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T H E C R O W N S 0 2 E 0 4 High Quality
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly or wantedly,
00:00:34to satisfy men's carnal lusts and appetites like brute beasts that understand nothing,
00:00:41but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you, my princess, though there's nothing in a name.
00:01:16Others would have sounded pretty tame if you were poorer.
00:01:28I could be no sure that you're a princess.
00:01:43May I call you princess, may I call you princess, if you say you love me?
00:01:54Thank you very much.
00:01:54Very, very fresh, full of vitality.
00:01:58And we're going to do another one when we're ready.
00:01:59And call it.
00:02:01Chim down a little bit.
00:02:03Very much down a little bit.
00:02:04Thank you, and to me, everyone, and...
00:02:06Next.
00:02:07Pride and groom.
00:02:09Pride and groom.
00:02:13Bloody awful things, weddings.
00:02:16Treadfully upsetting.
00:02:18Unless it's one's own, of course.
00:02:21Mm.
00:02:24Another couple off to build a castle, lower the portcullis, pull up the drawbridge.
00:02:30Well, how do you mean?
00:02:31Well, couples do that, don't they?
00:02:33They turn to each other, and all we see is their backs.
00:02:38So what am I to do, really?
00:02:43They're all not to take me on, apparently.
00:02:48It's so daunting a prospect.
00:02:51I could give it a go.
00:02:54Don't be silly, old friend.
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days, people weren't confused.
00:03:04People married for sensible reasons.
00:03:06Marriage was a consolidation of assets.
00:03:10Also of other things.
00:03:13A friendship.
00:03:15Valued.
00:03:18Outlooks.
00:03:21We breed Derby winners.
00:03:24Have an army of children.
00:03:26Billy.
00:03:28Look, and I know the rules.
00:03:30I know the rules.
00:03:32Your family all know me, and I think are not averse.
00:03:36Oh, they adore you, Arthur.
00:03:38And I, you.
00:03:42Always have.
00:03:45I'm your own faithful, Arthur.
00:04:20Mummy said something interesting the other day.
00:04:24No.
00:04:26She said that the first ten years of marriage are just an overture.
00:04:33That there's often a crisis at ten years, but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:48I suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year to celebrate hitting our stride.
00:05:14All right.
00:05:17PHONE RINGS
00:05:21Yes?
00:05:23All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there.
00:05:39Mummy was a nightmare.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:44Hmm.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:06:00What?
00:06:01To whom?
00:06:03Billy Wallace
00:06:05Billy Wallace
00:06:08Congratulations.
00:06:11Oh.
00:06:12Christ.
00:06:15So, if I were to accept it would be a yes from you.
00:06:24Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party
00:06:31for our 10th wedding anniversary,
00:06:33and you and Billy could use the occasion
00:06:36to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:43Well, that's settled, then.
00:06:46My pleasure.
00:06:48Good night, Margaret.
00:06:52Good night.
00:06:54Good night.
00:07:03Good night.
00:07:26Good night.
00:07:26Good night.
00:07:37Good night.
00:07:39Good night.
00:07:41Good night.
00:07:42Good night.
00:07:44Good night.
00:07:45Good night.
00:07:45Good night.
00:07:45Good night.
00:07:46Good night.
00:07:46Good night.
00:07:47Good night.
00:07:48Good night.
00:07:48Good night.
00:07:49Good night.
00:07:49Good night.
00:07:50Good night.
00:07:51Good night.
00:07:51Good night.
00:07:52Good night.
00:08:34I'm not sure how I feel about a Russian satellite circling the Earth.
00:08:40Just above our heads.
00:08:41What's it doing up there?
00:08:43Notionally, it's providing information about the density of the Earth's upper atmosphere.
00:08:48Of course, its darker purpose is to demonstrate to everyone the extent of Russian military power and technical capacity.
00:08:57The same rocket that launched this satellite is capable of firing a nuclear warhead into enemy territory with pinpoint accuracy.
00:09:05Imagine the effect this will have on the Americans.
00:09:09Great crisis of self-doubt, if I'm not very much mistaken.
00:09:12We must seize this opportunity to help the Americans and work together in a joint effort to meet the Russian
00:09:19threat.
00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly due to the Suez
00:09:29Crisis.
00:09:31Right. You know, after the war, they said that I...
00:09:34I'm absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage.
00:09:48As in any marriage, there'll be ups and downs, but one must work to get things back on track.
00:09:58They say that listening is important in any marriage.
00:10:04Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19Well, how are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time, I promise.
00:10:45Don't make promises you cannot keep.
00:10:48No.
00:10:49I'm determined to end it.
00:10:51It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:11:32With a one, two, three, flash.
00:11:34Oh, quite magnificent.
00:11:37Thank you, Martin.
00:11:38Why does it always have to be Cecil Beaton taking my official Berkley portrait?
00:11:42What's wrong with Cecil?
00:11:43When it came out last year, everyone said how pretty you were.
00:11:47No, they said how much I look like you.
00:11:50Well, quite.
00:11:52Cecil does just one thing.
00:11:55Fairytales.
00:11:56Yes, but he does it so well.
00:12:00And to me, your Royal Highness, little less chin and...
00:12:06What do you think?
00:12:08I asked my new lady-in-waiting here today...
00:12:10Your Majesty.
00:12:11...to offer her opinion.
00:12:14Having at least one foot in the real world.
00:12:18I think birthday portraits should evolve and mature with age.
00:12:21Like the subject.
00:12:23Show change in the character.
00:12:25Complexity.
00:12:27Reality.
00:12:30No one wants complexity and reality from us.
00:12:34Do sit down.
00:12:37People have enough of that in their own lives.
00:12:41They want us to help them escape.
00:12:43Indeed, Your Majesty.
00:12:45Imagine this, if you will.
00:12:48A young woman.
00:12:50A commonplace creature.
00:12:51She sits in her drab little scullery.
00:12:53So much work to do.
00:12:55So much washing up.
00:12:58How she longs for comfort.
00:13:00For hope.
00:13:01And again, one, two, three, and flash.
00:13:05She wants to believe her life has some meaning.
00:13:08Beyond chores.
00:13:10She opens a magazine.
00:13:12And she sees her Royal Highness's photograph.
00:13:15For one glorious, transforming moment.
00:13:19She becomes a princess too.
00:13:22She is lifted out of her miserable, pitiful reality.
00:13:26Into a fantasy.
00:13:32Later, she will step out of her house.
00:13:35In a...
00:13:37A new neckerchief, perhaps.
00:13:39For which she has saved.
00:13:41Oh, she will hold her head up high.
00:13:43She is renewed.
00:13:45And all thanks to you, Your Royal Highness.
00:13:49And to the ideal, which you represent.
00:13:55And now, with a one, two, three, and flash.
00:13:59Quite marvelous.
00:13:59Ding-dong, the bells are ringing.
00:14:03Ding-dong, the bells are ringing.
00:14:06Ding-dong, the bells are ringing for you and I.
00:14:12Ding-dong, the bells are ringing.
00:14:15Ding-dong, the bells are ringing.
00:14:17Ding-dong, the bells are ringing.
00:14:18Ding-dong, the bells are ringing.
00:14:20Ding-dong, the bells are ringing.
00:14:22Ding-dong, the bells are ringing for you and I.
00:14:23Ding-dong, the bells are ringing for you and I.
00:14:26Has any woman ever looked at him as an object of desire?
00:14:30I mean, even remotely.
00:14:32Certainly not.
00:14:34Then how can one begin to explain that?
00:15:06Ma'am, Lord Blanford just telephoned to apologise and say that Mr Wallis may be indisposed this evening.
00:15:11They can't be indisposed. We're announcing our engagement.
00:15:15Something about an injury. Rather a serious injury.
00:15:33Where is he?
00:15:41Your Royal Highness, Princess Margaret.
00:15:44Out on my way.
00:15:45Oh, shit. You must keep the leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01Well, what's going on?
00:16:03It's our announcement this evening.
00:16:05Unforeseen, sir, I'm afraid.
00:16:07Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that.
00:16:13I had to do something for the pain.
00:16:16What happened?
00:16:17Wait till you hear.
00:16:18You'll laugh till you spit.
00:16:20Your friend, Tennant, rather took offence at something I did.
00:16:23You came to blaze with Colin.
00:16:24I believe the word duel was mentioned.
00:16:28A duel?
00:16:31Tennant issued the challenge.
00:16:33A little childish in this day and age, if you ask me, but a duel is a duel, so I
00:16:37stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:53But we face the dawn with clear heads and strong hearts.
00:16:58Now, Tennant wanted to motor up to Glenn to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:10A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:16Ten paces.
00:17:19One.
00:17:21Two.
00:17:22Three.
00:17:24Four.
00:17:25Five.
00:17:27Six.
00:17:29Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:38Fucker shot me in the leg.
00:17:40Bloody awful thing.
00:17:41Anyway, I survived with a small flesh wound.
00:17:46And why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement, I've found myself quite the center of
00:17:55attention.
00:17:56It's as though every good-looking girl on earth has taken the news as a personal challenge.
00:18:02I'm not used to the idea of being a bow, much less a catch.
00:18:06It seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:13It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:16An actress.
00:18:17Anyway, Tennant got wind of it.
00:18:19I've got very cross.
00:18:28Yes, with reason.
00:18:32A pathetic, weak, contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity or desperation.
00:18:48And now you insult me.
00:18:50You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:59And you've quite the way with women.
00:19:02Take a look at this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:26Margaret.
00:19:28Margaret.
00:19:45Yes, I'm sure she will.
00:19:55Thank you, Michael.
00:20:19All right, all right.
00:20:20Settle down.
00:20:21So on my recent tour of the Pacific,
00:20:24I was introduced to a man who said to me,
00:20:28my wife is a doctor of philosophy and much more important than I am.
00:20:34To which I could only reply,
00:20:36ah, yes, sir, we have that trouble in our family, too.
00:20:43You know, when I imagined our marriage in the early days,
00:20:46I imagined two people welded together into some sort of combined existence.
00:20:53Ten years.
00:20:55Ten years has taught me
00:20:57the secret of a successful marriage
00:21:01is actually to have different interests.
00:21:03Well, different interests,
00:21:05but not entirely different.
00:21:13It's a funny business.
00:21:16One sees the whole of the other person.
00:21:18You see even that part of them that they don't see themselves,
00:21:21and presumably,
00:21:23they see that hidden part of you.
00:21:28One ends up knowing more about one's partner
00:21:31than they know about themselves.
00:21:34And it can be pretty tough
00:21:36to keep quiet about it.
00:21:37So you have to,
00:21:39you have to come to an accommodation,
00:21:41an arrangement,
00:21:43a deal,
00:21:46if you like,
00:21:46to take the rough with the smooth.
00:21:52But the extraordinary thing is,
00:21:56down there in the rough,
00:21:58in the long reeds of difficulty and pain,
00:22:05that is where you find the treasure.
00:22:10So I would like to propose a toast
00:22:14in the name of love.
00:22:18In the name of our beloved country,
00:22:21in the name of steadfastness,
00:22:23in the name of another ten marvellous years,
00:22:31I give you
00:22:33mon petit chou.
00:22:41Lilibet.
00:22:44Elizabeth.
00:22:48The Queen.
00:22:53The Queen.
00:22:55of the Queen.
00:25:18While I disappear, angels, angels.
00:27:04Good morning.
00:27:05Oh, darling, what a mess.
00:27:08It is the most beautiful day.
00:27:17I bought something to cheer you up.
00:27:20Cecil's magnificent work.
00:27:23He's quite outdone himself this time.
00:27:27I can tell you which one I would choose as the official birthday portrait.
00:27:33And Cecil immediately agreed.
00:27:35But, of course, it's for you to decide.
00:27:38Bye-bye.
00:27:40Bye-bye.
00:27:48Bye-bye.
00:27:49Bye-bye.
00:27:53Bye-bye.
00:27:56Bye-bye.
00:28:00Bye-bye.
00:28:01Bye-bye.
00:28:12And with regards to Billy Wallace...
00:28:14Don't mention that name.
00:28:16I've had him on the telephone to me all morning.
00:28:19I've had him on the telephone to me all morning.
00:28:19Quite distraught.
00:28:20Then his mother, then his grandma.
00:28:22No, I'm never speaking to him again.
00:28:24Then we will find you someone else.
00:28:30I don't want you to find me anyone.
00:28:33Moritz Landsgrave of Hesse.
00:28:35He's a distant cousin.
00:28:37Now, his mother was a Catholic,
00:28:39but their lands are still intact.
00:28:41And he gives a very good show of himself on the polo field.
00:28:44No one!
00:28:46Someone suggested Prince Christian of Hanover.
00:28:49A descendant of Queen Victoria.
00:28:52Served in the Luftwaffe,
00:28:53but we won't hold that against him.
00:28:56I do know what the official duties of the lady-in-waiting are.
00:28:59Accompanying me on foreign trips,
00:29:01dealing with my mail.
00:29:04Do you suppose it might also include
00:29:06helping me climb over the wall to escape?
00:29:09I just can't bear it anymore.
00:29:11I'm having some people to dinner.
00:29:13Tonight.
00:29:16Not normal people.
00:29:18Yes, they're all normal.
00:29:21But in their own way,
00:29:22they're all quite exceptional too.
00:29:24You can go.
00:29:25And possibly not deferential.
00:29:30That's fine.
00:29:31As long as they still meet the main requirements.
00:29:34Which are?
00:29:36But none of them breeds horses,
00:29:38owns lend,
00:29:40or knows my mother.
00:30:04All right, all of you.
00:30:07Hello.
00:30:08Hello.
00:30:09Hello.
00:30:10Everyone.
00:30:11I'd like you to say hello to our guest of honour,
00:30:14Her Royal Highness, the Princess Margaret.
00:30:19Hello.
00:30:20Hello.
00:30:20Hello.
00:30:23Are you ready, ma'am?
00:30:24Here come the introductions.
00:30:27Here we have Dudley on the piano.
00:30:31And this here is Shilpa.
00:30:33Oh, there's a dog.
00:30:35Can I eat?
00:30:36It's a bottle.
00:30:36Oh, God, Jeremy.
00:30:39Oh, God, Jeremy.
00:30:39Oh, thank you.
00:30:40I'm going to make you look at some people.
00:30:41Rubbish.
00:30:42You must have to say that.
00:30:43I'm going to tell you.
00:30:47I'm going to tell you.
00:30:56I'm going to tell you.
00:30:59I'm going to tell you.
00:31:06I'm going to tell you.
00:31:10But you're feeling a little left out.
00:31:15You're thinking to yourself,
00:31:18these dabblers and freaks all seem to know one another very well.
00:31:28Then you'd be absolutely right.
00:31:32Now, be honest.
00:31:35Can you remember any of the names?
00:31:41No, not really.
00:31:43Can't remember me either.
00:31:45What we've met.
00:31:46We have.
00:31:48Where have we met?
00:31:51Perhaps it'll come to you.
00:31:53Now, where to begin?
00:31:56Huh.
00:31:57Far corner.
00:31:58The irresistible so-and-so with the mustard-colored pear neck.
00:32:02Irresistible?
00:32:02Oh, come on.
00:32:04A nine.
00:32:05Surely.
00:32:06Seven.
00:32:07He's called Jeremy.
00:32:08He's heir to a chocolate fortune.
00:32:10Married to the blonde beauty opposite.
00:32:14Oh, she's an eight.
00:32:16Isn't she?
00:32:17Yes, they dazzle in public, those two.
00:32:20They don't disappoint in private, either.
00:32:23More of that another time, I think.
00:32:24Who's next?
00:32:27Who's next?
00:32:27Ah, yes.
00:32:28Our flushed and fleshy friend in Paisley.
00:32:30His name's Ken Russell, makes documentaries for BBC.
00:32:34Travels everywhere on a bus.
00:32:38You've probably never been on a bus, have you?
00:32:43No.
00:32:45Pity.
00:32:46You really do meet the best people.
00:32:51Tell me about the woman with the, uh, extraordinary eyes.
00:32:58Brown as Frankenstein.
00:33:00She played opposite Boris Karloff of that movie.
00:33:03You know, actress.
00:33:04Who?
00:33:05No one can quite make out why she loves a rather brilliant film producer for a dreary politician.
00:33:13No.
00:33:14His name's John Perfumo.
00:33:16Fucking dull.
00:33:17It's true.
00:33:18It's true.
00:33:19But...
00:33:20The older gentleman.
00:33:22Beside him.
00:33:23Oh, no, no, no, no.
00:33:23I know who that one is.
00:33:24That's John Becham.
00:33:25Poet.
00:33:28Um...
00:33:29Books from Boots and Country Lanes.
00:33:31Free speech.
00:33:33Free passes.
00:33:34And...
00:33:34Class distinction.
00:33:36Distinction.
00:33:39Democracy.
00:33:40Democracy.
00:33:42And...
00:33:42proper dreams.
00:33:45Just so.
00:33:50Is it really true he has two wives?
00:33:54I hope so.
00:33:57Better if he has three.
00:34:00We don't want anyone conventional around here.
00:34:10Now, tell me about you.
00:34:12Oh, God.
00:34:13You don't remember?
00:34:14No.
00:34:15I'm a photographer.
00:34:19Oh, the wedding photographer.
00:34:20Ah, that was a favorite on my normal line of work.
00:34:24What is?
00:34:26This.
00:34:30Ah.
00:34:32What?
00:34:32These are yours?
00:34:34Yes.
00:34:36Portraits?
00:34:37Mmm, I don't like that word.
00:34:39It's so stuffy and traditional.
00:34:42Oh, sorry.
00:34:43What are they then?
00:34:45Mmm, people.
00:34:47Faces.
00:34:48They're the most interesting subject that I've found so far.
00:34:52If you can think of anything more interesting, do let me know.
00:34:57Oh, I like them.
00:35:00As if there's no camera at all.
00:35:03Caught them off guard.
00:35:05Uh, it's all luck, really.
00:35:07Made the ugliness beautiful.
00:35:09I despise posturing and pretentiousness and humbug.
00:35:14Don't you?
00:35:15Yeah.
00:35:17Is that why you took up photography?
00:35:21Maybe.
00:35:23Maybe it's just a good way to get behind closed doors.
00:35:26Somebody's door in particular?
00:35:28Just doors, generally.
00:35:29The facade is only useful as a markup or something one has to get behind or beyond.
00:35:34The surface is so dreary, don't you think?
00:35:37What people want to show themselves, the idealized version of no interest to me.
00:35:41What people hide, that interests me.
00:35:50But you get too close.
00:35:53Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes.
00:35:57That's exactly what photography is.
00:36:00I use a small light hand, I think fancy, a natural light, which means that I can prowl around.
00:36:07All the while I'm getting closer and closer, and in the end it's kind of like...
00:36:11It's an intrusion.
00:36:18Intimacy.
00:36:38How would you feel about taking my photograph?
00:36:41Well, I'd consider it.
00:36:43On one condition.
00:36:47Go on.
00:36:48When you come to my slum studio, leave the titles and princess outside.
00:36:53Happy to.
00:36:54And, for the duration of the session, you do everything I saw.
00:37:01Don't look like that.
00:37:02Yeah?
00:37:03You're dying to, miss.
00:37:07Dying to what?
00:37:09Be a supplicant.
00:37:14I can tell.
00:37:19It was the first room I'd ever been to where nobody got up.
00:37:23Bowed, curtsied.
00:37:25Some just carried on having conversations with I wasn't there at all.
00:37:29Those that did talk to me with such indifference or nonchalance it verged on.
00:37:37Impertinence.
00:37:38There was this one in particular.
00:37:42Tony.
00:37:43Anthony, surely.
00:37:44No.
00:37:44He insisted.
00:37:45Tony.
00:37:46Armstrong Jones.
00:37:48This is... photographer.
00:37:50Like Cecil?
00:37:51No, nothing like Cecil.
00:37:52Couldn't be less like Cecil.
00:37:54Well, maybe a bit like Cecil.
00:37:56He's obviously queer.
00:37:58Well, interestingly, Elizabeth denies it.
00:38:00Elizabeth who?
00:38:02Cavendish.
00:38:03I called him when I got home last night and interrogated her.
00:38:06What are the five most important things I need to know about that man?
00:38:09Why five?
00:38:11I don't know. It felt like the right number.
00:38:13Why not three?
00:38:14It's more interesting than three.
00:38:17So what did she say?
00:38:20One.
00:38:20It is Welsh.
00:38:21Is that interesting?
00:38:23No, not particularly.
00:38:25Well, he had polio as a child.
00:38:27He has a passion for inventing things.
00:38:30And he would never dream of being anything as straightforward as simply queer.
00:38:35What on earth does that mean?
00:38:37Not altogether sure.
00:38:40But...
00:38:41I'm also not curious to find out.
00:38:44What was number five?
00:38:45No.
00:38:45You can go.
00:38:46No, that was five.
00:38:47No, Margaret. That was four.
00:38:49It was alright. Five is...
00:38:52I liked him.
00:38:54Yes.
00:38:55I can tell that.
00:38:58There's a contempt in him.
00:39:01What for?
00:39:04For me.
00:39:06For us.
00:39:08For everything we represent.
00:39:14I actually think you'd like him.
00:39:17That's what's so dangerous about him.
00:39:21Upstairs!
00:39:22I mean, he's so dangerous to that.
00:39:22You didn't have to do anything.
00:39:23For now.
00:39:49For anything we want to go, we need to come here.
00:39:52For something else.
00:40:01Right.
00:40:07Wait up.
00:40:13Back in the room.
00:40:24Back in the room.
00:40:55Back in the room.
00:41:24Back in the room.
00:42:54It's lovely.
00:42:55Pretend.
00:42:57Too lovely.
00:43:01For my taste, yes.
00:43:03Oh, I see.
00:43:04You prefer me to be un-lovely.
00:43:08I prefer you to be yourself,
00:43:10though I realize it's asking me impossible.
00:43:13Why?
00:43:15Because I'm un-cooperative.
00:43:17Because you have no idea who you are.
00:43:20Up to the window?
00:43:21So I know perfectly well.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:40We don't know who you are either.
00:43:43The rest of us, outside the palace gates.
00:43:46That's because we keep feeding you the fairy tale.
00:43:56Like this.
00:43:58Like this.
00:44:09Jesus.
00:44:11I'm sorry, but, uh...
00:44:14Cecil is a disgrace.
00:44:19Well, he's been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:31Well, they're my family.
00:44:34Yes.
00:44:41But my business with Peter Townsend...
00:44:47Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:18Easy to miss, too.
00:45:40Easy sexuality to mock.
00:45:41You have to stay.aces.
00:45:47Of course
00:45:48I couldn't do anything... willst.
00:45:49Protect the
00:45:49semi-tent. Issues.
00:45:51Famous.
00:45:52Let's lie
00:45:53and try and then call me Victor Tuner世界.
00:46:03Do you miss him?
00:46:15What's up, guys?
00:46:19Got it.
00:46:20Right.
00:46:22Back to my place for a drink.
00:46:25Your place?
00:46:26Where's that?
00:46:28Well, get dressed and I'll show you.
00:46:51So, this is...
00:46:53Home.
00:46:57It's marvelous.
00:47:05Whiskey or cinzana?
00:47:08Whiskey, please.
00:47:18Who's she?
00:47:23A friend?
00:47:25What kind of friend?
00:47:27A friend.
00:47:30And this one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37What is she?
00:47:39Word here.
00:47:40It is not.
00:47:42This is Bob Boothby's love child.
00:47:44No.
00:47:45Mm.
00:47:46Thirty years, they say, the fare's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:56Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:11Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile.
00:48:17Get off.
00:48:20Oh, sorry.
00:48:24Yeah, come on, have a look at this.
00:48:27This might amuse you.
00:48:36What, people have signed their names?
00:48:39Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Clear land.
00:48:47Snitch.
00:48:49Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:55Mm.
00:48:57That's Tony Richardson.
00:48:59Will you sign?
00:49:02I keep a diamond for the purpose.
00:49:05Go on.
00:49:07I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:19Mm.
00:49:20All right.
00:49:39Rhymes with peril.
00:49:47Put it back.
00:49:52Right.
00:49:55Should we look at the photograph?
00:49:57Yes.
00:49:59Yes.
00:50:21And now, let's all right.
00:50:56All right.
00:51:15First, the chemicals.
00:51:30When we first met, I was sure you were queer.
00:51:44Why?
00:51:47Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:11Mm-hmm.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:20I'm not vain.
00:52:24You're insufferably vain.
00:52:30But now I see you're not queer.
00:52:35Then you're pushing us to fix her.
00:52:44This hill routine is hard to practice and well oiled.
00:52:50Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:58Mm-hmm.
00:53:01Yeah.
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret I've never seen before.
00:53:31No one's ever seen before.
00:53:35No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:47There's someone I would like you to send her to.
00:53:51Can I give you an address?
00:53:55Sure.
00:53:58Then I must go.
00:54:03You, um, you won't stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:21You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good, then he can follow us.
00:54:27What?
00:54:40Please come.
00:54:41We are so proud to become a leader in the Istana Indah.
00:54:47We are most honored to have the guest in your majesty Beautiful Home.
00:54:52Huh.
00:54:53We are so proud to be here in the Istana Indah.
00:55:04Hold tight.
00:55:22Thank you so much.
00:55:26Thank you very much.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on rather.
00:55:34On and on and on and on.
00:56:07Definitely not queer.
00:56:13Keep it.
00:59:50Oh, la, la.
00:59:50Ah.
01:00:24There you are.
01:00:37What's that?
01:00:38What is it?
01:00:55It appears she's naked.
01:01:00Yes.
01:01:40It appears she's naked.
01:01:50It appears she's naked.
01:01:54It appears she's naked.
01:01:54It appears she's naked.
01:02:14It appears she's naked.
01:02:14It appears she's naked.
01:02:15It appears she's naked.
01:02:42Epipédia
01:02:44Epipédia
01:02:44Epipédia
01:02:46Epipédia
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