00:00Je suis très heureux de vous rencontrer.
00:01Oh, merci.
00:02Je suis très heureux de vous rencontrer.
00:03Je suis très heureux de vous rencontrer.
00:04Je suis très heureux de vous rencontrer.
00:04Oui, merci.
00:06J'espère que vous ne vous a pas disappointed.
00:07Oui, je sais.
00:08Je sais.
00:09C'est la 7e fois que vous venez à Cannes,
00:13la 6e fois en la compétition.
00:14Est-ce que vous pensez à Cannes
00:16pour vous ?
00:17As un lieu de place ?
00:18Oui.
00:22Je ne sais pas pourquoi je dirais que c'est un lieu de place.
00:24C'est un lieu de place pour moi.
00:26Oui.
00:26J'ai toujours pensé à Cannes
00:27que c'est le premier film festival,
00:29le steps de la Palais,
00:31le tradition de la Palais.
00:32C'est nice quand ils l'aiment,
00:35et c'est quand ils n'ont pas.
00:38Et vous pouvez sentir ça immédiatement.
00:40Jim Jarmusch a dit une funny histoire
00:42quand Dead Man premiered ici.
00:45À la curtain call,
00:47quelqu'un dit,
00:47«Jim, Jim, c'est shit ! »
00:50Et donc, j'apprécie le brutal feedback.
00:53Je vous remercie pour votre nomination
00:55pour le César français.
00:57Oh, oui.
00:58Actually, I was hosting
00:59the ceremony on that night.
01:00Alors, je tiens à mon tour
01:02à saluer au passage la présence d'Adam Driver
01:04dans cette salle.
01:08Bonjour, Monsieur Driver.
01:09Yeah.
01:10Yeah, I'm sorry.
01:10Yes, I do.
01:12Yes, yeah.
01:13No, I do remember.
01:14No, you wrote me afterwards.
01:15Yes.
01:16Yes, that's right.
01:16I'm sorry.
01:17No, that meant a lot.
01:19So, did that develop a special bond
01:21between you and France you would say?
01:24I mean, as much as I can do
01:26to cultivate that bond,
01:27I would.
01:28To me, Laos Karex is cinema.
01:30We were just saying earlier like,
01:32there's two people that they...
01:34whatever they're doing I'm in
01:35and Jim Jarmusch and Laos Karex,
01:37Et maintenant, James Gray, je pense.
01:39James Gray, oui.
01:40Ce qu'il y a quelque chose qui attracts vous dans le cinéma ?
01:44C'est quelqu'un qui apprends le cinéma,
01:49je veux dire, en tant qu'il y a quelque chose de cinéma,
01:53mais le cœur de tous ses films sont des relations de l'histoire,
01:56des frères et des sons, et c'est ce que je aime par le cinéma.
02:01Ce n'est pas un très privé, presque intime, je dirais.
02:05Did it make your task more complicated or, on the contrary, smoother ?
02:10Easier, because the writing was from such a personal place
02:14that it set the boundaries of what you were working on really clear.
02:19In a way, the writing was so clear that you couldn't really make a mistake.
02:23And he sets up the environment that there are certain things
02:26you don't have to worry about because you know it's specific.
02:32You know, a paper tiger is someone who threatens everyone,
02:35but in the end was not that dangerous.
02:38Did you encounter this kind of people in your career ?
02:41Yeah, in my career ?
02:42As an actor ?
02:43Yes.
02:44Yeah, yeah, yeah, yeah.
02:45A lot of barking, not a lot of biting.
02:48Yeah, no, people don't do that in film.
02:49They wait till you leave.
02:52How did you establish the brotherly relationship
02:57with Miles Taylor on the film ?
02:59That all comes down to who Miles is as an actor.
03:02He's an incredible...
03:03We had a couple weeks of rehearsal before we started,
03:07which is kind of unheard of.
03:09And I think in that process, everyone was very forthcoming
03:14about how they related to the sibling dynamic.
03:18Yeah.
03:19But also, Miles is a very playful game actor.
03:23So when people like that, you don't have to try hard
03:28for a kind of history.
03:29Same thing with Scarlett.
03:30We didn't have enough time, any time,
03:32but I've worked with Scarlett before.
03:34And so our dynamic was, you know,
03:37there was already a history there
03:38that we didn't have to work at.
03:39Well, you know what she says, Scarlett.
03:41She says, if I could make every movie with you...
03:44Oh, yeah.
03:45Yeah, yeah, yeah.
03:46I feel the exact same way.
03:48The feeling is mutual.
03:49Oh, 100%.
03:50One very last question.
03:52I know I'm out of time now.
03:54You've been working with a creme de la creme
03:57of the directors.
03:58Who's missing on your wish list now?
04:01A lot of people.
04:02You know, Wim Wenders, Pedro Almodovar.
04:04Pedro Almodovar is that, you know,
04:06he makes films that I love.
04:08At the core of all of them,
04:10the writing is amazing
04:11and they are made with such a discipline.
04:13But you're ready to come back and shoot in France?
04:15I'd love to.
04:16Leos and I are trying to find something else
04:18and we keep plotting
04:19and I'd love to come back and shoot something else.
04:24We'll be waiting for you.
04:25Okay.
04:25All right.
04:26Thank you very much.
04:26Yeah, thank you.
04:27Thank you.
04:27Good to finally meet you.
04:28Yes.
04:29No, I remember your letter.
04:31It meant a lot.
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