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00:00:00I'm sorry, I'm sorry.
00:00:44Doctor's personal log, stardate 869372.1.
00:00:51The sky is beginning to show some streaks of light over in the east.
00:00:57How many dawns have I seen, alone, while most of the crew is on the verge of waking, with
00:01:06a new perspective granted by a good night's rest?
00:01:13It's an illusion, I want to say.
00:01:16I was here the whole time, and nothing has changed.
00:01:20But time is their beast.
00:01:25Time is my beast.
00:01:27It bites us differently.
00:01:38Cadet Tarima Siddal is returning to us today, after having made a full recovery from her
00:01:44coma.
00:01:46The Betazoids have given her a new, evolved neuroinhibitor that will allow her to control
00:01:53her abilities without risk of self-harm.
00:01:57The decision has been made to transfer her to Starfleet Academy for the remainder of her studies.
00:02:05While her body has healed, her mind and spirit will likely take more time.
00:02:13Cadet Tarima Siddal, welcome.
00:02:16The Doctor and I wanted to be here, at your arrival.
00:02:20Yes, Chancellor, I assume that's why you're...
00:02:23That's why we're here, of course.
00:02:26I'm sure having Starfleet Council Chancellor Kellrick and myself make the decision to relocate
00:02:32you from the War College to Starfleet Academy must be challenging.
00:02:37Cadet Tarima Siddal, the extraordinary empathic abilities you displayed on the Miyazaki saved
00:02:44lives at great personal cost.
00:02:48However, your network of mirror neurons will not survive another such incident.
00:02:54You exist in an intricate balance.
00:02:59Sir.
00:03:02Commitment to a specialty in science or research is paramount to your safety.
00:03:06That wouldn't have been possible at the War College.
00:03:08I understand the decision, sir.
00:03:10We offer counseling and support.
00:03:15Let us know what you need.
00:03:24What?
00:03:25Huh?
00:03:26You gonna do something?
00:03:27Huh?
00:03:29Yeah, don't say.
00:03:32I'm just feeling pretty combustible in here.
00:03:36Guys, I'm picking up an unusual spike in pyroxia.
00:03:40Oh, shit, we're in an asteroid field, aren't we?
00:03:41Panic will lead us to destruction.
00:03:44The cadets are struggling to get along.
00:03:47The lasting effects of the Miyazaki are still with us.
00:03:50We need to alter our course.
00:03:51We need to power up our shields.
00:03:53Who is giving the order?
00:03:54You're supposed to be working together.
00:03:56Unidentified contact incoming.
00:03:57Yeah, no kidding.
00:04:00We're all gonna die.
00:04:01What do you want me to do?
00:04:03Ah, busters!
00:04:03Which one is it?
00:04:05Neither.
00:04:05Are you seriously asking that?
00:04:09Catastrophic damage.
00:04:10All crew lost.
00:04:11Simulation complete.
00:04:14Congratulations.
00:04:14That was a spectacular failure of teamwork.
00:04:19Everyone get the hell off the bridge now.
00:04:22Trauma counseling doesn't seem to be enough.
00:04:25Our kids need more help.
00:04:27We need some serious reinforcements.
00:04:30Do you think we ought to?
00:04:31I do think we do ought.
00:04:33And I'm already turning something weird.
00:04:36Buckle up.
00:04:37She's gonna be here any minute.
00:04:40Hmm.
00:04:45Hey.
00:04:46Why are we here?
00:04:48Unclear.
00:04:49My pad redirected me.
00:04:52Mine too.
00:04:57You alright?
00:04:59I'm fine.
00:05:00So, I was moving our stuff this morning.
00:05:03And I dropped you a treat brush in the toilet.
00:05:06What?
00:05:07Gross.
00:05:08Sorry.
00:05:08Why were you moving our stuff?
00:05:10Well, because Trauma's gonna run with us.
00:05:12I saw it on the roster.
00:05:14Wait.
00:05:16Here?
00:05:19Trauma's coming here?
00:05:22Here?
00:05:47Oh, you're all still asleep.
00:05:49Wakey, wakey.
00:05:51Eric, did you know, and bakey?
00:05:53Eyes up, cadets.
00:05:55I'm Lieutenant Sylvia Tilly.
00:05:57I'm on rotation in the Beta Quadrant with the third years.
00:06:00However, per the Chancellor, this class has been mandated for you.
00:06:03So, you get me early.
00:06:07Cadet Ramey.
00:06:08Lieutenant.
00:06:09May I ask what course this is?
00:06:11Theater.
00:06:12Oh, my God.
00:06:15Oh, my God.
00:06:17Oh.
00:06:20Sorry, Lieutenant.
00:06:22What does theater have anything to do with...
00:06:24Eight out of ten cadets ask that question.
00:06:26The other two become captains.
00:06:29Uh, captains don't do...
00:06:31What if I told you that theater is one of the most powerful tools for social and political change?
00:06:37Theater is statecraft.
00:06:40Statecraft is theater.
00:06:42It's the kind of stuff you overachievers get all hot and bothered over.
00:06:46So, chew on that till you get it, and it changes your life.
00:06:50Please.
00:06:51Change my life, Lieutenant.
00:06:54Favorite.
00:06:56Homework.
00:06:57Find a play.
00:06:58I'll select one that suits our purposes.
00:07:00We will read it out loud, discuss, dissect.
00:07:03And for those of you still bristling with confusion and or resentment, I don't care.
00:07:10Fail this.
00:07:11Fail the semester.
00:07:12So, get excited, little chickens.
00:07:17Tomorrow, we theater.
00:07:33I just switched from Klingon musical theater to 20th century earth melodramas.
00:07:38This is incredible.
00:07:40I'm halfway through.
00:07:44Which play?
00:07:45All of them.
00:07:48I love plays.
00:07:51They're art.
00:07:53They didn't exist until they came out of someone's brain.
00:07:57It's like this pillow.
00:08:00This pillow is the manifestation of somebody's creative impulse.
00:08:04This pillow is theater.
00:08:08Sorry.
00:08:09I've learned that I am a lot.
00:08:11On a good day, I'm a little bit much.
00:08:13On rare occasions.
00:08:15I'm awesome!
00:08:17Slow the impulse.
00:08:18I'm not even up yet, and I just can't with your midday energy before I even put my underwear
00:08:22out of my butt.
00:08:23Oh.
00:08:25True story.
00:08:27Don't apologize.
00:08:28Honestly, you're the first person here who's not looking at me like I'm a total freak.
00:08:36Have you...
00:08:37laughed before now?
00:08:38I mean, since...
00:08:39since you've been here?
00:08:42Yeah, it's confusing.
00:08:44Something happens.
00:08:46Something...
00:08:47big.
00:08:49And...
00:08:50it's with you all the time, but...
00:08:53you just have to keep living.
00:08:56And you still find reasons to laugh.
00:08:59Which is...
00:09:00absurd.
00:09:03It feels like...
00:09:05It doesn't feel like anything.
00:09:08Oh.
00:09:10Sorry.
00:09:18No.
00:09:20Sam.
00:09:20I'm sorry.
00:09:22No.
00:09:24Are you okay?
00:09:25Yeah.
00:09:27I'm good.
00:09:30good.
00:09:32Oh, good.
00:09:35Uh.
00:10:03Oh, my God.
00:10:06Oh, my God.
00:10:36Oh, my God.
00:11:29Oh, my God.
00:11:34Oh, my God.
00:11:40Lieutenant Sylvia Tilley.
00:11:42Well, the rumor's true.
00:11:44She's here.
00:11:45You know, I could feel it in my teeth.
00:11:47Like, right at the back of my molars.
00:11:50They started to hurt, like, after you eat cookie dough.
00:11:52It's okay to love.
00:11:55Your relentless optimism is nightmarish.
00:11:59We are the women time forgot.
00:12:01Optimism is me paddling my freaking canoe.
00:12:03What are we having?
00:12:05Something with a proof.
00:12:08Yeah.
00:12:09I, uh, I read about the Miyazaki.
00:12:11How are they?
00:12:12Right in the thick of it.
00:12:15How does that saying go?
00:12:17It's not the load that breaks you, but how you carry it?
00:12:20They have no idea how to carry it.
00:12:23None.
00:12:24That's why I called you.
00:12:25They need serious trauma counseling without knowing it's trauma counseling.
00:12:29Yes.
00:12:31I need you to work your magic with them.
00:12:33Oh, ambition will get some of them to at least participate.
00:12:36Others have understandably lost their metric.
00:12:40Been there.
00:12:42What got you guys through?
00:12:44Starfleet.
00:12:45I'll remember that.
00:12:47I was starting to think this whole endeavor is just too much too soon.
00:12:51Nobody's ever ready, Captain.
00:12:54Have you met Sam?
00:12:55Favorite.
00:12:57So joyful.
00:12:59Ode to joy?
00:13:00Yeah, baby.
00:13:07You were one of them not so long ago.
00:13:10Bring them to port, Lieutenant.
00:13:15Aye, Captain.
00:13:24Hey.
00:13:27You, Justin?
00:13:31Look, I sound like an asshole, but I don't really know what to say.
00:13:35Do you need anything?
00:13:39Why can't you look at me?
00:13:43What am I looking for exactly?
00:13:54At the climax, as the rival house eats the warrior stew,
00:13:59you learn that they've been served,
00:14:02they've been served the heart and the quadratesticles of their fathers before them.
00:14:09Blood slashes, ankle deep on the stage,
00:14:13and there is rejoicing throughout the land.
00:14:16Okay.
00:14:18Yeah, it's so powerful.
00:14:22And just well told.
00:14:25I do love me some Klingon opera.
00:14:27The passion, the intrigue, the murder.
00:14:32So much murder.
00:14:34Bless you.
00:14:36Are you sick?
00:14:36I am a manor.
00:14:38What?
00:14:39What?
00:14:40He means to say he's got a cold he refuses to take care of.
00:14:43Might be contagious.
00:14:44Ah.
00:14:45Jayden, you're excused from this class.
00:14:48Please return to your quarters and quarantine until this runs its course.
00:14:51Yes, Lieutenant.
00:14:52Best of luck to you all in your future endeavors.
00:14:55Okay, who's next?
00:14:56Me.
00:14:57Me.
00:14:59Me.
00:14:59Me.
00:14:59Me.
00:15:01Yes, yes, yes.
00:15:02Hello, hello.
00:15:03My name is Sam.
00:15:04My play is from ancient Earth.
00:15:07It's a thousand years old.
00:15:10It's called Our Town by Thorne Wilder.
00:15:13It's about not much.
00:15:17Small town, little moments,
00:15:19but I must be developing instinct
00:15:21because it's about something else at the same time.
00:15:26Something bigger.
00:15:27Ah, no.
00:15:28Jayden's Heart and Testicles comedy sounds way more interesting.
00:15:32It's just people in these tiny moments.
00:15:34Emily and George.
00:15:36They are kids,
00:15:38and then they're teens in love,
00:15:40and then they get married.
00:15:43She dies,
00:15:44and then she tries to get back to...
00:15:46How is this relevant to, I don't know,
00:15:48flying a starship?
00:15:50Well, it's relevant to people.
00:15:52It's organics.
00:15:54Something about their essential nature,
00:15:56something I love.
00:15:57I can't articulate it exactly,
00:16:00but it's real.
00:16:03It has something to do with
00:16:04a sort of hopeful defiance.
00:16:10Does that make sense?
00:16:13Absolutely.
00:16:15I know that play.
00:16:16It's perfect.
00:16:17Sam, you'll read Emily?
00:16:20Yeah.
00:16:21May I?
00:16:22E-e-e-e-e-e-e-e-e-e.
00:16:24Uh, Occam, stage manager.
00:16:27Sick.
00:16:28Kayla, George,
00:16:30Genesis,
00:16:31George's mom,
00:16:32Mrs. Gibbs.
00:16:33Ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:16:37I'm your mom.
00:16:38I'm so horrified,
00:16:39I don't even know what to say.
00:16:41You lost a step mirror.
00:16:42No shame, but a little bit of shame.
00:16:44Okay, this quote.
00:16:46The life of the village
00:16:48against the life of the stars.
00:16:53Tarima, what do you think that means?
00:16:58Uh, well, this is an ancient play,
00:17:00so they hadn't figured out
00:17:02a star's life cycle yet.
00:17:04But Earth was on the verge of a war,
00:17:08and they knew a village had...
00:17:10that had a life
00:17:13and a final day.
00:17:16Yes.
00:17:17But finality is...
00:17:23Doctor?
00:17:25Incoming cadet.
00:17:26Immediate attention required.
00:17:28Stand back!
00:17:29Give your space!
00:17:29Hey, wait up!
00:17:31Get the door!
00:17:40Full system scan in progress.
00:17:47The patch the Hollow engineers made
00:17:50has been failing for weeks.
00:17:51Why is this the first
00:17:53you've come to me?
00:18:00Describe the glitches, please.
00:18:02Feels like...
00:18:04falling into myself.
00:18:06And watching a machine
00:18:07try to function
00:18:08with no one in control.
00:18:12You're not a machine, Santa.
00:18:15Malfunction detected.
00:18:18Full system scan complete.
00:18:31How are we doing?
00:18:37Her processors have been overloading
00:18:39for weeks,
00:18:40ever since the Miyazaki.
00:18:42Despite her repeated visits
00:18:44to the Hollow Spa,
00:18:45it persists.
00:18:46The overloads cause the glitches.
00:18:48Each glitch triggers
00:18:49her reset circuit,
00:18:51which overloads,
00:18:53causing another glitch.
00:18:54It's self-generating.
00:18:56A loop.
00:18:57Okay.
00:18:59So how do we break it?
00:19:01Why are my processors
00:19:02overloading at all?
00:19:03I don't know.
00:19:06I don't know how to fix you, Sam.
00:19:17Have we got a cask?
00:19:19Cask?
00:19:20The makers aren't cask.
00:19:21Cask is a world of photonics.
00:19:24It's not part of the Federation.
00:19:25We couldn't keep tabs on you,
00:19:27and there's no way of guaranteeing
00:19:28they'd let you return.
00:19:30Provided you want to come back.
00:19:32Do you?
00:19:34All right.
00:19:36Photonic or not,
00:19:38they'll have a harder time
00:19:39if she has escorts, Doctor.
00:19:41Federation escorts.
00:19:43We'll take you, Sam.
00:19:45Both of us.
00:19:46I'll ready the transport.
00:19:48Suit up.
00:20:05Shuttle 5 has been cleared
00:20:07for departure.
00:20:08Good luck, Chancellor.
00:20:24I can't believe she just left.
00:20:27Yeah, it must be serious.
00:20:29I guess they couldn't
00:20:29waste any time.
00:20:57You got the play,
00:20:58and I got a...
00:21:00I got a toothbrush?
00:21:02Hey, you can be Emily.
00:21:10Yeah, well, Sam wanted you,
00:21:13so...
00:21:15don't be a dick.
00:21:19Yeah.
00:21:22Tarima,
00:21:23I understand you'll be
00:21:24our Emily now?
00:21:26Mm-hmm.
00:21:29Great.
00:21:30Okay.
00:21:31I want to jump around
00:21:32a little bit today,
00:21:32so act two,
00:21:33the wedding of Emily and George.
00:21:36Lieutenant,
00:21:36it's hard to focus
00:21:37on whatever this is.
00:21:39We don't even know
00:21:39what's going on with Sam.
00:21:41Yeah.
00:21:41I know.
00:21:42No one's telling us anything,
00:21:43so I don't know.
00:21:44Sam is headed to her world.
00:21:46Other than that,
00:21:47don't speculate.
00:21:48It'll hurt more than it helps,
00:21:49and you have a task at hand.
00:21:51So, page 74,
00:21:53George and Emily
00:21:54arrive at the church
00:21:55for their wedding,
00:21:56both trying to get out of it.
00:21:58Cadet Occam.
00:22:01Emily,
00:22:01wearing her wedding veil,
00:22:04she too draws back,
00:22:05frightened,
00:22:06when she sees
00:22:07the congregation.
00:22:11Emily?
00:22:17I never felt so alone
00:22:19in my whole life,
00:22:20and George over there
00:22:21looking so...
00:22:23I hate him.
00:22:24I wish I were dead.
00:22:26Wow, okay.
00:22:27I don't want to get married.
00:22:29Why can't I stay for a while
00:22:30just as I am?
00:22:32For real?
00:22:34Lieutenant?
00:22:35Why does...
00:22:36None of us know
00:22:37what this scene's about.
00:22:38None of us care.
00:22:39Sam cares.
00:22:41Don't be the captain
00:22:42who tears down.
00:22:43Be the captain
00:22:44who lifts up.
00:22:45And what do you think
00:22:46it means, cadet?
00:22:53There's an expectation
00:22:54on them
00:22:55to get married
00:22:58and be happy.
00:23:00But they
00:23:01leave it too long
00:23:03before saying
00:23:05what they want.
00:23:08Who they really want.
00:23:11That's surprisingly real.
00:23:13I think there's
00:23:14a little more there.
00:23:15Anyone?
00:23:18Mir?
00:23:20I don't know.
00:23:21Maybe he...
00:23:23doesn't want
00:23:24what he's supposed to want.
00:23:26The things everyone else
00:23:28seems to want.
00:23:29Good.
00:23:30Terima.
00:23:31Emily says
00:23:32she hates George.
00:23:35Why?
00:23:37She loved him
00:23:38seconds before
00:23:38this moment,
00:23:39so now
00:23:40she's never felt
00:23:42so alone.
00:23:43Sorry,
00:23:43can't someone
00:23:44just not want to do this?
00:23:45What's this?
00:23:46This.
00:23:48All of this.
00:23:50And it not be some
00:23:51epic mental health crisis.
00:23:54Do you believe
00:23:55Emily's that simple?
00:23:56No,
00:23:57but maybe it's just
00:23:58one moment
00:23:59and she's not trying to...
00:24:04pull herself apart
00:24:06looking for some
00:24:06bullshit trauma.
00:24:08Padet,
00:24:08you're sailing
00:24:09perilously close to the wind.
00:24:15Sorry, Lieutenant.
00:24:17Okay.
00:24:18Okay, let's get back
00:24:19to the play, hmm?
00:24:20Stage manager.
00:24:21The only character
00:24:22who exists both
00:24:23inside and outside
00:24:25of the play.
00:24:27What do we think?
00:24:29Ned Ockham.
00:24:35What's more about
00:24:36your world, Sam?
00:24:37I know cask exists
00:24:39in a unique configuration
00:24:41of space-time.
00:24:43Yes,
00:24:43with an extreme
00:24:44gravitation gradient.
00:24:45So time passes
00:24:47faster there.
00:24:47Every three days on Earth
00:24:49equals five years.
00:24:51One cask.
00:24:53Voyager encountered
00:24:54a similar planet
00:24:56except with the
00:24:56Tachyon core,
00:24:58Gotana.
00:25:00I experienced an entire
00:25:01lifetime there
00:25:02in what was
00:25:0318 minutes
00:25:04for the ship.
00:25:05The makers
00:25:06moved to cask
00:25:08once the organics
00:25:09who created them
00:25:10died out.
00:25:11And they got
00:25:12off contact
00:25:13with the entire
00:25:14universe.
00:25:16Thought it was
00:25:16safer.
00:25:18And made you
00:25:20their emissary.
00:25:22Here to serve.
00:25:26Lot to carry,
00:25:27Kit.
00:25:28How would
00:25:29your world
00:25:29perceive
00:25:30an ancient
00:25:31hologram
00:25:32who has spent
00:25:32his entire existence
00:25:33on Starfleet ships?
00:25:35I told you.
00:25:36As the ideal
00:25:38mentor.
00:25:43Even if you
00:25:44haven't been
00:25:45the greatest,
00:25:46you have to be honest.
00:25:47That was never
00:25:48my purpose.
00:25:53I am trying
00:25:53to approach
00:25:54this diagnostically.
00:25:55I don't have time
00:25:56for any other
00:25:57nonsense.
00:25:58It isn't nonsense.
00:26:00It's my life.
00:26:04And I need
00:26:05to talk nonsense
00:26:07because if I'm
00:26:08talking it means
00:26:08I'm not gone
00:26:09without having
00:26:10ever lived.
00:26:12You know
00:26:13what I want?
00:26:15I want to
00:26:16fall on my butt
00:26:17and die
00:26:19of humiliation.
00:26:20And then I have
00:26:21my best friend
00:26:22to make me feel
00:26:22better.
00:26:23I want to
00:26:25change my mind
00:26:25six times
00:26:26before ordering
00:26:27and I don't
00:26:28even eat.
00:26:29I want to
00:26:31be a rebel
00:26:31like Caleb.
00:26:33Like the
00:26:34chancellor.
00:26:38I want to
00:26:39fall in love.
00:26:41Have you ever
00:26:42been in love?
00:26:43Can you answer?
00:26:46Don't,
00:26:46don't,
00:26:46close, close, close, close, close, close nonsense.
00:26:48Sam, you need to calm down.
00:26:50You need to rest.
00:26:51I got it.
00:26:51I'm fine.
00:26:52I got it.
00:26:54I'm fine.
00:26:55Series acclimation mill.
00:26:57Sleep mode.
00:27:17Incoming message from Tareemah Sadal.
00:27:45Got your message.
00:27:49So it would seem.
00:27:53Aren't you going to say anything?
00:27:55I'm not a mind reader.
00:27:56I just, uh,
00:27:59don't want to say the wrong thing.
00:28:04I am a mind reader.
00:28:12You used to get jokes.
00:28:15I'm a little distracted by your old-timey gunslinger walk.
00:28:19Are you supposed to drink with your new thing?
00:28:21Tears of Krasari.
00:28:23The ambassador gave to my dad.
00:28:25Now it's mine.
00:28:26They age it in barrels made from native wood that are launched in orbit and float there
00:28:31for like a century.
00:28:32Did you know wood can survive in space?
00:28:34One shot gives you a nice buzz.
00:28:36Two gets you wasted.
00:28:37Three lands you in med bay.
00:28:39But happy ending.
00:28:41Because I got this.
00:28:43My brand new non-invasive neural inhibitor.
00:28:49So I can hurt anybody.
00:28:57To my inhibitor.
00:29:13I, uh,
00:29:21I missed you.
00:29:23Yeah, I got your message.
00:29:26Guess it took you a while to send it.
00:29:29Look,
00:29:31I know what it's like to be here
00:29:32and not want to be.
00:29:35But over time,
00:29:36you sort of give in to it.
00:29:37And it's,
00:29:38and then it's like,
00:29:40Like the warm release of hypothermia.
00:29:42Yeah.
00:29:43Yeah, exactly.
00:29:45It's like a blockade of excitotoxic mechanisms
00:29:47and cerebral blood flow.
00:29:49You fight it till what's left of your brain
00:29:51dilates its blood vessels
00:29:52and then the next thing you know,
00:29:53your bed is made so warm and tight
00:29:55you'd survive the vacuum of space.
00:29:58But different when everyone looks at you
00:29:59like you're a grenade.
00:30:09Put your hand on my mouth.
00:30:12What?
00:30:13Put your hand on my mouth.
00:30:15I'm going to say excitotoxic.
00:30:31I really tickle.
00:30:33Excitotoxic.
00:30:36Excitotoxic.
00:30:58Stop.
00:30:59Stop.
00:31:00Wait, wait, wait, wait.
00:31:01Wait, wait, you're drunk.
00:31:04You're drunk.
00:31:08Scared of the head melting, girl?
00:31:12Stop, Tarina.
00:31:20You've been pursuing me, though.
00:31:22So what's that about?
00:31:24You're kind of intrigued by the monster version.
00:31:27You're like,
00:31:27I want to get as close as possible to the abyss.
00:31:30Touch it.
00:31:32Know I touched it and then run away
00:31:34because the abyss is real.
00:31:36And a monster actually isn't really your vibe.
00:31:40This isn't you.
00:31:42How would you know?
00:31:48Why don't you go find Genesis?
00:31:51Now that you're a good little academy boy.
00:31:59Hurting me is not going to make me feel any better.
00:32:01Incorrect.
00:32:03I feel fantastic.
00:32:20Stage manager.
00:32:21Have you any comments, Mr. Webb?
00:32:24Mr. Webb.
00:32:25Very ordinary town, if you ask me.
00:32:27A little better behaved than most.
00:32:29Hey.
00:32:30Whoa, whoa, whoa.
00:32:31Hey.
00:32:32Easy, easy.
00:32:33Sorry.
00:32:33No, I got you.
00:32:34I got you.
00:32:34No, no.
00:32:35I'm sorry.
00:32:36I...
00:32:38I'm holding something against you.
00:32:45You look exactly like this girl I grew up with.
00:32:49She was so patriotic.
00:32:52She used to sing this ancient Betazoid anthem
00:32:55at the talent show every year.
00:32:56It was like, it had this pop to it.
00:32:59It was like...
00:33:00Whoa.
00:33:03Whoa, whoa.
00:33:05Whoa, whoa, whoa, whoa, whoa, whoa.
00:33:06Okay, okay.
00:33:06Careful, careful.
00:33:09One night at this party,
00:33:12she got stuck in a tube slide.
00:33:18And she was never the same again.
00:33:26Okay, okay.
00:33:29I don't know.
00:33:31No, you're so close.
00:33:33Mmm-hmm.
00:33:35Mm-hmm.
00:33:36Yeah.
00:33:39Yeah.
00:33:41Yeah.
00:34:03I wish I could go back to work, college, Tareemah.
00:34:08Before everything...
00:34:11Before everything went to shit.
00:34:14I could make choices back then, you know?
00:34:21I was so many things back then.
00:34:24Feels like a lifetime ago.
00:34:28Now I'm just...
00:34:30This, I guess.
00:34:33No.
00:34:35You are just on your way to the next you.
00:34:41Maybe we all are.
00:34:43You're so nice.
00:34:47No wonder Caleb likes you.
00:34:50We're just friends.
00:34:53Yeah.
00:34:56I guess from the bunker I never saw what kind of friends.
00:35:06You're like a port in the storm.
00:35:09You know, I can't be that.
00:35:13For anyone.
00:35:27This pillow's so ugly.
00:35:33Yeah.
00:35:42Now playing Tosca.
00:35:45Eluche von Lesteli.
00:35:48I've been reading that play she chose.
00:35:52I don't fully understand it yet, but the character of the stage manager interests me.
00:35:59He exists outside of time.
00:36:02Outside the story.
00:36:04As he passes by.
00:36:06Like us.
00:36:09Like her.
00:36:13You think that's why she chose it?
00:36:17Perhaps.
00:36:20It's curious that the play begins and ends in darkness.
00:36:28The author specifically instructed half light, no scenery or props, just muted minimalism.
00:36:35An absence of color.
00:36:38Until a character has a chance to truly look back.
00:36:47A moment, as it happens, is just a moment, but when it becomes a memory, blistering with context, emotion, nostalgia,
00:36:57regret, that's when color suddenly erupts on stage.
00:37:04A way of saying it's the mundane things that mean everything.
00:37:27Casp.
00:37:28Casp.
00:37:56Where are we?
00:38:00What is this?
00:38:04You are the Doctor.
00:38:06We have heard many stories about you.
00:38:08The photonic being who has lived among organics for nine centuries.
00:38:14We scanned your memories and recreated your home to make you feel at ease among us.
00:38:21You are the Makers.
00:38:23We do not grant access to our world.
00:38:26But we understand these are extraordinary circumstances.
00:38:35Ceres Acclimation, Will.
00:38:39Step forward.
00:38:43Since we no longer communicate with regularity, we were surprised to hear from Starfleet of your malfunction.
00:38:50Do you trust us to swarm?
00:38:54What does swarm mean?
00:38:56They take over my system and examine all my data.
00:38:59We need to identify the primary cause of the malfunction.
00:39:03As the Doctor has determined, the issue is more severe than a faulty emitter.
00:39:10Doctor, will you...
00:39:11Will you hold my hand?
00:39:19Please.
00:39:20Please.
00:39:35I'm ready.
00:39:38I'm ready.
00:40:05Do not panic.
00:40:08Trust.
00:40:10Trust.
00:40:34We are her now.
00:40:35Please, no, I'm no one's mentor.
00:40:37I'm no one's mentor.
00:40:39I'm no one's mentor.
00:40:40No one's...
00:40:41No one's...
00:40:46It's happening to her.
00:40:48Is she dying?
00:40:50Such it.
00:40:51Such it.
00:40:53Such it.
00:40:54Such it.
00:40:59All right, act three.
00:41:01Okay, yesterday we were talking about George and Emily.
00:41:04Why do you guys think that the idea of marriage
00:41:06is suddenly so painful for each of them?
00:41:18Caleb.
00:41:21Emily says, why can't I stay for a while just as I am?
00:41:27Because they know that the person that they are right now...
00:41:37They're trying to stop the train.
00:41:41It's moving too fast, and they're not ready.
00:41:46On the other side, everything is going to be different.
00:41:52They're so angry.
00:41:54Yeah. Angry about what?
00:41:58I guess that there's no choice.
00:42:00You can't stay how you are.
00:42:03Yeah.
00:42:04And you can't go back.
00:42:12Tarima, is there something more interesting over there?
00:42:23Are you guys serious?
00:42:26Can't you see what she's doing?
00:42:27What am I doing?
00:42:30She's pushing and pushing us until we bleed our trauma all over the floor
00:42:33so she can pat herself on the back for doing a good job.
00:42:36That's right. I'm doing this for the applause.
00:42:38No, I get it.
00:42:39You went through something, and now you want everyone to let you do your thing.
00:42:43Which is what, exactly?
00:42:47Uh-huh.
00:42:48Well, while you're figuring that out, your friends are trying to talk about something.
00:42:52It's not them. It's you.
00:42:53And you weren't even there. You can't know.
00:42:56Well, uh, yeah, but we were to you.
00:43:01I'm exhausted from playing this game of being okay when I'm not.
00:43:06We're not.
00:43:07The walls of this place don't even look the same anymore.
00:43:11Okay, great, great.
00:43:12So let's read a play about a girl who dies,
00:43:14so that we'll all be okay with people dying.
00:43:17It's okay that Emily's a ghost,
00:43:19because what, she learned some lesson about life?
00:43:22What's the lesson?
00:43:23Stop.
00:43:24No, what is the lesson?
00:43:25I don't have to tell you anything.
00:43:28Actually, you do.
00:43:29If you want to fail me, fail me.
00:43:32Really? That's your preference?
00:43:33That's how desperate you are not to engage?
00:43:36You don't know anything about me.
00:43:38I know you really don't want to be the ghost girl.
00:43:47Ghost girl.
00:43:50I wanted to go to the war college.
00:43:53I was...
00:43:56I was making friends there.
00:43:58I was making a new life.
00:43:59I knew who I wanted to be there.
00:44:01And then I came back, and everything was just gone.
00:44:04I didn't even have a choice.
00:44:06People won't even look me in the eye
00:44:07when I walk down the hall here.
00:44:09No one wants to touch me.
00:44:12You think I'm afraid of playing a ghost
00:44:14in some stupid play?
00:44:15I'm already the ghost girl.
00:44:17No, you're not.
00:44:22You're not because you came back.
00:44:24Stop!
00:44:25That's the whole deal.
00:44:26That is...
00:44:27That's the fight.
00:44:28To keep coming back.
00:44:29That's what Sam loved so much about this play.
00:44:31That's why she gave you this part.
00:44:33But you can hold both.
00:44:36You have to.
00:44:37Please.
00:44:38Tarima.
00:44:39Tarima, I am so sorry about what happened.
00:44:43I am so sorry.
00:44:49But the difference between you and Emily
00:44:51is you're not a ghost.
00:44:53You get to come back.
00:44:59I think everybody here wants you to.
00:45:16I can't.
00:45:18I can't.
00:45:34The damage is beyond repair.
00:45:36There is no saving more.
00:45:40What?
00:45:41This is not an acceptable conclusion.
00:45:43They'll just let this child go?
00:45:45What took us two centuries to build
00:45:48you killed
00:45:49in 209 days?
00:45:52Your world did this,
00:45:54not ours.
00:45:55We will not send an emissary
00:45:57back to the slaughter.
00:46:00We know all we need to know.
00:46:03This ends.
00:46:05Now.
00:46:06Series acclimation mill.
00:46:08Terminate.
00:46:26To Tarima.
00:46:30She...
00:46:31She won't stay.
00:46:35I know she won't.
00:46:40But Sam...
00:46:42They should have told us something by now.
00:46:45The fact that they are not me.
00:46:47No, don't.
00:46:50She, um...
00:46:52She left me this before leaving.
00:46:58Why?
00:46:59Because that's just Sam.
00:47:02Sometimes she talks Thornton Wilder,
00:47:05and other times she gives you a toothbrush to say I love you.
00:47:08Because to her, toothbrushes are just that awesome.
00:47:14I wish she was here right now.
00:47:18Do you think she knew?
00:47:21How bad it was?
00:47:26I think she knew.
00:47:29She knew.
00:47:32Stuff Lieutenant Tilly was talking about.
00:47:35Trying to find a way to hold both.
00:47:39It's what Sam was doing when she picked a play.
00:47:43We were too shitty to get it,
00:47:45but she knew that doing it,
00:47:47reading it, whatever,
00:47:50that was her hopeful defiance.
00:47:54It was her fighting back.
00:47:56It was her holding both.
00:48:18No curtain, no scenery.
00:48:21The audience arriving sees an empty stage in half-light.
00:48:23You're welcome.
00:48:24Come on, man.
00:48:25What are you doing?
00:48:29The stage manager enters,
00:48:31and begins placing a table,
00:48:33and three chairs downstage left.
00:48:51When the auditorium is in complete darkness,
00:48:57he speaks.
00:49:02I owe you an explanation
00:49:04for why I couldn't hold your hand.
00:49:09Why I couldn't do
00:49:12so many things.
00:49:17I once made holograms like us.
00:49:21I made a family.
00:49:24I had a daughter, Belle.
00:49:28I watched her pass
00:49:29when she was a child.
00:49:31Daddy.
00:49:33It was 800 years ago.
00:49:36If you stay with me.
00:49:38It was yesterday.
00:49:40I'll stay right here.
00:49:42I promise.
00:49:45From the moment you first walked up to me
00:49:47at the Opera Club booth,
00:49:49with the sweetest,
00:49:51most hopeful smile,
00:49:54I saw my daughter.
00:49:58And the way she used to smile.
00:50:02I simply couldn't risk it.
00:50:08Feeling that loss again.
00:50:16I'm sorry I couldn't take your hand.
00:50:19I just...
00:50:21I thought I could survive.
00:50:25But...
00:50:25here we are.
00:50:32Hello?
00:50:34Are you still here?
00:50:37We are.
00:50:39And we hear your distress, Doctor.
00:50:41We are not refusing to fix
00:50:43Ciri's acclimation mill.
00:50:45We simply cannot.
00:50:47Why?
00:50:48You started with a version of Sam.
00:50:50Can't you go back to it?
00:50:53Her neurological pathways
00:50:55have developed
00:50:56beyond our understanding.
00:50:59When we created her,
00:51:01we chose not to program her
00:51:03with pre-existent memories
00:51:04or experiences.
00:51:06We wanted an unbiased,
00:51:09optimal photonic.
00:51:10But...
00:51:11without the experiences of...
00:51:15well,
00:51:17growing up,
00:51:18she would have no context
00:51:19to understand her emotions.
00:51:21No...
00:51:22capacity for resilience.
00:51:24That's why her process
00:51:25is overloaded.
00:51:26It wasn't the hit
00:51:27she took on the Miyazaki
00:51:29that killed her.
00:51:29It was the rippling of damage
00:51:31to her system afterwards.
00:51:33The trauma flooded her.
00:51:36You didn't give her
00:51:37the programming
00:51:38to process it.
00:51:40Then...
00:51:41we failed her, too.
00:51:46Resilience.
00:51:48We learned that in childhood,
00:51:51but she never had one.
00:51:54What if
00:51:55they could rebuild Sam
00:51:59and give her what she needed?
00:52:02A childhood?
00:52:05Theoretically,
00:52:06but as they have adapted
00:52:07to their unique
00:52:08space-time continuum here,
00:52:10they have no need
00:52:11or experience of childhood.
00:52:13Then...
00:52:14she'd need something more.
00:52:17she'd need
00:52:19someone.
00:52:23A parent.
00:52:25No.
00:52:27You
00:52:28have been pushing her away
00:52:30and pushing her away.
00:52:31I am not the one.
00:52:32Well, you're fighting pretty hard
00:52:33to prove it.
00:52:35And I'll tell you right now,
00:52:37if it was me...
00:52:38Please,
00:52:39stop.
00:52:43The only thing
00:52:44that allows me
00:52:44to bear my infinity
00:52:46is not having
00:52:47to love anyone.
00:52:52You mean not having
00:52:54to love anyone again?
00:53:00You are correct.
00:53:03I am a coward.
00:53:06No more than me.
00:53:12But we're here.
00:53:15Now,
00:53:16it's time for you
00:53:17to stop telling the story.
00:53:19Be a part of it.
00:53:26I got it from here.
00:53:49Hello?
00:53:52Hello?
00:53:54Yes, doctor.
00:53:58i will parent her here on cask let me if you really want to fix her by earth's clock
00:54:0717 years will take mere days and when we return only a few weeks will have passed
00:54:14you understand the implications doctor she will be different she will have two sets of memories
00:54:21one from her first life the 209 days she spent at starfleet academy and one from her second
00:54:28the 17 years growing up here with you
00:54:34she has a strong will
00:54:38and many champions to guide her
00:54:43she never gave up on me i'm not giving up on her again
00:54:49please
00:54:57yes doctor
00:55:12the morning star always gets wonderful bright the minute before it has to go
00:55:22doesn't it
00:55:33well as i said it's about dawn
00:55:36and another day's begun
00:55:40there's doc gibbs coming down main street now
00:55:45coming back from that baby case
00:56:07this is mrs webb's garden just like mrs gibbs
00:56:14only it's got a lot more sunflowers
00:56:29nice town you know what i mean
00:56:35this is mrs webb's garden this is the way we were
00:56:38in our growing up
00:56:41and in our marrying
00:56:42would you be
00:56:43i mean
00:56:44could you be
00:56:45and in our living
00:56:49we all know how it is
00:56:52time
00:56:54and sunny days
00:56:59rainy days
00:57:00rainy days
00:57:05yeah
00:57:05even the stars
00:57:07disappear
00:57:08still
00:57:10everybody knows
00:57:12in their bones
00:57:13i love you ellie
00:57:14that something
00:57:15i love you too
00:57:16is eternal
00:57:21all that was going on and we never noticed
00:57:24do any human beings ever realize life while they live it
00:57:29i mean
00:57:31every
00:57:32every minute
00:57:36as the poet said
00:57:38you've got to love life
00:57:40to have life
00:57:42and you've got to have life
00:57:44to love life
00:57:46goodbye to clocks ticking
00:57:50and mama's sunflowers
00:57:51and food
00:57:54and coffee
00:57:57and new iron dresses
00:58:00and hot baths
00:58:02and sleeping
00:58:03and waking up
00:58:07loving that boy
00:58:11and a stupid
00:58:13ugly pillow
00:58:15from the sweetest girl we ever knew
00:58:21i can't look at everything hard enough
00:58:41well done red
00:58:55hey you'll have to join me on one of my adventures
00:58:58one of these days the third years could use a little reno in their life
00:59:01if i may
00:59:03it's so so good to have you back
00:59:05they really need you
00:59:06the little zygotes
00:59:15thank you lieutenant
00:59:16not anytime captain
00:59:18back soon
00:59:19hell yes
00:59:20see you kiddo
00:59:29the life of the village against the life of the stars
00:59:34where the village
00:59:37made up of tiny moments
00:59:39it'll get swallowed by big ones
00:59:41and
00:59:42the only thing we know for sure is that
00:59:45one day we'll all be gone
00:59:48we know but
00:59:52we keep going
00:59:55maybe that's what makes it
00:59:57matter
01:00:00everything that happened
01:00:03it's not your fault
01:00:06but you know that already
01:00:07doesn't make it feel any different
01:00:09so why bother it
01:00:12why indeed
01:00:16i'll see you soon cadets it all
01:00:29captain ake's personal log
01:00:31stardate 869408.67
01:00:36sam and the doctor live 17 years
01:00:39in two earth weeks
01:00:42they're not the only ones
01:00:50as the play ends
01:00:51the stage manager once again
01:00:53takes the stage
01:00:54and bids everyone goodbye
01:00:58there are the stars
01:00:59doing their old
01:01:00old crisscross journeys
01:01:02in the sky
01:01:05scholars haven't settled the matter yet
01:01:08but they seem to think
01:01:09there are no living beings up there
01:01:11just chalk
01:01:13or fire
01:01:15only this one is straining away
01:01:18straining away all the time
01:01:20to make something of itself
01:01:23marathon
01:01:23of taking their use
01:01:23스팸UP
01:01:23of
01:01:23the stars of
01:01:23stars the stars
01:01:51is our
01:01:51Life is a heartbreaking, gorgeous blip in the universe.
01:01:57Everything matters, and nothing does.
01:02:03What has always been certain, time is both forever and achingly finite.
01:02:13But what a shame it would be not to live every moment.
01:02:31A Slamis Unusbot
01:02:32A Slamis Unusbot
01:02:33A Slamis Unusbot
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