Action King Arjun, Abhirami, Preity Mukundan Fun Interview About BLAST ZONE Movie

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Transcript

00:00Hello, everyone. Hello, everyone.

00:02I am Arjun Sarjagar.

00:04We are working on a very popular headmaster.

00:10Our wife is a very popular tailor.

00:12Our mother is a very popular job.

00:16If you don't want to talk about this,

00:18I am sure that Arjun Sarjagar is the name of Arjun Sarjagar.

00:23Yes, definitely.

00:24We are doing a lot of action in this film.

00:27We are doing a lot of family action.

00:31There are a lot of interesting plot points and elements.

00:36And most importantly,

00:37if you don't want to talk about it,

00:39if you don't want to talk about it,

00:40if you don't want to talk about it,

00:42if you don't want to talk about it,

00:43we are going to talk about a good cinema.

00:47So let's talk about it.

00:49Hello, Arjun Sarjagar.

00:51Hi.

00:51Hi, Abhirami Garu.

00:53Hi, hi.

00:55And this is because of me,

00:57Subhash Garu, the director, is here.

00:59So everyone is welcome.

01:00We are going to talk about it.

01:01So, yes.

01:03There are a lot of interesting trailers.

01:06There are a lot of exciting trailers.

01:08We are going to talk about excitement.

01:09We are going to talk about May 25th.

01:11We are going to talk about the first film.

01:12What is that injustice?

01:14What is happening?

01:15There is something happening in the trailer.

01:18But, you know,

01:18it is not exactly the problem.

01:20It is because of me,

01:22so I think that's how it's a big deal.

01:24I think,

01:25this is the start of the creative brain.

01:28So,

01:29we will start here.

01:30With your permission,

01:32I will go on the train again.

01:33No, leave me.

01:34I am going to talk about it.

01:36I will talk about it.

01:37I will talk about it.

01:38I will talk about it.

01:43I will talk about it.

01:46I don't have to say anything in the trailer. I don't have to say anything in the trailer.

01:50I don't have to claim anything in Greek and Latin.

01:53I told him to say something, but I don't have to say anything.

01:58But you didn't reveal in the trailer also, no? So you are already careful, I know.

02:04So tell us where it all started. I mean, why did you choose this script as your first film, you

02:10know, as a director?

02:11That is very important, no? Which script you are coming with. So why did you choose this one?

02:16Actually, I like action movies. I used to watch all the action movies from my childhood.

02:21Oh.

02:22So for my debut film, I wanted it to be an action film.

02:26Okay.

02:27Again, I also want, it should be a different, I don't want to try already existing patterns.

02:34I want to break the pattern and I want to try a new one.

02:37Okay.

02:37So in that, it will come. Also, I want to make a commercially successful film.

02:42Hmm.

02:42So in all these three criteria, I am having, I had in the script.

02:46Okay.

02:46So without doubt, I went with that.

02:48Okay.

02:49Chandral?

02:49He was working as an associate director with Pradhi Pranganathan.

02:52Yes.

02:53I have that in mind also.

02:55I have that in mind also.

02:56I have that in mind also.

02:56I actually doubt about that.

02:57Because Pradhi Pranganathan is a jovial guy.

03:00You know, dude, dragon, kind of.

03:02You know, youthful, lovable cinema.

03:04You know, you have a full contrast.

03:06You know.

03:07You know.

03:08How much bloodshed.

03:09How much violence.

03:11How much violence.

03:12How much influence.

03:12How much influence, Pradhi Pranganathan.

03:14Actually, I worked a lot of action scripts with him.

03:16He is also having.

03:18He also has.

03:18Yeah.

03:19Oh.

03:19So, action scripts.

03:21Basically, out of five to six scripts, four scripts are out and out action scripts.

03:25Oh.

03:26Even Pradhi Pradeep Garu scripts also.

03:28Yeah.

03:29Yeah.

03:29Okay.

03:30He still hasn't taken out then.

03:34Okay.

03:34So, it doesn't feel like a new genre to me.

03:37Oh.

03:38I was working in that.

03:39And I am taking a film.

03:40Like that only it feels to me.

03:43Yeah.

03:44There are a lot of questions.

03:45But before that, we have Arjun Garu.

03:48Obviously, we have to talk a lot.

03:49So, she is the director.

03:50I'm going to see him in a couple at the promotion stage.

03:55Along with Aishwarya Garu.

03:56He is powerful.

03:58And it's a great film.

04:00And I got quite a very contrast film.

04:02That's really kind of a blast.

04:03Sir, coming to the talk,

04:05She has done two…

04:07She is the wife and daughter.

04:09She is all about action.

04:13I'm aware of that.

04:14I know that you have to talk a lot more.

04:15Because in such a number of the films and the decades,

04:18You are doing action cinema. You are doing action.

04:22You are doing action action. You are not doing action.

04:27How did you do that point?

04:30I did it very well.

04:34We are doing action in every cinema.

04:36In the clip there, women have a boost.

04:43They just got a influence of the characters.

04:48They even have three characters.

04:54So, it's something I wanted.

04:56You can't do it.

04:59No one is not going to be action we have a film.

05:03So, this is an action family.

05:06Action king, action queen, action princess.

05:09That's correct.

05:10So, this is a big issue.

05:12Yes.

05:13But if you imagine, you imagine, you imagine, it's fine.

05:19But who is going to do that path?

05:21Who is going to be my wife?

05:23Who is going to be my daughter?

05:25Who is going to do that pull-off?

05:26Any questions come in?

05:27No, I don't have to.

05:29I was asking my daughter, wife and wife.

05:37Because it's very important.

05:39Did you give any suggestions?

05:39All I have to do is miss, suggestions.

05:41No, okay.

05:42The sir said, exactly the lines are telling today.

05:48After the narration, he said the same to me.

05:50He said, hey, I'm getting useful scripts.

05:52But this one is different.

05:54Total action family, I will do it.

05:55Exactly, he said these two lines and sent me from his home.

05:58Wow.

05:58This is so different.

05:59This is action family, so I will do it.

06:01That's what he said after the narration.

06:03Yeah.

06:04I was really concerned.

06:05I was concerned, who is going to do it.

06:06I was concerned, who is going to do it.

06:09Wife, daughter, and wife.

06:12I mean, if you miss it, you will get it.

06:15True.

06:16That was very important.

06:18So, when I was cast after the narration, they took a lot of care for the character.

06:24So, that really helped.

06:26Right.

06:27Like, if people are losing their lives, like they are not going to do it, what they are doing,

06:34they are not going to do it, what they have to do.

06:38I was not going to do it.

06:41So, I was sure, you are going to watch the movie.

06:43Of course.

06:43So, if you have to watch the movie, you can see the output of the character.

06:46It is a guarantee.

06:47They were made in the fight masters.

06:52Fight masters were made in the fight, training, karate masters, karate masters.

06:59They were made in the fighting and they were made in the style.

07:04So, they worked very hard.

07:06I am sure.

07:07They worked very hard.

07:09So, they were made in the fight and justified.

07:14They were very important.

07:15They were very important.

07:16The one to do is to do anything.

07:19Even with the trainers,

07:21what is it?

07:22I am not sure how to do it.

07:23No matter how to do it,

07:26I am making a look.

07:28If you are not looking for anything,

07:30I am not sure how to do it.

07:35My mother is like me.

07:37Body language.

07:38I would like to sing a song. I would like to sing a song.

07:44Oh, graceful.

07:45It's a graceful dance.

07:47It's a total contrast.

07:49It's a graceful dance.

07:50It's an action queen.

07:54I didn't think I would like to sing.

07:56I would like to sing a song.

07:58Oh, this is a transformation.

08:01I would like to sing a picture.

08:05True.

08:05True truth around.

08:06But I would like to give a training immediately.

08:10I would like to sing sets.

08:11I would like to sing a perfect shot.

08:14That's why I would like to sing a trailer.

08:16There is no loose body language.

08:19And there is no unfinished takes.

08:22I mean, like moments.

08:24The body language is so on point.

08:26I think I'm...

08:27I think it's been a lot of hard work.

08:29We can't even imagine.

08:31But tell us your journey, you know,

08:33of going through this action sequences and taking the training and all.

08:38So, you know what I'm doing?

08:40You know what I'm doing?

08:42You know what I'm doing.

08:43Yeah.

08:44You know what I'm doing.

08:45You know what I'm doing.

08:46You know what I'm doing.

08:46I think you are a lot of hard work.

08:48You know what I'm doing.

08:51You know what I'm doing.

08:53You know what I'm doing?

08:54You know what I'm doing.

08:54But, I'll do that for the training.

08:58I'm doing that for the first story.

08:59I wanted to talk about this piece, I had a training and I wanted to translate it correctly because I

09:07didn't have any background or background.

09:11So, I had a rhythm sense of music and I had a little confidence. I had confidence. I had confidence.

09:21I had confidence. But what I think I should mention is that I had a realization.

09:32See, this is an experiment we can do.

09:36We can do a full formula for a full formula.

09:41We can do a break and we can do a little bit.

09:45We can do a stunt.

09:51So, we have that responsibility too.

09:53We can do a lot of work.

09:57I don't know.

10:00I'm not sure.

10:02I'm not sure.

10:03I'm not sure.

10:05I have a good idea.

10:06I'm sorry.

10:07I don't know.

10:08I'm sorry, sir.

10:08I can't say that.

10:09I don't think so.

10:09Okay.

10:13Okay.

10:14Okay.

10:14But I'm going to talk a lot more seriously.

10:17Sorry.

10:19I'm going to disturb you.

10:21No.

10:22Because if you're not doing anything, this is a new formula.

10:28If you're not doing anything, you're not doing anything.

10:31If you're not doing anything, you're not doing anything.

10:36You're not doing anything.

10:38Because if you're not doing anything, you need to have a responsibility.

10:43If you're not doing anything, it's going to be a average person.

10:47That's why you're not doing anything.

10:48So, the answer is I want more women to get such roles.

10:51So, when I do something else,

10:54I'm not doing anything.

10:57Sir, I'm going to be doing anything.

11:01I'm going to be doing anything.

11:04I'm going to be doing anything else.

11:13If we do an average job, we will risk it.

11:21So we should do our best 200% if we do our best.

11:29We should do our best, we should do our best.

11:31Very true.

11:33So I think more than just what you see in this film,

11:35I think we have a more bigger responsibility.

11:37Responsibility.

11:38How do we do our best?

11:39Correct.

11:40Exactly.

11:43Please, let me support you.

11:45Please, let me support you.

11:46Let me support you.

11:50Women action.

11:52Next also.

11:53Let me support you.

11:55Let me support you.

11:56Let me support you.

11:57Let me support you.

11:58Let me support you.

12:01Okay.

12:02So, Preeti.

12:03Me, Jeremy.

12:05When I heard the story, I understood there are so many action sequences.

12:12And he made my character seem very, she's integral to the story.

12:19And she's, the way he has imagined the character is like she's unafraid.

12:25She's very, very physically able.

12:28And knowing martial arts or like having that strength actually makes you very confident.

12:34And that's the kind of girl she is in the story.

12:38So, I realized how important it is that I make that convincing for the people.

12:46And what you said, right?

12:48How believable we looked, the posture and everything.

12:50We had to, like sometimes I would look at the take, I would watch the take and I would be

12:55like,

12:56Oh, here is where I look weak.

12:57And there were many moments where I would see that, you know, I can do better.

13:02I can be tighter or look stronger.

13:04Yeah.

13:05So, it's something we worked on every day actually.

13:10And then action, basically, I would say,

13:13Actress is very risky.

13:18And of course, men also equally risky.

13:22The world is very risky and dangerous.

13:25But still, I think actresses are very risky.

13:28I think.

13:28Delicate.

13:29Delicate.

13:30You have to look at the face.

13:31Yeah.

13:32You have to look at the face.

13:32That's a lot of risk.

13:34I think, you know.

13:36In the initial stages, you have to say,

13:39What if that punch lands on your face?

13:41Yeah.

13:42Something.

13:43When I started, I would always close my eyes.

13:45Yeah.

13:45Close my eyes.

13:46If they come close my eyes.

13:47If they come close my eyes.

13:50If they come close my eyes.

13:53They.

13:54Master would tell.

13:55Because the guys look very scary.

13:58Yeah.

13:58But they are being extremely careful for my sake.

14:00They know they are not going to even touch me or come too close.

14:03But the moment I see them run towards me like that, I was like automatically.

14:09Reflex.

14:09Yeah.

14:10I was just close my eyes to try to hit.

14:12Yeah.

14:12So, he would keep telling me to like, be more confident.

14:17That's an emotion I have never even experienced.

14:21Confidently like going close to somebody like I am going to hit them.

14:25So, that came with time actually.

14:27And actually even for actors, like if you see Sir, if you hear Sir's story.

14:31You.

14:33He talks a lot about how back in the day, there were no hardnesses.

14:37And they had to take a lot of risks.

14:39That's true.

14:39In general, I have seen always actors take huge risks.

14:42For us, I think not knowing the technique.

14:44Not knowing how to hit, how to spin, how to roll.

14:48Sometimes you can injure any part.

14:50Yeah.

14:51Yeah.

14:51Without technique.

14:53So, that was yeah.

14:53Technique still, I can do it.

14:55Oh no.

14:55When I choose cinema, I choose and if you choose cinema, I choose.

15:00Right.

15:01It's like lucky one of the people who do it.

15:04I don't know how to do it.

15:06Oh, super.

15:07Yeah.

15:09So, that's great.

15:10The next one is the first one.

15:13The next one is the first one.

15:15That's right.

15:16You've been doing a lot of years and you've been doing a lot of movies,

15:18but you've never done anything in the cinema.

15:21You've never done any action.

15:24Any small fight?

15:25No fight. I've slapped people.

15:28On-screen?

15:29On-screen.

15:29On-screen, I've been doing a lot of things.

15:33Okay.

15:34I'm doing a lot of things.

15:35I'm doing a lot of things.

15:37But I don't know if I'm doing a lot of things.

15:41I can't investigate it.

15:42I'm doing a lot of things.

15:46I'm doing a lot of things.

15:47I can't see that there's no plurious programming.

15:50I'm liking this cinema.

15:51You both feel well.

15:54I have a very depressed difference.

15:55But Arjun sir.

15:57I was quite a gentle man and he talked to him.

15:59Like, there is a person who is very humble, who is very humble.

16:08When you do it, you have a full action.

16:13So, it's a bit similar to it, actually.

16:17But what is the new challenging part or new interesting part for you to accept this role?

16:24That headmaster, that role?

16:27Headmaster is a bit of a challenge. It's a character.

16:30A karate master is also a role. It's not a bit of a challenge.

16:37But it's a bit of a challenge.

16:40If you do it, it was a bit of a challenge.

16:44It was nice for me.

16:54It's a bit of a challenge.

16:57Okay.

16:58But, sir, you've already seen this role, right?

17:01Do you want to dominate yourself?

17:03Yes, sir.

17:04Yes, sir.

17:06Yes, sir.

17:14Sir, you can't say that.

17:17I'm very proud of you, sir.

17:19She's very proud of you.

17:21And because she's very, very flexible, she's very flexible.

17:25She's very cool, she's very comfortable.

17:26See, you'll see.

17:27I'm quite comfortable.

17:32I'm very proud of you, sir.

17:34I'm quite comfortable here and I'm still here.

17:36You see, I'm a master.

17:39I'm a master.

17:43Yes.

17:47Well, I'm very proud of you.

17:50When you look at it and see it when you look at it and you're gonna be with it, you

17:54know.

17:55You tell somebody around who you are!

17:58I'm like well, no!

18:00I'm not here.

18:02I won't take the take.

18:07So that's the next one.

18:09That's the first one.

18:11Oh, my God.

18:13Okay.

18:14You can't say anything.

18:15You can't say anything.

18:16You can't say anything.

18:18You can't say anything.

18:18Everything is recorded.

18:20You can't say anything.

18:23You can't say anything.

18:23Thank you, thank you, sir.

18:24Thank you, thank you, sir.

18:24Why is this compliment coming from the action king?

18:27I know.

18:28You can't say anything.

18:29It's a fact.

18:30Yeah.

18:31They work very hard.

18:32They will get the credit for that.

18:34Super, super.

18:35People will really like their roles.

18:38That's why their mother is a problem.

18:40When they're being told,

18:40she can't say anything.

18:43She can do it as an actor, sir.

18:45She can do it as an actor.

18:46She can do it as an actor.

18:48She can do it as an actor.

18:50She can do it as an actor.

18:51There is some kind of restriction.

18:52You can't do it anymore.

18:54Cause I can't take it away.

18:55At least let's try it.

18:58Don't fall into laughter.

18:59She can't take it away.

19:00I can't take it away.

19:03I'll just laugh.

19:03I am so afraid.

19:05I am so afraid.

19:05If you don't want to take a look at it, you can take a look at it.

19:07I know.

19:08Yeah.

19:08That's it.

19:09That's it.

19:10That's it.

19:11That's it.

19:12That's it.

19:14Yeah.

19:16But, Subhashgar, I think we're talking about action.

19:19But beyond action, there are a lot of elements in the cinema.

19:24And most importantly,

19:25If you're a part of this,

19:26if you're a part of this,

19:28if you're a part of this,

19:32you can find your point.

19:34You can find your point.

19:34I think...

19:35I'm not sure if you're a part of this,

19:37but you're a part of it.

19:40You're a part of it.

19:42That's true.

19:43And you've been doing anything with your parents.

19:46I know.

19:49You're a part of it.

19:50In society,

19:51you're not doing anything.

19:52That's right.

19:52You're not doing anything.

19:53You're not doing anything.

19:55You'll be doing anything to the moment.

19:59You're not doing anything to the moment.

20:02I'm doing anything to me.

20:02I want to throw a voice and it's all about it.

20:05Everybody should be physically fit.

20:09Mentally fit.

20:10That's it.

20:13Right.

20:13But in the cinema,

20:14we're not going to choose elements.

20:16No matter how much around you.

20:17Arjun Sarja,

20:19If you want to say something about your parents,

20:23or if you want to give them two or three tips,

20:27what do you want to say?

20:32I want to say, but I want to give you a suggestion.

20:37Just your suggestion from your point of view.

20:40What is it?

20:41If you want to say,

20:43if you want to say something about your parents,

20:45you won't be like studying,

20:53but in other sports,

20:57you can do excellent things.

20:59So, what do we do?

21:01If you want to read one book,

21:03if you want to read one book,

21:04if you want to read one book,

21:05if you want to read one book,

21:06if you want to read one book,

21:08if you want to read one book in Moscow,

21:09you will not read one book.

21:11If you want to read one book,

21:13I am a teacher.

21:15I am a teacher.

21:16That is not true.

21:18But everyone has a life of individual.

21:22They are not individual.

21:23They are not individual.

21:24They are not individual.

21:25They are not individual.

21:27So, they are not a push.

21:30If someone wants to be a cricketeer,

21:32I am a teacher.

21:34There is a school.

21:35Their parents are not individual.

21:38They are not individual.

21:41They are not individual.

21:44They are very important.

21:46What I am doing is I am a doctor.

21:49They are only a doctor.

21:53Then,

21:55you are not individual.

21:56If you have anything to do with it, you will have to do something.

22:02So, they don't have anything to do with it in life.

22:06They don't have anything to do with it.

22:08This is a professional vision.

22:11But basically, we are going to play in the cinema.

22:13We are going to play a role in our mental health.

22:17And we are going to play a positive role in our society.

22:20We are going to play a role in our society.

22:22So, the main important thing is to include a healthy atmosphere in our society.

22:31So, the husband and wife are healthy.

22:34They are going to be disturbed by our society.

22:38Do you want to say anything about this?

22:41No, not at all, sir. We wanted to hear all these good things from you.

22:47I think it starts from home, definitely.

22:49It's a good thing.

22:51Yeah, yeah.

22:53And we are going to play a family in the cinema.

22:58We also want to play a family in the cinema.

23:01I hope you are understanding and trying.

23:05But there is a lot of violence also.

23:08Okay.

23:09We are going to balance everything.

23:09So, what are you doing?

23:10You are going to play a family in the film.

23:12Okay.

23:13What are you doing?

23:14Actually, in the trailer, the trailer is uncensored version.

23:18We can post uncensored version.

23:19But in the movie, all the violence shown in the trailer will be blurred.

23:23So, we can take your kids and go to the movie.

23:27Yeah.

23:28Okay.

23:29We fully blurred all the violence shots.

23:31For the trailer, there is no censor.

23:33So, for excitement, we just posted it.

23:36Yeah.

23:36That's the matter.

23:37In the cinema, there is no way to play a family in the cinema.

23:39Surely, it won't be there.

23:40You can go to the family.

23:41Yeah, yeah.

23:42You can go and watch with family and enjoy.

23:44Super.

23:45But I think, sir, this is definitely a film in the theatre.

23:48That theme music is amazing.

23:51It's amazing.

23:52Because there is no genre, not a theme music, it's a blast.

23:58So, throughout the movie, it's a big background score.

24:01Yeah.

24:02Ravie Basarur.

24:03That's the big thing.

24:05Positive.

24:06A very big place point in this movie.

24:08Yes, sir.

24:09Background score was a big hit on the 40-50 days of Chesna Tunnel .

24:14There are many things.

24:17And of course…

24:18There is a theme for each character.

24:21There is a theme for your mother.

24:24Princess.

24:27All three have individual themes.

24:28Oh, individual themes.

24:30There are different themes.

24:32Of course, huh?

24:33Oh, there are three characters.

24:35There are villaines.

24:36Oh!

24:37I think that gives a different experience in the theatre.

24:44And of course, last but not the least,

24:46AGS Entertainment,

24:48definitely,

24:49how do you compromise the cinema with such a beautiful cinema?

24:52With that debut,

24:54and release it.

24:56So, how is it being associated with AGS, sir?

25:00What do you have to tell about that?

25:02It's a fantabulous production house.

25:03Yeah.

25:04It's a great director.

25:06Yeah.

25:08And they are making good movies

25:12and presenting the movies in right theatres.

25:18And now that it has been in Sitara Productions,

25:21it has been distributed in the industry.

25:25So, they are almost their number one production house in the Tamil film industry.

25:30Yes.

25:30Yeah.

25:31Yes, sir.

25:31Yeah.

25:32So, yes, eagerly waiting for the film, sir.

25:35Maa kaitte ye chala waka different experience hivu bhotta hundi ya naa nammakam eagerness anni ocche saai already.

25:40So, just waiting to watch the film and enjoy.

25:43So, thank you so much.

25:44Maa ki time ichi ni viseyshaal chepinandruku.

25:47And let's have a blast zone in theatres.

25:50Blast.

25:50Yeah.

25:50Have a blast.

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