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Short filmTranscript
00:20Heaven is such a simple hell
00:27It's a measure of how far we fell
00:34As I try to get back up, I slip further
00:38I'll never be clean enough
00:40It's too late, it's too late now
00:44With the devil I'm going down
00:47Come on, come on, come on, come on, come on, come on
00:50Come on, don't you?
00:52Maria!
00:57I'm going down
00:58I'm going down
01:01I'm going down
01:05I'm going down
01:06Yes
01:10Come on, come on
01:13Open the door
01:15What?
01:22Come on
01:23Come on
01:23Come on
01:24Come on
01:24With the devil I'm going down
01:29I'm going down
01:33I'm not going down
01:34I'm going down
01:46Okay
01:46I'm going down
01:59Max?
02:01When I was the last time, I heard a sound.
02:04I had a few fights in Jill, but I didn't hear a sound like that.
02:09When she was falling down, she was falling down.
02:16Maybe she won't die.
02:37What happened to her hand?
02:40What happened to her hand?
02:41What happened to her hand?
02:43I had to leave her to her place.
02:58What happened to her hand?
02:59Oh, God.
03:01What happened?
03:02I don't know.
03:04I'm not a nurse.
03:05I just had a first aid and health emergency course, so I could take my blood.
03:08You know what?
03:10I think it's too high.
03:12Maybe she's going to get a brain hemorrhage.
03:15I don't know.
03:16What do you have to do, Minerva?
03:17I'll remove her.
03:18How can I get her?
03:20No, no, no.
03:22No, no, no.
03:22It's the doctor's need.
03:23If we need to get her to the hospital, we have to do brain surgery.
03:27Minerva is one minute of death.
03:31It's like a little bit of death.
03:32I'm working on my heart.
03:33Do you have to get a doctor?
03:34Okay.
03:35And you will tell us what?
03:36We will not give anything.
03:37We will give anything.
03:38The first doctor will receive 15 million euros.
03:40We will not ask anything.
03:42Sorry, friends.
03:43But we need a neurosurgeon.
03:45No, no, no, no.
03:46I mean, we don't need a pediatrician or ENT, understand?
03:50This is a bad thing.
04:09Heart rate is now reached 45, and it's down.
04:12Heart attack is coming.
04:14Heart rate is coming.
04:14Like in Garcia, go with me.
04:16Yes, I mean, I have to give you a little while.
04:19Take this from now.
04:21Take my Sahara.
04:22What are you going to do?
04:25No.
04:26Just go with all the presents.
04:28What will the presents look what are you going to do?
04:30Let me tell you.
04:31What are you going to do during Christmas Day in Christmas?
04:33What are you going to do?
04:35I will put your shoulder socket onto it.
04:38But what do you remember?
04:41Please, Max, stop talking about me.
04:44Keep trusting me.
04:51We got a big football.
04:54A video game.
04:55And a gear cycle that was stolen.
04:57Why are you crazy?
04:58Sorry, sorry, but it wasn't right now.
05:00Traumatology or anything, you didn't know anything about it.
05:02I didn't know all this, Max.
05:04He's in fifth year.
05:05But I've studied anatomy.
05:06Which Eddie is, I know.
05:07I know.
05:08Your Eddie is where and where I want to be.
05:10I know.
05:11Stop.
05:12You'll have to sit somewhere.
05:18Come, sit here.
05:20I'll sit here.
05:21Put your face here.
05:27Do you know about Nassau?
05:30It's better that I'll take it like this.
05:32That's right.
05:33I'm sorry.
05:34I'm sorry.
05:35I know that you've just made one wrong thing.
05:36I'll have to stay there, so my head will be full of life.
05:38What is the fear of this thing, Max?
05:40What will I do with this?
05:42I'm sorry, Max.
05:55That's the wrong thing.
05:56It's okay, you will open hospitals in Hiroshima, so you go there.
06:01Okay.
06:21Asiya, there is a medical emergency, you need help.
06:28It's okay, you need help.
06:31Good girl!
06:40What's up?
06:57Oh
07:00Is it going to be puttliy
07:01I don't know
07:02It's not a hit
07:03So what do you think of this coma?
07:04It doesn't seem to be a coma
07:07I don't think it's like this
07:08I don't think it's like this
07:08Maybe this is because of the trichia and cerebral hypoxia
07:11I don't understand anything
07:15From the airways block, the blood that's going to the body
07:18Is there oxygen there?
07:21Maybe it's not in the coma
07:24It's a neurological shock
07:54Oh, God.
07:59Please, it's a ticker, though.
08:35Please, it's a ticker.
08:37Please, it's a ticker.
08:38Do it, Matiyako, your face was very wide.
08:42Now, let's calm down.
08:44Okay?
09:15The Falcon is on the right hand, Oswaldo is calling again.
09:26Oswaldo has sent a video message to Guillermo Falfin's mobile.
09:29Do you want to see it?
09:30Yes, show it, Roxanne.
09:32Play the video.
09:51Call me.
09:52Call me.
09:54Call me.
09:55Call me.
09:56Call me.
10:03Call me.
10:04Call me.
10:05Call me.
10:31Go!
10:44I don't know.
11:02I don't know.
11:32I don't know what you know, but I just have to defend myself.
11:35Shut up, I didn't listen to you, I didn't listen to you.
11:42I'm only going to know about this experiment.
11:46I know what is happening in jail?
11:49I'll tell you what I'm going to tell you.
11:52I'm going to jail myself, so I'm going to know a lot of things.
11:56I'm going to jail like this.
12:01I've seen these 70 cameras.
12:04There's an isolation cell here.
12:06Our uniform is and our phones are taken.
12:38And we don't give you any responsibility.
12:45What did you think of this?
12:46What would you think of this?
13:14It's just a little better.
13:24All right.
13:29Okay, let's go.
14:26That's good.
14:29shortwave radios.
14:33It's always used to be used to contact the vehicles of the water.
14:36You are now using all of the knowledge of your language.
14:40So, at the same time, every desk has a different frequency
14:42where you will send messages from missing.
14:44And you will use international code.
14:47Mayday, Mayday, Mayday,
14:48or my underground park.
14:49Can you hear me?
14:50If you reply,
14:52we will tell you these coordinates.
14:55So start.
14:57Good luck to everyone.
15:07Mayday, Mayday, Mayday...
15:09This is chemical underground park. Do you copy?
15:11Mayday, Mayday, Music fapc…
15:13Mayday, Mayday, Mayday.
15:13This is chemical underground park.
15:22Mayday, Mayday, Mayday!
15:27To
15:28It's Kimeran, the wrong part
15:58Mayday, Mayday, Mayday, this camera is underground park, can you hear someone?
16:08I said to her, she knows that she's 11 years old.
16:12I said to her that I have never loved her.
16:14I said to myself that I only love her for a while, and I wanted that person to be crazy.
16:19She probably didn't want to go.
16:20I didn't want to go.
16:25One minute, headphones are under.
16:27If you miss a signal, the world will not stop.
16:30Who was the one who loved you?
16:33Don't go, Mom. No problem. You don't know her.
16:36Tell me, what will you do with the beginning of this story?
16:42Mom, she was my yoga teacher.
16:44This is a joke.
16:45It's a joke.
16:46It's a joke.
16:46It's a joke.
16:47I'm not going to tell you anything about that.
16:55Why do you feel like this?
16:57Because with love, we need something that doesn't happen.
17:00And when we have one problem in life, we will not get another.
17:03What do you know about that?
17:05Look, Mirija.
17:06Yoga teachers are the most important losers today.
17:09In some cases, they are all in depression.
17:12And just because of the memory of their everyday life.
17:15They just take advantage of the meditation and yoga.
17:17They have to take advantage of others.
17:21The only reason why we're in depression is a big part.
17:21And they take advantage of their most poor lives.
17:24They leave many times to make a lot of energy.
17:26They'll swim just as much as they are.
17:31And then also they end up staying information.
17:37And then they have to take advantage of their own life.
18:11Can you hear something?
18:11I asked her how much music I like.
18:15She said that it's all kinds of music.
18:18But her favorite is Lost Secretos.
18:23Then I said to her that I'll play a song.
18:29And when we were listening to the songs,
18:32I felt like with Roxanne,
18:34one of my feelings.
18:46When I felt like a song,
18:49two days ago,
18:50I felt like I was singing this song.
18:52I felt so uncomfortable.
18:56She was just like a girl,
18:58like a girl.
19:01With that machine,
19:02she didn't have anything different from those things
19:07that I had done with Frida for 20 years.
19:17I felt like she wanted to marry me from A.I.
19:19I felt like she wanted to,
19:21I felt like she was like she was doing that.
19:25Roxanne,
19:27shut up for a song.
19:30When my grandma left me,
19:32I felt very afraid from home,
19:36but I was scared.
19:37I was scared. I went to the first time.
19:43To say truth, it's not just everyone.
19:49It's a difficult time for us all.
19:52But the truth of our group therapy is this.
19:57To say your thoughts and feelings.
20:02The Falcon is not saying anything.
20:04Tell us.
20:06So how do you feel, Mr. Falcon?
20:11Do you want to grow up with Mr. Varela?
20:15No. Why not?
20:24There is a list of my best friends,
20:29which I have left outside.
20:59My friends.
21:00We all want to grow up with that money.
21:03We don't want to grow up with that money.
21:07With my love.
21:10If I want to grow up with my seven friends,
21:12I can't afford to live in this bunker,
21:14which is not for me.
21:16I can save them.
21:21So I will say, Rafa,
21:24that you are not alone.
21:25You are not alone.
21:26You are not alone.
21:27Because you are my friends for me,
21:29because you are my friends for me.
21:34You are my friends for me.
21:45I am not leaving you.
21:48You are my friends for me.
21:50You are my friends for me.
21:53You are my friends who are better.
21:56My grandparent passed away.
22:00I was having a girl named Dries.
22:06He was 19 years old.
22:08He was just a kid who was a girl who was watching her down,
22:12who had seen her son in the dark and dark.
22:15I believed that I would have to stay in the life of her life.
22:21I had to say to her son.
22:25That's it.
22:29I had one thing to know about the truth and the truth, and the truth has been found.
22:38It's only for me, right?
22:41Whatever happens, people want to say anything, it doesn't matter.
22:46They want to say anything.
22:48I'm always with you.
22:50You always can trust me.
23:14I'm always with you.
23:17I need to see this woman.
23:18And I'm going to tell you what I'm talking about.
23:19Queen Mary's captain is so lovely.
23:23And the boots are very big in truth.
23:27I don't hear the sound.
23:31Did you say that you heard something in French?
23:44What are you doing, Mom?
23:46You already know that this is French.
23:48One minute, I'm here.
23:49One minute, I'm here.
23:51Excuse me, listen to me.
23:54You have French, right?
23:56Yes, why?
23:56My daughter heard something in French on my radio.
24:01What did you hear?
24:03There were some words that were coming to hear.
24:07Hello? Hello?
24:09It seemed like there was a accident.
24:14Mayday, mayday, mayday.
24:16This is the camera on the front.
24:17Do you have...
24:19When the antenna is not connected,
24:20then what will they hear?
24:24This woman has a terminal cancer.
24:27And she has a morphine.
24:42What happened?
24:43What?
24:56Mayday, mayday, mayday, mayday.
24:57This is the camera on the front.
25:00Mayday, mayday, mayday.
25:01This is the camera on the front.
25:02Mayday, mayday, mayday.
25:11Mr. Falcon?
25:14Mr. Falcon,
25:15Listen, your Turkish bath is ready.
25:19Do I get a body massage in this place?
25:22The rest of my garden has got a little bit.
25:24So I'll be happy for you for this.
25:28Whatever you want.
25:31Give me one minute.
25:32I'll tell you to check it out.
25:41With Mimi, I have to speak with you.
25:46Mimi is my family.
25:48She's different for me and she's different.
25:51What do you say, Rafa?
25:52I'm just with your sister.
25:54What?
25:55In my marriage, I was like Mimi.
25:57I didn't know anything.
26:00My sister was sleeping with a yoga teacher.
26:02Or a other one.
26:04She was just with her.
26:06She was just with her.
26:07So I cannot do anything now.
26:10But Mimi has a chance.
26:12A married person has to save his婚.
26:15I understand?
26:16That whole anger,
26:18which remains great within me,
26:19is to leave it out of us.
26:20It's a very good thing.
26:22After that,
26:23the blood will reach our heart,
26:24and we'll keep our partner's.
26:27So this is all about a marriage
26:29to save you?
26:30It's absolutely right.
26:31I have to take care of my wife.
26:33I have to take care of my wife.
26:34So I have to take care of my wife.
26:40What do you think?
26:43Maybe my wife was so long with Frida,
26:47because she was so angry.
26:54She was so angry.
26:55She was so angry.
27:02I have to take care of my wife.
27:04I have to take care of my wife.
27:05I have to take care of my wife.
27:08I have to take care of my wife.
27:08Mr. Falcon.
27:10Yes.
27:11One slot is left in 3 o'clock.
27:13Look.
27:15The massage was just one of you.
27:17What's your name?
27:19Ingrid.
27:20Ingrid?
27:22Is that a man in the pool?
27:26My best friend.
27:28He left me.
27:29He said that she's been doing 20 years old.
27:31He's very bad.
27:34He's only Roxanne's talking to him.
27:36I want to be a group of friends.
27:39He'll talk to him.
27:40He'll talk to him.
27:41He'll talk to him.
27:42He'll talk to him.
27:43What can I do?
27:45You can take a drink with us.
27:48Especially if you can open a bar for us.
27:50You're working right now.
27:52There's no pain in the house.
27:54There's a lot of pain.
27:55There's no pain in the house.
27:56But for friends, you'll have to do so much.
28:02You're working right now.
28:04You're working right now.
28:05You're working right now.
28:09I'm working right now.
28:10You're working right now.
28:11I've noticed that you're going in your head.
28:12You're working right now.
28:13How are you going in your head.
28:14Do you know the truth?
28:16I'm going to know from Willie's age 17.
28:18I've known him.
28:19My daughter has been studying at school and college.
28:22I've been studying at school and college.
28:23I've been seeing her in the middle of the night.
28:26I've been looking at her.
28:27I've seen her in the night and a few weeks.
28:27I've seen her in my bed.
28:28I've seen her in the pool with my girlfriend.
28:30I've seen her in the pool.
28:34That's not that.
28:37and then I got her daughter to Martha.
28:41She was so busy.
28:43So it was a special reason?
28:47No, it wasn't a reason.
28:48She was just a person.
28:50She always made her own business
28:52and made her own business
28:54for two days.
28:57And Martha knew she was gone.
29:00Absolutely.
29:01I said, honey,
29:04I didn't know how many of you were.
29:06But why did you say that?
29:08I mean, she didn't love her.
29:12She didn't have her own business.
29:14She didn't have her own business.
29:17But look,
29:19you made her own business.
29:22You made her own business.
29:24When I saw her with you,
29:27I felt like this.
29:29For the first time,
29:30I saw her love in the face.
29:31I saw her love in the face.
29:33That's why I said,
29:34that you have a hidden magic.
29:36What am I saying?
29:38Thanks.
29:40But I wasn't sure.
29:42I didn't even know the truth.
29:44You didn't know the truth to me.
29:47We got her in a show.
29:49We got her in a show.
29:51You got her in a show?
29:51You got her?
29:56I was a model.
29:58What was it?
29:58Model?
30:00What was the model?
30:01Oh, it was some brands.
30:03And I also did a show of Victoria's Secret.
30:08I'm not sure.
30:11I also really call Victoria.
30:15And it's also my secret.
30:17Which I'm not gonna tell you.
30:29Mayday. Mayday fuel. Mayday. MFM 342 private flight.
30:36Plane in the plane are 11 civilians, with two small children.
30:39At this time, we are in emergency situation. Our fuel has been destroyed.
30:46Listen Mr. Pepe. I got a message from a plane.
30:53This is my underground park. Can you hear me?
30:56Can you hear me? This is my underground park. Can you hear me?
31:01MFM. This is a private plane. I have to wait for you.
31:04I want to land on your aircraft carrier.
31:08Passenger plane. They want to land on your aircraft carrier.
31:10He said that the fuel has been destroyed.
31:13MFM 342. Can you hear me? This is my underground park.
31:16I am going around. Captain Egos, Walcott.
31:19Do not have permission to land on your aircraft carrier.
31:24I am going around.
31:25Now, where is that idea?
31:27That's my idea.
31:28This is my idea.
31:29I think this may be right to the heart and it will bring it up and it will be a
31:32little poetic.
31:33We have a military mission on a military mission.
31:35If you are in the carrier carrier, you will send us fire.
31:39But on the plane, there are two children too.
31:40a passenger plane civilians
31:42tries to move on to the Navy's ship
31:44.
31:45.
31:46.
31:47.
31:48.
31:49.
31:51.
31:51.
31:51.
31:51.
31:52.
31:52.
31:52We can't change the ending to a little bit,
31:55which is what they hope to get.
31:58Please, understand our situation.
32:00She's going to get hurt.
32:02No, we won't give them any hope.
32:04We will do that to them.
32:06We will go to them.
32:07Then, they will keep going.
32:09We need fuel! We need fuel! We need fuel!
32:14We need fuel! Please,
32:15please, please, please.
32:16Please, please, please.
32:18We won't do their money.
32:18We won't do it.
32:19Because they will never think about it.
32:21And they will say,
32:22hey, let's go and see what the story is.
32:24And we won't do this.
32:26Permission!
32:28Denied!
32:29You will manage fuel!
32:31You will manage fuel!
32:32We will manage fuel!
32:34You will manage fuel!
32:35We will manage fuel!
32:36Please, manage fuel!
32:38You will manage fuel!
32:39You will manage fuel!
32:45You will manage fuel!
32:48You will manage fuel!
33:03Hello.
33:06You are fine.
33:08How are you?
33:19It is a strange look at me, I will see a strange look on my garden with this
33:24and this look on the look on the face of my garden, I will see a strange look at me.
33:28No, I don't think that's why I don't think that's what I have to see.
33:32I will see a strange look at you.
33:34There is nothing.
33:48So then, you will give me the doctor anti-represence?
33:52Yes.
33:53But I do not.
33:55People are afraid that sometimes I can't eat balls and eat them all at once.
34:07Can you give me what you can give me?
34:09Maybe I will go to sleep.
34:12I have to eat balls when I eat.
34:14I have two balls.
34:14First, first and then, first.
34:26Elena?
34:27Yes.
34:28How are you?
34:29I am good.
34:30I know what you are going through.
34:32That's why we are with you.
34:34Actually, I must not even see Rafa you alone.
34:36I didn't want to see you.
34:42I've enjoyed cocktails today.
34:45Will you have some drinks with us?
34:48Will you join us with us?
34:49I've asked so much, how can I do it?
34:57Why didn't I say those things,
34:59why did you call me my name?
35:00Why did you call me my name?
35:03Why did you call me my name?
35:06Why did you call me my name?
35:08You're going to talk with me, Roxanne.
35:11Okay.
35:14And Frida didn't see you.
35:15Or that I didn't get you,
35:17because you would move on for 10 seconds,
35:19but I still have my heart now.
35:21This isn't my fault, Rafa.
35:23I think it's hard for you,
35:26but...
35:28I'm going to take a look at someone else.
35:32Maybe something will happen,
35:34because it will become a bad thing,
35:36so I will understand you.
35:38You understand my story.
35:41At this point,
35:42this woman is the best option for you,
35:44my friend.
35:45Because she's a female.
35:46And these female female women
35:48give the most fun.
35:52You're not just a man for them.
35:55You're a lifeline.
35:57You're a lifeline.
35:57If you get it,
35:59then she'll take you completely.
36:00I'll leave her.
36:19She's a lot of small mountains.
36:21She will use 4 or maybe 5 stitches.
36:32I will put the glasses on.
36:34Look at me in front of me.
36:39Look at me in front of me.
36:44You will be watching me and we will go.
36:55Max, what are you doing?
36:59It's just something that you remember.
37:01What do you remember?
37:03Nothing.
37:05Tell me.
37:06You're just like your daughter.
37:08We've been on our trip to Almeria.
37:13Look at me in front of you.
37:15You will be watching me and we will go.
37:23I am my mom.
37:33You're just like me and I have all gone in my faults.
37:33How about you doing all of my 42 seconds left?
37:34What is this?
37:45I'mасьosis.
37:45I know you do.
37:49I've been about to miss you, but I've probably had to go up because I've been there with a scissors
37:52but I've had to do something better.
38:21Don't take it, Anna.
38:23I'll do this.
38:25I've done this many times in jail so that I can get a penalty for fights.
38:32I won't do anything.
38:35I won't do anything.
38:59I won't do anything.
39:13What's going on?
39:14I won't do anything.
39:19Hello, Willi.
39:21Don't forget this guy.
39:23This is Gonzalo Pastrana.
39:25The Spanish ambassador of the Philippines.
39:28And do you know what this is?
39:29This is his phone number.
39:32So maybe you'll call me immediately,
39:34or I'll take the first flight of Manila,
39:35and I'll take a look at you.
39:40Something will be very serious.
39:42And our badness, too,
39:43this was in the last three weeks.
39:45We can also ask you what's going on to that man.
39:48I don't think that we'll get a message from him.
39:51We won't get a message from him.
39:51We won't get a message from him.
39:52He won't get the holding company.
39:54He won't go anywhere.
40:01He won't go anywhere.
40:01You have to see a message from him.
40:01But if you know theー?
40:02Seven hundred thousand islands have there in the Philippines.
40:03The ones there are not even other islands.
40:05The one we can't find.
40:05Zero, we must only call him two of them.
40:07The first one, the governor of the Philippines,
40:09to the other from Spain.
40:10The other one, you know,
40:11what will happen after this is?
40:13The first thing,
40:14that the first something,
40:15that the Philippines could no longer come.
40:16The second thing,
40:17that he will no longer leave from Spain.
40:19And we'll only remain a single complaint.
40:22And, after that,
40:23Your Bunker, your Plan and your Cimmera will talk about everything.
40:28It will never happen.
40:31With the Falcon's virtual replica, we will call him a video.
40:43The clone is not ready. I will record all the expressions of Falcon.
40:47And Roxanne also doesn't know anything about it.
40:49So we can be confused.
40:50If not, we will be confused.
40:51There will be a time for the messages.
40:55They will not work with him.
40:55They will know.
40:56And they will also see.
40:57They are also on their own mobile.
40:59All of the people who are doing calls are the same as the world.
41:01But they are not the same.
41:03They will be going to clone.
41:04They are not the same.
41:05They will look at their eyes.
41:07They will look at their own.
41:09They will talk with their relatives,
41:11who know them well.
41:12Then they will not even feel like they are talking about a machine.
41:18Rocksanne, who is our AI.
41:20from them.
41:24There is one Hoolia from them, he is talking about a call in the past, and the other
41:29is his own face, which we have made.
41:31So tell us who is the real one.
41:33You can ask whatever you want.
41:37I would like to ask something to you.
41:41Hoolia number one.
41:47Tell us that you love someone.
41:50Of course.
41:51You know this one.
41:54Tell us.
41:56Hoolia number two.
41:58Look at me in my eyes.
42:02I've never had such a bad feeling in love.
42:04I've never had such a bad feeling.
42:10So now I'm going to ask you another question, which is very important.
42:15So Hoolia number one, how do you feel about your love?
42:18I've asked a great question.
42:22When she says anything, she wants to go to jail.
42:26And I want to go to jail.
42:28When she looks at me, she wants to go to jail.
42:31I think that she wants to go to jail.
42:32It's good to go to jail.
42:34What is normal for others, like that.
42:37She's drinking coffee, it's very different.
42:41Or after she comes to jail, she loves her.
42:45She likes to act and sleep.
42:48It's true.
42:49She's the best for me in the world.
42:52And I'm not bored of her with her.
42:54I've never had to be bored of her.
42:57She said something more.
42:58I've heard a lot about it.
43:00Tell me, Julio II, how do you feel about your love?
43:05When I heard this very strange plan, I didn't run away anywhere.
43:09I would say that to anyone to love, it's not fake.
43:13The love happens from every thing.
43:16You feel happy, and this whole world feels good to you.
43:21Today, I feel the joy of her every place.
43:23I feel the joy of her every place.
43:24I feel the joy of her every place.
43:31I feel that sunlight.
43:34When I sleep in her bed, I feel a different feeling.
43:39I feel a quiet feeling.
43:40I may not be able to pray.
43:43After meeting her, I don't feel the need for anyone.
43:47When I came back, I said something,
43:48maybe you will go all alone.
43:52That's enough.
43:56This is the real Julio II.
43:59I don't like it.
44:01Why don't you come from home?
44:03I can't.
44:04Because I'm a virtual replica.
44:08What?
44:09What?
44:09Hi.
44:15No.
44:16This is not possible.
44:20So guys,
44:22would you like to ask someone else to ask me?
44:25What's the time in the Philippines?
44:27Guess what?
44:28It's at 6 o'clock,
44:29that orange ball is showing you.
44:31I mean, it's early morning.
44:33What was the time that you called me every 5 minutes?
44:38And you're ready for the world?
44:41The caller told me that only the two know.
44:43What's going on?
44:44How much data do you,
44:46then you won't know that you will even know.
44:48I'll try to get a little time that will get easy.
44:51Like the most easy way.
44:53Coverage area or the signal.
44:58Hello?
44:59Hello, hello.
45:31It's very serious.
45:33It's amazing.
45:34It's amazing.
45:35You've got it.
45:35You've got it, I've got it.
45:40You've got it.
45:41I have talked a lot about that.
45:44I've got it.
45:45I don't like it.
45:49So do you sign it.
45:50Sign it?
45:53I'll call it a day.
45:55I have no idea what you are doing.
45:56It's a fun thing with me.
45:59You will have to get in your mind.
46:01You will have to come.
46:03Look, just one time this deal will get in.
46:05Then we'll be in our world with tech companies.
46:08And that old girl will just deal with you.
46:12Billy, you don't agree.
46:13The fact that you did not do something again,
46:15then they will call you to go out and go out and give you signal.
46:19If there's something like that, we will talk about personal.
46:23We will bring you some kind of pain.
46:24because when there is something that we don't understand and we don't understand it,
46:29then they will become secondary.
46:54And our marriage is now just the same time.
46:57It's like a relationship in films.
47:00You're being adjusted.
47:01How did everyone say that?
47:03Absolutely.
47:04And I didn't stop here.
47:06I was surprised.
47:07So I told you that when our marriage is over,
47:11our life has become tired.
47:12I told you that our old life was great,
47:15but I had to wear my grandmother's pajamas
47:17and sit with me on the sofa.
47:20And then our marriage is over.
47:22You're fine.
47:24You're fine.
47:25You're fine.
47:28You're fine.
47:30You're fine.
47:31You're fine.
47:31When I told you,
47:32I was a model agency.
47:34I was waiting for you to sit in the front of the hotel.
47:36And that was a miracle to get me.
47:43I was a liar.
47:44We loved the shit.
47:45What a joke was that?
47:47I can understand, friend.
47:49Sometimes I was a fool of you.
47:51I was a fool of you.
47:53I was a fool of you.
47:54I wish I could return again again.
47:56I can understand.
47:58Okay.
48:00I'll take that day.
48:02But I'll give you one day.
48:04Huh?
48:06I'll take a plane.
48:07I'll take a plane.
48:08I'll take a plane.
48:08I'll take a plane.
48:10And go back to the morning.
48:11And go back to the morning.
48:12A little bit more.
48:14I'll take a plane,
48:15I'll take a plane.
48:18What do you need to do?
48:25Do everything.
48:26Don't do anything.
48:28Call the Falcman,
48:30Falcman,
48:30and add them to their other schools.
48:34There will be something.
48:35That will not be a parent.
48:46It's not going to happen. What did I say?
48:48Let's forget everything.
48:49And forget the world.
48:51And give attention to Mimi.
48:52I'll take care of everything.
48:54I'll take care of the old man.
48:57Do you understand?
49:01It's another thing.
49:04He said,
49:08I'll take care of everything.
49:15I'll take care of everything.
49:33Let's go.
49:35I'll take care of everything.
49:59What happened to you?
50:00I'll take care of everything.
50:03Why did you leave me there?
50:13I can't do anything.
50:18My body is so bad.
50:20I'll forget your own hypocrisy.
50:24I'll forget you.
50:26You're the monster that I have been doing.
50:28Only my family took care of everything.
50:29I've never heard of everything.
50:31I've never seen him.
50:32You're the monster that you are gone with.
50:37You're probably like a boy scout kind.
50:41You will have cut me bad life.
50:46After my wife's life,
50:49I've ever changed her whole life.
50:52I want to stop it.
50:54I want to run away from everything.
50:57I don't want to go away, because you don't want to go away.
51:06I'm going away from you.
51:15I'm just saying that you're a disease and I'm away from you.
51:21But I'm here with you.
51:23I'm here with you.
51:24And I don't want to go away from you like this.
51:28I don't want to go away from you.
51:30I'm going away from you.
51:35I don't want to go away from you.
51:37When your eyes are close to me,
51:39I feel like you're feeling like my skin.
51:43And with your skin.
51:46And with your skin.
51:47You do not want to go away from me.
51:50I don't want to go away from me.
51:53I didn't want to go away from you.
51:57But I was so sorry.
51:59I'm sorry.
52:01I didn't want to go away from you.
52:04I didn't want to go away from you.
52:05I was hoping for a while.
52:26ORGAN PLAYS
53:01ORGAN PLAYS
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53:58ORGAN PLAYS
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