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Transcript
00:00We will talk about Elevation, Emotion, Innovation and Care of Address, Suresh Krishnagaru.
00:07Now we will talk.
00:22Namaskaram.
00:23Namaskaram.
00:28Namaskaram.
00:29Namaskaram.
00:30Namaskaram.
00:31Namaskaram.
00:32Namaskaram.
00:33Namaskaram.
00:34Namaskaram.
00:35Namaskaram.
00:36Namaskaram.
00:37Namaskaram.
00:38Namaskaram.
00:39Namaskaram.
00:40Namaskaram.
00:41Namaskaram.
00:42Namaskaram.
00:43Namaskaram.
00:44Namaskaram.
00:45Namaskaram.
00:46Namaskaram.
00:47Namaskaram.
00:48Namaskaram.
00:49Namaskaram.
00:50Namaskaram.
00:51Namaskaram.
00:52Namaskaram.
00:53love I have received over the years. It was almost 38 years, 50 films. And the legend,
01:06iconic, so much of adjectives. What did I do to achieve this? It's only love. You know
01:19the morning flight, one boy, I smiled back at him. From the aircraft to my car, he was
01:30continuously, he kept on coming. Then I finally, about to get into the car, he stood there.
01:38He said, sir, you could have asked me there. No, sir. I was watching you, sir. When you
01:46walk, I saw Basha, I saw Anna Malai. Master Rani, he was enjoying seeing me. And finally
01:54took selfie. When I got into the car, this is love, what I've learned over the years.
02:00How much of love, how much can somebody give to me? That is, I've been doing films, films,
02:07television, web series. But what I have received, what I have really achieved in my life is
02:16love. Oka phone lo, paradvajar uccharu, rambangar uccharu, chota uccharu, randar uccharu, just on
02:23one phone call. Hey, per the invitation, per the show. That is, and phone cheshte, immediately
02:29the reaction was so good. Sir, sir, sir, sir, sir, mei indhikha sir phone cheshte. No, uccharu, sir?
02:33That's love. That's fantastic love.
02:38Love, love, love lohne, when I started, in my life, oka project which was, that is this film.
02:46This film is very interesting.
02:50In 2009, my friend Sai Sharona, the music director, said to him,
02:58He said, Sir, you are a biopic.
03:01He said, Sir, puttaparthi.
03:03I don't know.
03:07Let me do any.
03:09I went with him to puttaparthi.
03:12Up to Kulwant hall, it was full, packed.
03:15And Swami was moving in a wheelchair, one after the other.
03:19He was giving blessings.
03:21Almost near his van, I was in a chair.
03:25He looked at me.
03:30So immediately, God went near him.
03:35He looked at me and said,
03:39He said,
03:46What did he mean?
03:48How many?
03:49Where were you for so long?
03:51Why did you not come?
03:54I mean, you could have called me and I would have come.
03:57He was waiting for me.
03:59He said, I couldn't believe it.
04:00I just touched his feet.
04:02And he went.
04:04I didn't understand the meaning.
04:06What is he saying?
04:07But anyway, he touched my heart, my soul.
04:10After that, 2011, he passed away.
04:13And my life went on.
04:16Usual routine.
04:18Last year, May, June,
04:22I woke up at 3 o'clock in the morning.
04:24I woke up to wake up call.
04:25As if Baba is coming in my dream and giving me vibhudi.
04:29Suddenly, Baba is coming.
04:31It is not even in thoughts.
04:33Suddenly, he is giving that.
04:35I woke up.
04:36I woke up.
04:37I woke up.
04:38I woke up.
04:39I woke up.
04:40I woke up.
04:41I woke up.
04:43I woke up.
04:44I woke up.
04:45I woke up.
04:46I woke up.
04:47I woke up.
04:48I woke up.
04:49I woke up.
04:50I woke up.
04:51I woke up.
04:52I woke up.
04:53I woke up.
04:54I woke up.
04:55I woke up.
04:56I woke up.
04:57Sir, yesterday, we were in Puttaparthi and we were talking about Ujibur.
05:00Oh my God.
05:01Sorry sir.
05:02Then nothing happened.
05:04Then, out of the blue, one Mr. Girish Krishnamurti calls me.
05:08In the month of May.
05:10Surya sir, you don't know me. I want to meet you because I want to make a film on Sathya Sai Baba's miracles.
05:21I will talk to you in person. Okay, sir. In Delhi, sir, morning I will come. He came.
05:27I said, how do you choose me for this? Why did you choose me for this project?
05:32I said, sir, Baba, in my dream, you came, sir. Baba has indicated you.
05:41So, Mere Ipichar directly. I said, this blessed am I. What is it that you want me to do?
05:47Sir, I want to make a film on the 100th year of celebrations.
05:53Can I, Danlo, nobody act like Baba. There won't be anything like that. Just do the film, Japan.
06:01I said, okay. I made the film. But the script is not. You do something.
06:08You don't have to do the script, sir. And you're talking in the month of May.
06:12I only have three months. Do something, sir. Baba will guide you.
06:16Next day morning, I again woke up at 3.30, out of the blue, like a jet lag.
06:21Went to the laptop and started typing. Tuesday, I went to the script.
06:25One line came. It was interesting. I immediately called at 7.30.
06:30I said, Grish, how is this? He said, beautiful. I didn't expect you to come out like this.
06:35Danlo, one script. And he said, no, it should be commercial.
06:39It's a documentary. Nobody should act like Baba. It's commercial.
06:42It's a bhaasha. I said, Baba, script. And you're asking bhaasha. Okay, fine.
06:47But the way the scenes came, the way the emotions came, it was very interesting.
06:51He liked it. He said, the present is in Chase. He will go to Puttaparthi.
06:53That's why I met Mr. Ratnagar. Ratnagar Garunchi Chappali.
07:01He is Sai Baba's brother's son.
07:06And he has been running that institution for almost 14 years now,
07:10after Baba's passing away.
07:12With grace. With real class.
07:14And the way he is still, that aura of Baba, the way devotees are coming there,
07:19the way every, each and every event is happening there,
07:22it's purely Ratnagar's great strength.
07:26And I met him.
07:27Chuste, he has a lovely smile.
07:29A real good smile.
07:30And I watched it.
07:31Typical director.
07:33And back-lo photo.
07:34Ratnagar back-lo.
07:35Then I saw his smile.
07:39Smile was so nice.
07:41Then I said, he had that smile of Baba.
07:43And the way he spoke.
07:45It was very nice.
07:46I said, Ratnagar, sir, what do you want me to do?
07:48Sir, you are doing a film, but nobody should act like Baba.
07:52And no dresses choose, song only.
07:55I don't want you to make very bad moments.
07:59Clean gown.
08:00It should look like devotees.
08:02A beautiful film.
08:04Idea is very good. Concept is good.
08:06But clear, we have some culture here.
08:09Maintain that.
08:10After that, regular mind repete, it started.
08:13And what love everybody gave.
08:15Jagavadji Babu, a good friend when I did AHA, he said, he liked the character.
08:20I did, I'll do it, Suresh Shapiro.
08:22And what performance he gave.
08:24What a brilliant performance.
08:25And the way dialogue delivery, any chosen, it looks superb.
08:29Suhasini, a good friend for a long time.
08:32She did one important role as a woman from Kanshi.
08:36That scenes are beautiful.
08:37And she, as usual, a brilliant artist.
08:40She did excellent.
08:41So everybody, artists, everybody came into the fold.
08:45Everybody did brilliant performances.
08:47And music director, my Deva.
08:49It was only first, Tamil, Telugu, Telugu, Hindi.
08:54It's not an idea.
08:55We should do one film.
08:56When we went to composer, the tune came.
09:00Then they said, Telugu, how are you?
09:02So Telugu, how are you?
09:03Immediately got Shastri.
09:05He came.
09:06He liked the tune.
09:08He said, I'm a happy one.
09:09Sitting next to you, sir.
09:11And I love this song.
09:12Deva.
09:13So beautiful.
09:14I'll do it.
09:14And the song, everything came into some beautiful melody.
09:21Background.
09:24Rajendra Kumar, he my friend.
09:26He wrote the dialogues.
09:27He wrote the songs.
09:29Every scene, every film, the film's concept and the way it executed.
09:34We shot in Kanshi.
09:35We shot in Hyderabad.
09:36We shot in Puttaparthi.
09:38We shot in Chennai.
09:39That is because Yilanti film's interlocations.
09:41There were 35,000 feet of plane turbulence.
09:46There were CG.
09:47There were forest fire sequences.
09:49There were CG.
09:50We had some dance sequence.
09:51Early morning Chennai.
09:52We built a temple and shot there with dancers.
09:56That is too ordinary divine film.
09:59It has all the commercial elements of a cinema.
10:03Music, dance, the ambience, everything.
10:07At the same time, it is a divine film.
10:10He concepted Chala Kashta, but very rightly, it has come into proper perspective now.
10:17Film is ready.
10:18He put over the last stage of mixing any jaruktu.
10:21On the 23rd, we are planning to release the film.
10:24I'm sure it will be liked not only by the devotees, but every other person who believe or don't believe,
10:33they will all start to become believers because that film has the intensity, the emotion.
10:39And there is no religion.
10:40As Baba has never spoke about anything.
10:42He has Christianity people come there, Muslims come there.
10:45Everybody has come there.
10:47For him, love is religion.
10:48That's what he always told.
10:50And that is what is there in that film.
10:52For you, this particular incident could happen to you also.
10:57What do you say?
10:59Thank God.
11:00But every thank God may backlog that your personal God, Akrishna, Shiva, anybody will be there.
11:08The beautiful part is, the divine hand is there, and there's a miracle.
11:13And faith is what takes you.
11:14And in all this process of this film, the way it has come through now, it's a beautiful, happy.
11:23Like our friend Sai said, we should do more films like this.
11:26Truly, I wish, you know, Basha Laga, people kept on making so many subjects like Basha's screenplay.
11:33I wish this film will take to the same pattern that Sir Elanti film, Manam Kudu Chai Alini,
11:38they start doing many more films on divinity.
11:41And yes, there's a huge audience.
11:43So many, so much of people love to see good cinema, good feel cinema.
11:47There is audience, huge audience.
11:48Maybe this will trigger that following and people start watching this kind of cinema also.
11:54And I should not finish this speech before I talk about my mentor, my spiritual guru, Sri Ram sir.
12:05Sri Ram sir, I had met him long back, strangely, in Hyderabad, 23 years ago.
12:15And one day in a, Charan Jeevi sir, I was doing a film with Charan Jeevi sir, called Daddy.
12:24He was doing the action, he was a fight master for one or two fights.
12:32So I was with him and he was talking, many times topic of Sri Ram sir came through Pavan Kalyan.
12:39I also had met him, then we both hit the same chord, we both spoke about Sri Ram sir.
12:48Then I knew that Pavan Kalyan sir has another dimension to him, spiritual concepts, his whole mind has one dimension for that.
12:57That is when I really understood how Sri Ram sir's love has been spreading.
13:02After that, my travel with Sri Ram sir went on, went on, went on, and if I am standing here with a smile, it is because of sir.
13:15What I have gone through, problems, issues, difficulties, there is no words for that.
13:25But today I am smiling and I am continuing to smile, it is only because of Sri Ram sir's wisdom, his teachings and his embrace of love.
13:35So, the project key, on Sathya Sai Baba, I am happy that he came.
13:42Because from the time I started this project, I asked sir, sir said, I have gone many times to Puttaparthi, I have gone to Anantapur, I have seen from a distance Baba many times.
13:55And he had so many things to talk about Baba, and it was all so beautiful, that is, here is a master, and he was talking about another great Bhagavan, and then I knew that who is Sathya Sai Baba.
14:12There is something in him, a person of a phenomenon, which many people have not understood, but whoever understood, I never left him.
14:21And I am sure, after this film, people will understand, Sathya Sai Baba's glory, his phenomenon, his teachings, his love all, serve all, and all his beautiful teachings.
14:32And if this film spreads, as we are expecting it to spread, you will understand that there is no religion, it is all love.
14:42And love all, serve all, and religion, and this is a moment where a film,
14:50which is called Basha once,
14:54because Ananta,
14:55I wish everybody who has been part of this project,
15:03thank you,
15:04you have all done so a lot of happiness,
15:06given me a lot of happiness.
15:08Wish everybody,
15:10we do a hundred days function here,
15:12and all of you come,
15:13and bless this film.
15:14Bless the salam.
15:15Thank you so much.
15:16Thank you, sir.
15:17Thank you very much.
15:19Me, Vision, Lo, Ananta,
15:20youre.
15:34Thank you so much.
15:37Thank you very much.
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