Welcome to the official hub for Daisy Jones & The Six, the critically acclaimed musical-drama limited series that captures the nostalgic, wild, and heartbreaking world of the 1970s rock 'n' roll scene. Based on the New York Times best-selling novel by Taylor Jenkins Reid, this series tracks the meteoric rise and sudden, devastating collapse of a legendary fictional rock band.
In 1977, Daisy Jones & The Six were on top of the world. Fronted by two fiercely charismatic, deeply clashing lead singers—the free-spirited Daisy Jones (Riley Keough) and the tortured, brilliant Billy Dunne (Sam Claflin)—the band catapulted from gritty club gigs to global stadium tours. Backed by an iconic crew including Karen Sirko (Suki Waterhouse), Graham Dunne (Will Harrison), Eddie Roundtree (Josh Whitehouse), and Warren Rojas (Sebastian Chacon), they recorded Aurora, one of the greatest albums of the decade.
Then, right after a sold-out show at Chicago's Soldier Field, they suddenly called it quits. No explanations. No goodbye tour.
Decades later, the band members finally agree to sit down in front of a documentary crew to reveal the truth. This is the story of how a legendary band made beautiful music together—and how their hidden passions, addictions, and secrets ultimately tore them apart from the inside out.
Episode 1: "Track 1: Come and Get It"
(Focuses on the separate origins of Daisy and the Dunne Brothers in the early 70s)
#DaisyJonesAndTheSix #DaisyJonesEp1 #DunneBrothers #BillyDunne #70sRock #BandOrigins #ComeAndGetIt
Episode 2: "Track 2: I'll Take You There"
(The band moves to LA, hooks up with Teddy Price, and Daisy starts her songwriting journey)
#DaisyJonesAndTheSix #DaisyJonesEp2 #IllTakeYouThere #SunsetStrip #TeddyPrice #LaRockScene #Songwriting
Episode 3: "Track 3: Someone Saved My Life Tonight"
(Billy struggles with addiction and rehab, while Teddy tries to figure out how to fix the band's sound)
#DaisyJonesAndTheSix #DaisyJonesEp3 #SomeoneSavedMyLifeTonight #CamilaDunne #RockRehab #TheSix
Episode 4: "Track 4: I Saw The Light"
(The historic moment where Daisy and Billy finally record together for the first time on "Look At Us Now")
#DaisyJonesAndTheSix #DaisyJonesEp4 #ISawTheLight #LookAtUsNow #Honeybee #DaisyAndBilly #StudioRecording
Episode 5: "Track 5: Fire"
(Daisy officially joins the band, sparking a massive creative and emotional rivalry with Billy)
#DaisyJonesAndTheSix #DaisyJonesEp5 #Fire #CreativeRivalry #RockChemistry #DaisyAndBilly #SoundCity
Episode 6: "Track 6: Whatever Gets You Thru The Night"
(The band records the iconic "Aurora" album and the tension behind the lyrics starts boiling over)
#DaisyJonesAndTheSix #DaisyJonesEp6 #AuroraAlbum #WhateverGetsYouThruTheNight #LetMeDownEasy #StudioDrama
In 1977, Daisy Jones & The Six were on top of the world. Fronted by two fiercely charismatic, deeply clashing lead singers—the free-spirited Daisy Jones (Riley Keough) and the tortured, brilliant Billy Dunne (Sam Claflin)—the band catapulted from gritty club gigs to global stadium tours. Backed by an iconic crew including Karen Sirko (Suki Waterhouse), Graham Dunne (Will Harrison), Eddie Roundtree (Josh Whitehouse), and Warren Rojas (Sebastian Chacon), they recorded Aurora, one of the greatest albums of the decade.
Then, right after a sold-out show at Chicago's Soldier Field, they suddenly called it quits. No explanations. No goodbye tour.
Decades later, the band members finally agree to sit down in front of a documentary crew to reveal the truth. This is the story of how a legendary band made beautiful music together—and how their hidden passions, addictions, and secrets ultimately tore them apart from the inside out.
Episode 1: "Track 1: Come and Get It"
(Focuses on the separate origins of Daisy and the Dunne Brothers in the early 70s)
#DaisyJonesAndTheSix #DaisyJonesEp1 #DunneBrothers #BillyDunne #70sRock #BandOrigins #ComeAndGetIt
Episode 2: "Track 2: I'll Take You There"
(The band moves to LA, hooks up with Teddy Price, and Daisy starts her songwriting journey)
#DaisyJonesAndTheSix #DaisyJonesEp2 #IllTakeYouThere #SunsetStrip #TeddyPrice #LaRockScene #Songwriting
Episode 3: "Track 3: Someone Saved My Life Tonight"
(Billy struggles with addiction and rehab, while Teddy tries to figure out how to fix the band's sound)
#DaisyJonesAndTheSix #DaisyJonesEp3 #SomeoneSavedMyLifeTonight #CamilaDunne #RockRehab #TheSix
Episode 4: "Track 4: I Saw The Light"
(The historic moment where Daisy and Billy finally record together for the first time on "Look At Us Now")
#DaisyJonesAndTheSix #DaisyJonesEp4 #ISawTheLight #LookAtUsNow #Honeybee #DaisyAndBilly #StudioRecording
Episode 5: "Track 5: Fire"
(Daisy officially joins the band, sparking a massive creative and emotional rivalry with Billy)
#DaisyJonesAndTheSix #DaisyJonesEp5 #Fire #CreativeRivalry #RockChemistry #DaisyAndBilly #SoundCity
Episode 6: "Track 6: Whatever Gets You Thru The Night"
(The band records the iconic "Aurora" album and the tension behind the lyrics starts boiling over)
#DaisyJonesAndTheSix #DaisyJonesEp6 #AuroraAlbum #WhateverGetsYouThruTheNight #LetMeDownEasy #StudioDrama
Category
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TVTranscript
00:08Previously on Daisy Jones and the Six.
00:11Probably going to need some money and Teddy Price to produce us.
00:15Are you a bunch of fucking idiots?
00:18Elmar Records.
00:19Are you interested?
00:20All you need is some shaping.
00:22I don't think I want to be shaped.
00:24Your songs.
00:25They aren't songs.
00:25Maybe.
00:26I don't want my songs to fit in a box.
00:28Maybe you're right.
00:29Mr. Price.
00:30Hi.
00:31Is there any chance we could play for you sometime?
00:33You know you only get one shot at this.
00:35What can I say?
00:36They knocked my fucking socks off.
00:38We're making an album!
00:41I'm making an album.
00:44Be cool.
00:46Billy, I'm pregnant.
00:47What the hell are we going to do?
00:49We got married that night.
00:51One.
00:53What do you remember about the tour?
00:55Miller, listen, listen.
00:58What the fuck do you think you're telling me?
01:00You are going to show up for me, for this child, and you're going to keep showing up.
01:08Miller's had the baby, Billy.
01:09Let's go meet your daughter.
01:14I can't ever meet me like this.
01:17Then there's someplace else we got together.
01:47Let's go meet your daughter.
01:48So ceaselessly
01:51Could it be
01:52He's taken over me
01:59I'm dancing band
02:02But hadn't far spent
02:06Some strange music
02:10Draws me in
02:11Makes me come on
02:14Like some heroin
02:30Thank you
02:36I'm sorry
02:42I love you
02:57Goodbye
03:14So how you been
03:17Like it or not
03:20Well at least
03:21You stop pretending
03:21You don't care
03:23That's progress
03:27I like it Daisy
03:29Very much
03:34What can I do for you
03:37I don't know
03:39What do you want
03:40I want to make a record
03:41Okay
03:43And I want people
03:43To listen to it
03:44Over and over again
03:45Until it breaks
03:48And then I want to
03:48Make another one
03:50Well you got
03:50One great song
03:52All we need now
03:53Is ten more
03:58Give me a week
04:00Shit
04:04Oh and Daisy
04:06This is now the worst song
04:08On your album
04:34That world famous rock star
04:36Billy Dunn
04:43Eddie built his own base
04:44If you can believe it
04:47And we tried a new
04:48Back in the section
04:48I don't look me in the eye
04:49I think you're really good
04:50Grandma
04:51I just
04:52I need to meet my daughter
04:54Yeah
04:55Right
05:01You're gonna love her man
05:06The other day
05:06We were
05:07Hanging in the yard
05:08And
05:09She just looks up at me
05:10With those big eyes
05:11And out of nowhere
05:12She just
05:13She just smiles
05:14You know
05:14Like
05:16And not some smile
05:17Like when she's got gas
05:18You know
05:18Like a real
05:19Full human smile
05:21Man
05:31We didn't really understand
05:32Addiction
05:33Back then
05:34I mean
05:35I thought he'd just
05:36Dry out
05:38Things would go back
05:39To the way they used to be
05:43My man
05:44Hey
05:48Looks good on you
05:48It's not too bad
05:56You got
05:59Been worse
06:00Pittsburgh on three
06:04I gotta show you
06:05This base
06:06Hey Eddie
06:07Give him a minute
06:08He's got to meet his daughter
06:11Yeah
06:12It's good to see you guys
06:14Good to see you
06:17Welcome home man
06:38Hi
06:40Hi
06:48Mrs. Alvarez
06:55You want to come say hi
07:18Hey Kitty
07:23Sorry I'm late
07:25You want to pick her up?
07:27I don't want to make her mad
07:29I don't want to make her mad
07:29She's not mad
07:30Camila
07:30I can take her to walk
07:36She's fine
07:37She's fine
07:37She's just
07:38She just needs a nap
07:39Great
07:40Can I
07:41Can I help with that
07:43Or
07:44Anything picked up
07:45From the store
07:46We're fine
07:48Okay
07:53Okay
07:54Okay
07:55Okay
08:01Hey
08:02Hey
08:04Hey
08:07I missed you
08:11My mom's been sleeping here with us
08:15helping with the night feeding so maybe you should
08:20yeah just for the first few nights
08:25of course sure the label dropped us a week after the tour was canceled it made us pay back our
08:33advance and everything i kept us practicing as much as i could i got a job at a body shop
08:40yeah i was working down at malibu harbor cleaning boats which i loved and uh and doing a lot of
08:46mushrooms which i also loved basically we were back where we started worse even are you still
08:54upset about it me nah i mean hold on to that she'll be the death of you
09:02but he really fucked us over
09:10feeling okay up here yeah man it's great
09:37you want to play a little maybe later
09:43yeah hey i get it you know i mean maybe tomorrow whenever you're ready i mean look everybody's
09:50really excited i can't do it graham you can't do what i mean i'm out i'm done
10:02look why don't you just get some rest all right listen i'm
10:08i can't be like dad i just i i have to look after my family yeah billy we're your family
10:16all right i'm your family just okay will you just tell them everybody down there billy they've been
10:21waiting for you just would you just um for me please you can tell them yourself
10:35we were so so close man
10:47okay okay let's look at this what do we have this is that
10:55through the fault of your something up in in lita the grain or the sand that had to cherish oh
11:04my god
11:05oh my god what are you doing writing okay you're gonna get that
11:18hello
11:22yeah uh me somebody named lee barlin you sure she's not here she's here she is
11:35this is simone hey so i'm working over here with the 3220s how fast can you be here
11:45and then i was supposed to do just the course but it was going so well he said well you
11:50just do the
11:50whole song and he said i had a one of a kind sound well he's right and that we should
11:54do big big big
11:56things together that's that's what he said of course he did because you're a star teddy said this
12:00is going to happen he said it's only a matter of time sorry what were you saying
12:11go talk to her
12:22i'm bernice
12:25small i'm bernie to most people
12:29and you're a singer you know i heard you guys talking oh right right so what's your sound
12:38still kind of figuring that out
12:44it's the club where i work
12:49this is a new york address come by if you're ever in town i can show you around
12:58i'm sorry did i read you wrong
13:01it's a powerful thing when someone comes along and just
13:08sees right through you i'm not used to people being this forward
13:15you think this is forward
13:28you think this is a new york
13:34remember
13:37damn girl look at you how long has it been daisy jones
13:43you know back when i met you your name was your name was margaret and you'd never had a number
13:47one record
13:52you know you could at least say thank you thank you thank you thank you for what
14:11you
14:12she's all around your head and
14:16she's dancing in the corners of your mind
14:21stumbled on sublime
14:23until you can't speak
14:25i mean sure a normal person probably would have let that go
14:31who the fuck do you think you are man look everybody just calm down okay for
14:36fuck's sake i can't be the only one who's pissed here i don't know what else you want me to
14:39say
14:39you guys don't even need me you have the songs you got the fan base i mean i'm sure if
14:44you just
14:44billy if you're going go
14:51all right
15:01so now what do we do
15:05i mean bands fall apart you know that's rock and roll
15:11i just
15:15thought this one was different
15:18i've got a song i ain't got no melody
15:23i'm gonna sing it to my friends
15:28i've got a song i've got a song i ain't got no melody
15:33i'm gonna sing it to my friends
15:37will they go round and circle
15:41when they fly high like a bird up in the sky
15:46when they go down and circle
15:51when they fly high like a bird up in the sky
15:54when they fly high like a bird up in the sky
15:58don't you do it
16:05hello
16:06hi
16:07hey man
16:10the fellas said you were back here
16:13so let me guess
16:15they asked you to come change my mind
16:18of course they did
16:22but i'm not going to
16:25i actually think you're doing the right thing
16:30so why did you come then
16:34i missed you
16:42you know i uh
16:44i don't think i ever said thank you for
16:46no no no no
16:48i'm just glad that it seems to have taken because it
16:51it doesn't always you know
17:03it's never ever going to get any easier do you know that
17:09it's never going to get any easier do you want to get any easier do you want to get any
17:13of them
17:13for me
17:13for me it was all about moving forward
17:20all right
17:21all right well not him no not him he's offensive
17:25look we're going to find somebody all right
17:27you think
17:29you guys like your brother graham
17:32they don't exactly grow on trees
17:38look
17:39i'm going to put that in the paper
17:41i'm going to talk to the guys of the troop
17:43he's out there somewhere all right
17:45i mean he's got to be
17:49what are you thinking
17:52i'm thinking i want to get drunk
17:57but are you still going to be called the six
17:59i mean there's four of you now
18:02yeah man makes it even funnier doesn't it
18:04look if you don't get the joke i can't help you man
18:08i'm not numb obviously i like sex i mean i love it
18:13it's just the mess that i don't like attachments expectations
18:17much you never want what
18:20i mean all life like billy and camilla
18:23i want this life i want traveling and seeing the world and playing music with my friends until i
18:31drop dead on stage
18:37i am quite horny though
18:41you're what yeah i would literally fuck anyone right now
18:45yeah yeah me too
18:46you know it's uh
18:49i've been a minute we should just go for it don't you think
18:53i mean why not
18:58yeah yeah i mean
19:12it was a confusing time
19:15for everyone
19:18i brought the heathen's peace
19:21and then i ate the bird in the bush
19:23oh someone called the police
19:26i know you don't mean it i know you don't mean it
19:29because you can't turn around look me in the eyes
19:46i feel like we've seen every bloody front man in the whole of california
19:52not everyone
19:55what
19:57i can do it guys
19:59yeah eddie i can do it i'm a better guitarist than billy i can sing almost as good
20:06come on just give me a chance
20:10i mean he's already out there
20:12i mean
20:25come on you can't be serious
20:29i can't even take a joke
20:33you can promise that the boat won't send by
20:36could you ever let it flow
20:40the sun is shining down on you
20:44while the moon is getting bigger
20:47you couldn't flip the switch then baby
20:51you couldn't pull the trigger
21:01do what you gotta do
21:07do what you gotta do
21:10yeah
21:16let's go again i think i can beat it
21:18well why don't you come in here and listen to that take first because i i think that's about as
21:23good as we're gonna get
21:25okay
21:27you gotta hear this it's magic cue it up danny
21:42that was good
21:45you want to sit down
21:46yeah
21:50okay
21:57oh
21:59sounds like honey
22:08you feeling okay yeah i can hear myself better
22:38sounds nice
22:52You okay?
22:54Yeah.
22:55Yeah.
22:56Okay.
23:19Let's go home.
23:24To Pittsburgh.
23:28We'll be closer to your parents, to my mom.
23:32I'll get a construction job.
23:33I like building things, working with my hands, you know?
23:36You could get a job at the paper, taking pictures.
23:40Do you think that I moved here?
23:43For you?
23:47Because I didn't...
23:48I moved here with you, Billy, for us.
23:53All right, I'm just trying to be practical, Cam.
23:56All right, if I stay here...
23:57Oh, my God.
23:58I don't know if I can handle it here anymore.
24:00That is not the problem.
24:01You're not listening to me.
24:02Why don't...
24:03I'm weak.
24:04Pick up your kid.
24:07Go ahead.
24:09Pick up your daughter.
24:15What are you so afraid of?
24:17Do you think that I wasn't scared when I held her for the first time and you weren't even there?
24:23You think that I wasn't so hurt when you...
24:29But I stayed, Billy.
24:31I faced it.
24:33And I didn't leave.
24:36So I am asking you, what are you so afraid of?
24:45I think I'm afraid.
24:53I'm afraid she's going to love me.
24:56And...
24:59I'm going to fuck it all up.
25:03Welcome to the club.
25:04Mom...
25:11What?
25:16Hey.
25:18Come on.
25:24Come on.
25:31There you go.
25:45Go on.
25:47Go on.
25:56Oh, tell me.
26:30you don't have to sit here with us you know you can go back in
26:34oh i you know i want to i i miss hanging out with this little troublemaker yeah she's the best
26:41hi baby
26:58so uh everything's just back to normal with you guys you're just like that
27:10sorry i just i i don't know how you can have you ever been in love before any
27:21you don't just stop loving someone because things get hard you know
27:28at least i don't
27:34wait let me grab my camera wait
27:37one happy
27:38christmas
27:40say philly how are you
27:43hey philly how are you
27:57hey
27:57hey
27:58hey
27:59hey
27:59hey
28:04hey
28:10hey
28:12hey
28:13come and have some fun
28:17look i uh i'd like to play something for you if you're open to it i understand if you're
28:26not
28:27we're not
28:29we're not
28:31we're not right guys i mean
28:35oh come on you can't do this you can't just walk back in here like nothing happened
28:41you're right
28:42you're right
28:42i'm sorry
28:44i'm just gonna go check on julia
28:49hey
28:50hey asshole
28:54play the damn song
28:56why did you stay
28:59i ask myself that all the time
29:02oh
29:03but i know we can get it all back
29:08oh
29:11i know we can get it all back
29:15oh
29:22i know we can get it all back
29:27i mean i know it's a new direction but
29:33it's uh
29:35you're telling me that's not a good song
29:37it's a good song
29:41so
29:44you burned a lot of bridges when you cancelled that tour man
29:48you burned a lot of bridges and a lot of money
29:51money that wasn't yours
29:54yeah the song is good
29:57but there's a lot more people with your sound now
30:00well let me talk to the label
30:01it's not gonna help
30:02well then you talk to them
30:04all right i mean you're teddy price
30:06look look look man
30:07your fuck up is my fuck up all right
30:12jesus christ
30:14i thought that yours was gonna be the record to fix things but it
30:17well it just didn't billy
30:24well i'll play it for him
30:26and uh
30:28let's see what they say
30:33thank you
30:34thank you
30:38yes sir right there
30:51yeah
30:52man this is just the devil of course
30:54i was not hearing it teddy
30:56are you hearing it
30:57i'm not hearing it either
30:58yeah we already gave these guys a shot
31:00uh
31:01look don
31:02i have a feeling
31:03you know if you just let me get in a room with them and work some magic we could
31:07it's a no on this one teddy
31:08all right
31:09i'm sorry
31:10all right guys
31:11uh what else we got
31:12ah
31:13i found a great band in the midwest
31:15real new sound
31:16all right
31:20i have about 15 pieces of different ideas but nothing i think you're gonna like yet
31:24well please don't bother bringing me anything that you don't think is great
31:27i wouldn't do that but what if it takes a long time teddy the songs just they show up when
31:32they show up
31:32i can wait
31:37what is this song i thought it was something but uh
31:50i thought it was something but uh
31:55what would you do with it
32:02Next thing you know, we're booked in the studio.
32:10Teddy thought a female vocalist might give us some edge.
32:14Someone knew that he was working with.
32:23We'd never heard of her then.
32:25I mean, no one had.
32:27Billy...
32:28It wasn't through.
32:29I don't even know why we're doing this.
32:31It's not a duet.
32:33Hi.
32:34Daisy Jones.
32:36Billy Dunn.
32:39I like your song.
32:53Daisy, you are going to go right here.
32:55And Tobias will set you up.
32:58Great.
32:59Could I have a glass of milk and a whiskey?
33:01Or just a whiskey if you don't have milk?
33:05Yeah.
33:06Or just a milk if you don't have whiskey.
33:08So happy to see you, Daisy.
33:10Yeah, thank you for having me.
33:13Why are you smiling?
33:15I'm just, uh, generally delighted.
33:21All right.
33:26Okay, let's do this.
33:37Did you want to talk through the song first?
33:39Oh, I'm fine.
33:40Unless you have something.
33:40No, I'm fine.
33:41Okay.
33:43So.
33:45Oh, um, yes.
33:47Your volume will be right there.
33:49Okay.
33:49This one?
33:50Yes, correct.
33:51And Billy's on channel two.
33:52One?
33:52Okay.
33:52Hello.
33:53Oh, wow.
33:54Okay.
33:54Hello.
33:54Hello.
33:55That's a little bit loud.
33:56Why?
33:56Has she never recorded before?
33:57Hello.
33:58Hello.
33:58Hello.
33:59She's about to.
34:00Could we turn these off or lower them a little?
34:03They're the down.
34:04Yeah.
34:04Where are your pants?
34:05Correct.
34:05Who cares?
34:07Shut up, you too.
34:10Okay, Billy.
34:11Can we give us a level, please?
34:15I don't know who I am.
34:19Okay, that's good.
34:21And Daisy?
34:22Baby, baby, baby.
34:24Okay, let's get this started.
34:26This is Honeycomb.
34:29Take one.
34:48I don't know who I am.
34:51What?
34:52Do we need the audience?
34:55You mean the band?
34:56Is she talking about us?
34:58It's our song.
34:59They're just kind of looking right.
35:00Let's just give her some space, don't you think?
35:03Do you want to go and talk to Deb?
35:05Debby's working today?
35:06Oh, shit.
35:06Come here.
35:14Okay.
35:16Honeycomb, take two.
35:18Take two.
35:36I don't know who I am.
35:40Baby, baby, baby.
35:43Do you know who you are?
35:50Is it out of our hands?
35:53Tell me, tell me, tell me.
35:56How we made it this far?
36:00Oh, did we unravel a long time ago?
36:03Is there too much we don't want to know?
36:07I wish it was easy, but it isn't so.
36:15Oh, but I know we can get it all back.
36:21Oh, I know we can get it all back.
36:27Can we stop?
36:29Those aren't the lyrics that you're singing.
36:33Do you need me to write them down?
36:34Can I grab a pen?
36:36I mean, I know what the lyrics are.
36:38Then why aren't you singing them?
36:39I am singing them.
36:44You didn't see this.
36:45He didn't get this.
36:46The fuck is this, Teddy?
36:48Billy, why don't we give her version a go and just see how it sings?
36:53Her version is like a completely different song, Teddy.
36:55Can I ask you a question?
36:59What do you think the song is about?
37:01What do I think the song is about?
37:02What the song that I wrote?
37:03Yeah, what is the song about?
37:03What do I think the song that I wrote is about?
37:07It's about starting a new life, Daisy.
37:10It's about redemption.
37:11Redemption from what?
37:12From letting people down.
37:15So guilt.
37:16It's about guilt.
37:17No, it's not about guilt.
37:18I'm sorry, I'm not trying to prior anything.
37:20I'm just trying to, you know, get us on the same page and understand the story better so
37:24that I can help, which is, I think, that's why I'm here.
37:26I'm assuming it's about you.
37:29Okay, so you let somebody down, right?
37:31And now you're saying, you know, everything's fine.
37:34Look at us now.
37:35Everything's in the past.
37:36Yeah, what's wrong with that?
37:37I don't believe it.
37:38And it doesn't sound honest.
37:41And it sounds simple.
37:43And I don't know you very well.
37:45You don't seem simple to me.
37:48Oh, thank you.
37:49Also, why did you call it Honeycomb?
37:52You know that that's a Ricky Nelson song, right?
37:54She always liked this.
37:55If you don't like this song, why don't you want to hear it?
37:57Oh, I love the song.
37:58I love it.
37:58I think it's a beautiful song.
37:59It's just that you wrote a speech, Billy, when at the very least, I think it can be a conversation.
38:10Well, Edith, I guess this is really goodbye.
38:15I mean, she'll come, but...
38:16Yeah, I'll go to you, Debbie.
38:22What the hell, man?
38:25Something on your mind?
38:26I'm either going to kill her or you or myself.
38:28Where do you think I should start?
38:30We need a minute, thanks.
38:31Teddy, can we, uh...
38:35Is this the part where the men figure out the solution?
38:36I highly doubt it.
38:43What the fuck?
38:46Close the door.
38:48Quick.
38:48Can I turn on the light?
38:49Yeah.
38:50Sure.
38:59What are we doing in the closet, man?
39:01I didn't know what was in her.
39:02I just thought it was another room.
39:03You had her rewrite the song?
39:06What'd you think of her sound?
39:07She sounds like she's ruining the great fucking song I wrote, Teddy.
39:10No, no, Billy, you wrote a good song.
39:12Not a great one.
39:13She's right, man.
39:15Your version is, uh, it is simple.
39:19You're holding back, man.
39:21And I get it.
39:22I mean, if I was you, I wouldn't want to be going to those places either.
39:25Look, if the label loved the song, why is it...
39:28They didn't.
39:31What do you mean?
39:32Label said no.
39:36They don't know we're here.
39:37So, who's paying for the session?
39:42I love you, man.
39:44You know that, don't you?
39:52You want this open or closed?
40:05I know, man.
40:06First, we're letting them back in like it's nothing.
40:08Now, these guys sing songs with some chick.
40:10Who you calling chick?
40:12I'm a chick.
40:13Yeah, but not really.
40:15Tweedledee and Tweedledum.
40:18Heartbeat of the track.
40:19Good work.
40:23Glad you dig it.
40:25Yeah, that's nice, man.
40:26Real nice.
40:27Nice to know someone's listening.
40:28Real nice.
40:34You all right?
40:35Yeah.
40:36Yeah.
40:48Did you guys want to record something or fight more?
40:50I'm fine either way.
40:52Uh, hold on.
40:53He'll be right there.
40:54Okay.
40:54I'll be here.
41:02Hello.
41:04Hello, Tobias.
41:06Hello, Tobias.
41:08Hello.
41:09What the fuck is a Tobias?
41:11I'm Tobias.
41:13Testing.
41:14One, two, three, four, five.
41:17Look, Teddy.
41:17One, two, three, four.
41:18I trust you.
41:19But I don't think you're right about this.
41:22Well, I guess we're just going to have to wait and find out.
41:25Clape.
41:26Clape.
41:27Off it tot.
41:28Clap it too.
41:29Off it tot.
41:33Ah.
41:39She has a perverse sense of humor.
41:42Hey, Billy, there's a rattle in your mic, so we're just going to put you two together.
41:47Perfect.
41:52There's no rattle.
41:55I know.
41:59You also have a perverse sense of humor.
42:03I wanted to tell you that-
42:04Yeah, Daisy, look.
42:05We'll try your version, and then we'll get the original, all right?
42:08We don't need to argue.
42:10I was just going to say that I love the sound of your voice.
42:15Okay, folks.
42:16This is Honeycomb, take three.
42:19Come to think of it, we never did do my version.
42:27How do we get here?
42:31How do we get out?
42:33We used to be something to see.
42:36Oh, baby, look at us now.
42:40Baby, look at us now.
42:44This thing we've been doing, ain't working out.
42:47Why can't you just admit it to me?
42:50Oh, baby, look at us now.
42:54Baby, look at us now.
42:58This thing we've been doing, ain't working out.
43:01Why can't you just admit it to me?
43:04Oh, baby, look at us now.
43:08Baby, look at us now.
43:13Oh, we could make a good thing bad.
43:19Oh, we could make a good thing bad.
43:33So, how was it?
43:47Now, where do we stand?
43:49A nightmare.
43:51Baby, baby, baby.
43:54No one knows who you are now.
43:57The whole thing was a total wash.
44:00And if this was your plan,
44:04Tell me, tell me why
44:07You've been crying in the dark
44:15Hey, how was it?
44:24Probably the best day of my life.
44:44Motherima!
44:45Who are we, by the way?
44:50Maybe the best day of my life is yourself.
44:51We haveaa!
44:52We have one.
44:52What do we care for today?
44:56Is this our relationship?
45:00It is our relationship.
45:03This relationship would be us now until next time.
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