00:00I've got a special mission today. I want just one epic portrait of my three babies all together
00:05and I've pulled in my friend Holly. Come and help me film it. She's just pulled up. Look at that,
00:10that's a good timing. That's a good timing. Lily in that basket. Oh,
00:17look at the ears whelped in. I love how I've had these.
00:41Like 20 millionth time, this treat box has fallen off my leg. My spider holster dog's thing is great
00:50because three treats, look at how many to shoot at this rate. So I might do a couple on this
00:56which
00:56is perhaps more, that'll get that nice compression and bring all the tubes together a little bit.
01:01But my main thing is to get that super wide angle skyline spot. So I think I'm going to start
01:05over
01:05here because there's also this bright sun that's really making me squint right now. You are
01:10consistently a good girl on your heart. Be a good girl.
01:20Good girl. Come on then. Oof, good girl. Right, let me just practice this on Pops before,
01:28put the two in. Mabel's quite a wobbly dog. When I put her on stuff, she does wobble.
01:33Right, come on. Good girl. Stay. Come on, Lily. Good girl. Stay there. And Mableton. Stay there.
01:40Here then, girls. Ready. Oh my god, look, so cute. They are good models, to be fair.
01:55Come on, you beauty. You're a beauty.
02:01I'm just laughing at myself. Ready. Popsies. Oh, grandma's going to be so crap. Grandma's
02:09granddad. Good. Good girl. Okay, I still feel like, I really like how these are placed around
02:16here, but I still feel like there's a bit of dead space up there. I always thought maybe I could
02:20just
02:20photoshopped some more in there, but I don't know. I know Mabel. So this is what's kind of been
02:30worked here. I want to work this a little bit more, I think.
02:43Huh? Biscuit. Good girl.
02:49Wait, wait. Come and get it.
02:56My main mission is to get a decent, uh, photo of the girl. So, oh my god, my heart is
03:03like going
03:03dead fast. Do you feel that? You know when you've been told like I've only got a certain amount of
03:06time and I'm like, who's got my granddad's favourite? Oh, very good.
03:14Oh, Lily, you little squinter. It's a squinty.
03:20Very squinty babies.
03:34Lily, you grumbling. I'm sleeping, she says.
03:42You need me to sleep.
03:47I'm cute.
04:16AHHHHHHHHHHHHHHHHHHHHH
04:17I mean rows of beautiful colourful flowers and I love all the little features they've got as well, like the
04:23Ferris wheel, there's a mini window just over there behind me.
04:28They put effort in, I'm impressed, I'm really excited to take this photo.
04:53Something that is a real challenge for photographers is hard sunlight, like I've got today.
05:00This is hard from ideal so I will definitely be using my flash.
05:04My strobe is something that just stylized my work quite a lot, it's something I enjoy using, I like having
05:08control over the light and I like getting part of the results in camera.
05:13You know, I do edit my work a lot but it doesn't change an awful lot since I'm shocked to
05:18how it's edited, it's kind of like refining it.
05:27Okay, so I'm going to strike up in the basket over here, I'm feeling so stressed right now, I hate
05:31working under a time limit.
05:33Come on girl, come on, Lily, come on.
05:42Now I'm going to do this!
05:44Oh, Lily, come here.
05:54Hey KIT!
05:57We're back!
06:01Come, be it.
06:05Come and get her.
06:08Let's go.
06:37Let's go.
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