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  • 2 days ago
Bengali Movie of 2020
SUDAKSHINAR SAREE
Transcript
00:00It is...
00:01No...
00:03What's your name?
00:04No, my name is there.
00:07RDRYMESSEA
00:10Wait, you should say the matter.
00:11You should have been fine.
00:12It's fine.
00:13You should have played-
00:20Did you know RADAR?
00:23Yeah.
00:24Yes.
00:25Yes.
00:26Yes.
00:27look up
00:40I'm going to see you in the next couple of weeks.
00:45What's wrong with you?
00:46Is it a bad thing?
00:48What's wrong with you?
00:49What's wrong with you?
00:51Why don't you do that?
00:53Why don't you do that?
00:54No.
00:55No.
00:56No.
00:57No.
00:58No.
00:59No.
01:00No.
01:01No.
01:02No.
01:03No.
01:04No.
01:05No.
01:06I tried applying to Mr. VII...,
01:09I bet you know what I was saying.
01:10My daughterqita is here other than I was going to do it.
01:12Is it a bad guy?
01:13What did I watch?
01:15I stopped watching.
01:16I'd watch you!
01:17I'd know what you're doing.
01:19It's all over theใ  vie.
01:22Who would you know that coming from here?
01:25I'm padres, and don't really ask me!
01:28Well, really?
01:30Stop I coming from here.
01:32Hey?
01:34No.
01:35Baluchori, what do you want to do with Baluchori?
01:40Baluchori? What's wrong?
01:43I don't know.
01:46No, I don't know.
01:48Okay.
02:05No, I don't know.
02:24No, I don't know.
02:40No, I don't know.
02:45No, I don't know.
03:01No, I don't know.
03:06No, I don't know.
03:16Hey, Son.
03:19You're coming tomorrow.
03:21You're welcome.
03:22You're welcome.
03:23I'm sorry.
03:25I'm going to kill you.
03:27Go, go.
03:28You're welcome.
03:30You're welcome.
03:32You're welcome.
03:34You're welcome.
03:36You're welcome.
03:37Let's go.
03:38What?
03:39What's wrong?
03:41You're welcome.
03:43You're welcome.
03:44No.
03:45In fact,
03:47you're welcome.
03:49You're welcome.
03:51You're welcome.
03:52You're welcome.
03:53Okay.
03:54Okay.
03:55great.
03:56Good.
03:57You have to come home.
04:01That's so boring.
04:02OK,
04:25I told you, you are already on the laptop.
04:30I am not sure if you are ready to go with the laptop.
04:32If you are waiting for the laptop, I will show you.
04:34You are going to be stubborn, right?
04:38I am stubborn.
04:42I know that I have made the result in the mobile tab.
04:48You are good for that project?
04:50I am so excited with my dad has got my laptop, tablet and phone.
04:59But my result is very good.
05:01But I think that I was very close to getting the most good.
05:05Dad was very good.
05:08The project was very close to my house.
05:13And I wasn't sure.
05:15I thought he was going to take the printout to him.
05:18She was a little bit of a tap.
05:23She said, she was a little bit of a quiz.
05:25Friday.
05:27Look at her.
05:28She's not good enough.
05:32Friday, you're the boss officer.
05:37Black coffee.
05:40Sonoma, Kalpurshu, I'm a schooler Festa.
05:50Moller Raj, I'm not going to go to Xavier's.
05:53Then?
05:54I'm going to leave you here.
05:56Oh.
05:57Thank you very much.
05:59Look, what happened to me, my dad,
06:03then I won't be able to do it.
06:05I won't be able to do the project.
06:09So, what is it?
06:11It's very good.
06:12It's very good to start doing the work in the past.
06:15See?
06:15It's very good to see what's going on in the past.
06:17And what did my father say about it?
06:20Look, it's very good to see you.
06:24What do you know, father?
06:25It's very good to see you.
06:26If you tell me, I'll give you a tap.
06:30And see, father, you're going to do one day, right?
06:33You don't have to give it to me.
06:34But you're just going to go to the house.
06:39Are you ready?
06:5815 minutes.
07:01Sorry.
07:02I'm going to let me get to the metro time.
07:07What are you saying?
07:10How are you saying?
07:12I was saying that you were saying.
07:14How are you saying?
07:15So, what is it?
07:16I am saying that I would love you.
07:19What do you mean?
07:22If you are asking me to drink coffee, I will give you a drink.
07:25Do you have any questions?
07:27How are you?
07:28How are you saying?
07:29I have a good question.
07:31Your thoughts are being asked.
07:33How will you say the show?
07:36I am done now
07:38I love the voice of better. No cover good. I want to go to a homey come back
07:42That's a doctor feature, but I'm not sure to manage script a potential work at you just don't get an opinion
07:47Okay, probably legacy
07:50We just cool person to enjoy what I said, and it should be contact a minute shari
07:55Made a lot I would the Jura Tori Lord I shop Tony a
08:00Kilo
08:02Heartful
08:04That's a problem
08:06Haha
08:07Haha
08:08Haha
08:09What was happening?
08:10I'm sorry
08:11We're going to get the other people
08:13I don't know how to say it
08:15But it's a fact
08:16I'm sorry
08:18I'm sorry
08:19I'll tell you
08:20I want to be a woman
08:21If I want to be a woman
08:22If I want to be a woman
08:23I'll tell you the script
08:24I'll tell you
08:25You're trying to write
08:27Why did you write
08:32Why did you write
08:33Why did you write
08:34and today I'm issue but I'm going to submit to him towards the tree it's a
08:43return now got to cut it out she lit for my body for much can we will do what you
08:54would have a to catch you
09:01You have to go to your house.
09:04What do you want to do with this?
09:08You know...
09:11My father left.
09:13I'm sorry.
09:15I'll give you my mother.
09:22After that, my father...
09:25I'm sorry.
09:27Oh, my god.
09:29You are going to get home.
09:31Keep up.
09:33Just keep up.
09:35Keep up.
09:37Don't be afraid of you.
09:39Don't forget to listen to my passion.
09:43Don't forget to listen to that passion.
09:45Don't forget to listen to that passion.
09:47They are not just great.
09:49I know you're too much.
09:51I'm not very happy.
09:53I'm not going to get into it.
09:55You know, life is like that.
10:02You never know.
10:09Life is always full of possibilities.
10:16Do you have coffee, Gabi?
10:25I'm coming.
10:27Shoot the coffee?
10:30No, it's okay.
10:33Dada.
10:46I'm coming.
10:56I'm coming.
11:03I'm coming.
11:09I'm coming.
11:18I'm coming.
11:22I'm coming.
11:28I'm coming.
11:34I'm coming.
11:41I'm coming.
11:47I'm coming.
11:53I'm coming.
11:57Get it.
12:27What do you think?
12:30There's a break.
12:33There's no need to go.
12:36Where do we go?
12:38Yes.
12:39Where do you go?
12:41Where?
12:43Where?
12:45No.
12:46There's no need to go.
12:50Oh.
12:52There's no need to go.
12:55There's no need to go.
12:58There's no need to go.
13:02There's no need to go.
13:05There's no need to go.
13:08There's no need to go.
13:11There's no need to go.
13:14There's no need to go.
13:16There's no need to go.
13:18There's no need to go.
13:20There's no need to go.
13:22But when I was born,
13:24I was born.
13:26I was born.
13:28I might look at it.
13:29I probably all had to go.
13:30I hate it.
13:31There's no need to go.
13:34Okay.
13:35I can't read it, but I don't know how much of the cinema is going to happen.
13:42How much of the cinema is going to happen?
13:44You're going to have a lot of fun.
13:47I'm going to write it as a co-writer.
13:50Oh, that's my name.
14:01How did you speak Hindi?
14:03No, no, no, no, no.
14:04I don't know.
14:05I've been speaking Hindi.
14:06Okay, right.
14:07I've been speaking English.
14:08You can speak English.
14:09I can't speak English.
14:10I don't speak English.
14:11I can't speak English.
14:12I'm speaking English.
14:13Even if you've spoken English.
14:14I'm speaking English.
14:15I've been speaking English.
14:16I've spoken English.
14:17What do you think?
14:18You can translate it.
14:20You can't even see it.
14:22You can't see it.
14:24I'm not sure.
14:25What can you tell us about coffee in the cinema?
14:28What do you mean?
14:29Come here.
14:30What do you mean?
14:32I'm not sure.
14:34You too brutus.
14:40Yes, thanks.
14:42There's a lot of coffee in the room.
14:44Ah, so a cha coffee, a cool rins.
14:46Why don't you just relax?
14:48What do you say? She's all excited.
14:50Me too. Frankly, you have written quite well.
14:53I'll give you just a point.
14:56Then you can start your first draft.
14:58One minute.
15:00Because the name is a title.
15:02I have not thought of the name as yet.
15:04She's the girl who wants to buy sarees.
15:07That's very interesting.
15:09Yeah, actually this is her story.
15:11Fantastic.
15:12I found her struggle.
15:14That is very unique actually.
15:16One second just.
15:28So let's start as the character goes.
15:30She does everything for her family.
15:33But no one doesn't adore her.
15:36Adore?
15:37No.
15:39She's passionate about sarees.
15:41But no one acknowledges her passion.
15:45Am I right?
15:46Yeah, you are right.
15:48And to be very honest, this is true for her also.
15:51Excuse me.
15:53Please, please.
15:55Hello.
15:56Please.
15:57Please, please.
15:58You'll give me more information.
15:59Please, please.
16:00Tell me.
16:01There's two years left.
16:03Why?
16:04Your mother, she's been here.
16:06She taught us something to help.
16:08What a relief, her mother really.
16:10Your father?
16:11We didn't ask her.
16:13Yes, you have a lot of work on Gadoval, Chanderi, Pochampolli, all that stuff, right?
16:19I have a lot of work, right? You have a lot of work, right?
16:23What is that? My boss, Mrs. Chadda, is on the street of Chandril like Mohila.
16:30The Accounts Department is going to be reprisal.
16:33Yes, there was a meeting where I was coming.
16:37I want to buy Saris of Bengal.
16:40Can you suggest someone who can help me out with that?
16:42I saw her very good place.
16:44I am going to go out and tell you all about your name.
16:49What did you say, Bangalashari?
16:51Yes, Vishnu-Puri silk.
16:53Vishnu-Puri silk?
16:54What?
16:55Begum-Puri cotton.
16:56Dhanai-kali, Murshida-vadhi silk.
16:57Baba, I'm not sure how to say anything.
17:01I don't know.
17:03I'm not sure how to say anything.
17:05I'm not sure how to say anything.
17:07But what did you say?
17:09Baba.
17:10How did my husband come to our wife?
17:13We were so excited.
17:15I didn't have any interest.
17:17Great.
17:18And I was very excited, actually.
17:19Thank you, Conor.
17:21But, once again, you have done a few things...
17:24That's our fault.
17:25How did you tell us?
17:27Mrs. Chadda said,
17:29You are the epitome of modern man.
17:32If you have a child, you will receive an account.
17:36Congratulations.
17:39I will keep you.
17:41Keep you?
17:51Hey sir, tell me.
17:52You gave me good news.
17:54I don't know how to do this.
17:56This has come to use.
17:59There is no obsession, sir.
18:02There is only 500 years old.
18:04What do you think?
18:06You must say that you are a very indulgent husband.
18:08Not at all, sir.
18:10And the maximum amount of money,
18:12you will have to save money.
18:14This is my system.
18:16She happens to be a financial wizard.
18:18That's why you don't underestimate me.
18:21One day,
18:23you will have to save money.
18:26Remember it.
18:35Just imagine, you are the audience.
18:41for watching and watching,
18:44there is also a link in the description.
18:46No.
18:47we won't be left.
18:49I am...
18:50I am...
18:51I am Prapao.
18:52Yes, Prapao.
18:53Don't worry,
18:54she will do that.
18:55I am very excited and I am very excited.
18:58I am very excited.
18:59Let me tell you one thing.
19:01In this story, there is a real-life feel.
19:04What's the name of the girl?
19:06Sanjukta.
19:08Yes, Sanjukta.
19:09This is Sanjukta, which is yours.
19:11You love saris, you buy saris, passionate about saris,
19:15but no one acknowledges your passion.
19:17Very true.
19:19But you told me about the producer.
19:21Why not?
19:23Why not?
19:25And that check is ready.
19:28Ready, ah.
19:30Spelling to just take any now.
19:35Okay.
19:38So, you are on?
19:40On.
19:42Seems quite tasty, right?
19:44Have, have.
19:45Yeah.
19:47Hmm.
19:48What did you say about Mozart?
19:50My mommy, she is mad about saris.
19:54I must say you have a strange sense of humor.
20:04Atypical problem.
20:06Atypical problem.
20:07It's not a direct conclusion.
20:09My point is that, but what happened?
20:11What happened to my friends?
20:13What happened to my friends?
20:14What happened to her?
20:15Come on.
20:16Come to the point.
20:17It's time to talk to the golfer.
20:18It's time to talk to the golfer.
20:19I'm going to talk to the golfer.
20:20It's time to talk to the suspect.
20:21It's time to talk to the suspect.
20:22It's time to talk to the thriller.
20:23It's time to talk to the thriller.
20:24Hmm.
20:25No.
20:26Anyways.
20:27I don't know that.
20:28I'm going to tell you.
20:29It's time to talk to the thriller.
20:30I got married before.
20:31I got married.
20:32My mother.
20:33How she died.
20:34I got married.
20:35Since I shall see,
20:36I've got married.
20:37I go back.
20:38I love my father.
20:41I have been married.
20:43And.
20:44What?
20:45My sister.
20:46When I look at this Polish actor.
20:48It's time to tell you.
20:49You're looking good.
20:50I'll see my father.
20:51What?
20:52Can I show you?
20:53Here.
20:54Okay.
20:55I'll show you.
20:56I'm sorry, I'll keep going.
21:09Why?
21:10I'm going to confess.
21:15What happened?
21:17I said, you're going to be a student election campaign?
21:25So, I told you that I was mine.
21:30But you were mine?
21:32Sorry.
21:35I don't know how to help you.
21:43That's right.
21:45I don't know.
21:47You were mine.
21:49Do you want to pass?
21:51Do you want to pass?
21:53You are mine.
21:55You are mine.
21:59What?
22:01What?
22:02You are mine.
22:04You are mine.
22:06You are mine.
22:08Look, you did not do it.
22:10I did not do it.
22:12You are not in football.
22:14I will not.
22:16I will not.
22:17I will not do it.
22:19I will not do it.
22:21Yes.
22:22I will not do it.
22:23I will not do it.
22:24All my best wishes with you.
22:26I will not do it.
22:27I will not do it.
22:28Okay...
22:34Listen, what you have to do?
22:38Come over and you'll see.
22:43I will definitely meet you.
22:45What you have to do...
22:47He's going to go to the transfer office.
22:50Take a look at the editor.
22:52No, you're not going to be able to get the police.
22:58The police are still there.
23:00You're going to leave the police.
23:04You're going to leave the police?
23:06No, you're going to leave the police.
23:08But there's a phone, an internet.
23:13You're going to leave the police.
23:15You're going to leave the police.
23:17So, this is the police.
23:21And this is the police.
23:23If you are, you're going to leave.
23:30What's wrong?
23:36The police.
23:42You're going to leave the police.
23:44I'm cool.
23:45I'm taking.
23:46Danna.
23:47Danna.
23:48Danna.
23:49Danna.
23:51Danna.
23:52Danna.
24:01Danna.
24:05I'm Juli.
24:13Danna.
24:14เช†เชฐเชถเซ‡ เชจเชฆเซ€ เช•เซ‡ เชฎเซ‹เชจเซ‡ เชนเชˆเชฒเซ‹
24:22เช•เซ‹เชฅเชพ เชคเซ‡ เช•เซ‡ เช•เซ‡ เชถเซ‡ เชฎเชพเชงเชฐเช•เซ‹ เช›เชพเชฅเชพ เชญเซ€เช เชšเซ‹เชฒเซ‡ เชœเชพเชฌเซ‡ เช•เซเชฏเซเช‚ เชœเชพเชจเซ‡เชจเชพ
24:28เช•เซ‡ เชจเซ€เชฐเชฎเชพเชฐเช•เซ‡ เช•เซ‡ เชจเซ€ เช•เซ‡ เช•เซเชฐเชคเซ€เชคเซเชคเซเช‚เชคเซ€ เช—เซเชฒเซ‡ เชœเชพเชจเชคเชพ
24:32I have to die in my life.
24:37I have been living in my life.
24:39I live in my life.
24:42I have been living in my life.
24:56You are my love.
25:00When you do this, when you do this, when you do this, you will be able to do this again.
25:30ยถยถ
25:59ยถยถ
26:28What's wrong with you?
26:30Mommy, I'm really sorry that you have to misbehave.
26:36What's wrong with you?
26:38Please, please forgive me for that.
26:40I don't know what happened.
26:42Say it.
26:44Raj, propose to me.
26:48The U.S.S.R.A.W.A.R.A.G.
26:50Is there a marriage?
26:52Yes, Mommy.
26:54I don't know what you're doing.
26:56What's wrong with you?
26:58I'm just going to ask you to ask you to ask me to ask you to ask me.
27:02And you know, he just got with the on-B.
27:06And she said, what happened to me?
27:08And she said, I'm just going to ask you to ask you to ask you to ask yourself.
27:12And she said, you look so so awesome in the sari.
27:16I'm sorry.
27:18And I said, let's get married.
27:22And what's wrong with you?
27:24And what's wrong with you?
27:26I'm sorry.
27:28I'm sorry.
27:30Thank you, Mommy.
27:32I'm going to ask you to ask you to ask you to ask me,
27:34And I'm sorry.
27:36I'm sorry.
27:38And I'm sorry for my misbehavior, Mommy.
27:42You have to go to the family's registry manager?
27:46Yes.
27:48Congratulations.
27:50Thanks once again.
27:52I'm really sorry for my misbehaviour, mommy.
27:56Let's go.
27:58If you get the hair, then you'll get it.
28:02Please, you're going to get it.
28:04Please, mommy.
28:07That's it.
28:12The story of your son's first is to come out.
28:16The story of my son's third is to come out.
28:18The story of my son's first is to come out.
28:22The story of my son's first is to come out.
28:28Say it.
28:29Where did you come out of my son's hand?
28:31Why?
28:32Come on, mommy.
28:33I've got a tab.
28:35A tab?
28:37Yes, mommy, I did the first transfer.
28:39I've been the worst.
28:40What are you doing?
28:42What is coming in Pochampalli, Patola, Sangheneri and Maheshwari?
28:46I was the only one you could ask.
28:48I told you about all the guys.
28:50You've won.
28:51I've been the one who you've seen me.
28:54I've seen you all.
28:55Thank you, thank you, thank you, ma.
28:57Love you.
28:58You rock, ma.
28:59I know, the winner of the winner is a trophy.
29:02Congratulations.
29:05I love you, ma.
29:09I don't know.
29:39Mom!
29:41Mom, you are great.
29:42Mommy!
29:45Tap? Finally!
29:47Mom, I have a good news.
29:49What is it?
29:50What is it?
29:51Mom, I have written a boy, Sanjuk Tashari.
29:54Boy, I have published it.
29:56Oh, a boy?
29:57You have written a boy?
29:59Yes.
30:00I have a Hindi cinema.
30:02What?
30:03It's a cinema?
30:04It's a boy.
30:05It's a boy.
30:06Yes.
30:07It's an actor that can write music.
30:10I can write the script about those.
30:13What was it describing in the movie?
30:15You old?
30:16Withactfreak?
30:17Mom, Mom...
30:18Mom?
30:19Mom, a girl voice can write.
30:22Oh, and I see the woman voice?
30:24What is he talking about?
30:25We'll watch
30:37Dear Mrs. Roy Choudhury, on behalf of the government of West Bengal, I'm happy to inform you that due to your unparalleled contribution towards the formation of the Women's Cooperative Society, you will be awarded on International Women's Day.
31:00Congratulations, we are really proud of you.
31:25Three cheers for our mum.
31:29Three cheers for our mummy.
31:33Alloy, alloy, alloy, alloy, alloy.
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