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  • 15 hours ago
Soumitra Chatterjee~Sandhya Roy~Utpal Dutt
Transcript
00:00ė„œë‘æ‹† quiÊn ādž āĒĻā̇āĒ“āĒŦāǰāǞāǏāĢāĒšāǰāĒŖāĢ€āĒĻā̇ ādžāǧāĒŽāĢ€ āĒĒāĢāǰāĒĨā̇ āĒ•āĒžāĒŽāĒĩāǞā̇
00:29Madam! Madam! Madam! Madam! Madam! Madam! Madam!
00:35What happened?
00:36If I was to be a girl, she died.
00:39What did you see?
00:40What did she see?
00:43She's the girl, she's the girl's girl.
00:49She's the girl, she's the girl.
00:50He's the girl.
00:56What's your girl?
00:57How is your girl?
00:59Dadi!
00:59You don't have to look at me, you don't have to look at me.
01:02Daddy, what do you want to do with your company?
01:06Look, how much you gave my name to Roodra Babu?
01:11I gave it.
01:12And Roodra Babu didn't have to say anything?
01:15That's a good thing, Mr. Daik.
01:17We'll close the record.
01:20Roodra Babu's phone?
01:24Stop!
01:52Ghyric, turn on the word,
01:55What's your name, my father?
01:57You've got a record of your own owner.
02:00No, I'm not.
02:02I've got a hit of the matter.
02:05What's your name?
02:07You've got a coal-blogger.
02:09You've got a carousel.
02:13You've got a union at Duke.
02:16You've got a staff.
02:17You've got a job.
02:20You've got a president.
02:21Really?
02:22No.
02:23You've got a lot of business?
02:26You have to know,
02:28that's so great.
02:30You have to look at me,
02:31if you want to look at me,
02:32you're getting huge.
02:34That's a curse.
02:36No, no, no.
02:40This one is a curse.
02:41Two years?
02:42You'll give them a curse.
02:47Don't you have to cry.
02:48What are you doing?
03:02I am a business man.
03:05I am a business man.
03:07I am a business man.
03:14Okay, I will see you.
03:16Well, I won't have to write it.
03:19You should start the newspaper.
03:24I will tell you how it will be.
03:28You will have to write the newspaper before you leave the newspaper.
03:36The newspaper is written by the newspaper.
03:37She hasn't written newspaper and newspaper.
03:40The newspaper will be written by the newspaper and newspaper.
03:54I'm gonna think that he's a good guy.
03:57My sister, I love you.
03:58He's a good guy.
03:58I love you.
03:59I love you.
04:00I love you.
04:02I love you.
04:02āĻĒ⧇āϤāĻžāϰ⧇ āĻšāĻžāϝāĻŧ āĻœā§‡ āφāĻļāĻž āφāĻ•āĻžāĻļ⧇āϰ āĻ›āĻž āϚāĻžāϝāĻŧ āύāĻžāĻĻāĻžāϰ⧋
04:23āĻĒā§‹āχāϛ⧇ āϞ⧁āĻ—ā§‹ āϤ⧁āĻŽāϰāĻž āĻœā§‡ āĻĻāĻŋāĻŽ āĻ–āϝāĻŧ āĻĨāĻžāϕ⧋ āĻ•āĻžāϛ⧇ āϗ⧇ āĻ•āĻžāϛ⧇ āύāĻž āĻĄāĻžāϕ⧋
04:36āĻŽāύ⧇ āφāĻļā§āϤ⧁ āĻ…āĻĒ⧁āϰāĻ—ā§‹āύāĻž āĻŽāύ⧇ āĻ•āĻŋāĻŽā§āϤāĻžāϞ⧇ āφāϰ⧇ āĻŦāĻŋāĻŽā§āϝāĻŧ āĻĻāĻŋāĻŽā§āϝāĻŧ āĻĻāĻŋāĻŽā§āϝāĻŧ āĻ–āĻžāϕ⧋
04:47āĻ•āĻŋāĻĻāĻžāĻĒāĻžāϰ āĻĻ⧁āĻļā§āϝāĻŧ āϟāĻžāĻ•āĻž āϚāĻžāĻĄāĻž āĻĻāĻŋāϞāĻžāĻ‚ āϏāĻžāĻĒāϤ⧁ āĻŽāĻŋ āĻ…āĻ¸ā§āϟāĻŋ āύ⧋āĻŽā§‡ āϤāĻŋāύ āĻĻāĻŋāύ āĻĒ⧇āĻ¨ā§āϝāĻŧā§āϝāĻŧāĻŧ⧇ āϞ⧁āϖ⧁āϞāĻžāĻ‚ āĻāϰ⧇ āĻ•āϰāϟāĻž āĻ­āĻžāĻšā§‡ āϞāĻžāĻœā§‡ āĻ•āĻžāϕ⧋ āφāύāĻž
05:08āĻšāĻžāϞ⧋ āϕ⧇ āĻŽā§‡āϞ⧋āĻĄāĻŋ āφāϗ⧇ āĻšāĻžāϝāĻŧ⧇ āϜāĻžāϝāĻŧ⧇ āĻŦāĻžāĻ­ā§‹ āĻŦāϞāĻšā§‡ āĻšāĻžāϝāĻŧ⧇ āĻŦāϞ⧋āύ āϜāĻžāϝāĻŧ⧇ āĻŦāĻžāĻ­ā§‹ āϜāĻžāϝāĻŧ⧇ āϚāĻŋāϞ⧇āύ āϏāĻŽāĻ¸ā§āϤ⧋ āĻŦāĻŋāĻ•āϰāĻŋ āĻšāϝāĻŧ⧇ āĻ—āĻžāϛ⧇
05:17āĻšāĻžāϝāĻŧ⧇ āĻŦāϞ⧇āύ āĻ•āĻŋ āϏāĻŦ āĻŦāĻŋāĻ•āύāĻŋ āĻšāϝāĻŧ⧇ āĻ—āĻžāϛ⧇ āϤāĻžāϞ⧇ āϤ⧋ āϕ⧇āĻ•āĻžāϰ āĻ—āĻžāύ⧇ āĻ•āĻžāϰ⧇ āĻŽāĻžāϤ āĻ•āϰ⧇ āĻĻāĻŋāϞ⧋ āφāĻĒāϝāĻŧ⧇ āĻĻ⧁āĻļā§‹ āĻ•āĻžāĻĒāĻŋ āĻĒāĻžāϟāĻžāύ āĻšāϝāĻŧ⧇
05:25āĻ›āĻŋāϞ⧋ āύāĻž
05:26āϤīŋŊ cocoa āĻ•āĻžāĻĒāĻŋ āĻĒ tuleā§āϝāĻŧ⧇ āϝāĻŧ⧇āϰ⧋ āĻĻ⧇āĻ—āĻžāĻ›āĻž āĻĻ⧇āĻ–āĻļāĻŋ āĻĻ⧇āĻ–āĻļāĻŋ
05:34The record is 3-2-6-5, Toguri Dasher Gaan.
05:39What are you talking about?
05:41Procure demand.
05:42Do you have any more time?
05:45Look, look, look, look.
05:47Look, look, look.
05:49The Toguri Dasher Gaan is a heavy demand.
05:51What are you talking about?
05:52I don't know.
05:53I'm talking about Toguri Dasher Gaan.
05:55I'm talking about Toguri Dasher Gaan.
05:56I'm talking about Toguri Dasher Gaan.
06:03He is inviting me to get up to Toguri.
06:06Look at Toguri Dasher Gaan.
06:10Look at Toguri Dasher Gaan.
06:15Look at Toguri beating Toguri Dasher Gaan.
06:24Hey, come.
06:24Toguri Dasher Gaan.
06:26What are you talking about?
06:28Daddy, you're a hard guy.
06:31No, no, no.
06:32I must commit suicide.
06:37Tell me, Daddy, I'm going to shoot a gun and tape my arm.
06:43And I'm going to shoot one.
06:47Be careful, Dad.
06:49Come on, come on.
06:51Come on, come on.
06:53Look, Daddy, look.
06:54You're not going to die.
06:56You're not going to die.
06:57You're going to die.
06:58You're going to die again.
07:01I'll tell you, what?
07:02I'm going to die.
07:04You're not going to die.
07:05We'll die.
07:06They're coming to die.
07:08You're going to be taking an evidence.
07:10You do not know the advice.
07:12Take care.
07:15Madam, there is a gun that will tell you.
07:18If you're a gun, you'll get a gun.
07:21In the image of another, you just shoot me,
07:24you don't go to anything at the threshold.
07:26You stop with a gun.
07:35You know what?
07:36I've heard of you as well, you know what?
07:40You can't find me.
07:42I think that's the truth.
07:43You can't find me.
07:43You can't find me.
07:45You can't find me.
07:47I've been to you.
07:49I've found you, my brother.
07:51I've been to you forever.
07:55You've been to me.
07:59Hey, dude.
07:59I am going to get on the phone.
08:01I'll see you.
08:03I'll see you soon.
08:07We're going to get on the phone.
08:09The police said that
08:11the night is going to be done.
08:14The police said that...
08:15My father?
08:16My father, I'm telling you,
08:17you've got to call me.
08:20I'm telling you,
08:21The hospital is in the hospital
08:23I am in the hospital
08:27Baun, listen to me
08:31I have to give you a call
08:33I am watching
08:35I am watching
08:35I have to look at you
08:36I have to record
08:41And now
08:42I am not going to go
08:43I am going to go to Mongol
09:02What did he say?
09:03How he was telling me?
09:05How did I answer my word well then?
09:07What did he say?
09:08I don't know how much the Lord had got back to him.
09:15Exactly.
09:16Exactly.
09:19After death,
09:21what kind of chokes would you like to do in our society?
09:25This act is very good.
09:28Do you know that Russia has all kinds of things?
09:32In our country, it is a national property.
09:35I agree.
09:36I agree.
09:41Hey, Bernard.
09:43You don't have to worry about it, brother.
09:44I'm going to talk to you about this.
09:46Today, you will be able to get the chokes.
09:49Doctor,
09:50you will be able to get the chokes.
09:53No, I will.
09:54You will be able to get the chokes.
09:58And you will be able to get the chokes.
10:03You will be able to get the chokes.
10:04You will be able to get the chokes.
10:06That's right.
10:06Should I not gewesen?
10:07No no.
10:08No no.
10:09No.
10:09No no.
10:13But this story is really good.
10:15Time.
10:18Some really true.
10:18Since you haven't settled on that,
10:23it's just 17 years after all.
10:29From the Richard Murz dele.
10:34Let's listen to the little girl,
10:36let's go!
10:37Sister, stretcher!
10:40Baba Mashahi!
10:52Let's go of my mother!
10:55Bye!
11:06Stop!
11:07Here we are!
11:07I don't know.
11:09Listen to my face.
11:10And we need to wear this clothes.
11:11We need to wear this clothes.
11:13You know here.
11:14Let me tell you to take it off before the clothes.
11:17My name is a person who took it off.
11:20We will take it off.
11:24We have a little special.
11:25We will have a little better than that.
11:28Let's see.
11:28What's your call?
11:30What's your call?
11:32What's your call?
11:33What's your call?
11:34What's your call?
11:35You're having a call?
11:37Here you go.
11:38You'll have to take a call.
11:39No, you're not going to take a call!
11:40You're not going to take a call.
11:40Oh, wonderful!
11:43Wonderful, madam!
11:44Madam, do you see that?
11:46Yes, sir.
11:48Yes, sir.
11:51You'll have to take a call.
11:52Madam, I'm not sure.
11:55These are the questions.
11:56Do you want to?
11:57This is not the word.
12:01It is not the word.
12:03Listen to me, you're the one.
12:04Yes, you're the one.
12:06If not, you're the one. Get out!
12:09You get out!
12:10No, no, listen to me.
12:11Get out!
12:12Listen to me.
12:12Listen to me. Get out.
12:14Do you need to get this question?
12:22No, no.
12:23This is not a problem.
12:24Uh, how am I?
12:25What do you want with me?
12:26I was talking about you.
12:28What do you want?
12:29I wasn't going to move away from the country.
12:31I was talking about how to get involved.
12:32How do we get involved?
12:33I don't care.
12:39Why don't we get involved in my house?
12:40I am dealing with my husband,
12:40I don't know if I can do this...
12:46What's the time?
12:51I'm telling you.
12:53Where is it?
12:55No, no, no.
12:58You've got to get out of here.
13:01Okay, Baba, okay.
13:03I'm going to get out of here.
13:06What is it?
13:07That's what it's like.
13:08You don't have any questions,
13:10I'll do it.
13:11No, no, I'll have to get out of here.
13:15Maya.
13:16Yeah.
13:17What?
13:18Hey, Togor and Hridayanath Kotha.
13:22It's not like Togor.
13:23It's not like Togor.
13:25It's not like Togor.
13:26It's like Togor.
13:27Hey Togor.
13:29Hey Togor.
13:46Hey Togor Chate Ņ€ĐĩĐŗ Francesca.
13:51Hey Togor.
14:39This is the end of the day.
14:42some
14:42a
14:42a
14:45a
14:45a
14:45a
14:49āĒ…āĒšāĒžāĒ‚ āĒĻā́āĒĻā̇āǰāĢ€ āĒ–āĒžāǰāĢ€ āǞāĒžāLjāǍāĢ€ āĒĒāĒĄā̇ āĒļāĢ‹āǍāĒžāǰāĒž āĒĻā́āĒĻ āĒ–āĒžāǰ āĒŦāĒžāĒ­ā́ āĒ—āĢ‹āĒ āĒļāĒšāĢ‹āǰ āĒ–āĢ‹āǞāĒ•āĒžāǤāĒžāǝ āĒŦāĒžāĒ­ā́ āĒ—āĢ‹āĒ āĒļāĒšāĢ‹āǰ āĒ–āĢ‹āǞāĒ•āĒžāǤ
15:11āĒĻā̇āĒ•ā̇āǞā̇ āĒŦā̇āǰāĒžāǤā̇ āǜāĒžāǍ āĒŽā̇ āĒĒāĢ‚āǰā́āĒļ āǜāĢ‹āĒĄāĒžāLj āǜāĢ‹āĒĄāĒžāLj
15:24āĒĻā́āĒĒā́āǰā̇ āĒ–āĢāǤāĒž āĒŽāĢ‹āĒļāĒžāLj āǜāĒžāǍāĒž āĒĒāĢ€āĒļā̇ āĒ—ā̇āǍāĢāǍāĢ€ āǏā̇āǍā̇āĒŽāĒžāLj āĒŦāĢ€āĒ•ā̇āǞā̇ āĒŦā̇āǰāĒžāǤā̇ āǜāĒžāǍ āĒŽā̇ āĒĒāĢ‚āǰā́āĒļ āǜāĢ‹āĒĄāĒžāLj āǜāĢ‹āĒĄāĒžāLj
15:45āĒšāĢ€āĒĨāĒžāLj āĒļāĒžāĒ‚āĒāĢ€āǰā̇ āĒŦā̇āǍāĒžāLj āĒļāĒžāĒ– āĒŦāĒžāǜā̇āǍ āĒŦāĒžāǜā̇ āĒ•āĢ‹āǍāĢ€āǰā̇ āĒ—āĒžāǍ āĒ—ā̇āĒ‚āǜāĢ€ āĒĒāĢ‹āĒĄā̇ āĒŦāĢ‹āĒĻā̇ āĒŽāĢ‹āǍāĢ€ āĒļāĒžāĒĨāĒžāǰ āĒĒāǟāĢāǤā̇ āǜāĒžāǍ
15:57āĒšāĢ€āĒĨāĒžāLj āĒļāĒžāǜā̇āǰā̇ āĒĒā̇āǞāĒžāLj āĒļāĒžāĒ– āĒŦāĒžāǜā̇āǍ āĒŦāĒžāǜā̇ āĒ•āǞāĢ€āǰā̇ āĒ—āĒžāĒ‚ āĒ—ā̇āĒ‚āǜāĢ€ āĒĨāĢ‹āĒĄā̇ āĒ—āĢ‹āĒĻāĢ€ āĒŽāĢ‹āǍā̇ āĒļāĒžāĒĨāĒžāǰ āĒ•āĒžāǤāĢāǤāĢ€ āǜāĒžāĒ‚
16:06āĒšā̇āĒĨāĒžāǝ āĒ•āĒĨāĒžāǝ āĒ•āĒĨāĒžāǝ āǤāĒžāǝ āǤāĒĒāĢāĒ•āĢ‹āǰā̇ , āǜā̇āǞ āĒŦāĒžāǤāĢ€ āǍā̇ āǜāĒžāǝ
16:14āĒĨāĒžāǝ āĒ•āĒĨāĒžāǝ āĒ•āĒĨāĒžāǝ āǤāĒĢāĒ•āĢ‹āǰā̇ āǜā̇āĒĩāĒžāǤāĢ€ āǍā̇ āĒšā̇āǜāĒžāǝ
16:18āĒŦāĒžāĒ­ā́ āĒ—āĢ‹āĒ āĒļāĒšāǰ āĒ–āĢ‹āǞ āĒ–āĒžāǤāĒžāǝ āĒļā́āǍāǤā̇ āĒ­āĢ‹āǰā̇āǰ āĒĒāĒžāĒ–āĢ€āǰ āĒ—āĒžāĒŖ āĒ•ā̇āĒĩ āĒĒāĒžāǤā̇ āǍāĒžāĒ–āĒžāĒŖ āǤā̇āǰāĒž āĒŽāĒžāǏā̇āǰ āǜāĢ€āǤāĒžāǰā̇āǤā̇
16:29āĒļāĒ•āǞāĢāĒ— āǜāĒžāǜāĒžāǝ āĒŦāĒžāĒ­ā́ āĒ—āĢ‹āĒ āĒļāĒšāǰ āĒ–āĢ‹āǞ āĒ–āĒžāǤāĒžāǝ āĒŦāĒžāĒ­ā́ āĒ–āĢ‹āǰ āĒ–āĢ‹āǞ āĒ–āĒžāǤāĒžāǝ
17:01āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ āǜāĒžāĒŽ
17:20āǜāĒžāĒŽ āǜāĒžāĒŽ
17:35How did you get the phone to do it?
17:40I don't know how to do it.
17:50I'm happy to give you a phone call.
17:52That's right, you have a record of your name.
17:55Do you have a new way to talk about it?
17:58Yes.
18:00I didn't even know about it, but...
18:03...I'm not going to talk about it.
18:05No, no, Togori.
18:07Do you have any questions?
18:08Tomorrow, tomorrow, do you have any questions?
18:12I'm not going to talk about it.
18:14I'm not going to talk about it.
18:15I'm not going to talk about it.
18:17I'm going to talk about it.
18:19I'm not going to talk about it.
18:22No, no, no.
18:23I don't want to talk about it.
18:25The rest of the day never emerged.
18:28And I'm still waiting for it.
18:31I'm not going to talk about it.
18:33I don't want to talk about it.
18:35I'll be right back.
18:36Your own way.
18:38But I don't want to talk about it.
18:42Why?
18:44You're from a group of people.
18:46Don't get a call from the people.
18:47If you're a friend, don't you say to them?
18:48Which one?
18:53You have a friend.
18:55That's just something.
18:58Can't you tell me about the village that is going on?
19:09Can't you tell your village to be back?
19:14I'm in a while, I'll give you a step to your work.
19:18Me?
19:19Hey, tell me, tell me, what's your name?
19:21The West Bengal musical in the East Bengal
19:26has made the rest of Togar's record.
19:30What?
19:31Yeah.
19:32Togar?
19:34Togar's record?
19:35Yes, Bernard.
19:36The world is the world.
19:40You are worthless, stupid.
19:57I will commit suicide, Daddy.
19:57What are you doing?
19:57You are going to kill me.
20:01You are going to kill me.
20:04I will commit suicide, Daddy.
20:07So what are you going to do?
20:08What are you doing?
20:09I can't wait to see you, I'm not sure you're recording this song.
20:14I'm not sure if you have any questions.
20:17You.
20:20You're recording this song.
20:22But how?
20:24Pijalil.
20:25We are going to have a modern song for you.
20:29How much money did you get the price?
20:32$5,000?
20:35$1,000?
20:36$2,000?
20:41500,000,000?
20:43I mean, it's a dictionary.
20:47If you give a price, you'll get a price.
20:51If you give a price, you'll get a price.
20:55What?
20:56What?
20:58What?
20:58What?
21:00What?
21:01The hortranspter.
21:01The hortranspter on the videos.
21:12We're gonna go to the prairie.
21:13The hortranspter.
21:24The hortranspter on the right hand side.
21:26Why the hortranspter?
21:26Why the hortranspter on the right hand side?
21:29Why, Jakub?
21:30Hey, Jaha.
21:59āǏāĒ‚āĒĄāĒŋāĒ‚ āǏāĢāĒ‚āǏāĢāǟāĒžāĒĩāǍ ādžāĒŽāĒŋāĒ‚ āǤāĒžāĒ—āĢ‹ ādžāĒŽāĢ€ āĒŦāǞāĒ›āĢ€ āĒŽāĢ€āǍāĒŽāĒ“āĒāǰ ādžāǝ āĒ•āǍāĢ‹
22:00Okay, I'll tell you a song.
22:05The other defect, the other defect, the other defect.
22:10Yeah!
22:11You've seen this!
22:12You've said that you've already heard that you've heard the song.
22:14If you've heard that, you've heard that.
22:17But you've heard that you've heard that.
22:19You've heard that you're good for nothing.
22:26What?
22:53I am sorry.
22:57Order, order, order, order, North, South, East, West, Kolkata,
23:01the dealer has all the actual act-a-gun order.
23:04And the most important dealer, the Akash-e-Chan.
23:06I've got to tell you that the Akash-e-Chan-t-papar has got a lot of trouble.
23:12If you print this record, I'm going to calculate it.
23:16Hey, Ashun, Ashun, my brother,
23:18I'm going to tell you how many people are going abroad,
23:21I'm going to tell you how many people are going abroad.
23:22I'm going to tell you how many people are going abroad.
23:25How many people are going abroad?
23:26What are you doing here?
23:27No, not the fact that the Akash-e-Chan has made an actual act-a-gun game,
23:33so I'm going to explain it.
23:35Ruedra, the einen an- referent agreements about the Akash-e-Chan,
23:40yes, we can do it.
23:41The Akash-e-Chan will take record and record a season.
23:44This is the case that Akash-e-Chan is now in the US.
23:47He sees the Akash-e-Chan,
23:49and this is the Khar-e-Chan will also be charged with the Akash-e-Chan,
23:49but it will also be a wealth of the Akash-e-Chan.
23:52This is the Rakash-e-Chan that is the Khar-e-Chan
23:55Oh, royalty is very good.
23:58I'm so happy to be here.
24:05Hey, you're here.
24:08You're good.
24:10You're good.
24:11You're good.
24:11I'm so happy.
24:13You're welcome.
24:16You're welcome.
24:16I'm saying I'm not saying that today at the radio station there is recording.
24:21Very good.
24:21When I look at TV, I don't know how close to my TV is, he is such a program.
24:26Yes.
24:27And I'm saying the producer's full voice,
24:31and I'm saying that,
24:31and that's when I'm giving the playback.
24:34It's a bit sad.
24:36Oh, my goodness.
24:37I'm saying that the producer's full voice,
24:39I'm saying that.
24:40Yes, I'm saying that,
24:42I'm saying I'm saying that.
24:43How are you doing?
24:44I told him, he was the only person who was his director and he was the music director.
24:51And I will get back to him.
24:54Wow, that's good!
24:56Do you see, he's the former member of the Sangerhate?
25:00He's not a good man, I'm a good man.
25:02He's the only two days in the world.
25:04Let's go.
25:10My mother, I thought your mind was a little bit
25:16Togat? Togat?
25:18I was going to ask you to go for a while
25:23Why? It's not like I said anything
25:28What?
25:28I said that the Lord, I was living in the room
25:35foreign
26:01However, I have to go to the radio, TV, and the recording of the radio,
26:12which has been completed.
26:15And that's how I have done it.
26:24I've been doing it for a long time.
26:25It's been a long time for me to go back to my life.
26:29That's my life.
26:33Do you want to be honest with me?
26:37I know...
26:39I've told you to be honest with you.
26:43But...
26:43No, no...
26:45What do you want to say to my father?
26:46I want to say to my father.
26:48I want to say to my father.
26:50I want to say to my father.
26:52My father is my father.
26:54But...
26:55You have to watch me so much...
26:57I don't have any questions.
26:59No, no...
27:00That's what I have to say.
27:00I just want to say that I have to take a nap.
27:11Tabor...
27:13You are in my hands.
27:15That's what I have said.
27:17Pachi...
27:18...are now the first time I've changed.
27:23This is why we can't handle your own time.
27:26It's a unique...
27:28...a unique...
27:31...and...
27:31...and...
27:32...and a small day I've changed the first time...
27:34...and now the first time I've changed my own life.
27:39Pachi, Pachi.
27:41What's wrong?
28:00I'm so happy to be here.
28:05take the holy cow
28:16we've answered the response to the data
28:20alone in the old environment
28:22do we need it?
28:23no no no no
28:26remembering it's feeling ė•„ė´īŋŊ
28:28we're so eager to get the next time
28:29and we have the det transfer
28:30It's 3,000 people.
28:32But it's 5,000 people.
28:34In this case,
28:36we will be able to save the money.
28:38We will save the money.
28:40We will save the money.
28:41We will save the receipt.
28:43Receipt? Installments?
28:48Profit?
28:53Profit?
28:54Profit.
28:56Yes.
28:57Profit.
28:59Bangalai,
29:00Jarmani Dharai,
29:02labe rongso.
29:03Labe rongso?
29:04Kishir lab?
29:06Mr. Rudra Vrishak,
29:08Takata,
29:09Nevasanai,
29:10Manusik Avustra,
29:11Jekhu Kharaaf,
29:12Chilakunse,
29:15Jantababu,
29:17Rudra Vabu,
29:18Reglemente,
29:18Faiilta niya shato?
29:30Hmm.
29:33Egre vento pure dhe kung.
29:46My name is Mr. Gourney.
29:50I have to say that
29:52that I want to know that
29:54I want to know that
29:54I want to know that
30:00It happened, it happened, it happened, it happened, it happened, it happened, it happened.
30:05Now, if you don't have a line, you can go to the company's line.
30:11And they were already defaulted.
30:14It's been a long time ago.
30:18There was a line there?
30:21There was a park there?
30:23I've already said it, but I've already said it.
30:25Mr. Rae, don't I want to say I have enough ĐŋĐžŅŅ‚ĐžŅĐŊ America credit for forever?
30:30We will have several secondproof payments often.
30:31No, first we...え,
30:35Mr. Rae.
30:36...a me, adun, ask arsell dave, shoot dave, profit half share...
30:42...a me say, garye, a me say...
30:44...a me say to say, so is a child, a me say...
30:46...a me say, so is a child...
30:47...a me say, so is a child, you know...
30:48...a me say, but I'm going to say...
30:51...to this is the manushik abhaz...
30:53...is a teenager, and all the money I've sold...
30:58...a, a me say, it's a child.
31:00So how they have committed to doing this...
31:01...and many times I don't know...
31:02I'm not sure how much of that.
31:03But I have no agreement.
31:06I'm not sure how much of that.
31:09I've been able to take a while.
31:10I've been worried about Mr. Rye.
31:12He's been saying,
31:13I'm sorry, I'm sorry.
31:17I'm sorry, I'm not sure.
31:21I've been trying to take a while.
31:22But I have no doubt.
31:22I'm sorry, Mr. Rye.
31:25I'm sorry.
31:27I'm sorry.
31:29I'm sorry.
31:30I'm sorry.
31:30I'm sorry.
31:30You're a real man, Mr. Ray, you're a real man.
31:34You're a real man, Mr. Ray.
31:38Zero.
31:41Every day you're a real man.
31:47Two conditions.
31:49One.
31:52The two.
31:54This is the first time I'm going to make a decision.
31:57I'm going to make a decision.
32:02I'm going to make a decision.
32:08I'm going to make a decision.
32:19Don't be away from wonderful ë¨šęŗ  to good children, too!
32:25Well I'll tell you are not gone out there or not,
32:32I'll tell you not?
32:34For me, I have already had no choice.
32:39We'll do all the things like my life,
32:41I know.
32:42I don't know.
32:43I'm going to do the HSP agreement on the HSP agreement.
32:46What?
32:47I'm not sure.
32:50I'll do the agreement on the HSP agreement.
32:54What?
32:55You're right.
32:57I'm going to say this.
33:00I'm going to say this.
33:01I'm going to say HSP artist.
33:05You're going to say this?
33:09What did you ask for?
33:09Adorable.
33:10You're right.
33:10You're right.
33:10How many people say?
33:13You're right.
33:13I'm right.
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