:24What's that?
14:24I should be self-assessment.
14:26I should be a hero or not.
14:27I should be a hero or not.
14:28I should be a hero or not.
14:29Is there a talent in my acting?
14:32You can't become an actor.
14:36You should get the pinned and only in the other roles.
14:38You must have started.
14:38You have started with the likhan.
14:40You have said that if you don't go on the likhan.
14:42There aren't so much money.
14:42So some people leave it on the line.
14:43Some people leave it on the others.
14:44People leave the line find in the other line.
14:45Which is on the Instagram page.
14:46And that hurts the line.
14:47They still try together with the other line.
14:49What do you mean?
14:51No, it's not.
14:52It's not like that.
14:52For the film lines, it's problems with new people.
14:56There is a problem.
14:58Established writers get good money.
15:00In TV series, writers get good money, new or old.
15:03It's good for their seniority or experiences.
15:07But, there's no money there.
15:09Laker, there's not a lot in the line.
15:13But the people change the lines.
15:15They change the lines.
15:17You're a actor and you don't have to act.
15:21So, when you got the writing, you became the writer.
15:24Swabaj Gaiji was the actor.
15:27So, when the acting didn't work, they had a film directed,
15:30so it was a hit and the director became the director.
15:33I have also been acting in many films.
15:37I have been acting in the series,
15:39and I am an inspector.
15:40I have also been acting in many films.
15:42But I have been working on writing.
15:44In Bombay, there is a big difference.
15:45But I had a few friends,
15:46and people were taking the talent to mark your work,
15:48but not being friends.
15:50I have also its work, but not being friends.
15:52Yes, friends.
15:53So, there is the actor who is an actor at the same time.
15:56So, I thought it was a very good actor at the same time.
16:00And I could use the acting in acting.
16:02I would have to have to be at the same time.
16:03So, it feels very good for me.
16:03And it feels like acting is more I have ovaries.
16:05And in my case you would have to have instrumental in acting.
16:10So, I was a very small actor.
16:10That was a very small actor.
16:13I thought I would have done a really good actor at the same time.
16:17Because I didn't wear the uniform, I didn't wear the uniform because the army said that the uniform should be
16:20fit.
16:22So, I went to take my size uniform and then shooting.
16:28So, when I was wearing the uniform, I would be fixed.
16:31I would say, Neerajji, keep the uniform and don't give it to anyone else.
16:34So, when I felt good in the uniform, I said, let's put it in a sweater.
16:39So, I rolled a sweater in some pictures.
16:41I also rolled a sweater in a sweater.
16:43And in the serial, I didn't even roll a sweater.
16:45So, I didn't have to leave everything in writing.
16:48I thought you were writing or a hero or something else?
16:52No, the main thing was my talent and writing.
16:54But, no one goes into a bomb.
16:56No, no one goes into a bomb.
16:59So, he tries to become an actor.
17:01I want to become a hero or not.
17:02Everyone has a different fun of the screen.
17:05So, everyone has a dream.
17:08So, he believes in your talent and in your destiny.
17:14So, what do you mean by someone else?
17:17Do you think you can see someone with a new character role?
17:20No, I can't tell you.
17:22Do you think you don't have a concept?
17:24No, I don't have a shock of acting.
17:26No, I don't have two pictures.
17:29As a producer, I used to act myself.
17:31I didn't do both of them.
17:32Do you think you don't have to do that?
17:34Because I know what my plus point is.
17:36My core strength is writing.
17:38So, you need to know your talent.
17:39Yes, you need to know your talent.
17:40So, in my writing, I get a lot of joy.
17:43So, in my writing, I get a lot of joy.
17:44So, in my acting, I never get a lot of joy.
17:46I get a lot of joy.
17:48So, when I do writing, I get a lot of joy.
17:52I have a lot of joy, I think.
17:55But there was a lot of joy and joy.
17:56So, in my writing, I think it's hard.
17:58I have some 바로 thinking of how much money I am.
18:00But if I have to know my own right now,
18:01I read a few of my life.
18:02Yeah, I don't understand that.
18:03I take up on it,
18:03but I also go to Bombay.
18:05I brought up my money from the army,
18:07and kept conta of money.
18:09So, I didn't have to get a little more out of money.
18:11I didn't know where the money came from.
18:12I'm going to give up my money and where they went from here.
18:14Where the money came from from here.
18:15But let me get another struggle.
18:16I will do the other struggle.
18:19You can go to the office, you can close your eyes, you don't have to go to the office.
18:26You got two benefits. If you got the army, then you got the money.
18:29Yes, but you got the benefit of the army when you can tell me that I am from the army.
18:35When you don't get the money, then you can tell.
18:37First, the biggest struggle is to meet the office. How do you do the entry in the office?
18:41How do I do it?
18:42I want to talk to the boys from the office, to talk to the clerk, to talk to the producers,
18:49to talk to them.
18:51Then they will tell them to tell them.
18:54I know that they are going to be forced.
18:56Then they are different.
18:58The next time I am going to say, come and drink tea.
19:00Then the entry is easy.
19:03In the beginning, for three years, I was not working.
19:05I was only struggling in every area.
19:07Three years?
19:08Yes, three years.
19:09After that, people started to understand, sing, sing and sing.
19:12They started to sing.
19:13What do you think?
19:14In the beginning of the year, you have been talking about 36 years.
19:16You have been talking about the revised line.
19:19You have been trying to understand your talents.
19:21There are many scopes.
19:22Yes, there are many scopes.
19:23There are many films.
19:24There are many writing works.
19:25Every department has a scope.
19:27Because there are many films.
19:28There are many scopes here.
19:29There are many scopes here.
19:30Thank you very much.
19:32Thank you very much.
19:33So, you see how much the name of the book has been to be, and where did the book led
19:38and not to be studied?
19:40In the past, Rajpur went and worked in this industry.
19:45A movie of the 36 years ago.
19:46He worked at it.
19:48In the future, there are some kind of images in terms of things.
20:10foreign
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