- 9 hours ago
Gangho Neighborhood Bookstore Episode 1
Category
🎥
Short filmTranscript
00:28Socrates
00:30He was a scientist, a preacher, a leader, a leader, a leader, a leader, a leader, a leader, a leader,
00:39a leader, and a human being.
00:42He was a human being and a human being.
00:45And in the end of the world, he was a very cute place in the world of the most beautiful
00:51city of 강호동.
00:52In the end of the world, he opened a small temple.
00:57I bought a book.
01:05I bought a book.
01:07Today, when you came to the hospital, you came to the hospital.
01:13It was a long time ago.
01:15It's so cool, you know?
01:17Yeah.
01:21Sorry about that.
01:26Oh?
01:26I can't stand the feeling in my heart
01:29To spend another night without you
01:33There's a place for us, we can find you
01:38We'll live in love less for your heart
01:43I've got a book for you
01:45Oh, right?
01:48Yes
01:48Yes
01:49Yes
01:50Yes
01:50Yes
01:51Yes
01:51Take care of yourself
01:53You can see the most beautiful apartment in the dream
01:57There's a place in heaven
01:59In the book of God
02:02It's my own
02:03Yes, I can't see you
02:04Yes
02:04Yes
02:07We have books to be bought
02:08If you buy books, books to be bought
02:13Give books to be bought
02:14So, we've got a book to buy
02:21Yes, I think it's better.
02:23Yes, I think it's better.
02:24Yes, I think it's better.
02:27Why are you still smiling?
02:28No, I'm so happy.
02:31I'm so happy.
02:36I don't know.
02:38No, I don't know.
02:39Yes, I'm so happy.
02:42What are you talking about?
02:432000년 살아오신 선배님이랑 이야기 나누는 것 자체가...
02:50This is really true.
02:53I'm so happy.
02:56I'm so happy.
02:58I'm so happy.
03:02Yes.
03:02Yes.
03:02Yes.
03:02Yes.
03:02Yes.
03:02Yes.
03:02Yes.
03:03Yes, I've been so happy.
03:05I were so happy.
03:07A lot of questions.
03:08Yes, I've been so happy.
03:09Yes, I've been so happy for you.
03:11I was so happy for you.
03:14Yes, I've been so happy for you and before.
03:14Oh, okay.
03:15Then NASA.
03:16Yes.
03:17Yes.
03:18Yes.
03:18Yes.
03:19Yes.
03:20Yes.
03:24As soon as I was not like,
03:26I was하기 acalafide article.
03:28I was able to make sure not to make an account.
03:30Yes, I do.
03:31Yes, I do.
03:34My name is Ha-Jung.
03:38Yes, I do.
03:40Your name is Kim Jong-un.
03:42My name is Kim Jong-un.
03:43My name is Kim Jong-un.
03:44Yes, I do.
03:45Yes, I do.
03:47I'm going to make a decision.
03:48Who wrote this?
03:52I have a couple of people who wrote it.
03:55My name is Kim Jong-un.
03:56but my father could name them.
04:00He's rules.
04:01What were you called?
04:03Kim Jong-un?
04:04I had a dream of Hong Kong.
04:07Yes, I know.
04:10Yeah, I was just a good example.
04:12Yes, I was famous for Hong Kong.
04:13So, Kim Jong-un was there.
04:16Right.
04:17I was just a dream of Hong Kong.
04:19I'm going to ask you a lot of people.
04:22Yes, I've just seen that.
04:24I am a director, a writer, a writer, and a writer.
04:30You are a business manager.
04:36You are a business manager.
04:38Yes.
04:39I'm a member of the event where I wrote the film, so I'm asking for a question.
04:43I'm asking for a question.
04:44I'm asking for a question.
04:45But I'm asking for a question.
04:49I'm asking for a business.
04:54No, where didn't you come to Japan?
04:55I got to go in Japan, but I got to go in Japan and work.
04:57Immigration issues.
04:58Yes.
04:59NIGATA's.
05:00I got to go with the NGATA.
05:03I got to go still in the day.
05:05It was a bit more extra long.
05:08What do you mean by the sounds of Japan?
05:11That was almost 20 years ago.
05:13It sounded like the first thing I got.
05:16I've never seen a lot of a guy.
05:19It got to be a feeling that I just didn't think of.
05:22I'm not talking about the idea.
05:23I'm not talking about the fact that I'm not talking about it.
05:26It's a little bit of a moment to start.
05:28When I was looking at my head, I was having a little bit of a hair.
05:35I was a artist like a job.
05:38I was doing a performance in the past.
05:41I was looking at the moment when I was a girl.
05:43When I was a girl, I thought it was a beautiful thing.
05:46I was wearing a military jacket.
05:48And I never needed to wear ink disguise.
05:52I don't know why for the military jacket.
05:52Because I have military jacket.
05:55I took my job.
05:56And I have been teaching the military jacket.
05:59There are two hours.
06:06And I didn't want to just throw that in the world.
06:09I was definitely a terrorist.
06:10Then, you were a journalist to me.
06:11He said, you're a singer.
06:13So he said, you're a singer.
06:14You said, you're a singer.
06:14so as I said, I thought that's the same thing.
06:18What's the same thing that's what's going on here?
06:19It's a bit complicated.
06:20It was a bit more complicated than I was going to do a second.
06:24It was like, I won't know what I was going to do.
06:28I was going to put it all over the years ago.
06:31The moment was all the way I was going to do this was the same thing.
06:35But you know, you know, I got the guy who is acting,
06:39but he's actually the actress.
06:39Yes, I had to put the actress on the show.
06:43Oh, that's a good job.
06:44What's wrong with you?
06:49Today, you can buy a book to buy a book.
06:52The book is the word?
06:54The book is the book of Young women.
07:00The book is the book of Maria Lillek.
07:03Oh, yes, the book is the book of the Young women.
07:08I met Lillek' with a friend.
07:10Oh, you didn't know?
07:11Yes, I've been very close to him.
07:14I love him.
07:19Yes, I'm very close to him.
07:34So this book is Ha정우's life.
07:36Yes.
07:38The famous Rilke is the famous Rilke's book to make a book about how to make it.
07:49So Rilke's book is written in the book.
07:55So, he's a famous book.
07:57He's a famous book.
07:59He's a famous book.
08:01He was able to upload the video to the TV show.
08:03And he made his email.
08:06He answered, he answered, he said, he said, he said, he said, he said, he said, no, no, no, no,
08:11no, no.
08:14I started Instagram when I started on Instagram.
08:18And these people still sent me a lot of emails.
08:22Okay.
08:24So he sent me a message to him?
08:25Yes, he sent me a message to him.
08:27There's a message to him.
08:29This is a reason why this guy is really nervous to feel it.
08:34That is the reason why he is nervous.
08:36He can be nervous about it, even though he is nervous, he can be nervous.
08:43I don't have any pressure on the show.
08:44Then he will answer.
08:46You can also learn about the interviewer.
08:49Yes. I'm working with you for the interviewer.
08:52Yes.
08:52Yes. I've been working with you for a long time.
08:55I was in college, and I was named in the career of the year when I started playing at the
09:03school.
09:03He was a child in the school, and he was a guy named back.
09:07Yes, he was a guy who was a guy.
09:12And then...
09:13He was a guy who was a guy, too.
09:15He was a guy who was a guy who was a guy who was a guy who was a guy
09:23who was a guy who was a guy who had a guy.
09:24It's a great energy, I mean.
09:29The other person has worked on the movie,
09:32who is a good actor.
09:35But the other person,
09:37who has been working on the school,
09:39who has been working on the school,
09:40who has been working on the school.
09:43It was a really important thing.
09:49It's been a long time since
09:54So I think that's true.
09:58They don't know what to do if they're writing or they're writing.
10:01They don't know what to do.
10:04The same thing is I think.
10:07Yes.
10:08Yes, sir.
10:08It's not the same as artists.
10:12It's not the same as a dilemma.
10:17I think it's a bit of a challenge, but I think it's a bit of a problem.
10:28I think this book is a book that I put in the book, so we will talk about it.
10:36First of all, it's a dream.
10:40He says, like this, he says, like this.
10:44I'd like to ask this question if you were to die?
10:53Yes.
10:56Yes.
10:58Yes.
10:58Yes.
10:58You've been a dream in a dream?
11:00Yes.
11:00Yes.
11:01If you were to die, you really want to die?
11:05No.
11:05Yes.
11:06I have one dream of a dream, about it.
11:11But it was a little bit of a thing that was not a thing that was created.
11:19It was a bit of a different job.
11:23It was a dream that was not a dream.
11:27When you were born, you were able to learn the story of the movie?
11:31foreign
11:32I think, for children, I got a feeling like a sad themselves and I got a soul
11:38under the breath of restraint.
11:40At the moment I made a smile on my dreams.
11:42So I turned into my life and said, oh, let me stop doing that.
11:46Let me stop doing that, and I think, for you to stop in the morning.
11:51Then I played that up again.
11:52Then I got it all my content that I got.
11:54I was like, how often do you feel like we can do that?
11:54But then I thought that it was like,
11:56I have to do an interview like this.
11:58That's how I was going.
12:00I think that's the same.
12:01It's a bit strange.
12:02I remember it was a little funny.
12:05I was just a bit surprised to know what I was doing when I was crying.
12:10I knew that I was crying.
12:11I knew that I was crying.
12:14I knew that I was crying.
12:16I knew that I was crying.
12:17I was so hungry.
12:20I thought that I was crying.
12:23I was crying.
12:24You've been crying.
12:26I think I'm going to be hungry for the whole time.
12:29It's really good.
12:31It's a very important thing.
12:33Yes, it's a big deal.
12:35But when I was a kid, I was a kid who was doing everything.
12:40I was doing everything.
12:41I was doing everything.
12:42I was doing everything.
12:44I was doing everything.
12:47I was watching the movie,
12:48I was watching the movie,
12:49He delivered the shot of the day, and at the end of the day, and at the end of the
12:54day.
12:55He's just a bit different.
12:58He's watching the movie after every quarter, and he's watching the movie as a Sunday night.
13:04He's a guy in the family, which is a cool thing that's naturally integrated with him.
13:09I see that the films of the parents whose very varied art of art will at all.
13:14But, the movies of the film have influenced him a lot for the fact that you have it in a
13:16moment?
13:17Living,ラ스베가스.
13:20Living,ラ스베가스를 떠나며라는 작품인데
13:22그건 처음 봤는데
13:25니콜라스 케이지가 그 작품으로
13:28아카데미 나무주연상을 받았어요.
13:30그 전에는 그 배우가
13:32굉장히 가벼운 로맨틱 코미디나 코미디 문을
13:35주로 나왔었는데
13:37그 작품에서 처음으로
13:39사실주의적인 연기를 펼쳤는데
13:41그거를 보고
13:43니콜라스 케이지한테 빠졌죠.
13:46I give you a chance to be a person who is able to make the character a better role like
13:51this.
13:51That's how to be a stroberman character, you can just ask what character I would like to be.
14:00Yeah, yeah.
14:03Yes.
14:04So I think the best best performance is
14:16Robert De Niro is a guy.
14:221.
14:23Robert De Niro is the one to give him a guy.
14:26Robert De Niro is the one?
14:29This is a guy from 데브 2.
14:30There are two characters.
14:31There is a film called The Tax Driver.
14:36That is the same as the movie.
14:39The role model is Robert Duny.
14:44Today we see the movie about the movie.
14:47The movie is that he's a triple-chutman movie.
14:50The 3rd movie was done with the same movie.
14:54When you were done with the first hit,
14:58I'm going to be a dream that I'm going to be a dream.
15:04No, I'm not a dream.
15:09I'm not a dream.
15:12I'm not a dream.
15:13I'm not a dream.
15:15I'm not a dream.
15:16I'm not a dream.
15:26I don't think I'm not a dream.
15:32I'm not a dream.
15:34I'm not a dream.
15:35I'm not a dream.
15:36That's a dream.
15:39I'm not a dream.
15:41I'm not a dream.
16:11It's my dream.
16:12I'm the author of the movie.
16:14Yeah, I'm the fan.
16:17I'm the fan of this movie, I'm so excited about that.
16:23I'm the fan of the movie.
16:26I'm the fan of the movie that's not busy.
16:29What's the name of the movie?
16:30The movie in the movie is a toy of the movie.
16:33I was a writer of the channel,
16:35Bediuna said to me,
16:37and I'm a fan of the radio,
16:39and I was a fan of the radio.
16:39which I love when I was able to fight.
16:46I think I was able to fight the other person with a gun.
16:51I took a gun to fight the other guy, but I liked it.
17:01That's a great idea, but I don't think I'm interested in the game.
17:09There was a scene that was not a accident, but it wasn't a accident.
17:14But I got up again.
17:23When you look at the scene, the camera was a accident.
17:27It was a accident that I didn't focus on the camera.
17:28So I got back to the camera, and I got back to the camera.
17:31I got back to the camera, and I got back to the camera,
17:32and I got back to the camera.
17:33That's what the director said.
17:36So I got back to the camera.
17:38Here you will see me in the camera.
17:41I got back to the camera.
17:44That's what I wanted to do.
17:46I'm inspired by their own camera.
17:49Can I ask you, do you have an opportunity?
17:56Well, the camera was a good idea.
17:58I didn't remember the camera.
17:58It was very good so it was good to have a scene.
17:59No, no.
18:01We all have a scene where they were living.
18:04His best life?
18:05Yes, everyone is working together.
18:07All are.
18:11What are you talking about?
18:12Here is a place where Kim Jong-un is talking about this.
18:20It's a bit obvious, but a lot of people play the role in this game.
18:23Yes.
18:24It's a big part of my body.
18:27I was a part of this game for a long time.
18:30That's when I saw the movie on the 6th grade, Charlie Chaplin's Modern Times.
18:36Charlie Chaplin's character is a writer and a writer.
18:40How can he be a writer and a writer?
18:44How can he be a writer?
18:46I think he's a writer.
18:48When I was looking at the scene of Berlin,
18:51we had a role-wildo-coaster.
18:54We had a role-wildo-coaster.
18:55Right.
18:58The role of the rollercoaster, the lobby, the lobby.
19:01Yes.
19:02Certainly, I've seen you.
19:04I've seen it all that I've seen in the universe.
19:07I can't think of it as if I'm able to use it.
19:10It has a difference between human beings and the others.
19:11Yes.
19:14There are two things I think.
19:19In these things are just human beings.
19:23Just that's it.
19:24We want him to enjoy this person.
19:28He was like this person and was like this person.
19:31We want him to enjoy it.
19:33He has worked to use this person and edit the characters.
19:38I really enjoyed it.
19:40I can't even have a great way.
19:45Triple Chidmaan,
19:47a young editor,
19:47the audience has wanted to offer
19:49a lot of different worlds.
19:50It depends on my name, but it depends on how you feel like a pre-praxon.
19:58It's already a thousand?
20:01A thousand, it's not the only way I can't do it.
20:03I think it would be 200 million, I think.
20:09It's not easy to prove, I'm not the taste of the host or the subject itself.
20:19I think I'm a big fan of the film.
20:23I think...
20:26What are you talking about?
20:27What kind of story I'll talk about?
20:30How did you talk about the film?
20:32How did you talk about it?
20:36I don't think I was a lot about it.
20:41So I was a lot of driving.
20:43That's right.
20:45I was going to take a moment for a while.
20:46I can read it.
20:47I've read it.
20:50I've read it.
20:52I've read it.
20:53I've read it.
20:55It's a good book.
20:58There's this book.
21:00Yes.
21:04I've read it.
21:09It's 2018.
21:112018년도 어떤 책입니까?
21:14걷는 것에 대해서 이야기하는 책이고
21:17걷는 게 왜 좋은지
21:19걷는 것이 제 삶에 어떤 영향을 주었는지
21:22이 사진들도 다 제가
21:25핸드폰으로 찍은 사진들이에요.
21:27다 기억납니다.
21:29나도 이거 읽으면서
21:31이야...
21:32정말 걷는 거는
21:35정말 정말
21:37중요해요.
21:38진짜 하루에 10만보, 15만보까지도 걸은 적이 있다고?
21:4115만보는 아니고 10만보.
21:4210만보 그런데 그게
21:44같이 걷는 크루 중에
21:4516만보 걸은 친구가 있어요.
21:48그럼 물을 찍고 몇 시간 걸어야 되는 겁니까?
21:4924시간 풀로 걸어야 돼요.
21:51한 번도 안 찍고 그냥?
21:52네.
21:5310만보 걸었을 때는
21:5420시간 조금 넘게 걸렸어요.
21:57근데 16만보를 걸으려면
21:58한 반 이상을 뛰어야 돼요.
22:0024시간에 걷는 거로는 물이면 안 돼요.
22:05그렇죠.
22:05만보의 1시간 반.
22:07진짜 빨리 걸으면
22:081시간 20분이 걸리는데
22:09여기 영등포거든요.
22:11네.
22:11오늘 걸어봤어요?
22:12저는 차 타고 왔습니다.
22:14저는 여기 노량진 수산시장 걸어가서
22:19거기서 생선 사서 집에 걸어간 적도 있고
22:21남산 쪽에서?
22:22그때는 잠온동 살 때였으니까요.
22:24한남대교에서 고수부지통에서 노량진 가서
22:26생선 사서 가방에 넣어서 다시 걸어오고
22:29그래서 같이 걷는 크루들도 많겠네요.
22:33저 영화 준비하면서 회의 많이 하니까
22:35그러면 막히면
22:36연출부 친구들 데리고 나가서
22:37하루 종일 걸으면서 이야기하죠.
22:39그러면 결국에는
22:41뭔가가 풀리게 돼 있더라고요.
22:44근데 그게 결국에는
22:45아이디어는 누구나 다 갖고 있는데
22:47경직된 생각인 것 같아요.
22:49아니면 너무
22:50조급해지려고 하는 마음
22:52근데 그러한 것들을 조금 풀어주면
22:54자연스럽게 아이디어와
22:56생각과 깨달음은
22:58나오는 게 아닌가 생각이 들어요.
23:00근데
23:00그러기 위해서는
23:01진짜 많이 걸어야 됩니다.
23:03네.
23:06제가
23:07제가 나이 많은 거 알죠?
23:10아 네.
23:11제가 꽤 나이가 있는데
23:12제가
23:13이런 능력은 없었는데
23:15뭐 천국 냄새 안 나요 천국?
23:17천국이요?
23:18네.
23:18어?
23:20왜 그런 말이 있잖아요.
23:21네.
23:21제가 좋아하는 말인데
23:22네.
23:24행복한 가정은
23:25미리 누리는 천국이다.
23:27네.
23:27가족?
23:28어.
23:30네.
23:31뭐 왔어요.
23:31감이 왔어요.
23:33행복하세요?
23:34네.
23:35행복합니다.
23:38그게 그 냄새군요.
23:42뭐 기사가 났으니까
23:44네.
23:44진짜 우리 입장에서는
23:46진짜 사실은
23:46너무 궁금하시죠?
23:47그
23:48인생에서 사는 것 중에
23:50여러 재미 중에
23:51네.
23:52제가 이게 좋아요.
23:54좋은데
23:54내가 좋아하고
23:55내가 사랑하는 사람을
23:56이걸 좋게 만드는 것도
23:58정말 기쁜 일이잖아요.
23:59너무 그렇죠.
23:59네.
24:00그래서 같이 이제 걸으면서
24:01이제 예쁜 풍경도 보고
24:03네.
24:03또 예쁜 풍경도
24:04예쁜 어울도 보고
24:04네.
24:05같이 걸어요 안 걸어요?
24:08아
24:09걷는 걸 별로 안 좋아해요.
24:12아
24:12친구가
24:13그 참
24:14그런 거를 늘 꿈꿔왔는데
24:18아
24:19진짜 같이
24:19전 세계를 걷고 싶다.
24:23진짜 그런
24:24하이킹 트레일들을
24:25하나하나 정복해 나가고 싶다 했는데
24:27걷는 걸 너무 싫어해요.
24:30네.
24:30한 번은 하와이 여행을 갔는데
24:32걷자고 나갔어요.
24:34한 두 시간 걷는데 거기서 그냥 바로 주저앉더라고요.
24:40하와이.
24:41네.
24:43단둘이.
24:44그럼 단둘이 가죠.
24:45뭐 부모님 모시고 가지 않죠.
24:48너무 이렇게 답을 어디 가.
24:52그럼요.
24:53첫 번째 기사 보고 많이 놀랬죠?
24:55그렇죠. 당연하죠.
24:56왜냐하면 이게 공개할 일일까요?
25:00사생활이.
25:01사람의 일이라는 거는 어떻게 될지 모르는데
25:04그것을 밝힐 필요가 있을까 싶어요.
25:07물론 가십이라는 거는 너무나 재밌는 부분이에요.
25:10네.
25:10연예인들의 가십은.
25:11하지만 연예인들도 사람들이고
25:13이 사람들은 다 똑같이 자기 결혼날 결혼을 하고
25:17연애를 하고 하는 그것이
25:19조심스러운 부분이잖아요.
25:21보장된 것이 없는 건데.
25:23근데 당사자들이 뭔가를 입장을 밝히기 전에
25:26막 추측성 기사들이 나올 때는
25:28뭐 이걸 어떻게 이제 대응을 해야 될까가 되는 거죠.
25:33우리 둘의 관계를 밝히지 않으면
25:36너무 더 그런 추측성 기사들이
25:38더 쏟아져 나올 것 같아서
25:40그냥 뭐 연애하는 게 뭐 우리가 뭐
25:43이상한 것도 아니고
25:45쑥스러운 거일 뿐이지.
25:48그래서 그냥 밝히고 해야겠다라고 해서
25:51그날 했던 거고
25:52또 많이 축하해 주시고
25:54그래서 뭐 저는
25:57뭐 주변에 어떤 뭐 지인분들도
25:58마찬가지로 시청자분들도
25:59대다수 모든 분들
26:00많은 분들이 그 기사를 보면서
26:02미소를 짓잖아요.
26:03네. 그렇죠.
26:04그래서 이제 뭐 어떻게 만나신 거에 대해서
26:06제가 패스하도록 하겠습니다.
26:08이렇게 선택으로 넘어가도록 하겠습니다.
26:10다 기쁜 일입니다.
26:12기쁜 소식이고요.
26:26우리가 뭐 살아가면서 수많은 선택을 합니다.
26:31가장 잘한 선택은 뭘까요?
26:36후회부터 갈까요?
26:37후회부터 갈까요?
26:39자랑부터 갈까요?
26:40후회된 것부터.
26:40네.
26:41딱 뭐가 떠오릅니까?
26:42잘못된 투자죠 뭐.
26:46몇몇의 잘못된 투자.
26:48네.
26:50네.
26:50투자라는 것이 꼭 검증적인 것뿐만이 아니고
26:52시간도 엄청난 투자고요.
26:53네.
26:54네.
26:54하중우 입장에서 이제 지금 투자라고 말씀을 하시니까
26:57네.
26:58하중우라는 어떤 내가 타고난
26:59내가 좋아하는 게 있고
27:01네.
27:02잘하는 게 있잖아요.
27:03근데 대부분 좋아하는 거 하고
27:04잘하는 게 어긋나거든요.
27:06뭐 예를 들어서 하중우를
27:08감독으로서도 좋아하는데
27:09네.
27:09잘하기가 또 쉽지가 않아.
27:11그렇죠. 그렇죠.
27:11그러면은 더 감독 역할보다 더 배우로서
27:14네.
27:14더 좀 작품에 더 좀 쫓아볼으면 어땠을까
27:17이런 후회는 하지 않았을까요?
27:18전혀 없어요.
27:19저는 어쨌든 잘 될 걸 알기 때문에
27:22지금은 그 과정을 겪어야 할 시간이라고 생각이 들어요.
27:26첫술에 배부를 수 절대 없고
27:28정말 좋은 연출자 감독이 되려면
27:31분명히 겪어야 할 시간이라고 생각이 들어서
27:33지금의 이것들은 저는 전혀 정말
27:390.1g도 후회하거나 그렇지 않습니다.
27:43이 단기간에 이걸 가지고선
27:45판단을 할 수가 없는 거예요.
27:47근데 단기간으로 판단하고 싶어 하죠.
27:49네.
27:50아까도 말씀드렸지만
27:51재수삼수했다고 해서
27:52그 사람의 인생이
27:53평가를 받을 건 아니잖아요.
27:55그러니까 지나고 보면
27:56아시게 될 거라고 저는 생각이 들어요.
27:58결국 그 잠재력이 되고
28:00네.
28:00나의 에너지가 돼서 그렇죠?
28:02네.
28:02날 또 성장시키는 거니까
28:03네.
28:05릴케와 로댕의 관계는
28:07참 유명합니다.
28:09네.
28:09그 무명 작가를 릴케는 어느 날
28:11로댕에게 묻습니다.
28:13어떻게 살아야 하죠?
28:15로댕이 이렇게 대답합니다.
28:17일해야 합니다.
28:19그리고
28:19인내심을 가져야 해요.
28:21근데 이게 참 단순한데
28:22이 말은
28:24릴케 예술가적 사고에
28:27큰 영향을 미치게 됩니다.
28:29인내는 무엇이냐.
28:30인내는 고맙고 감사한 고통이다.
28:34너무나 결과론적인 얘기 아닐까요?
28:38인내라는 것이 고맙고 감사하다라는 것은
28:41결국엔 인내를 통해서
28:42어떠한 결실을 맺었기 때문에
28:44그 후에 이야기하는 거지만
28:46그 인내를 하는 그 시간에
28:48고맙고 감사하다라고 느끼는
28:52그 사람은 정말 위대한 사람이네요.
28:55그 순간 그걸 느끼는 것은?
28:56네.
28:57그렇게 살아야 되는 거죠 사실은.
29:00저도 가끔 그런 생각을 하거든요.
29:03운동을 하는데 진짜
29:04이 산의 정상이 어디인지 몰라요.
29:07근데
29:07밤 어두운 공간을 막
29:09이렇게 올라가다가
29:11지치고 넘어지고
29:12또 다시 일어나서 가다가
29:13그 정말
29:15본인의 한계를
29:1610배 20배 뛰어넘는데도
29:17결과적으로
29:1810m 앞두고
29:19포기할 수 있는 거고
29:19네.
29:20모르기 때문에 그렇죠?
29:22그 과정이 다 있는데
29:23이게
29:24감사한 어떤 고통으로
29:26받아들이기가 쉽지가 않죠.
29:28모르니까.
29:29그렇죠.
29:30모르죠.
29:31알 수 없는 거죠.
29:32우리 그
29:33하감독이 적었던
29:35우리 그
29:35서울을 시작해서
29:37그 해남까지
29:37땅금마을까지
29:38네.
29:39다큐멘터를 걸어가지 않습니까?
29:40그 500km가 넘는
29:41네.
29:42마지막에 땅금마을 도착했을 때
29:44뒤풀이할 때
29:45나는 엄청나게 그냥
29:46뭐 정말
29:47행복하고
29:48나는 뭔가
29:48뭔가 내가 얻었고
29:50네.
29:50엄청나게 이루었던
29:51그 기쁨과 희열이 기다릴 줄 알았는데
29:53생각보다 너무
29:54네.
29:55너무 허무하다는 그런 느낌.
29:57네.
29:57맞아요.
29:58네.
29:59그 과정이
30:00즐거웠고
30:01그 과정을
30:02가는 게
30:04너무나 의미가 있었던 거지
30:06막상 가보니까
30:08아무것도
30:09아무 느낌이 없었어요.
30:11그래서 정말
30:12어쩌면 너무
30:13허무하고 허탈해서
30:14그냥 그날 밤에
30:16집에 바로 와버렸어요.
30:17그랬다면서요.
30:17네.
30:18너무 허탈해서.
30:19그리고 나서
30:20집에 도착해서
30:21이제 기억을 떠올려 봤는데
30:23그 도착해서 이룬 성취감이 아니라
30:26그 과정 하루하루를
30:29보냈던 시간들이
30:30더 생각이 나더라고요.
30:32하...
30:33그 시간이 지나면 지날수록
30:34네.
30:35내 생활 속에서
30:36문득
30:36그 상황이 떠오르면서
30:38그 결과가
30:39그 사람을 살찌우는 게 아니라
30:41그 과정이
30:42그 사람을 살찌우고
30:43성장시키는 게 아닌가
30:45라는 생각이 드네요.
30:46네.
31:10드라마를 선택했어요.
31:1119년 만에.
31:13대한민국에서 건물주 되는 법.
31:15네.
31:15어떤 드라마입니까?
31:17음...
31:17건물주...
31:18뭐 저도 건물주죠.
31:19네.
31:20근데
31:21제가 맡은 인물이
31:23이제 주인공인데
31:25흙수저에서 건물주가 되는 이야기.
31:27과정들은
31:27네.
31:28근데 그런 거에 공감이 될 것 같아요.
31:30뭐 돈 있는 사람이 건물 사는 이야기가 아니라
31:32정말
31:32회사 다니다가
31:34회사 그만두고
31:36은퇴자금 해서
31:37자기가 그동안 모아놓은 거
31:38영끌해서
31:39꼬마 빌딩을 사요.
31:42은행의 대출을 다 받고
31:43근데 이 드라마는
31:45그 건물주가 되기 위해서
31:48되기 위해서
31:48어떠한 일들을 겪고
31:50어떠한 것을
31:51잃어버리는지에 대해서
31:52아
31:53이야기하는 거예요.
31:54특과실.
31:55네.
31:55어쨌든 플랫폼 자체가
31:57이제 팁이지 않습니까?
31:5819년 만에.
31:59네.
31:59이것도 용기가 필요했겠네요.
32:02뭐 드라마라고 해서
32:04어떤 용기와 파격적인 행보라고
32:05저는 개인적으로 생각하진 않고
32:0719년 만에 드라마를 찍는데
32:09근데 너무 많이 달라졌어요.
32:11환경이.
32:13일단은 촬영 시간이죠.
32:15딱 정해진 촬영 시간의
32:17계획대로
32:18하루에 딱 12시간
32:20일주일에 52시간
32:22을 찍을 수밖에 없는
32:25법적으로
32:26제가 얘기 들어보니까
32:27쪽대본도 많이 없어졌다고
32:28그러네요.
32:28뭐 그런 거 없어요.
32:28저는 풀대본 거의 다 받고 시작했어요.
32:3112부작이거든요.
32:32아니 되게 알던 새롭고 재밌었어요.
32:35아
32:36배우.
32:37네.
32:38그리고 감독.
32:38그리고 감독을 하기 위해서
32:39본인도 그래서 작가.
32:41네.
32:41그리고 이제 화가까지 연결됩니다.
32:43어떻게 그림을 그리게 됐습니까?
32:48참 이게 대학교 졸업하고 나서
32:51너무 할 일이 없었어요.
32:53뭐 오디션 보러 다니고
32:54오디션 이제 결과 기다리고
32:57근데 아
32:58시기에 또 남은 시간이 있잖아요.
33:01대부분의 또 남은 시간.
33:02그렇죠.
33:02뭘 해야 될까
33:03했을 때
33:05좀 생산적인 일을 좀 하고 싶었어요.
33:07네.
33:08그래서
33:08그림을 그려보자.
33:10동네 문방구 가서
33:13스케치북이랑
33:13사비 연필이랑
33:14수채 물감을 사다가
33:15이제 그림을 그리기 시작을 했죠.
33:17어릴 때 또
33:17치매 활동을 했던 기억이 있고
33:19어렸을 때는 뭐
33:19미술학원 다니고 뭐
33:20저희 고울에서 상도 받고 뭐 했었죠.
33:23네.
33:23그림을 그렸더니
33:24되게 마음도 편해지고
33:25시간도 잘 가고
33:26어렸을 때는 시간이 참 안 갔잖아요.
33:29너무 좋더라고요.
33:31그래서 어
33:31스케치북 말고
33:33뭐 캔버스에
33:34좀 그려봐야겠다 해서
33:35이제 또
33:36조금 더 큰 문방구에 갔어요.
33:38그래서 이제 거기서
33:39물건들 추천받고
33:40이제 그걸로 또 그리면서
33:42점점점점 뭐
33:43캔버스 사이즈 늘어나고
33:44그래서 뉴욕에서
33:45전시를 했죠.
33:46네.
33:46뉴욕.
33:47자신있게 뉴욕에서
33:49하정우 화가 되다 해서
33:50전시를 딱 했는데
33:51한 점 딱 팔렸다면서요.
33:53네.
33:54그쪽 관계자분들이
33:54뉴욕 쪽으로
33:55얼씬도 그러지 말아야죠.
33:56아 그게 또 이렇게
33:58또 이렇게
34:00그렇게 됐네요.
34:01또 드라마가 됐네요.
34:02스토리가
34:03그게
34:03그쪽 관계자는
34:04연락이 다 끊기면서
34:06이쪽 근처 도 오지 마세요.
34:08팩트 말씀드려도 될까요?
34:11그게 2015년일 거예요.
34:13LA에서 전시를 개인전화를 했는데
34:15그때 평이 뭐였냐면
34:17너무 상업적인 걸 신경을 쓴다 였어요.
34:20더 적나라하게 얘기를 하면
34:22뭐 이렇게 다른 사람을
34:24의식해서 그림을 그리냐.
34:26넌 너무 그림이 디자인적이야.
34:28막 이런 거를
34:30카푸스.
34:32네?
34:32네.
34:33맞아요.
34:34릴리케가 카푸스한테 한 얘기네요.
34:52그리고 얘기를 막 하는데 누가 그런 걸 했냐면
34:55LA 현대미술관 관장이 저한테 얘기를 했어요.
34:59제가 한 면에 스케치한 작품들이 있었어요.
35:02근데 이거를 보면서 이렇게 그림을 그려야 된다.
35:06이게 훨씬 더 당신다운 그림이다라는
35:09막 평을 저한테 막 얘기를 해 주시더라고요.
35:12순간 너무 기분 나쁘고 당황스러웠지만
35:15다음날 너무너무 저한테는 소중한 조언을 해 주신 거예요.
35:20그래서 그 다음에 제가 어떻게 배냈냐면
35:22의식하지 말고 내가 내 생긴대로 그려야겠다 였어요.
35:27근데 이미 뉴욕 전시는 여름에 잡혀 있었어요.
35:30그게 3월 LA가 3월 전시였고
35:32그래서 이제 그걸 준비를 하면서
35:35대작들을 다 안 보내고
35:37다 작은 사이즈의 그림에 거의 스케치된 작품들을
35:41다 펜으로만 그려서 전시를 보냈어요.
35:44그러니까 컬러도 들어가지 않는
35:46펜으로 된 거의 드로잉 작품들만 보낸 거예요.
35:50그러다 보니까 거기서
35:51하정우씨 그림은 색채가 강렬하고
35:54좀 사이즈도 있고 했는데
35:56어떻게 이게 다 10호, 20호 사이즈밖에 안 왔냐.
35:59되게 불친절한 그림들이었어요.
36:02어쩌면 그냥 저의 무의식과
36:04계획되지 않고 정제되지 않은
36:06어떤 단면들의 엑스레이를 찍은 것 같은
36:09그림들이었어요.
36:11근데 저는 그 그림이 너무너무 자랑스럽어요.
36:14처음으로 솔직하게 내 모습을 내놓은 전시였거든요.
36:18당연히 그게 선뜻 안 가죠.
36:21그 무서운 그림들을 누가 자기 집에 소품으로 걸겠어요.
36:25그래서 딱 한 작품이 팔렸대요.
36:28그래서 제가 다시 제 사비를 들여서
36:30다 한국으로 가지고 왔어요.
36:32근데 그게 제 인생에서
36:36굉장히 터닝포인트가 되는 전시였어요.
36:38뭐 얼씬도 하지 마라 라고 할 수 있죠.
36:41그 갤러리 관자가 어쨌든 그림을 팔아야
36:43다 와전됐겠죠.
36:46그림을 팔아야 갤러리도 운영하고
36:48자기들이 자기 돈 써가지고
36:49보험 들고 다 데리고
36:51그림을 갖고 왔는데
36:52이 새끼 이거 한 점밖에 팔았네.
36:55얼씬도 하지 마라고
36:56불쌍 생각할 수 있어요.
36:58근데 저한테는 엄청나게 큰 깨달음이 왔었어요.
37:032015년이었을 거예요.
37:05너무 감사한 이피소드다.
37:07네네네.
37:07당신이 재능이 없으면 있는 얘기를 안 할 텐데
37:10그 사실은 그것도 용기내서
37:12이렇게 말씀 주시는 거잖아요.
37:14근데 그거는 그 순간 서로 오해가 생길 수 있고
37:16얼마나 불편한 사실은 조언입니까?
37:18네.
37:18이게 밀케가 친구한테 보낸 그 말과도
37:22정말 귀인이 나타나서
37:23저에게 딱 조언을 해주는 게
37:26그래서 제가 이 책을 좋아하는 것 같아요.
37:28그래서 뭐가 풀리지 않거나
37:31뭐가 막혀 있거나 그랬을 때
37:33항상 제 자신부터 돌아보면
37:36내가 뭐가 조금 위선적이었나
37:39내가 뭘 의식했나
37:41내가 조금 뭐가 불편했나
37:43이런 것들을 자꾸 점검하게 되는 것 같아요.
37:45어렵죠 사실은 근데
37:46그렇죠?
37:47너무 어렵죠. 너무 어렵죠.
37:48그 에너지를 비팽관들한테
37:50어떻게 팽고 받을 건지에 대해 소모하지 말고
37:52에너지를 네 내면으로 더 넣어라.
37:56근데 또 이렇게 알면서 또 까먹잖아요.
37:58몇 시간 지나고
37:59까먹지.
38:00그래서 이걸 계속 들여다보게 되는 것도
38:01그렇게 되는 것 같아요.
38:02네.
38:04아 그 뉴욕 관장님도 좀 상했겠다.
38:06좀 많이 팔렸으면 좋았을 때
38:08그 갤러리 대표님?
38:10네.
38:10대표님.
38:10그렇죠.
38:11잘 지내시죠?
38:13네.
38:13뭐 또 연락 주십시오.
38:15요즘 조금 더
38:15괜찮은 작품으로 또 한번
38:17제가 또 인사드리겠습니다.
38:19그 뒤에 연락 계속 주고 받습니까?
38:21그렇지 않아요.
38:25잘 지내시는 걸로만 알고 있어요.
38:30제가 좋아하는 톤이거든요.
38:31아 네.
38:32끊는 거.
38:35오늘 제 책은 한 얼마 정도로 평가하시는지?
38:38얼마 정도예요?
38:41하정우 씨 책값은?
38:43네.
38:45딱!
38:46지금 정해졌습니다.
38:47잠깐만요.
38:48책값 정하기 전에
38:49별책부록도 오늘 셌잖아요.
38:51정말 더욱 추천해요.
38:53그것까지
38:54천국
38:54천국도 이제
38:55별책부록도 셌기 때문에
38:57그것까지 책정을 해 주셔야 돼요.
38:59그럼 원래 한 건인데
39:00우리가 두 건으로 책정을 해드리도록 하겠습니다.
39:04막 가격이 정해졌습니다.
39:06하정우
39:07인생
39:08체계의 가격은
39:11똥기호태다!
39:13에?
39:15그건 예상치도 못 했는데요?
39:17I am a dream.
39:19Your service is not your dream.
39:21Your will not be your dream.
39:22Your dream is not your dream.
39:24Your life will never go.
39:27This is my dream.
39:28Let's say that his spirit will truly be a leader.
39:30Wait a minute.
39:32This one is my dream.
39:35I was a dream.
39:39I did not want to come back to him.
39:41Let's look at the same thing.
39:44Have you watched the movie?
39:47No, I haven't read the music yet.
39:51So today I'm going to show you the last time.
39:54Today, I'm going to show you the delicious life of the 강호동네서점.
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