Welcome to the official hub for Daisy Jones & The Six, the critically acclaimed musical-drama limited series that captures the nostalgic, wild, and heartbreaking world of the 1970s rock 'n' roll scene. Based on the New York Times best-selling novel by Taylor Jenkins Reid, this series tracks the meteoric rise and sudden, devastating collapse of a legendary fictional rock band.
In 1977, Daisy Jones & The Six were on top of the world. Fronted by two fiercely charismatic, deeply clashing lead singers—the free-spirited Daisy Jones (Riley Keough) and the tortured, brilliant Billy Dunne (Sam Claflin)—the band catapulted from gritty club gigs to global stadium tours. Backed by an iconic crew including Karen Sirko (Suki Waterhouse), Graham Dunne (Will Harrison), Eddie Roundtree (Josh Whitehouse), and Warren Rojas (Sebastian Chacon), they recorded Aurora, one of the greatest albums of the decade.
Then, right after a sold-out show at Chicago's Soldier Field, they suddenly called it quits. No explanations. No goodbye tour.
Decades later, the band members finally agree to sit down in front of a documentary crew to reveal the truth. This is the story of how a legendary band made beautiful music together—and how their hidden passions, addictions, and secrets ultimately tore them apart from the inside out.
Episode 1: "Track 1: Come and Get It"
(Focuses on the separate origins of Daisy and the Dunne Brothers in the early 70s)
#DaisyJonesAndTheSix #DaisyJonesEp1 #DunneBrothers #BillyDunne #70sRock #BandOrigins #ComeAndGetIt
Episode 2: "Track 2: I'll Take You There"
(The band moves to LA, hooks up with Teddy Price, and Daisy starts her songwriting journey)
#DaisyJonesAndTheSix #DaisyJonesEp2 #IllTakeYouThere #SunsetStrip #TeddyPrice #LaRockScene #Songwriting
Episode 3: "Track 3: Someone Saved My Life Tonight"
(Billy struggles with addiction and rehab, while Teddy tries to figure out how to fix the band's sound)
#DaisyJonesAndTheSix #DaisyJonesEp3 #SomeoneSavedMyLifeTonight #CamilaDunne #RockRehab #TheSix
Episode 4: "Track 4: I Saw The Light"
(The historic moment where Daisy and Billy finally record together for the first time on "Look At Us Now")
#DaisyJonesAndTheSix #DaisyJonesEp4 #ISawTheLight #LookAtUsNow #Honeybee #DaisyAndBilly #StudioRecording
Episode 5: "Track 5: Fire"
(Daisy officially joins the band, sparking a massive creative and emotional rivalry with Billy)
#DaisyJonesAndTheSix #DaisyJonesEp5 #Fire #CreativeRivalry #RockChemistry #DaisyAndBilly #SoundCity
Episode 6: "Track 6: Whatever Gets You Thru The Night"
(The band records the iconic "Aurora" album and the tension behind the lyrics starts boiling over)
#DaisyJonesAndTheSix #DaisyJonesEp6 #AuroraAlbum #WhateverGetsYouThruTheNight #LetMeDownEasy #StudioDrama
In 1977, Daisy Jones & The Six were on top of the world. Fronted by two fiercely charismatic, deeply clashing lead singers—the free-spirited Daisy Jones (Riley Keough) and the tortured, brilliant Billy Dunne (Sam Claflin)—the band catapulted from gritty club gigs to global stadium tours. Backed by an iconic crew including Karen Sirko (Suki Waterhouse), Graham Dunne (Will Harrison), Eddie Roundtree (Josh Whitehouse), and Warren Rojas (Sebastian Chacon), they recorded Aurora, one of the greatest albums of the decade.
Then, right after a sold-out show at Chicago's Soldier Field, they suddenly called it quits. No explanations. No goodbye tour.
Decades later, the band members finally agree to sit down in front of a documentary crew to reveal the truth. This is the story of how a legendary band made beautiful music together—and how their hidden passions, addictions, and secrets ultimately tore them apart from the inside out.
Episode 1: "Track 1: Come and Get It"
(Focuses on the separate origins of Daisy and the Dunne Brothers in the early 70s)
#DaisyJonesAndTheSix #DaisyJonesEp1 #DunneBrothers #BillyDunne #70sRock #BandOrigins #ComeAndGetIt
Episode 2: "Track 2: I'll Take You There"
(The band moves to LA, hooks up with Teddy Price, and Daisy starts her songwriting journey)
#DaisyJonesAndTheSix #DaisyJonesEp2 #IllTakeYouThere #SunsetStrip #TeddyPrice #LaRockScene #Songwriting
Episode 3: "Track 3: Someone Saved My Life Tonight"
(Billy struggles with addiction and rehab, while Teddy tries to figure out how to fix the band's sound)
#DaisyJonesAndTheSix #DaisyJonesEp3 #SomeoneSavedMyLifeTonight #CamilaDunne #RockRehab #TheSix
Episode 4: "Track 4: I Saw The Light"
(The historic moment where Daisy and Billy finally record together for the first time on "Look At Us Now")
#DaisyJonesAndTheSix #DaisyJonesEp4 #ISawTheLight #LookAtUsNow #Honeybee #DaisyAndBilly #StudioRecording
Episode 5: "Track 5: Fire"
(Daisy officially joins the band, sparking a massive creative and emotional rivalry with Billy)
#DaisyJonesAndTheSix #DaisyJonesEp5 #Fire #CreativeRivalry #RockChemistry #DaisyAndBilly #SoundCity
Episode 6: "Track 6: Whatever Gets You Thru The Night"
(The band records the iconic "Aurora" album and the tension behind the lyrics starts boiling over)
#DaisyJonesAndTheSix #DaisyJonesEp6 #AuroraAlbum #WhateverGetsYouThruTheNight #LetMeDownEasy #StudioDrama
Category
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TVTranscript
00:07Previously on Daisy Jones and the Six.
00:09What's the radio station?
00:10What is this?
00:10Oh, my God.
00:11Oh, my God.
00:15We got asked to join the bill at the Diamond Head Festival.
00:18Let's give it up for the six!
00:22Of course, it wasn't just us that they wanted on the bill.
00:26Daisy!
00:27Daisy!
00:27Your first single, and it hits number one.
00:29What do you two have planned for an uncle?
00:31Uh, that was more of a one-time thing.
00:33You're a real fucking asshole, aren't you?
00:35I think you're amazing.
00:38Never gonna happen for us, is it?
00:39Okay.
00:41Are you in the band?
00:42Hi, my name's Caroline.
00:44Graham.
00:45You and Daisy, it's exactly what you need to get to where you want to go.
00:48I know.
00:49Well, do you want me to join your band?
01:15Here I go, well, I don't know why.
01:19I feel so ceaselessly.
01:23Could it be he's taking over me?
01:32I'm dancing band, but heading for a spin.
01:40Some strange music draws me in, makes me come on like some heroin.
01:49I stay on a must, and it hurts me now.
01:56The truth is, love you, man.
02:00Hi!
02:00That's very right.
02:00See you later.
02:00Bye.
02:00Bye.
02:01Bye.
02:13Bye.
02:33Good morning, Ms. Jones.
02:35This is the wake-up call you requested.
02:46What time is it?
02:53Time for you to go, babe.
02:58Dada!
02:59Yay!
03:01Yay!
03:01Hey.
03:02Good morning, beautiful.
03:04Hello.
03:06Good morning.
03:06Good morning.
03:08You want any breakfast?
03:09I want you.
03:10Uh, no, I have to share it and get going.
03:14What time do you think he'll be back?
03:16Uh, if it goes well, I don't know, time for dinner.
03:22And if it doesn't?
03:25Well, if it doesn't, then it's gonna be a long night.
03:27All right.
03:30All right.
03:31Love is the drug, gotta look on me.
03:35Oh, catch that bus.
03:39Love is the drug I'm thinking of.
03:42Oh, can't you see?
03:46Love is the drug for me.
03:49Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
04:12oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
04:16oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
04:18oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
04:18oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
04:18oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
04:25Hi.
04:27Hi.
04:29So it's got a lens.
04:31Zoom all the way from 9 to 36.
04:35I made breakfast.
04:39We didn't really know what to expect.
04:43Again with the legs, man.
04:45Dude, I know.
04:46I'm a leg guy, you know?
04:48It's just the fact that those legs just got me a little distracted, is all I'm saying.
04:55Warren, right?
04:58Yeah.
04:58You know, it's not my job not to turn you on, right?
05:03I do.
05:04Now.
05:05Great.
05:08All right, everybody.
05:10I just want to say a few things before we get started.
05:13First off, we have a new member of the band.
05:16So let's hear it for Daisy Jones.
05:21Thank you for being here and for doing this with us.
05:24Thank you for having me.
05:26So, it's been what, four weeks?
05:28I wrote a song.
05:30Well, actually, I've written about 20 songs I'd like to play for you guys.
05:33Sorry.
05:34I wasn't trying to pet you off or anything.
05:35I just, I'm excited about it, so.
05:38Okay.
05:44Well, Daisy, the great news is we, uh, we actually have, what, 13 songs for the album, so, yeah.
05:58I mean, why don't we play you something and then, uh, you can have a listen, see if you feel
06:02strongly about any of them or, you know, want to add anything, you know?
06:05I mean, can you imagine?
06:07I could not have been nicer.
06:09Play the, uh, the new one for Daisy?
06:12Mm.
06:12Yeah.
06:15Yeah, I think you're going to dig this one.
06:17I'm going to spell your wife in the rain.
06:26I think it was called, she's the storm.
06:29Seriously.
06:34Is that funny?
06:35Mm.
06:35Sorry, did you want to say something?
06:38No, I'm just, I mean, I'm not here to sing harmony on a bunch of love songs about your wife.
06:43Right?
06:45You know, I mean, if we're going to, if we're in a band, then the album has to be just
06:49as much mine as it is yours, as it is Karen's and Graham's and Warren's and that guy's.
06:56You know?
06:57She was saying things I've been saying since 69.
06:59I mean, shouldn't we at least talk about a direction?
07:02Is there a big concept, a big idea you have for the record, or?
07:06Actually, I, I agree.
07:09Well, I, I think it's a good conversation.
07:11You know what I think?
07:12Oh, God.
07:13I think this should be a rock and roll record.
07:15Oh, thank you, Eddie.
07:16Thank you so much for your input.
07:18No, I'm serious.
07:20Of course it's going to be a rock and roll record, man.
07:22What the fuck?
07:23I mean, is it, though?
07:25I mean, like, a lot of these songs are sounding like, like, well, pop songs, man.
07:30Like Sonny and Cher shit, you know?
07:32Are we a pop fan now, or, right?
07:35I mean, rock and roll should be passion, pain, anger, sleeping with some girl you don't know.
07:41Not making sweet love to your wife, for Christ's sakes.
07:45No offense, Billy.
07:47Sort of what I was trying to say.
07:48How about some African drums?
07:50Great idea.
07:51We could do a song, just vocals and piano.
07:53Yeah, I'd like to write some of my own bass parts for one.
07:55Great.
07:56You know?
07:56Why not?
07:56Fucking terrible idea.
07:57What's the bad idea?
07:59Wait, I mean, you invited me here.
08:01Yeah, well, maybe that was a mistake, Daisy.
08:02All right?
08:03Are you done?
08:06Are you?
08:07Jesus Christ!
08:08You're acting like a bunch of kindergartners.
08:11Just maybe the two of you can go someplace and work on something together.
08:15How about that?
08:15Either way, the door is right there.
08:17So go on and get the fuck out of here, because I got shit to do.
08:23Go, goddammit!
08:26Come on.
08:34Hey, so what about us?
08:36I could care less.
08:38So where should we go?
08:39Apple pan.
08:41What?
08:42I'm hungry.
08:43It's like 10 in the morning.
08:45Well, I can't work if I'm hungry.
08:47I'm hungry.
09:02I can't work if I'm hungry.
09:11It's a good song.
09:12It's my fucking car.
09:13Oh, my lord.
09:16Hey there.
09:17What'll it be?
09:18Two hickory burgers, medium rare, and two sides of fries, please.
09:21I don't need you to order for me.
09:23Well, good.
09:24Because I didn't.
09:30Yeah.
09:30I'll, uh, I'll have the same.
09:32Come right up.
09:41All right, look.
09:42No good's gonna come out of us fighting all the time.
09:45Well, how do you know that?
09:48What?
09:49What do you know about fighting?
09:50Nobody ever stands up to you.
09:56Can I ask you a question?
09:58Be my guest.
09:59Why are you so obsessed with your wife?
10:01What?
10:02I met Camilla.
10:03She's great.
10:03But why can't you write a song about anything else?
10:05Is it you?
10:06Are you afraid she's gonna leave you?
10:08Or do you feel like you're not good enough for her?
10:09What's the thing that...
10:11Daisy.
10:11Did you do something wrong?
10:12Daisy.
10:14I don't want to talk to you about this, okay?
10:16Okay.
10:17Okay.
10:20Okay.
10:21Two hickory burgers each.
10:32Enjoy.
10:36Stumble on sublime.
10:50Stumble on sublime.
10:50You like this song?
10:53Stumble on sublime?
10:54Mm-hmm.
10:54Everyone likes this song.
10:55I wrote it.
10:56What do you mean you wrote it?
10:58I mean, I wrote it.
10:59Like you wrote Honeycomb?
11:01Kind of.
11:02Okay.
11:03I mean, I wrote the lyrics.
11:05Some of the melody.
11:05Well, most of the melody.
11:09Listen to the song.
11:10I think Wyatt's doing good with it.
11:29It's a great fucking song, Daisy.
11:33Well, cool, man.
11:35Now that you dig it, maybe you can stop being such a dick all the time.
11:40Hey, man, are you sure you don't want to come?
11:43Well, I've already seen it.
11:45Yeah.
11:46You've seen it once.
11:47That's probably the appropriate number of times to watch Rollerball.
11:51Not if you appreciate art, brother.
11:53It's a true cinematic masterpiece.
11:55Very well.
11:56Enjoy round two, gentlemen.
11:58Oh, I will.
12:03What are you guys up to?
12:04Movies.
12:05Oh.
12:06Rollerball again?
12:07It's a fucking masterpiece.
12:09Hey!
12:17Hey, I was thinking, um, I'll come to the beach with you today.
12:25I mean, why not?
12:28I've got nothing else to do.
12:33Okay.
12:37I've got nothing else to do.
12:45Are we good?
12:48Of course we are.
12:51We're great.
12:53All right?
12:55Okay.
12:58I'll go get myself, man.
13:00Yeah.
13:09Hey.
13:10How's it going?
13:11Oh, it's good.
13:12You got it?
13:13Okay.
13:14Yeah.
13:18Hey.
13:19Hey, you coming?
13:20Why don't you guys just go ahead?
13:22Oh, you all right?
13:23Yeah, I just didn't realize that it was...
13:25Oh, no, no, no. It's totally fine. Yeah, hop in.
13:28See?
13:29Don't be weird.
13:32Let's go.
13:41Which house is this?
13:43You've never been here before?
13:47You can't say I have.
13:49Okay, well...
13:50Uh, Daisy?
13:51What?
13:52I have a key.
13:54What are you doing?
13:56I'm looking for a key, Billy.
14:01I have a key.
14:02Daisy?
14:03Ha!
14:06Why do I get the feeling we're breaking the law?
14:10It's not very rock and roll, Billy.
14:11Okay.
14:25Wow.
14:33All right, man.
14:45It's crazy.
14:47And I do my peace.
14:52I'll get you, I'm living it.
14:53How about you?
15:01What's the name...
15:22What is that?
15:24It's something my brother was messing around with.
15:30So is this going to work?
15:31What do you mean?
15:33Like, what's your process?
15:34My process?
15:36Yeah, for writing songs.
15:38You're looking at it.
15:44Your wife said you don't drink anymore.
15:47Does this bother you?
15:49It's fine.
15:55I don't know how to write with anybody.
15:57Yeah, well, me neither.
15:58Not really.
15:59Okay, so what do we do?
16:04Uh...
16:09At least look at it, will you?
16:12It's not all about my wife.
16:21We'll pick another one.
16:28Do you know what?
16:28Give me that.
16:29It's fine.
16:31We'll start something new.
16:49Okay.
16:52What?
16:55What?
16:58What's the fucking problem?
16:59Huh?
17:00Nothing.
17:01It's, uh...
17:03What?
17:04I don't dig all the nature shit.
17:08The imagery.
17:09The...
17:10The...
17:11Okay.
17:11It might work for some people, but it just doesn't work for me.
17:14All right?
17:15I mean, are these even lyrics?
17:17Yes, they're lyrics, or they're ideas, they're fragments, they're just things off the top of my head.
17:22Kites fly in a fire scene?
17:23It's a metaphor.
17:24For what?
17:24It's for feeling untethered or adrift.
17:26Maybe just say that, then.
17:29You know, it's okay sometimes to just say what you mean.
17:32I can say what I mean.
17:33Can you?
17:33Yes, I can.
17:34I think you're a shithead.
17:35How's that?
17:40Better, actually.
17:45Okay.
17:46Play that riff again.
17:47Play your brother's riff.
17:53All right.
18:06Let's do it.
18:35Let's do it.
19:08Are we taking a break?
19:10No.
19:11We're writing.
19:16We're writing.
19:43Hey, I think it's really cool you're in a rock band.
19:47You know, being a woman and all.
19:49You almost never see that.
19:51It's sad, but true.
19:56What kind of music are you into?
19:58Oh, a little bit of everything, I guess.
20:03That very nanolo is really something.
20:06You're really pretty.
20:10I was Miss Teen Arizona in 73.
20:14Congratulations.
20:15Thanks.
20:16What is it you do now?
20:18Oh, I'm a student up at UC Santa Barbara.
20:21Pre-med.
20:23I'm a student up at UC Santa Barbara.
20:23You're going to be a doctor?
20:25Psychiatrist.
20:28And you're into great.
20:31Yeah.
20:32Level with me.
20:33Is it the whole rock star fantasy thing?
20:35Guys with guitars and all that?
20:36I don't think so.
20:40What is it?
20:43He's just a really good guy.
20:48Plus, you know.
20:51What?
20:52I mean, he's sexy as hell.
20:56Is he?
20:59What are you two talking about?
21:01Oh, nothing.
21:02Nothing.
21:03Well, who wants to learn how to surf?
21:04You crazy?
21:05There is no way I'm going in that dirty piss water.
21:08Come on.
21:09I'll go.
21:09Yeah?
21:10Yeah.
21:11All right.
21:12Drown on me, Serco.
21:13I need a keyboardist.
21:15You guys have fun.
21:16All right.
21:17We'll be back.
21:18My grandma and your grandma
21:21were sitting by the fire.
21:23My grandma told your grandma
21:25I'm going to set your flag on fire.
21:27Talking about me now.
21:29Me now.
21:30Me now.
21:31Aiko, aiko, and me.
21:33Jagamotino, and me.
21:36Jagamotino, and me.
21:42Look at my king, all dressed in red.
21:45Aiko, aiko, and me.
21:47I bet you $5,000 will kill you gay.
21:50Jagamotino, and me.
21:51Sof in a day, na.
21:53Hey, na.
21:53Hey, na.
21:54Hey, na.
21:54Aiko, aiko, and me.
21:57Jagamotino, and me.
21:59Jagamotino, and me.
22:14First record I bought with my own money.
22:17Let me guess.
22:18Yours was something cool,
22:20like the Everly Brothers.
22:26Mm-mm.
22:27That's Domino.
22:29No.
22:31Little Richard.
22:33No.
22:34What was it?
22:39How much is that doggy in the window?
22:41Ah.
22:42But if you ever tell anyone,
22:44I will deny it.
22:45Want to pick a record?
22:48Sure.
22:58Here we go.
22:59All right.
23:00What is it?
23:01The first song that really...
23:05What?
23:07My first love.
23:10Well, that's exciting.
23:22There's a world where I can't go
23:28And tell my secrets to you
23:33In my room
23:38You know the song?
23:40I know the song.
23:42In my room
23:43In my room
23:49In this world
23:51I own my own
23:55Move your shoulders.
23:57Okay.
23:57You're gonna lose me one step.
24:00One.
24:01There you go.
24:01Move your body.
24:03Okay.
24:07We don't have to be friends.
24:12What if we're gonna write together?
24:14We...
24:14We can't be strangers.
24:19Ask me something.
24:21Ask me anything.
24:25You'll tell me the truth?
24:27Sure.
24:29Cross my heart.
24:32Okay.
24:37How many pills do you take in a day?
24:39That's what you want to ask me.
24:42Answer the question.
24:43I don't know.
24:44Well, you said anything.
24:45Yeah, and I'm telling you.
24:46I don't know.
24:46I don't count them.
24:48You don't think that's a problem?
24:49Why would that be a problem?
24:50They're from a fucking doctor.
24:51Well, it's a problem if you can't stop.
24:53I can stop.
24:54I can throw these in the toilet right now
24:55And I won't feel a thing.
24:58I'm not sure I believe you.
25:24What else do you want to know?
25:31Why did you want to join the band in the first place?
25:34You.
25:39What about me?
25:41I feel like I know you, or like we've known each other for a long time.
25:45I don't know how to explain that you feel familiar to me.
25:51Does that happen to you often?
25:55No.
25:59One more and then it's my turn.
26:15Tell me how you really cut your hand.
26:17I told you.
26:19Breaking into your parents' house?
26:22Are you serious about that?
26:24Mm-hmm.
26:25Mm-hmm.
26:26I don't understand.
26:29I had the number one song in the country and I just wanted them to know about it.
26:33But they weren't there.
26:35No.
26:37They moved away.
26:39What?
26:45They moved away without telling you.
26:53Jesus, Daisy, that might be the saddest thing I ever heard.
26:57Well, Billy, I hate to tell you this, but life's full of sad things.
27:01And when I feel sad, I take pills.
27:04What do you do?
27:10I don't know.
27:14I mean, that's, that's what I used to do, but I think I, uh...
27:20What?
27:24Well, I guess I just feel it.
27:30Whoo.
27:32That's the saddest thing I've ever heard.
27:44I see.
27:46What do you see?
27:47You write songs about who you wish you were.
27:50Not who you are.
27:53What if you didn't do that?
27:55What if you wrote songs about the guy that's not so good all the time,
27:58and the guy that lets people down,
28:00and the guy that maybe wants things that he shouldn't?
28:05Who'd want to hear a song about that?
28:07I would.
28:11I think everybody would.
28:18Hey, hey, relax, okay?
28:20I don't know how to relax.
28:21I'm English.
28:22You're all right, right?
28:24I got you.
28:28She's nice.
28:29Yeah, she is.
28:31She's pretty, too.
28:33Yeah, I'd say.
28:35What do you guys talk about?
28:38Karen.
28:40What?
28:40Calling her dumb?
28:42No.
28:43No.
28:44She's like a fucking road scholar.
28:46Or something.
28:46I'm just asking if you have any mutual interests.
28:51Yeah.
28:52I mean, yes.
28:55I mean, I think we do.
28:56Because I was talking to her earlier,
28:58and she's a big Barry Manilow fan.
29:03Don't fuck with me.
29:13Well, we've only been out like three or four times, and...
29:17If I'm being honest, we don't, uh, do a lot of talking.
29:21You know what I mean?
29:22Yeah.
29:23Yeah.
29:23Yeah, I think I do.
29:24Yeah, not a lot of talking whatsoever, actually.
29:27Yeah, I understand completely.
29:28Because of all the sex.
29:29Thank you, Graeme.
29:30I get it.
29:30Mm-hmm.
29:32Jesus.
29:33There comes a wave.
29:34You ready?
29:35No.
29:36Too late.
29:37Come on.
29:37Down on your stomach.
29:38Oh, my God.
29:39Down on your stomach.
29:40Oh, my fucking God.
29:41Paddle.
29:42Paddle.
29:42Go, go, go!
29:48Jesus.
30:01You ready?
30:02You ready?
30:03For what?
30:03No, no, no.
30:05You ready?
30:06Go on.
30:17Like that?
30:18Yeah.
30:19Where is it going to go?
30:20The good thing about the way that I was doing it,
30:23I feel like that's the place to go.
30:25I just think this suits the verse that you wrote better.
30:28Okay.
30:29Let's try it.
30:30We went back and forth on it for hours, I think.
30:33Changing the chords, changing the melody,
30:35hashing the whole thing out.
30:37Back to the C.
30:47It's quite a feeling when it works.
30:54I don't think we should both go down straight.
30:56Let's try that, let's try it.
30:57Okay, okay.
31:15Okay, but he didn't write that song.
31:19who cares but Caroline the whole it the song is called i write the songs i mean how can you
31:26not have a problem with that it's a good song whoever wrote it will you help me please i mean
31:31what exactly do you like about it i don't know um the words his voice well no but for real
31:40hey look there's no romance well i wouldn't say there are no wrong but it's a catchy song
31:46okay it makes me happy
31:49jeez isn't that the point of pop music it's not supposed to like change your whole life guys
31:53i mean that's right sorry you said there were no wrong
32:02very male
32:08it's still not back yet
32:14how many times do you see rollerball in one day
32:19can you walk me in what what i don't know what if someone's in the house
32:25like who i don't know burglars burglars yeah there's been all those break-ins recently
32:33i haven't heard about any break-ins will you just walk me into the bloody door just walk her to
32:37the
32:37door yeah all right okay geez all right do that in a second okay
32:50well looks like the coast is clear
33:16i can see it waving in the distance like a mirage on sand
33:36that could be us trading secrets no one else can
33:41why are we saying it i can see it waving in the distance what is it
33:46uh like our future what can you see in the distance why not you like us
33:51us works i like us i like us i love us try us
33:58i can see us waving okay all right one two three four
34:05i can see us waving in the distance like a mirage on sand that could be us trading secrets
34:16someone else could understand i love that i got you under my skin now why do you make it so
34:25hard
34:25that sounds like a song don't leave me broke don't don't leave me broken and free won't you tell me
34:32where you are okay okay this this part needs we need to rework this here why it's disneyland billy this
34:40is not disneyland it's it's optimistic it's hopeful it's i mean what's wrong with being
34:45it's not it's not we're not writing a song about being hopeful we're writing a song about why we do
34:49things that are bad for us why we keep doing them even though we know that it's hopeless
34:54i don't agree well you're wrong so oh wow someone shared a number on you didn't they
35:05what does that mean what i was wrong about you that's all
35:11i never would have thought you were so what it's like broken
35:36daisy
35:42it's not it's not what i heard
35:45Daisy
35:54Daisy!
35:58Daisy, I'm sorry, all right?
36:00I...
36:23Look, I'm sorry.
36:29What I meant was...
36:34We're more alike than I thought.
36:38How was that?
36:40My dad also left without a forwarding address.
36:47I was eight.
36:51I try not to think about him too much, but...
36:56Uh...
36:58I'm pretty sure everything I do is to try and make him regret it.
37:13I'm not broken.
37:19Yeah, me neither.
37:38How the hell did you get in my house?
37:42The door.
37:50Hey, buddies, I'm home!
37:56Hey.
37:58You guys heard from Billy yet?
38:01Uh, no.
38:06Hello?
38:09Okay.
38:14Yeah, sure. No problem.
38:18Mm-hmm.
38:20Be right there.
38:26Yeah.
38:26How's Daddy?
38:29What are you saying?
38:32I couldn't hold it in anymore.
38:34I just... I literally just, uh...
38:37Hi.
38:38Hi.
38:40Hey, Graham.
38:42You know the, uh, riff you're always playing?
38:44Yeah, yeah. You guys write something to it?
38:46Sit down. I think you're gonna dig this.
38:48It was the first song that they ever truly wrote together.
38:52Still one of my favorites.
38:53It doesn't mean I couldn't believe it.
38:56It doesn't mean I won't believe it still.
38:59We ran through it a couple times.
39:08I remember having this feeling like...
39:11nothing would ever be the same again.
39:13It was just...
39:17a really great day.
39:20And then it goes to D major?
39:24Yeah, I know.
39:25But just trust me, it-it works, right?
39:28Uh, and hey, if you wanna...
39:30fuck around with it, do your thing, man.
39:34Should we put this one on tape?
39:36Yes, we should.
39:38Is it called again?
39:39It's called Let Me Down Easy.
40:23It's called Let Me Downace.
40:23With the time, baby, that's the thrill
40:28But won't you let me down, let me down, let me down easy
40:32If you're gonna let me down
40:34If you're gonna let me down, let me down easy
40:39If you're gonna let me down
40:42Don't you go and show me that you love me while you're leaving
40:46If you're gonna leave me now
40:49If you're gonna let me down, let me down easy
40:53If you're gonna let me down
41:03I can see us waving in the distance
41:07Like a mirage on sand
41:11That could be a straight and secret
41:14No one else could understand
41:18I got you under my skin now
41:21Why do you make it so hard
41:25Don't leave me broken or free
41:27Won't you tell me where you are
41:29The best part was it left room for everyone to contribute
41:32It wasn't just the Billy show anymore
41:37Daisy did that for us
41:39If you're gonna let me down, let me down easy
41:42If you're gonna let me down
41:45Don't you go tell me that you love me while you're leaving
41:49If you're gonna leave me now
41:52If you're gonna let me down, let me down easy
41:56If you're gonna let me down
42:13If you're gonna let me down, let me down easy
42:17If you're gonna let me down
42:21It was obvious that they made each other better
42:24If you're gonna let me down
42:27Don't you go tell me that you love me while you're leaving
42:31If you're gonna leave me now
42:35Until of course they didn't
42:37If you're gonna let me down easy
42:38If you're gonna let me down
43:10If you're gonna let me down
43:11That was, that was the best one.
43:14Right? What'd you think?
43:19I'm a motherfucking genius.
43:21Hi!
43:25Two more for you.
43:41I don't know what time it's in.
43:44Wait.
43:47I'm sorry, was it that bad?
44:16No, no, no.
44:39Oh, my God.
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