- 3 months ago
Imtiaz Ali, Sharvari Wagh and Vedang Raina spoke about their upcoming film Main Vaapas Aaunga, highlighting its emotional depth, love story set against the Partition era, and the powerful collaboration behind the project. The team shared insights during a media interaction, creating strong buzz ahead of the film’s release.
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00:00I think that any other tragedy comes from love as a way
00:07If you look at it, there is more love in the heart
00:12Because our love is necessary for this life
00:18I think that when I have talked to them
00:24People who have seen Vibhajan in their life
00:26I think that after 78 years
00:33Partition or Vibhajan in 78 years
00:36People remember the things that they remember
00:38They were love of things
00:40My car, my childhood, my friend
00:45My girl who came to the balcony
00:47So they remember the love of things
00:50My picture is a film of today's time
00:52That is a film of the film
00:53Which is a film of Vibhajan
00:56So it is more love and less
01:00In this film
01:02How much was the core emotion
01:03Was it challenging?
01:06Actually, it was quite subtle
01:10Because these stories
01:11In which this film is a film
01:13In all of them
01:15That core emotion and love
01:17And when it comes to love
01:19Especially when it comes to love
01:21So actually, I have written
01:24It is less written
01:25And more than that
01:27It is more than that
01:27It is more than that
01:28I think that the film is
01:30That the film is a film
01:31That the film is a film
01:31It is a film
01:36Is this your personal experience or what is it?
01:40Of course, the reason is that I have been opened a little bit.
01:44When I was opened a little bit, I have been looking for something,
01:48maybe I have been looking for something.
01:49And I am not alone.
01:51I feel that every person, every person, every person,
01:55a girl or a girl has been looking for something.
01:59And that's why I am making a film,
02:01because I am looking for something from making films.
02:02I am looking for something from making films.
02:06And that film may seem interesting to me,
02:09because everyone is looking for themselves.
02:12The love of you is looking for the love of you.
02:15As far as I am making films,
02:18people say that they are in love.
02:20And I am looking for the love of you.
02:22I am looking for the love of you.
02:27I am looking for the love of you.
02:29Because before, my understanding was still.
02:33Because the love of you was the one that is beautiful.
02:35That love of you is lovely.
02:40The love of you is the one that was really beautiful.
02:43That love of you was the one that used to be a love of you.
02:50Or the love of you,
02:55the love of you is the one that used to be a love of you.
02:58what was the love for her, that was the love for her.
03:01Then, when everything comes to love, the confusion increases.
03:06So, if I was first lost, now I would make 10 films,
03:10then I would be more lost.
03:12I would go back to the back.
03:14Where did your thoughts come from?
03:16And where did your perspective come from?
03:20I felt like this when I went to my childhood.
03:23I was going to go to my house.
03:26At that time, I couldn't go back to my life.
03:29Because you never go back to my life.
03:33You never go back to my life.
03:35There is a time where you can go back to my life.
03:38But in your heart, you always try to keep your life.
03:43You try to keep your life connected.
03:47After that, I read a poem.
03:50I was reading a poem where a highwayman says,
03:55I will go back.
03:58And I feel like God is a song that I will go back.
04:02If I die, I will go back.
04:05When I listened to that song,
04:06I thought that the writer's poem has read a highwayman's poem.
04:13So it's a very personal thing to me.
04:17So I will go back.
04:19We didn't decide the title.
04:21When I was shooting,
04:22there was a shot in the train,
04:24where the Kino says,
04:26I will go back.
04:29And he says,
04:31I will go back.
04:34And he says,
04:36I will go back.
04:37And he says,
04:39And as you can see,
04:42I will go back.
04:44And you can see the story going back.
04:53And what I was going back.
04:55It's not just a change of events.
04:59It's a change of thinking.
05:02It's a X-dimension.
05:04It's a Z-dimension.
05:06I think that the songs can be represented properly.
05:18Because I'm Hindustani, I've seen all the pictures of songs,
05:21and I've seen them automatically,
05:23I've seen them in my pictures.
05:26And those songs are the same,
05:27that they can't do the scenes.
05:30They can tell the mind.
05:32Because in the scenes,
05:33there's always a person who can tell the character.
05:37If they're alone,
05:38they can't do anything.
05:41If they're doing something,
05:42what they're doing in their mind is the best way to do it.
05:46I use it.
05:48Personally,
05:49I feel good in the film.
05:51I feel good in the film.
05:52I feel good in the film.
05:55I feel good in the film.
05:56I feel good in the film.
05:58If you have good actors,
06:00and you've written the scene,
06:03then it's not much difficult.
06:06You enjoy the scene of the scene.
06:07watching the scene,
06:09you enjoy the scene.
06:10How you disagree with that?
06:13Well,
06:14you enjoy too.
06:16I enjoy the scene of the film animating too.
06:20I feel good in the film.
06:23and not being human, that is a great soul.
06:28To love someone and to keep him, this is a grief.
06:35Basically, these emotions, those are not good emotions,
06:40they are also born due to love.
06:43In this, we can see the full love of all of us.
06:46Will it be finished or not?
06:49For this, we will not have to watch a film.
06:50Please, I will come back to the theater.
06:54In the 12th of June, we will get all the answers.
06:58Thank you, sir.
06:59You will come back to the film.
07:02I will come back to the theater.
07:05I was directing this film.
07:11I always wanted to work in the film.
07:15I will work in the film.
07:16I have told many times in interviews when I asked them,
07:20who are the top directors?
07:22And I always say that I want to work with Intiazak.
07:25Especially because the female character,
07:28they always write in their films,
07:30they are very complex.
07:32And they write the character very love.
07:33They are very complex.
07:34And so, when I saw their films before,
07:37I always thought that they were very complex.
07:41And so I wanted to learn how they are.
07:45And I wanted to learn how they are.
07:57So it was a very special journey for me and I think the experience I got in working with all
08:06the other actors
08:07Like Naseer Sir, Diljeet Sir, Veda, I think all are very good people and I think living on the set
08:16and working is a great experience
08:20When I reached out to a meeting, I reached out to you and called me to meet with me
08:28But I think there was no talk about this film
08:30There was such a meeting that we will do
08:34We had met here in the office and we talked about a lot of things
08:38We talked about the most of the things we talked about
08:41Because we both have a big food that I knew in that meeting
08:46And I think we talked about the most of the things we talked about
08:50About the most of the things we talked about
08:52About the most of the things we talked about
08:55And that meeting was just enough
08:58After that, when I realized that Sir is making a film
09:01I reached out to them
09:05Sir, I would love to audition
09:06Or if I want to read the script, do a look test
09:11I really want to be a part of your film
09:13So then they told me
09:14I didn't think about casting
09:17But I will keep my mind
09:19So the next time they called me
09:22To meet with me
09:23It was my journey of one hour
09:25I thought that please, please, please
09:28I hope that this is for the film
09:29And we will have another meeting
09:30In which we will talk about food
09:32So we got to meet
09:34And I think that they heard me a story
09:37And when they told me
09:39There was no question
09:40I didn't ask that
09:40I didn't ask that
09:40I didn't say yes
09:41I didn't ask that
09:41I didn't ask that
09:41I didn't ask that
09:41How did you feel about your chemistry?
09:43It was very good
09:44Actually
09:45I didn't work with them
09:47And I didn't have any interaction
09:49I didn't have any interaction
09:54With them
09:55Common screening
09:56Or
09:57But
09:57I think
09:59I think
10:00For us
10:00A very interesting experience
10:03It was
10:03That
10:05With new actors
10:06With new pairings
10:08With new pairings
10:09With new pairings
10:09With freshness
10:10On its own
10:11And
10:12With new pairings
10:13To make new pairings
10:14I think
10:14With new pairings
10:17Inang
10:17With new pairings
10:19Oh
10:19There was a scene
10:22I think
10:32With new pairings
10:35And
10:35With new pairings
10:37You know
10:37You know
10:38You know
10:40What
10:41You know
10:41that they are looking at their stories and they are looking at their stories
10:48so as the film progresses, you get to know more about them
10:54and that is a little mystery in this film
10:58which Naseer sir is playing in his memory
11:02you watch the journey of Jiyah
11:05so you watch a journey through their memory
11:09which is a very beautiful thought process
11:12which obviously Naseer sir is coming from it
11:14but I think that is a journey of Jiyah
11:18and I will not say much about the story about the film
11:21because I will tell you all about it
11:24but I really enjoyed it
11:28especially because it is a story
11:31there was a different topic
11:33where it was different
11:34where it was different
11:36So it was different
11:39so it was different
11:41when you were an actor
11:42you would like to learn something new
11:46so he was able to learn something new
11:47so he got to learn something new
11:49I watched a lot of old films
11:53and songs
11:54I have seen them actually because in that time, they were performing in which way, their eyes would get wet.
12:05There were a lot of things that were very specific for that time and period.
12:08So I have researched them and actually the most fun was coming to them.
12:12Mayshruddin Shah, did you have any concerns with them?
12:15Yes, yes, yes.
12:15Are there any scenes with them?
12:16They are very few, maybe one or two.
12:18But I think that he is an acting school in itself.
12:26I was very nervous actually when I was working with them.
12:30But something about him, he is a very nice gentleman.
12:34We were sitting, talking, asking about my journey.
12:39And when we went to the scene, suddenly their eyes changed.
12:42And I was watching myself, how is it possible that you are going to switch like this?
12:50But I think that is the experience.
12:52And I am sure that whatever you get to learn from them, I think hopefully I can apply to the
12:57next film.
13:00How was the moment in the set?
13:00How did he stay at night without a film with the devam node?
13:02We had really fun too because it was actually shooting in Punjab and there.
13:09And when we went to an outdoor movie anduso Lenore, where all the crew had to attend a couple of
13:15months for him,
13:15everyone had organized towards Divali, manufactured withemaker,
13:21and diwali had actually made plans on set.
13:23It was supposed to be like a process that gets done, that is a situation like a family.
13:27and I think Indiasar himself so happy and loving and caring towards the entire crew
13:37that I think we were at home
13:41Do you have any story or scene in your heart that will always stay in your heart?
13:49There is a place in our film called Kachchi Dalan
13:55It is a place that you can see in the trailer and some songs
14:01There are some broken down steps and there is a very big tree and there is a blue pool
14:08We have seen a lot of scenes there
14:11It was a place that was broken down ruins
14:16It was a place that we were living there
14:18It was a long journey after a long journey
14:21But there was a different time
14:25The structure of the old time was broken down
14:29There was no city there
14:31It was not a place in this time
14:37Gia and Kino's scenes were there
14:39It was a meeting place
14:44We were always watching them in the film
14:48So I think it was very special in the film
14:50And when we went to the location
14:52And we saw the first time
14:53Then there was a special feeling
14:57When people came to the house
14:57When people came to the house
14:58When people came to the house
14:58Then they would forget
14:59They would forget
15:14They would forget
15:26How much love
15:26And then they would get the feeling
15:28When you came to the house
15:29When you came to the house
15:29When you came to the house
15:30And the feeling of the first love
15:33I hope that you came to the house
15:35And everyone would get that feeling
15:35Or remember
15:36Your first love
15:38Thank you
15:39My first character is
15:41I have played such a character
15:42A Sikh character
15:44A Punjab character
15:46And a character
15:46From the 1940s
15:48And a character
15:48From the 1940s
15:50So
15:51I had a lot of effort
15:52I had a lot of research
15:53I had a lot of readings
15:54I had a lot of reading
16:08And I hope
16:10And I hope
16:10That this movie
16:13And this character
16:14Good
16:15Actually
16:16What happens
16:16When preparation is
16:17This is not all
16:20In my mind
16:20What will it be difficult?
16:24What will it be difficult?
16:25What will it be difficult?
16:26What will it be difficult?
16:26At that time
16:26Things are just in the flow
16:28But
16:28I think
16:30Definitely challenging
16:32Maybe
16:33My most challenging character
16:34Is this
16:35And
16:37Preparation wise
16:38I think
16:38Sir
16:41Speaking
16:41That
16:43The
16:44The
16:44The
16:45The
16:45Of course
16:48It was difficult
16:48And this is
16:49My first film
16:50Where I have
16:51A lover
16:52To
16:54So
16:54That was a different thing
16:57But
16:58I mean
16:59It was such a beautiful flow
17:01And
17:02The
17:03I think the way to direct the way to direct the way is so special
17:09So hopefully it will land
17:11They have a very unique way to direct the way
17:19That they can fill an actor with emotions
17:26They think that they have the responsibility for
17:28put things in the mind of the actor
17:31that help their performance
17:33and their direction is not the same as
17:36if you are crying
17:39or if I want to see your eyes in your eyes
17:42or if I want to give this expression
17:46they don't play the expression
17:48but they play the emotions
17:50so before me, the shots were only 5-6 minutes
17:55they were only talking about how things are going in your mind
17:59your life is in which direction
18:06what you are seeing
18:08what you are seeing
18:08so such things
18:12definitely the actor helps to help
18:14but this is a unique way to me
18:18and I say that I am spoiled
18:21because the actor can't ask much more
18:25because sometimes the directors work on the effect
18:30that the shot of the effect should be like this
18:33but the actors are thinking about the actor
18:36so that's why I say that I am spoiled
18:38your career is going to be a king
18:42so did you get proud of it
18:44or was there a bit of nervousness?
18:46that I can do this
18:48I can do this
18:50I can do this
18:50I can do this
18:51I can do this
18:53when I first met Nassir sir
18:55where are my hands
18:56where are they
18:56there?
18:57one of the actors is responsibility
19:00that
19:01if I play a little version
19:04this is a level
19:06which I have to keep in mind
19:07that you have to deliver
19:09to that level
19:11and another thing
19:13that is Amitya Sir's film
19:14so that's also a pressure
19:15so when I first met Nassir sir
19:17I thought
19:18that
19:19I was told
19:20that
19:21actually
19:21it was a very casual meeting
19:24I went to my house
19:26and Amitya Sir invited me
19:27to meet Nassir sir
19:29but
19:30I went to my notebook
19:31and pen
19:33because
19:33he is a legend
19:35but
19:37he is a teacher
19:38because
19:39the time
19:40when I was doing auditions
19:41for 2-3 years
19:43when I was doing auditions
19:44and I was learning about acting
19:47which I am also learning
19:48but
19:49at that time
19:50I had a lot of videos on YouTube
19:51about Nassir sir
19:52and
19:53he had a lot of master classes
19:55which he had in NSD
19:56so
19:57they are 1-2 hours
19:58and they are gems
20:00so
20:01I watched him a lot
20:02so
20:03when I went to Nassir sir
20:04then
20:05I took a pen
20:06and
20:07I asked him
20:08as a student
20:09and asked him
20:10about
20:11how to see this character
20:12because
20:13his attention
20:14also
20:15is interesting
20:16because
20:1878 years later
20:19he is playing the same character
20:21and
20:22weirdly
20:23there is Nassir sir
20:25but
20:25he was also asking me
20:26because
20:27he wanted to know
20:28how to see this character
20:29so
20:3178 years later
20:32they will remain in his mind
20:34so
20:34it was an interesting collaboration
20:36but
20:36obviously
20:37we couldn't shoot any scene
20:39but
20:39we could do that
20:40but
20:41I was set
20:41so
20:42I was able to see it
20:44so
20:44I think
20:47they really helped me
20:47both
20:48has a similarity
20:50which is
20:52that
20:53both
20:54are
20:55very
20:55bubbly characters
20:56like
20:58the
20:59real life
20:59is
21:00if we both
21:02sit in a
21:03interview
21:04then
21:05I was talking
21:06less
21:07than
21:08the mic
21:09is not in their hands
21:09so
21:11this is a personality
21:13and
21:13I think
21:13that's lovely about her
21:15this
21:16story
21:17is
21:17what is the
21:19difference of
21:19what is the difference of
21:20I don't tell the audience
21:22that I think
21:24I will see
21:24and decide
21:25but
21:26I think
21:26that
21:27that
21:28innocence
21:29that
21:30is
21:33missing
21:34It's missing, but the language and love changed the language and the language changed
21:41That's why I feel that the love of this moment is not innocent
21:48It was a joke that someone could get a chance to see someone from a balcony
21:55and be happy to see someone from a balcony
21:57It's now called texting, Snapchat and Instagram
22:00So all those things I feel special
22:02and it's a very pure, innocent love story
22:07So I think Kino Ujiya is special
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