- 21 hours ago
HOT Drama
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00:00Chris, meet your daughter, Zoe.
00:04And Zoe, meet your father, Chris.
00:09Oh my god.
00:10Oh my god.
00:11Oh my god.
00:13Is it true, mom? I have a father?
00:15Yes, baby girl, it's true.
00:17I knew it!
00:18Dad.
00:37I'm the luckiest girl in the world to have Chris as my soulmate.
00:43The world complies, but storms live calm in her green eyes.
00:51A river's soul, a secret flame.
00:58A map where I'm in my bed.
01:05Oh no.
01:08Sophie!
01:10Listen, it was one thing for Chris to have a meaningless high school flame,
01:14but I'm turning him into a superstar,
01:16and he can't be tied down by some poor small town hit girl.
01:19What are you hiding?
01:22Nothing.
01:23Show me.
01:24No, show me.
01:27You're pregnant?
01:28What the hell did you do?
01:31I need to talk to Chris.
01:32No, you're not going anywhere.
01:34It's none of your business.
01:37Do you have any idea what this will do to Chris?
01:39An unmarried teen pregnancy when his wholesome career is about to take off?
01:43If you have this baby,
01:44he'll stay,
01:45and he will spend the rest of his life resenting you for it.
01:48If you love him,
01:51terminate this pregnancy
01:52and never speak to him again.
01:55Do you understand?
02:00Well?
02:01Amazing.
02:02Girls are going to be throwing themselves at you all summer long.
02:06Sophie's all I want.
02:07Can I bring her on tour?
02:11If you love him,
02:13terminate the pregnancy
02:15and never speak to him again.
02:19Great idea.
02:21This feels so wrong,
02:23but I have to make Chris believe we're over,
02:26or it will ruin his future.
02:28Sophie,
02:29I got some great news.
02:30We're going to...
02:31Eddie.
02:33Chris, I...
02:34Oh, hold on.
02:35Hold on.
02:35Bad PR.
02:39Fucking drummer.
02:40You're off the tour, Eddie.
02:41Don't miss it.
02:41Get out!
02:42Get out!
02:43Get out!
03:20Hon, come over.
03:20Clean this beer.
03:22Right here.
03:25Be a doll.
03:26Bend over for me.
03:27Dude, don't make me do that.
03:29Excuse me, miss.
03:30Come over here.
03:32You're rude waitress.
03:33She's refusing to bend over and clean that up.
03:35Sophie,
03:36do your job.
03:37And stop being such a buzzkill in my bar,
03:39or I'll have to fire you
03:40and you'll lose that shitty place you call home.
03:43I'm Toni.
03:44I'm the owner of this place,
03:45and I just want to sincerely apologize
03:47for the trailer trash.
03:50She has a real attitude problem.
03:51Yeah, I can tell.
03:55Go clean the toilets.
04:02Call me.
04:09You have to leave your job, girl,
04:11or you're going to kill your boss one day.
04:13And where would I go?
04:15The next step down from this shithole
04:17is living on the street.
04:18Hey, Zoe, lunch.
04:21Finally, Mom.
04:22I'm starving.
04:23Let's do it.
04:23After a jaw-dropping eight years away,
04:25the love with hometown heroes
04:26was finally made in its grand return.
04:28And the buzz couldn't be louder.
04:31I love this song.
04:32Through fields of gold
04:35where shadows play.
04:37That's right.
04:37The town's own music legend
04:39is coming home.
04:40Fans are counting down the seconds.
04:42Oh, no.
04:45Mom?
04:47Mom?
04:49Mom?
04:49Mom?
04:50Mom, are you okay?
04:52Uh, Selfie, is that...
04:54When's the last time you and Chris talked?
04:56If you have this baby,
04:58he'll stay,
04:59and he will spend the rest of his life
05:01resenting you for it.
05:02If you love him,
05:04terminate this pregnancy.
05:06Music sensation Chris Wilson
05:08is finally coming home
05:09to the Baymount area.
05:11And he's not just dropping by,
05:12he's setting up shop
05:13at none other than
05:14the legendary Cowwood Ballast Saloon,
05:16bar and studio.
05:18Oh, my God.
05:19Mom?
05:20Isn't that where you work?
05:21You're gonna meet him.
05:23You're gonna meet Chris Wilson.
05:25You okay?
05:34He's here.
05:36Chris Wilson's here.
05:38I'm about to stand there.
05:40Take this to the garbage
05:41where you belong.
05:43And don't talk to him.
05:48And don't talk to him.
06:02Ladies, calm down.
06:04Take it easy.
06:05He's not gonna come out
06:06unless you guys give him some space.
06:18Please.
06:19Please.
06:21Welcome.
06:23I'm Tony.
06:24Ms. Tony Allen.
06:26Not married.
06:29So we are so excited to have you.
06:31I'm the owner of this bar
06:33where you'll be recording.
06:37Don't mind my cleaning, girl.
06:48Sophie?
06:55Sophie?
07:01I can't believe it's her.
07:03It feels like no time has passed.
07:05What's the reason?
07:10Shut up!
07:11Just shut the fuck up!
07:14Sorry.
07:15Yeah.
07:16Let's go inside.
07:17I'll show you to the recording studio.
07:20Come on.
07:21Join me.
07:21It'll be much quieter inside.
07:29So, this is my kingdom.
07:31Which I guess makes me the princess.
07:34Still, no prince.
07:36This is the place.
07:37What do you think?
07:38You know, this is where I had my prom.
07:39So over here is the bar.
07:40And then the stage is right over this way.
07:43And right down that way is the recording studio.
07:46We're so excited to host you here.
07:48We've had a lot of famous singers, but that's good.
07:50Don't come here.
07:52Don't come here.
07:52Don't come here.
08:02I'm so sorry.
08:07Thanks.
08:14Hey, green eyes.
08:26God, what did you do?
08:28Chris, I'm so sorry about this.
08:29I thought that this place had its shit together.
08:31It does.
08:32This is my place.
08:33My only mistake was hiring this trailer trash skank.
08:36Chris, let's go take a look around at the space.
08:38We'll leave Tony to take care of this whole waitress situation.
08:42Guess what?
08:42You're fired.
08:44What?
08:45I didn't do anything.
08:47You can't fire her.
08:49Too late.
08:50I already said you're fired.
08:51Well, unsay you're fired.
08:53Why?
08:53Chris, it's okay.
08:54I've taken care of myself a long time.
08:57I don't need you defending me now.
09:00Tony, you are a vile, sad, sad woman.
09:05And I'm done with you.
09:08I quit.
09:11You're going to pay for that.
09:12You're going to pay for that.
09:13Oh, that's not very ladylike, is it?
09:16Well, I mean, I'm her boss, so I have to...
09:21Fine.
09:23You quit?
09:24Then leave.
09:26Gladly.
09:35I can't believe I quit my job.
09:37How am I going to feed my daughter and keep her roof over our heads?
09:41Oh, I'm sorry.
09:43I'll wait until...
09:45It's okay.
09:46It's okay.
09:46Come here.
09:48Take this.
09:57It's okay.
09:59This place hasn't changed a bit, huh?
10:01Yeah.
10:03We, uh...
10:04I thought we...
10:07It's...
10:07It's right here.
10:09Carved our initials.
10:11That's right.
10:13So why don't we get a drink and catch up?
10:18I don't know if that's such a good idea, rock star.
10:21I'm just a small-town waitress.
10:24Or I was.
10:27I don't have time.
10:29I gotta find a new job to provide for me.
10:33Oh my God, Mom.
10:35Isn't that where you work?
10:36You're gonna meet him.
10:41I need you, Sophie.
10:44What?
10:46You need me.
10:48I do.
10:50Come and work for me.
10:52Work for you as what?
10:53My muse.
10:56I haven't written a hit song in a while.
10:59I'm kind of stuck.
11:01So I came back here.
11:02Where it all began.
11:04All that...
11:05That's not my life anymore.
11:07I...
11:08I have responsibilities.
11:10Like what?
11:12A daughter you can't know about.
11:16What the fu...
11:18Why are you shirtless?
11:19And why are you still here?
11:21Leave.
11:24Chris, I was gonna show you to the recording studio.
11:28Did I hear you say something about Muse?
11:31I love Muse.
11:33I have all the problems.
11:34Yeah.
11:35Let's get you a fresh shirt.
11:36And I'll show you to the recording studio.
11:38Come on.
11:41What is that horrible smell?
11:44What the hell?
11:44You can't just barge into our home.
11:46Get out.
11:46This is my home.
11:48You only rent it from me.
11:50And your rent is long overdue.
11:52Yes.
11:53But I just got fired today.
11:55And I'm looking for a new job.
11:56But I will get one.
11:56You've got two days to pay before you and the kid are out on the street.
12:02Clean up.
12:03Your food wheeze.
12:05Okay, get out.
12:06Go.
12:09Mom, you got fired?
12:12I won.
12:13Yeah.
12:15Hey, but you know what I always say?
12:17As long as we have each other, we have everything.
12:21Okay, Mom.
12:22But please don't look so sad.
12:25I will.
12:27Eat your salad.
12:42All right, Christopher.
12:44Show me something.
12:45Check, check, check, check.
12:46Hey, Chris.
12:47I have green eyes.
12:50Technically, they're brown, but when I look directly in the sun, they look green.
12:54Hey, Soph.
12:57No, no, no, no, no.
12:58You quit.
12:59You are banned from the premises.
13:01Studio and bar.
13:02Hey, Soph.
13:05No, no, no, no, no.
13:06You quit.
13:07You are banned from the premises.
13:09Studio and bar.
13:10I just came to bring this back.
13:11Well, you did.
13:12Now leave.
13:13Easy, Toni.
13:14She stays.
13:16But, Chris, I need to make sure you have everything that you need.
13:19And I can't do that.
13:20And now I have everything that I need.
13:22She stays.
13:23But, Chris.
13:23Just say, okay, Mr. Wilson.
13:29Okay, Mr. Wilson.
13:31Perfect.
13:34Get comfortable.
13:37All right, let's do it.
13:41She danced in the light, but her heart wore a veil.
13:49A whisper of love, a promise turned stale.
14:19Sophie, you can't get attached again, and he can't know we have a daughter, or Maggie will make my life
14:24hell.
14:28So he's coming.
14:29No, Chris can't know about her.
14:33Zoe's coming.
14:34No, Chris can't know about her.
14:36Chris, I'm sorry.
14:37I have an emergency.
14:38What's going on?
14:39Where are you going?
14:39I just have to go.
14:41I'm really sorry, though.
14:43All right.
14:46What the hell are you doing here?
14:48You remember when I made you get that abortion all those years ago?
14:51I'll just imagine what I can do now.
14:55Sophie!
14:56So good to see you.
14:58Wow.
14:59You, uh, you look different.
15:01Put on a little weight, didn't you?
15:05Maggie, I'm bringing Sophie on as my muse for the album.
15:08Pretty cool, huh?
15:10I told you I can't accept that offer.
15:12Oh, how unfortunate.
15:14Bye.
15:20I don't want her here.
15:22You understand me?
15:23You and me both.
15:24I'll take care of it.
15:27Hey, hey.
15:28What the hell are you guys doing here?
15:29The landlady put a lock on the door.
15:31We didn't mean to bother you at work, but we couldn't get inside.
15:33Okay.
15:34I'm sorry, Sophie.
15:35I tried to convince her not to come, but she insisted.
15:37And you need to press charges against your landlord.
15:40Mom, wait!
15:41You have a daughter?
15:47Sophie, I didn't know you had a daughter.
15:50What a surprise.
15:52She looks young.
15:53What is she, six?
15:54Five?
15:55This is Zoe, my daughter.
16:00Say hi.
16:03Hi.
16:04Well, hi.
16:06OMG.
16:07You're Chris Bolton.
16:08I love you.
16:08I sing your song, Green Eyes, every day.
16:10Really?
16:11Well, let's hear it.
16:13And now, right now, we need to get back?
16:14It's my favorite song in the world.
16:16Oh, well, that is so sweet of you.
16:18Literally all the girls in my class want to marry you.
16:21Well, that is very romantic, but my heart belongs to someone else.
16:29Maybe I should tell him the truth.
16:32Zoe deserves to have a father.
16:34My dad was a musician, too.
16:35Or so my mom says.
16:36I never met him.
16:42My dad was a musician, too.
16:43Or so my mom says.
16:45I never met him.
16:48Oh, yeah, you remember, Chris.
16:51It must be that drummer, Eddie.
16:53I got some great news.
16:54We're going to...
16:55Eddie.
16:57Chris, I...
16:58Oh, hold on.
16:59Nothing happened, Chris.
17:00I swear.
17:01If I could only tell you, Chris, she's our daughter.
17:06Aren't you...
17:07Cute.
17:09It's time for you and your mom to go.
17:11Oh, wait.
17:11Why don't you go, uh, get some ice cream or move to Europe or something?
17:16You'd love it.
17:17Come on.
17:18Uh, Sophie.
17:20The job's yours if you want it.
17:23Chris, you know I can't take that job.
17:25I gotta deal with the landlord and all kinds of crap.
17:28You don't have to worry, though.
17:32Chris, I can't take this.
17:33Sure you can.
17:35It's for your time today.
17:36Pay your rent with it.
17:37And you're always welcome back.
17:39And so are you, little lady.
17:47Oh, no.
17:48We are in deep shit.
17:54All right, sweetie.
17:57No.
17:59I can't believe she locked us out.
18:01And I can't believe that I met the Chris Wilson today.
18:03Did you see how he winked at me?
18:05I saw it, sweetheart.
18:06Why don't you stand behind me?
18:08Hi.
18:12A whisper soft, the world comes wide.
18:17And the storm's lit calm in her green eyes.
18:22Sweetie.
18:24I love your singing.
18:27But could you maybe not sing that song?
18:31Don't you like it?
18:33Don't you like it?
18:33Oh, yes, yes, of course.
18:35I love it.
18:38But it makes me sad.
18:40Why?
18:41Because it was written about me.
18:43But, um, I don't know.
18:46Don't be sad, Mom.
18:47I love you.
18:49I love you too, kiddo.
18:52I wish I could tell you the truth.
18:58Our sales are down.
19:00Chris hasn't written anything good in years.
19:02We need a hit, desperately.
19:05She danced in the light
19:08But her heart wore a veil
19:12A whisper of love
19:15A promise to her
19:18Sounds like a hit to me.
19:23Damn, what's gotten into him?
19:25I haven't heard Chris perform like this in years.
19:27And I'm left with the silence
19:29I'm boys in love.
19:32Sophie comes with baggage.
19:34She ain't worth a hassle, trust me.
19:36We need to get rid of her.
19:38Oh, I don't know about that, Maggie.
19:40I mean, after all, you did want a hit.
19:44And she is his muse.
19:47You're pregnant?
19:49If you have this baby,
19:50he'll stay
19:51and he will spend the rest of his life
19:54resenting you for it.
19:55She's trouble.
19:57Trust me.
19:59Mom,
20:00you think I could have a guitar
20:02for my birthday this weekend?
20:03I promise I'll use it.
20:05I know you would.
20:06But guitars are expensive.
20:08I understand.
20:10Can I have a pony?
20:12Very funny.
20:14It's okay.
20:15I don't really care that report.
20:17All I really need is you, Mom.
20:23You know,
20:26maybe we could get you a used one.
20:28And that's just as cool.
20:31Good Lord, woman.
20:32I locked you out for overdue rent.
20:35You broke my lock?
20:36That's going on your bill.
20:38Kate,
20:39how many times do I have to tell you
20:40not to barge into my house?
20:41Get out!
20:42Go pack your things.
20:43You know what?
20:44Here's everything we owe you.
20:45And I got a new job
20:46that pays even better
20:47so you can get your ass
20:48out of our house.
20:49Mom,
20:50you said the A word.
20:52Ass?
20:52You said it again.
20:53Sorry, honey.
20:55For God's sake.
21:02Hey,
21:02we showed her, huh?
21:04Mom,
21:04you're so cool.
21:05Was that as cool as you?
21:07But storms live calm
21:10in her green eyes.
21:12Hmm.
21:15I can't keep avoiding this.
21:17I have to tell Chris.
21:27That was amazing, dude.
21:28Nice work, Chris.
21:30All right,
21:30I think we have a hit.
21:31Nice work, everyone.
21:33Let's take off for the night,
21:34but I want you back here
21:34at 9 a.m., okay?
21:37Hey, Chris.
21:39So,
21:40I was thinking,
21:41you,
21:42me,
21:43let's get wasted.
21:46Or,
21:46or we could just
21:47have a drink.
21:48On me.
21:50Well, not on me,
21:51or unless.
21:54You could buy me a drink.
21:56What do you think?
21:57Go back to my plans?
21:59I'm really busy, though.
22:01Okay.
22:02Later tonight.
22:03Yeah,
22:05maybe.
22:05I'm going to go
22:06shower,
22:08shave
22:08something.
22:13Listen,
22:14Tony,
22:15you need to be,
22:16how do I say this?
22:18Less desperate.
22:19You look good
22:21for a small-town girl
22:22and Chris needs company
22:23during his sessions.
22:26Unfortunately,
22:26he doesn't think
22:27you look as good
22:27as that trashy Sophie,
22:29but...
22:31Oh,
22:31speak of the devil.
22:32Tony,
22:33call security.
22:33No,
22:33I just need to talk
22:34to Chris,
22:35please.
22:35Tony,
22:36security now.
22:37Hey,
22:37Jason,
22:37we have an intruder.
22:38Get over here right now.
22:41Hey,
22:41Jason,
22:42we have an intruder.
22:42get over here right now.
22:43No,
22:44please.
22:53Chris.
22:54Sophie.
22:56I didn't know you.
22:57How's your dad?
23:00He died a couple years ago.
23:03It's just me
23:04and my daughter now.
23:08Sorry to hear that.
23:10And your daughter,
23:12her name's Zoe, right?
23:15Yeah.
23:16She seems like
23:16a really great kid.
23:19She is.
23:20We had a good thing
23:21going back in the day,
23:22huh?
23:24Love story for the ages.
23:27It's a shame
23:28you had to go
23:28and fuck everything up.
23:32Chris,
23:32hey.
23:32No,
23:33I'm sorry.
23:35We were both
23:36young and dumb.
23:37I shouldn't have said that.
23:41Listen,
23:42it never changed
23:42the way I felt
23:43about you.
23:45No matter how hard
23:46I try,
23:46I just can't stop
23:47thinking about you.
23:49About us.
23:51Come on,
23:52just tell him
23:52that Zoe's his daughter.
23:56No matter how hard
23:57I try,
23:57I just can't stop
23:58thinking about you.
24:00About us.
24:03Please let me explain
24:04what happened.
24:04No, forget it.
24:07It's all history.
24:08Chris?
24:09Sophie in there with you?
24:11Leave us alone, Maggie.
24:12She hates me.
24:13She hates everyone.
24:15I'm worried
24:15she'll do something
24:16that'll hurt Zoe.
24:17I'm not gonna let her
24:18do anything to hurt Zoe.
24:22That's her.
24:23Get her out of here.
24:23She works for me now.
24:25She just accepted
24:25my job offer.
24:27I did?
24:27She did?
24:28Yeah,
24:29she's gonna be
24:29my personal assistant.
24:31Listen,
24:32when I saw you
24:33the other day,
24:34I felt something
24:35I haven't felt
24:35in a long time.
24:36It's exactly what
24:37I need for this album.
24:40It's the reason
24:40that I came back.
24:42Where it all started.
24:43So Maggie's gonna get you
24:44all set up
24:45with some paperwork?
24:46No, Chris,
24:46I don't listen to that.
24:47It's final, Maggie.
24:49Fine.
24:50Good.
24:55I thought I told you
24:56seven years ago
24:57what would happen
24:58if you ever spoke
24:59to him again.
25:00He insisted.
25:02And isn't he your boss,
25:04not the other way?
25:07Isn't he your boss,
25:09not the other way?
25:12Shut up.
25:13No one asked you.
25:14You know what this is?
25:15Hmm?
25:16I took a hair
25:17from your bastard
25:18daughter's head
25:19and I ran the DNA test.
25:21Aren't you
25:22cute?
25:24It's time for you
25:25and your mom to go.
25:26Oh, wait.
25:27I thought I told you
25:28to abort that little spawn
25:29and I warned you
25:30what would happen
25:31if you didn't.
25:32I know, Zn.
25:36Me, you whore.
25:37I've been in this business
25:37a long time.
25:39Having a child
25:39out of wedlock
25:40with some trailer
25:41trash waitress
25:41it will destroy
25:42his career.
25:44He can never know
25:45that child is his
25:46or I will make sure
25:48that social services
25:50takes her daughter
25:50away from you.
25:52Don't you dare
25:54threaten my daughter.
25:57Don't test me, girl.
25:59I've done worse
25:59to people far stronger
26:00than you.
26:02Fine.
26:08Tony, get your ass
26:09in here.
26:13Seems like you and I
26:14have a mutual problem.
26:15Sophie Baker.
26:16Why don't you say
26:17we girls team up
26:18get her out of
26:19Chris's life
26:20once and for all
26:21and help me
26:22all yours, honey?
26:23I'll do anything
26:24to be with her.
26:30So, did you see
26:31him nude?
26:33Like, totally nude?
26:34Tell me everything.
26:36No.
26:38No matter how hard
26:39I try, I just can't
26:40stop thinking about you.
26:42About us.
26:43I mean, yeah.
26:44He looked really good.
26:46Mmm, spicy.
26:48Stop.
26:49So, are y'all
26:50working on baby number
26:51two?
26:52Or did he ride
26:53you like a cowboy?
26:54Can you?
26:54She might not
26:55be asleep.
26:57Well, did you
26:59tell him about her?
27:00No.
27:01I couldn't.
27:02His agent
27:03is basically
27:05the devil
27:06and she
27:07keeps threatening
27:08to take Zoe from me.
27:09Can she do that?
27:10Yeah.
27:12She's
27:13pretty powerful.
27:15But still, honey,
27:17you need to tell Chris.
27:19I mean,
27:20that could change
27:20everything if he knows
27:22he's her dad.
27:24Yeah.
27:25I know it's the right
27:26thing to do.
27:27I will.
27:28Just let me get
27:29through the birthday
27:30tomorrow and then
27:32I gotta tell him.
27:42Good, Chris.
27:43Keep that energy up.
27:45The photo for this
27:46album cover is crucial.
27:47You finish recording it,
27:49get the hell out of
27:49this shithole town
27:50and then send you
27:51on a fucking
27:51world tour.
27:55Wait, hold on.
27:56Where's your
27:56custom guitar?
27:57It's the key prop.
27:59Your so-called
28:00muse, Sophie,
28:01was supposed to
28:01bring it.
28:02Unbelievable.
28:03One day on the job,
28:04she's already
28:04screwing us over.
28:05Sure was a
28:06misunderstanding.
28:07It wasn't.
28:08I texted her this
28:09morning.
28:09She's so unreliable.
28:11I'll call her.
28:12No, no, no.
28:13You know what?
28:13Hey, you just
28:15concentrate on
28:15looking hot.
28:17I'll take care of
28:18her.
28:20Mom, when do my
28:22friends arrive for
28:22the party?
28:23Oh, it'll be a
28:23couple hours, babe,
28:24but until then...
28:27Maggie.
28:29Hello?
28:30You were supposed
28:30to be here an hour
28:31ago.
28:32Time is money.
28:34Where's the custom
28:34guitar prop?
28:36A prop?
28:37No, you never said
28:38anything about a prop.
28:39And I can't today.
28:40It's my daughter's
28:41birthday.
28:41I don't care.
28:43Be here with a
28:44guitar in 20 minutes
28:45or you're fired,
28:46and you and your
28:46brat will be homeless.
28:48Better drive fast,
28:49race through all
28:50those stop signs.
28:51Oh, and also,
28:53I'm gonna need you
28:53to stop on the way
28:54and buy a bottle
28:55of bourbon.
29:01Hi, everyone.
29:02Just stopping by
29:04to cheer on my
29:05favorite musician.
29:06But what did I hear
29:07about Sophie screwing
29:08something up?
29:08Didn't she sleep
29:09around on you?
29:10like seven years
29:11ago with your
29:12drummer?
29:12You are aware
29:13that she's one
29:13of those people
29:14that sleeps around
29:15with everyone,
29:16right?
29:16Tony, I really
29:17don't need you
29:19here right now.
29:21Listen, I live
29:23here.
29:24I see things.
29:26And I see that
29:27she is garbage.
29:28Believe me.
29:29You may remember
29:30her from high school,
29:31but people change.
29:33And not for the
29:34better.
29:34Maggie.
29:36Tony.
29:37Please.
29:39your cop friend's
29:40here?
29:43And he's willing
29:43to help us get
29:44rid of her?
29:54All right,
29:55she's gonna be
29:55in two minutes.
29:55Hang tight, baby.
29:58Here she is,
29:59officer.
29:59This is the one
29:59I was telling you
30:00about.
30:01She's been drunk
30:02driving with her
30:02child in her car.
30:05She's been drunk
30:06driving with her
30:07child in her car.
30:09No, officer,
30:09that's not true.
30:10We're gonna find
30:11out what's true
30:11and what's not
30:12true.
30:12Just calm down
30:12right now.
30:13I'm calm.
30:13I haven't been
30:14drinking.
30:14As we find out,
30:15you'll be on your
30:16way.
30:21Oh, look what I
30:23found.
30:24Unbelievable.
30:26Drunk driving
30:26with your own
30:27child in the car.
30:28It's completely
30:29reckless.
30:30Okay, that's a
30:30complete lie.
30:31I work here
30:32and Maggie
30:32called me
30:33and told me
30:33to get the
30:33bourbon,
30:34okay?
30:34Just doing my
30:34job.
30:35You don't
30:35work here.
30:36You were
30:36fired.
30:37Do you not
30:37remember?
30:38Did you just
30:38come here to
30:39cause a drunken
30:40scene or
30:41something?
30:42Ma'am, have
30:43you been
30:43drinking?
30:44No, I
30:44would never.
30:45How'd
30:45explain this?
30:48You're under
30:49arrest.
30:49Come on back.
30:50No, take care.
30:51Put your hands
30:51on your back.
30:52Can you please
30:52get the car,
30:53please?
30:55I'm gonna
30:55take you in.
30:56Your child
30:57will be placed
30:57in the custody
30:57of the state
30:58and foster care.
30:59What the hell
30:59is going on
31:00out here?
31:03Chris, I'm
31:04so sorry
31:05you had to
31:05find out this
31:05way.
31:06The whole
31:06town knows.
31:07She's an
31:08alcoholic and
31:08an unfit
31:09mother, but
31:09no one's done
31:10anything about
31:10it until now.
31:11I'm just
31:11worried about
31:11her daughter.
31:12Stay back,
31:13boy.
31:14Just let her
31:14go.
31:15Hillbilly,
31:15this is
31:15obstruction.
31:16Stay back,
31:17I'll lock
31:17you up, too.
31:18Let her
31:18go.
31:19Now.
31:21Stay away,
31:22boy.
31:23You regret
31:23it.
31:28Hey.
31:29Wait,
31:30are you, um...
31:32Yes, I am.
31:33Mr. Wilson,
31:34I'm sorry.
31:35I, uh,
31:35I didn't recognize
31:36you.
31:37My daughters
31:38are obsessed
31:38with you.
31:39That's nice.
31:39Hey, listen,
31:40Sophie is the
31:41best mother
31:41on the face
31:42of the earth,
31:42and she's
31:43clearly not
31:44been drinking,
31:44so can you
31:45just let this
31:46one slide,
31:46and we'll
31:47take a selfie
31:48for your daughters?
31:49Selfie?
31:50Okay.
31:52Chris,
31:52you can't
31:53just un-arrest
31:53her.
31:53I'm sorry
31:54about this,
31:55ma'am.
31:56Let me get
31:57set up here.
31:58Come on.
32:01Perfect.
32:02Alrighty.
32:06So it's
32:06your birthday?
32:08Why didn't
32:08anyone tell me?
32:09How about I
32:10celebrate with
32:10you guys?
32:12Do you like
32:12that baby?
32:13What about
32:14the album
32:14photo shoot?
32:15Tell Maggie
32:15to reschedule
32:16or something.
32:17Come on.
32:17Let's go.
32:19Alright,
32:19let's go.
32:20That time
32:21completely
32:21backfired.
32:22What the hell
32:23was that?
32:24You're still
32:25going to have
32:25to pay me,
32:25Tony.
32:26I'm not
32:26paying you
32:27shit.
32:27You completely
32:27fucked up
32:28the whole
32:28plan.
32:28At least
32:28I got a
32:29self with
32:29Chris Wilson
32:30out of it.
32:32Best birthday
32:32ever.
32:33I'm with
32:33the best
32:34singer in
32:34the world.
32:36Chris,
32:36you're going
32:36to have
32:37to do
32:37all this.
32:38Are you
32:39kidding?
32:40This is
32:40great.
32:40I mean,
32:41this is
32:41exactly
32:41what I
32:42needed.
32:43I'm
32:43really sorry
32:43about what
32:44happened
32:44with the
32:46police and
32:46all that.
32:47I'll make
32:48sure that
32:48Tony gets
32:48straightened
32:49out.
32:49No,
32:50no,
32:50it's
32:50okay.
32:51Hey,
32:51today's
32:51all about
32:52our
32:55my...
32:55What did
32:56you say?
32:56Zoe,
32:57why don't you
32:58show Chris
32:59how much
32:59you enjoy
32:59singing?
33:00Well,
33:01I don't know
33:01if I'm any
33:02good.
33:03Well,
33:03I'll be the
33:03judge of
33:04that.
33:05A field of
33:07gold where
33:07shadows play.
33:11Her laughter...
33:11I wonder if this
33:12is what life
33:12would be like
33:13if he always
33:14knew he was
33:14her father.
33:22I'm sorry
33:23are you
33:23sick?
33:25Yeah.
33:27Okay,
33:28yeah,
33:28I'll meet you
33:28in the parking
33:29lot.
33:29Thanks.
33:30Zoe,
33:31I have a big
33:32surprise for
33:32you.
33:33For me?
33:34What is it?
33:35Just wait
33:35right here,
33:36all right?
33:36I'll be right
33:36back.
33:37All right,
33:44let's open it
33:45up.
33:46It's for me?
33:48Zoe,
33:50this
33:50was my
33:52first guitar.
33:54I want it
33:55to be
33:56your first
33:57guitar.
33:58Mom,
33:58look,
33:59it's his
33:59famous guitar.
34:00Chris,
34:01come on.
34:01We can't
34:02take this.
34:03I mean,
34:04it's worth
34:04a fortune.
34:05A fortune?
34:07I make
34:07money,
34:08honey.
34:08And if I
34:08can't give
34:09it to my
34:09number one
34:10fan,
34:11then what's
34:12the point
34:12of making
34:12money at
34:13all?
34:14I'll take
34:14good care
34:15of it.
34:15I promise.
34:16Pretty,
34:16please?
34:19Okay.
34:21All right,
34:22let's set you
34:23up right
34:23here.
34:26Oh,
34:26my God.
34:27Look at
34:28that.
34:29I'm guessing
34:30you probably
34:30want to learn
34:30how to play
34:32Sweet Home
34:32Alabama or
34:33Stand By Your
34:34Man.
34:35Are you
34:35just making
34:36out names
34:36of songs?
34:37I want
34:38to play
34:38Green Eyes.
34:42What a
34:43surprise.
34:44Did you know
34:45that that song
34:45was written
34:45about your
34:46mommy and
34:47her beautiful
34:47green eyes?
34:48Really?
34:49Then why
34:50does it make
34:50her feel
34:50so sad?
34:54Then why
34:55does it make
34:55her feel
34:56so sad?
34:58Well,
34:58I'm sure
34:59that if you
34:59played it,
35:00it would
35:00make her
35:00really happy.
35:03So Green Eyes
35:04starts with a
35:05cool little
35:06hammer on
35:07right here.
35:09Oh,
35:09God,
35:10what a mess.
35:11If Chris
35:11finds out
35:12she's his
35:12daughter,
35:12he might
35:13freak out
35:13and leave
35:14us,
35:14and Maggie
35:15will hurt
35:15us.
35:16I have
35:16to protect
35:17Zoe.
35:17I have
35:18to stop
35:18this,
35:19but they're
35:21so perfect
35:21together.
35:22It's like
35:23it was meant
35:23to be.
35:25Chris,
35:26hey,
35:26can I borrow
35:27you for a
35:27second?
35:28Yeah.
35:29All right,
35:29you got that.
35:30We're going
35:30to be quiet.
35:31You got it.
35:33Hey,
35:33I want to
35:34talk about
35:34something.
35:37That night
35:37that you
35:38left,
35:40it wasn't
35:41what it
35:42looked like.
35:46Zoe?
35:49Zoe?
35:50Mom!
35:51Hey,
35:52don't touch
35:53my daughter.
35:53You know
35:54what?
35:54Theft is a
35:55real problem
35:56around these
35:57parts.
35:58I've got a
35:58brain teaser
35:59for you.
36:00How does
36:00a white,
36:01trash,
36:02single mom
36:02who can't
36:03afford her
36:04rent pay
36:05for a
36:05$15,000
36:06guitar?
36:08She steals
36:08it.
36:09We didn't
36:10steal it.
36:11Now get
36:11your hand
36:12off my
36:12daughter.
36:13We'll let
36:13the cops
36:14sort it
36:14out.
36:15I'm going
36:15to tell
36:15you one
36:16more time.
36:16Take
36:17your hand
36:17off my
36:17daughter.
36:18She ain't
36:19your kid
36:20for long.
36:20When the
36:21cops get
36:22here,
36:22they're going
36:22to take
36:23her away
36:23to a
36:23real
36:24home.
36:24Ma'am,
36:25I can
36:25assure you
36:26that guitar
36:26ain't stolen.
36:27Nobody's
36:28breaking any
36:28laws here.
36:29Yeah,
36:30right.
36:30Stay out
36:31of this,
36:31boy,
36:32or so
36:33help me
36:33God.
36:33First of
36:34all,
36:34it's not
36:35boy.
36:36My name's
36:36Chris Wilson.
36:37He's
36:37Chris Wilson,
36:38a music
36:39star.
36:40A music
36:41star?
36:42Hanging out
36:42in this slum
36:44with an
36:44unemployed
36:45waitress
36:46and your
36:46bastard
36:47daughter.
36:48Sure,
36:49buddy,
36:50you're
36:50Chris Wilson.
36:51Well,
36:52hello there.
36:52I'm Taylor
36:53Swift.
36:54No,
36:54you're not.
36:55He is
36:56Chris Wilson.
36:56Look it up.
37:01Oh,
37:02my God.
37:04Oh,
37:04my God.
37:06Sophie,
37:07you're more
37:08pathetic than I
37:08thought.
37:09Hiring an
37:10impersonator
37:10to pretend
37:11to be the
37:12real thing
37:12for your
37:13kid's
37:13birthday.
37:16What the
37:17hell?
37:19Now,
37:20listen carefully.
37:22I don't
37:22appreciate
37:23you holding
37:24the rent
37:24over these
37:25nice ladies'
37:25heads.
37:26That ought to
37:26hold you off
37:27for a little
37:27bit,
37:27huh?
37:29Now,
37:29if you'll
37:30excuse us,
37:31it's this
37:32young lady's
37:32birthday,
37:33so beat it.
37:35You're a
37:36very mean
37:36lady,
37:37and my
37:37mother will
37:38kick your
37:38A one
37:39day.
37:40She's
37:40right.
37:41Walk away
37:42or she'll
37:43kick your
37:43A.
37:49Give me
37:49some.
37:51Thanks,
37:52Chris.
37:53You got
37:53it,
37:53Soph.
37:54Okay,
37:55that's it.
37:56Just tell
37:57him.
37:58Listen,
37:59I'm...
37:59Oh,
38:00sorry.
38:02Yeah.
38:05Yeah.
38:09Unfortunately,
38:10I got to
38:10head back.
38:11Made some
38:11people really
38:12mad.
38:14But you're
38:14awesome,
38:15you're talented,
38:16and you're
38:16beautiful,
38:18just like
38:18your mom.
38:20All right,
38:21I gotta go.
38:22Oh,
38:22wait,
38:22come.
38:32well,
38:33you two enjoy.
38:34Save some cake
38:34for me,
38:35huh?
38:36Hey,
38:38what did you
38:39tell him?
38:39It's a secret.
38:41I
38:41reached it all,
38:42let's go.
38:47I
38:47apologize
38:47for the
38:48shoot.
38:49I know
38:49it was
38:49unprofessional.
38:51Yes,
38:52I will speak
38:52to him,
38:53I promise.
38:55I'm gonna
38:55call you
38:56back.
38:58What the
38:59hell were
38:59you thinking?
39:03It's the
39:03girl's birthday,
39:04Maggie,
39:05and she's
39:05my number
39:05one fan.
39:07Didn't you
39:07say that,
39:08uh,
39:08the fans are
39:09the most
39:09important part?
39:10Don't be a
39:11smartass,
39:12Chris,
39:12it's not
39:12funny.
39:13Am I the
39:13only one here
39:14that cares
39:14about your
39:14career?
39:15I mean,
39:16the album
39:16that you
39:16were supposed
39:17to be
39:17recording
39:17seems less
39:18important to
39:18you than
39:19this woman.
39:20Listen.
39:20No,
39:21you,
39:21listen.
39:23Now,
39:23I got a
39:23very special
39:24guest to
39:24come record
39:25a song with
39:25you,
39:26okay?
39:27And I
39:27worked my
39:28ass off to
39:28get him
39:28here.
39:29Who?
39:29Who's the
39:30best agent
39:30in the world?
39:31You.
39:32Who is it?
39:33Frank Nelson.
39:35Where is he?
39:36I'm coming,
39:37I'm coming.
39:38Holy hell.
39:39Hey,
39:39man.
39:39Frank Nelson.
39:40Hey.
39:42You're my
39:43idol,
39:43man.
39:44Your drumming
39:45is legendary.
39:46Oh,
39:46man,
39:46I can say
39:47the same
39:47about you.
39:48Green Eyes
39:48is a work
39:49of genius.
39:50It'd be my
39:51honor to chip
39:52in on some
39:52drums for
39:52your new
39:53album,
39:53man.
39:54Well?
39:55Hey,
39:55I'll take
39:56that as a
39:56yes.
39:57Yeah,
39:58hell yeah,
39:58man.
39:59All right,
39:59well,
39:59let's get started
40:00then,
40:00brother.
40:00Yeah,
40:00let's get
40:01down to the
40:01studio right
40:01now.
40:02no,
40:03first,
40:03we're going
40:03to start
40:04with drinking,
40:04and only after
40:05we drank
40:05way too much
40:06then we go
40:07to the studio.
40:09That's how
40:10real musicians
40:10work.
40:11All right,
40:11thanks,
40:12Maggie.
40:12Come on,
40:13buddy,
40:13we got a song
40:13to write.
40:15You should
40:16have seen
40:17Chris and
40:17Zoe today.
40:19Oh,
40:19my God.
40:21If only they
40:21both knew
40:22that he was
40:22her real dad.
40:24Sophie,
40:25every moment
40:26you avoid
40:26telling him
40:27just makes
40:28it more
40:28complicated.
40:30You know
40:30how these
40:31second-chain
40:31stories go.
40:33They always
40:33have a happy
40:34ending with
40:35sex,
40:36romance,
40:37kissing.
40:38So what
40:38are you
40:39waiting for?
40:42I don't
40:43know.
40:46I do
40:46think he
40:47still cares
40:47about me,
40:49but I
40:50also think
40:50he's never
40:51fully forgiven
40:51me for what
40:52I did
40:52all those
40:52years ago.
40:55And maybe
40:56his agent
40:56is right,
40:58and telling
40:58him about
40:59Zoe now
40:59would just
40:59complicate
41:00everything.
41:00I have
41:01an idea.
41:04Zoe's
41:04going to a
41:04sleepover
41:05after the
41:05party,
41:05right?
41:06You're
41:07about to
41:07blow off
41:07some steam.
41:08We're
41:09going to
41:09go get
41:09a drink
41:09at the
41:10only bar
41:10in town
41:10tonight.
41:11No,
41:12I'm not
41:15exhausted and
41:15I don't
41:16want to
41:16see Tony
41:17and all
41:17that.
41:18No,
41:18I'm not
41:18doing it.
41:19Nope.
41:20We're
41:20going out
41:20tonight and
41:21you're
41:22about to
41:22get some
41:22action.
41:23And what
41:23exactly do
41:24you mean by
41:24action?
41:25Oh,
41:26you know
41:26what I mean.
41:26Okay.
41:29Hi,
41:30handsome.
41:31You need
41:31some
41:31company?
41:35I get
41:35it.
41:36Still hung
41:37up over
41:37stupid,
41:38ugly
41:38Sophie.
41:39You
41:39really
41:39think
41:40you
41:40two
41:40have
41:40something
41:40special?
41:41What do
41:42you want,
41:42Tony?
41:43Didn't she
41:43sleep with
41:44your drummer
41:44years ago
41:45and cuckold
41:45you?
41:47You
41:48can't teach
41:48an old
41:48dog new
41:49tricks.
41:49She's
41:50at it
41:50again
41:50with
41:51Frank.
41:52How
41:52about
41:52I
41:53play you
41:53like a
41:54drummer?
41:54Come
41:55on,
41:55I'm a
41:56friend of
41:56curses.
41:57Let me
41:57take
41:57you
41:57for a
41:57ride.
42:00What
42:00the
42:01fuck,
42:01bitch,
42:02do you
42:02know
42:02who I
42:02am?
42:04Bitch,
42:05I'm
42:05gonna
42:05fucking
42:05kill
42:06you.
42:08Sophie,
42:09I think
42:09we should
42:09get over
42:09here.
42:10This is
42:11karaoke
42:11time.
42:13First
42:14on the
42:14stage is
42:15a local
42:15girl,
42:16Sophie
42:17Baker.
42:18Come
42:18on up
42:19and
42:19sing.
42:22Don't
42:22be
42:22modest,
42:23Sophie.
42:23I
42:23hear
42:24that
42:24you
42:24have
42:24the
42:25voice
42:25of
42:25an
42:26angel.
42:26How
42:27else
42:27could
42:27you
42:27be
42:27the
42:28muse
42:28to
42:28the
42:28legendary
42:28Chris
42:29Wilson?
42:30Come
42:31on,
42:31y'all,
42:31get her
42:32up
42:32here!
42:33Sophie!
42:34Sophie!
42:40Sophie!
42:41Sophie!
42:42Sophie!
42:43Sophie!
42:44Sophie!
42:45Sophie!
42:45Sophie!
42:46Ah!
42:47Woo!
42:53Woo!
42:55Woo!
42:55In fields of gold where shadows play
43:01Her laughter dance is swaying
43:07With her soft
43:14Well that wasn't very nice
43:17We've got a beautiful lady up here with her beautiful green eyes and a moderately good voice
43:24Let's give it up for Sophie
43:31So y'all want to hear a duet?
43:45So y'all want to hear a duet?
44:05You know, she's telling everyone she felt your crotch when she meets you in the balls
44:11She says you have a tiny dick
44:13And that's why she rejected you
44:16What?
44:17She did?
44:20Boo! Show us your tits, woman!
44:24What the hell are you doing, Frank?
44:26Your muse is a slut
44:29You want to take that back?
44:30He's not worth it, okay?
44:32You're a lousy one hit wonder, Chris Wilson
44:36And I know why
44:39Your little slut muse is your Yoko Ono
44:43Take that back
44:47Take that back
44:48It's no wonder you haven't had a hit in years
44:50That bitch ruined you
44:53You know, and I don't get it, man
44:55She lives in a slum
44:56She pushed out a welfare baby
44:59She can't be that sweet
45:08Is that all you got?
45:14That's no way to talk to a lady, Frank
45:17Apologize
45:18You just beat the hell out of a music lesson
45:20If on camera
45:22Was Sophie worth a career suicide?
45:29Hey!
45:30Stop! Look at me!
45:31It's all worth it!
45:32Come on!
45:32You just committed career suicide
45:36And piss off, Tony!
45:38This is all your fault!
45:39My fault?
45:40I own this place!
45:41She's not even supposed to be here!
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