Spider-Noir Episode 2 | English Sub - video Dailymotion

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Transcript

00:00The New York Times

00:03The New York Times

00:05The New York Times

00:06The New York Times

00:09Silvermane, charge of organized crime for 30 years.

00:12Someone burned down his mansion a couple of nights ago.

00:15Addison!

00:16You keep following me, it won't end the way you wanted to.

00:18Does this guy have superpowers, like you?

00:22Do me a favor, hold off on printing that.

00:24I want to warn Donnerville before he gets himself killed.

00:27It's a little for that.

00:28There's gonna be a free-for-all.

00:30The people could use a hero.

00:32I hope they find someone.

00:33I can't help but wonder what Ruby would think.

00:36I'm not that guy anymore.

00:38Any chance you know who this is?

00:40Oh, that's Cat Hardy.

00:41Star attraction over at the alcove.

00:43Is there somewhere we can talk? It's business.

00:45Clint? Despite what I do, we don't enjoy hurting people.

00:53Don't hurt him.

00:54What the hell is this?

00:55Just leave us alone, please.

00:56When someone tells you what they are, you have to listen.

00:59And what is he?

01:01Retired.

01:02I came here to offer him a job.

01:04My friend we met last night, he's disappeared.

01:33You were saying Flint's your bodyguard.

01:35Yes.

01:36He protects me and he's loyal.

01:39Hard to find these days.

01:40No kidding.

01:41I didn't marry my husband for his looks.

01:43What else can you tell us?

01:44Does he have family, friends?

01:46I don't know anything but his personal life.

01:48I know his address.

01:50Are we gonna talk about the fact that he turned into some kind of sand monster?

01:55What I know, she knows.

01:57What I know, she knows.

01:58It started about six months ago.

02:00Slow at first.

02:02But it's been getting worse.

02:04And he never remembers when it happens?

02:07Oh, he always remembers.

02:08Unless he gets clubbed in the head with an iron girder.

02:12That's it.

02:12He turned into sand.

02:14It was sand, right?

02:15It just seems kind of like a big deal.

02:17No.

02:17So do you have any clues as to what's causing this to happen?

02:20You haven't given us much to go on.

02:22Isn't that what the money's for?

02:24You're an investigator.

02:26Investigate.

02:28You know, an artist doesn't just paint with air.

02:30He needs a canvas, brushes, paint.

02:32Do you think I'm withholding from you, Mr. O'Reilly?

02:35What if I said I did?

02:36I'd ask why you thought that.

02:37I'd say a lifetime of experience.

02:39With clients?

02:40With... women.

02:43As fun as this little game is, I'm afraid I have other business to attend to.

02:47Get to painting, Mr. O'Reilly.

02:58What do you think?

02:59I think you might need a cold shower.

03:02I think I might need one.

03:06But you're right.

03:08She is hiding something.

03:10All the fun ones do.

03:11I'm gonna check out Flint's apartment.

03:13Why don't you go down to the...

03:15Bureau of Criminal Records?

03:16Yeah.

03:17Been a while since we've had a real case.

03:19But it ain't been number.

03:23You gotta accentuate the positive healing.

03:29Money to negative and light to sharp.

03:33To the affirmative, don't mess with mystery in between.

03:37You gotta spread joy up to the maximum.

03:42Bring the gloom.

03:44Down to the minimum and have faith.

03:47Amen.

03:48A pandemonium lovel to walk upon the sea.

03:53Amen.

04:01It's gonna be a new supplier at the docks tomorrow.

04:05Canadian.

04:07You didn't tell me that.

04:08I'm telling you now.

04:11It's not smart for you to go out in public until we know who tried to take you out.

04:15I'll go where I want.

04:16With all due respect, you don't pay me what you pay me for my charm or disposition.

04:21You pay me to keep you alive and I'm telling you it's a bad idea.

04:25If you dying benefited me, I would have done it myself ten years ago.

04:28But I know what I'm good at.

04:30I know what I'm not.

04:31And I need you to stay alive and in power.

04:34So pretty please, with cherries on top, let me go down to the docks ahead of you.

04:38And once I make sure everything's kosher, you can waltz on in and show everyone the brightness of your feathers.

04:44You finished?

04:48The problem is not that the guy is out there.

04:50The problem is that they thought they could take me out at all.

04:54Ever since the spider disappeared, things have been comfortable.

04:58Maybe someone's thinking that I got complacent.

05:01Or soft.

05:03Maybe you're one of them.

05:06Thinking you could take me out?

05:09If you could set yourself on fire like Addison, then you might have a shot.

05:13Imagine controlling that kind of power.

05:17How Flint goes missing.

05:19Right after.

05:21He's been acting strange lately.

05:23You know, those two things are related.

05:26I'll look for Flint.

05:32And when the boys find our P.I., Riley, bring him straight to me.

05:53The colors fading from the photograph.

05:55I could tell the story, but still you wouldn't know the hell.

06:00This love was brought to life from shorts of glass.

06:03When you kiss me, there's a shifting in the sepia tone.

06:07Can't escape the madness, baby.

06:09Can't escape the madness, baby.

06:09Magnetism.

06:11Run away, but something pulls me back into it.

06:14Lately, I've been staring at a broken mirror.

06:21The circle is hanging isn't all about to happen.

06:27Can't even ask me.

06:34And I was trying to get no one hell.

06:34But the головợi is all about to arc.

06:37All three things just go.

06:40Yeah, you know.

06:41I've strac'd be comme ça, mais du tout.

06:42Some people donnent ça, mais du tout.

06:47Oh, my God.

07:17Oh, my God.

07:47Hi, this is Robbie Robertson calling.

07:49Mr. Robertson, how many times do I have to tell you you're never getting your old jaw back?

07:54Listen, I don't know if Walters has seen my article in the Gazette, but I just...

07:57Mr. Robertson, there's no point in the conversation.

07:59What I'm saying is I just need to sit with him, that's all.

08:02Mr. Robertson, please.

08:03But if you just give me a chance to...

08:07I'm on to something truly sensational.

08:09It's the biggest story of years.

08:10There hasn't been anything this big since the spider.

08:15I promise it'll be worth his while.

08:21I'll see what I can do.

08:31But Marco, got a delivery.

08:34Anybody home?

08:35Oh, my God.

08:36Oh, my God.

08:40Oh, my God.

08:54Oh, my God.

09:22Oh, my God.

09:34It's Winston silverman wants to talk to you

09:51Check the bedroom

10:00...

10:02...

10:03...

10:11...

10:12...

10:14...

10:16Let's go.

10:47A nice place.

10:50Yeah, a bit fancy for my taste.

10:53And I got a pretty good idea why.

10:56Why?

10:58Let's go.

10:59You think he got a new lady?

11:01That why he ain't coming to poker lately?

11:10If you're blue and you don't know where to go to, why don't you go where fashion sits?

11:18Puttin' on the red...

11:20Janet, it's a long time.

11:22I thought you might have washed up with Quintabish.

11:24Oh, no, not me, Hank.

11:26Said to report, I'm dumb as ever.

11:30I found the sitting outside.

11:31I didn't know if it belonged to anyone.

11:38You know my wife made me quit eating these.

11:41Okay, well, in that case...

11:43Last night, Chuck, you ain't my wife.

11:47Name?

11:47Quint Marco.

11:49All right.

11:50Right back.

11:51Well, you did touch that bag.

11:52It ain't a bribe if I don't get to eat it.

11:56Janet, you're deceased.

11:58Oh, hey, Charlie.

11:59How you been?

12:03Quite the record, our Mr. Marco.

12:06Grew up in Brooklyn.

12:07Working class.

12:08Came back with no prospects.

12:09Small crimes, then bigger ones.

12:12Arrest, arrest, arrest.

12:14Now, an enforcer for...

12:16Silverman.

12:17That Winston guy showed up while I was at Flint's.

12:21You hid in the closet?

12:22I hid in the closet.

12:25Mo Sargon.

12:27Didn't you fight there, too?

12:28Yeah, it was one of the biggest battles of the war.

12:31There were a million of us, sir.

12:32Hold on.

12:33Is that...

12:34Addison.

12:35Looks like they were in the war together.

12:37Is that what Kat is hiding from you?

12:39I bet she knew that Flint had a friend with superpowers.

12:42Oh, I know.

12:43What I don't know is why she didn't tell me.

12:45Probably thought you wouldn't have taken the case.

12:47She would have been right.

13:24I don't think I've ever heard that one.

13:26I wouldn't think so.

13:28It's an original.

13:31Visited Flint's apartment today.

13:36This mean anything to you?

13:38I knew he was in the war.

13:40Hard to believe he was ever so young.

13:43What about this guy?

13:45You see him?

13:45This little guy right over here?

13:47You ever come around the alcove, visit Marco?

13:51Can't say I've ever seen him.

13:54His name's...

13:56Addison.

13:57He's the guy that burned down Silvermane's mansion.

14:00He's dead now.

14:01So is the P.I. that shot him.

14:04What can I say?

14:06The world's a dangerous place.

14:12You're pretty cool under pressure.

14:13I wasn't aware I was under any.

14:15Why don't you tell me Flint worked for Silvermane?

14:17Would you have taken the case if I had?

14:18I don't like surprises.

14:19I'll remember that when your birthday rolls around.

14:25The deed is under my name, but it's no secret Silvermane owns this place.

14:29And Flint's a good way to protect his investment.

14:32And you.

14:33And me.

14:35You see, this club lives and dies on people walking through that door because they want what I give them.

14:44You trying to get me, Mr. Riley?

14:46Get you?

14:48Understand me.

14:49Seems you got my number.

14:51I've learned a lot of them over the years.

14:53Oh, one for every Tom, Dick, and Harry?

14:56Hmm.

14:57You're interesting.

14:58Oh, yeah?

14:59How's that?

15:00Oh, the other night when we met, you called yourself a coward.

15:03But I think you're braver than you let on.

15:06Oh, you're good.

15:08In an obvious sort of way.

15:10I'm as subtle as the situation requires.

15:13You see, I have business with Silvermane and I have business with you, Mr. Riley.

15:17One has nothing to do with the other.

15:19Now, have I said enough for you to keep the money you came here to return?

15:23Or have I misjudged you?

15:25No, I'll keep working the case.

15:27Not because I'm brave.

15:30Why then?

15:30Uh, a singer's got to know all the numbers.

15:34Maybe a detective just got to know all the answers.

16:05I'm very sorry for you.

16:07I don't know.

16:37It's, uh, Tai Chi.

16:40Yeah, that's right. It's Tai Chi.

16:42It's good.

16:43It's good for breathing and relaxation.

16:48I recommend it.

16:50I don't have the slightest clue what you're talking about.

16:52We don't care either.

17:01A toaster. Really?

17:04Gosh, I shouldn't have thrown it so hard.

17:16Come on. Come on, let's go for a ride.

17:27You mind telling me why I'm here?

17:29Silver man wants to see you.

17:31I figured that. I'm asking you why.

17:33We're not really the why guys.

17:35Maybe you wouldn't be here if you didn't try ripping the boss off.

17:38Ah, Donegal.

17:40I didn't have anything to do with this little scheme.

17:42I actually tried to talk him out of it.

17:44Like I said, the boss just wants to talk.

17:46And I've got no idea who hired Addison to burn down your boss's house.

17:50You don't know nothing, huh?

17:52Double negative, but we'll set that aside for now.

17:54My point is I'm not much of a detective.

17:56Yeah, then you got nothing to worry about.

17:57Just like Donegal, right?

17:58Oh, yeah.

18:00Just like Donegal.

18:01By the way, I am sorry about the nose.

18:04Me?

18:05That was him.

18:07Oh!

18:12Get out!

18:21Where'd he go?

18:22Check the side.

18:31Boss ain't gonna like this.

18:32Yeah, he wanted us to bring him in.

18:35Get in the car.

18:37Dumbass.

18:47Time's a tough all over.

18:49But the true measure of a city

18:51is in how it responds to the hard times.

18:54And this isn't Topeka or Kalamazoo.

18:58This is New York.

18:59We're gonna link arms

19:01and stand strong against the rising tide.

19:05It was easy to stand behind.

19:07What's the headline here?

19:10Desperate Morris delivers dud.

19:13No, I'd go with quadruple M.

19:15Mayor's missive, Mrs. Mark.

19:18Man, I wouldn't trust Hudson to do my laundry.

19:20That man's gonna beat Morrison by 10 points.

19:22Sometimes you just want

19:23a different brand of snake oil.

19:25So, uh, you gonna explain your face?

19:29Let's just say you should lay off

19:30the Addison recording.

19:34Silverman?

19:35He's on a warpath about Addison.

19:37He wants to know what's coming after him.

19:38So tread lightly.

19:41I'm not the one with the face

19:42that looks like hamburger meat.

19:44I've kind of with those guys before.

19:46As the man with the mask and the goggles.

19:49New York's beloved hero of the hour.

19:52Not as Ben Riley.

19:53You know what?

19:54Give me that.

19:54I'm making a declaration right now.

19:57That's right.

19:59If I'm reelected,

20:00you can say goodbye to prohibition.

20:03The man knows his audience.

20:04As God is my witness,

20:06you'll never go thirsty again.

20:10Look, all I'm saying is,

20:11you're in it with Silverman now.

20:13The choice is to suit up or die.

20:16It might be time to tango again.

20:17Maybe you'd be doing the city a favor

20:19in the process.

20:20Oh, come on, Robbie.

20:21Enough of that.

20:22You know what I'm doing after this?

20:23What?

20:24Being beautiful.

20:25And working the Addison store.

20:28I don't publish.

20:29I don't eat, my friend.

20:33I've been thinking about the Canadians.

20:36You gonna let me handle it?

20:39Nah, I'll do it.

20:41Plan stands, but...

20:43Go ahead of me.

20:45Scout it out.

20:50Huh.

20:52But I think it's stylish.

20:54What do you think, Winston?

20:57I'm not one for fashion.

20:59But the whole thing is a little...

21:02tired.

21:03Nah, Winston.

21:04Have you got a gripe at her?

21:07No, I just think there's a better thing

21:09to spend time on than dressing up dolls.

21:11Ha.

21:12Well, there's fashion and there's taste.

21:15Box it up.

21:16You like it too, right?

21:18Honestly, I think it's...

21:20Yeah, yeah, it's perfect.

21:40Excuse me, ma'am.

21:41I'm looking for the Addison.

21:55Mrs. Addison.

22:02I don't know.

22:28Who are you?

22:34Hey, brother.

22:35Don't hate brother me.

22:37I asked you a question.

22:39You sure did.

22:40And seeing as you are a very large and angry man, I'm going to answer.

22:46Looking for Vera Addison?

22:48You know who she is?

22:49Why do you want to know?

22:50Well, I am a reporter working a story on James Addison's death.

22:55He wanted to talk to his widow.

23:01Jimmy's dead.

23:04Oh, I'm sorry.

23:05You guys were friends.

23:08How did he die?

23:10There was an explosion.

23:14Standard oil depot.

23:16Why are you writing about him?

23:18Well, before he died, he burned down the wrong house.

23:21Whose?

23:23Silverman.

23:32I think it's time for you to leave.

23:34Wait, wait, wait, wait, wait, wait, wait, wait, wait.

23:35Hmm.

23:36Addison didn't just take it upon himself to burn down the house of the most dangerous man in the city.

23:40Someone paid him to do it.

23:42Now, look, he was your friend, so I'm guessing he wasn't a bad guy.

23:46He was sick.

23:47And these days, call for men to use their sicknesses to get by until their sicknesses eat them alive.

23:53Hang on, what do you mean he was sick?

23:54I don't know who hired him, but yeah, his wife, mate.

24:00And do you know where I can find her?

24:02Try the Jeffrey Hotel.

24:04She always went there when they came in some money.

24:06And when she came back, the money was gone.

24:09Go figure.

24:11Thanks.

24:13I'll pay her a visit.

24:18I told you.

24:20He hardly comes to the office anymore.

24:22I can't remember the last time I saw him.

24:24Well, maybe this will show up your memory.

24:27Please, stop telling you the truth.

24:31For your sake, I hope so.

24:34We'll be back.

24:50Janet!

24:52Did they hurt you?

24:54No, not this time.

24:56But they said they'd be back.

24:59Then they would have gone to my head.

25:01They kept saying that I'd end up like Donegal, that if I didn't tell them where you were, he and

25:06I'd be crossing the river six together.

25:09What does that mean?

25:11It means Donegal's dead.

25:14Silverman killed him.

25:16But I'll take care of it.

25:18Ever since Ruby died, I've been waiting for you to get it back together.

25:21Back to the man I know is buried somewhere inside you.

25:25Five years.

25:28And this is how it ends.

25:31Janet, go home.

25:33Get some rest.

25:34I still feel better, and I'll call you when it's safe.

25:38Yeah, I'm gonna go home.

25:41But I am not coming back.

25:43I care about you, Ben.

25:45So deeply.

25:48But not enough to die for you.

25:51Janet.

25:54Janet!

25:56I'm gonna go home.

26:02I'm gonna go home.

26:08I'm gonna go home.

26:09I'm gonna go home.

26:10I'm gonna go home.

26:11I'm gonna go home.

26:13I'm gonna go home.

26:14I'm gonna go home.

26:15I'm gonna go home.

26:16I'm gonna go home.

26:18I'm gonna go home.

26:45Hiya, I'm Pete with maintenance.

26:46Sorry about the leak, it'll be no problem.

26:48I'll just, gosh, the unit downstairs, big mess.

26:51Water, water, everywhere.

26:52What's going on?

26:53Something about a leak?

26:54No, I like what you've done with the place.

26:56Although, if you move the table over by the window,

26:58you really get that sunset glow at dinner.

27:00I told you that.

27:01I'm sorry, have you been here before?

27:03I am familiar with the unit, yes.

27:05Bathroom's that way.

27:26Well, don't you stand there and say something.

27:28Um, sir, what exactly are you fixing?

27:32Oh, yeah, John, I found the issue.

27:34You've got a busted cherry basket.

27:37It's a misalignment.

27:39I'm a mission joint.

28:03Excuse me, what's happening in there?

28:06Bit of an existential crisis, if I'm honest.

28:10About my toilet?

28:30I don't think that guy was a plumber.

28:41I don't think that guy was a plumber.

28:54It says it to the left.

28:57Thanks for your trouble.

29:00Thanks for the dollar.

29:04Mrs. Addison.

29:09I didn't order anything.

29:11My name is Robbie Robertson.

29:12I'm a reporter.

29:14Hold on, hold on, hold on.

29:16Now, I just...

29:17I just want to talk.

29:18You have three seconds to get out of here

29:20or I'm going to scream.

29:21Then I don't think you want a white woman

29:22screaming about a black man

29:23trying to force his way into her hotel room?

29:27Actually, I got a hunch

29:29that you wouldn't want the city's

29:30most ruthless gangster knowing

29:32that the money someone paid your husband

29:34to kill him

29:35was being spent on

29:38lobster and designer clothes.

29:40So go ahead and scream, honey.

29:42Unless you want me to do it.

29:43I got a pretty deep voice.

29:44It really carries.

29:46Okay.

30:09So that's it?

30:10What do you mean?

30:11No tears.

30:12I just told you your husband died.

30:15People grieve in different ways.

30:19You already knew.

30:22James was a lot of things

30:24but not the type to cut and run.

30:26When he didn't come home that night

30:28I figured he was never coming home.

30:30When did he start setting fires?

30:31Six months ago.

30:33Suddenly discovered he had

30:34an innate talent for it.

30:35Who hired him for the silver main job?

30:38Just because I didn't scream

30:39doesn't mean I'm an open book.

30:42As far as I'm concerned

30:43James dug his own grave

30:44and now he's lying in it.

31:02This place feels haunted.

31:05Ask as it is.

31:09Speaking of ghosts

31:12Jimmy Addison's dead.

31:14What?

31:16What?

31:17A couple days ago

31:18some reporter came around

31:20asking about him.

31:21Wanted to know who hired him

31:22to kill silver main.

31:27He didn't know.

31:28If I'd known

31:29I would have stopped him.

31:39Flint.

31:40You don't look so good.

31:43It happened again.

31:46Changed completely this time.

31:48Never changed back.

31:49Yeah, not all the way.

31:52It's like the doc said.

31:55Our clocks are ticking.

31:58Faster and faster now.

32:01Everything we went through.

32:05We deserve better.

32:06You and I.

32:08Let's get out of here.

32:10You can crash at my place.

32:12Better for us to stick together right now.

32:16Yeah.

32:18You have to check every crate?

32:20Is it because we're Canadians?

32:22Yeah, it's because you're Canadian.

32:23No.

32:24Boss doesn't trust anyone.

32:25Myself included.

32:27The boy still runs this town.

32:30Shipping's good, boss.

32:31Ready for you to come.

32:33All right.

32:34I'm on my way.

33:08What is that?

33:16Hey, go check it out.

33:18Go.

33:18Go, go, go, go, go, go.

33:19Go, go, go.

33:21Go, go, go.

33:21He's on the roof.

33:22Go, go, go, go.

33:28Shoot him.

33:40Oh.

34:00Where'd he go?

34:10Where'd he go?

34:13Come here!

34:15Thank you!

34:18Oh, God!

34:20Don't you ever run out of doors?

34:23Guess you do!

34:34Well, what the hell are you waiting for?

34:38After you.

34:39No, no, by all means.

34:41Out of the car!

34:52Whoa, whoa, whoa, whoa! Not another step!

34:58See? Hi, see!

35:12It's been a while.

35:14You've done well without me around, haven't you?

35:17I didn't know you did hit jobs now. Do you mind if I ask you who hired you?

35:21Nobody hires me. I'm here because of Ben Riley.

35:25Riley the Flatfoot?

35:26Yeah, that's right. I owe him a favour.

35:29Sorry, where are my manners? Do you want a drink?

35:31No! I want you and your gums to lay off Riley.

35:35He doesn't know who tried to kill you, and roughing up his secretary isn't going to change that.

35:40So, I leave the gumshoe alone, and that's it?

35:43Because you know, back in the day, you really couldn't leave me alone, could you?

35:46I don't think you're listening to me, Silverman. This is your only warning.

35:52If you mess with Riley or any of his people, I will kill you.

36:25I don't remember her.

36:28Don´t you?

36:29Oh.

36:49Riley.

36:50This you?

36:51Is this your doing?

36:52What are you talking about?

36:54Did you stop Silverman's car?

36:56Oh, you heard about that, huh?

36:57Yeah, well, I got some bad news for you.

36:59Cops had an ambush set up for Silvermane at the docks.

37:02Someone gave him a tip about a booze exchange.

37:04Someone tipped off the cops about a Silvermane booze exchange?

37:07Yeah, they're rounding up about a dozen of his guys right now.

37:09Cops were all set to catch the man himself in the act,

37:12but Silvermane never showed.

37:13Do they know why he didn't show?

37:16No, don't worry.

37:17Police got word that someone stopped Silvermane from coming.

37:20They don't know it was you.

37:21Shit, gotta go.

37:23I ain't trying to die in no phone booth.

37:41No!

37:50What the hell did I just do?

37:58Now, you say you're loving me.

38:05You said you cried the whole night through.

38:10Well, you can cry me a river.

38:15Cry me a river.

38:19Cry me a river.

38:20Cause I cried a river over you.

38:25Ooh.

38:28Ooh.

38:29Now, you say you're sorry.

38:33For being so untrue.

38:39Ooh.

38:40Ooh.

38:41So what?

38:42Just cry me a river.

38:45Cry me a river.

38:49I cried a river over you

38:56You drove me, yeah, you drove me out of my head

39:05While you never shed a tear

39:13Remember, I remember all you said

39:16Told me love was too bloody

39:20And told me you were through with me

39:25And now you say you love me

39:32Well, just prove you do

39:37Go on and cry me over

39:42I'd like to see you cry forever

39:48Cause I'm tired of crying over you

39:57I'm tired of crying over you

40:31you

41:04you

41:34you

42:04you

42:36you

Spider-Noir Episode 2 | English Sub

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