00:00He says, go away, you respond to him, not to action.
00:09You're going to have to separate from her.
00:10Are you with somebody?
00:12No, you're with her.
00:13You're going to have to guess, exactly.
00:15Because what I want is a shot of you here playing.
00:19Oh, water's coming toward you.
00:21See what I mean?
00:23Here, but if we can get it all to one, then we're ahead of the game.
00:26Then we can work that one down here, not two up there.
00:31Derek, I want to see you moving.
00:33Don't get down to the bottom of the boat.
00:35Come right down the center.
00:36Come all across the gore.
00:37Fall on somebody.
00:38Get up.
00:40The ship is going to tilt up to a certain point,
00:42and it's going to slowly slide down into the water.
00:44You're going to see the water coming up across the deck,
00:46and at the last second, you're going to make, you know,
00:49you're going to get off.
00:51It should be about her having fun and joy in this moment,
00:56and she doesn't care that all these guys with all their machines
01:00have been doing all this stuff.
01:03Josh, let's start with Jorge and group here,
01:06and we'll do their cross out.
01:09Leo's sort of like, I mean, Jack's sort of looking around imitating.
01:12Okay.
01:15All right, so how much time the whole room stops while you think?
01:21Okay.
01:22Okay?
01:22You don't know.
01:25I'll go out on him missing the count of sand,
01:27and everybody's still getting to the end.
01:28It's like, boom, now we'll see you.
01:30So a minute or two or several has gone by.
01:34Let me get you on the pin.
01:36Yeah, exactly.
01:37The scene shifts more and more to that shot as this closes down.
01:42The far end of the set.
01:43But see, I want to keep some sense of a beach up there.
01:46Let's drop the far end of the set like four or five inches.
01:50I come in on you, then I cut to your POV of him.
01:54Yeah, that's good.
01:55Like that is good.
01:55What you just did.
01:56Just started.
01:57And then, yeah, yeah, yeah, yeah.
01:58Good, good.
02:03Yeah.
02:08Yeah.
02:15That was good.
02:17That was a lot better, but this time,
02:19use more of your throat and hawk it back and...
02:29It's not up to you to save me, Jack.
02:33No.
02:35It's up to you.
02:39Yeah, there I go.
02:53Cut.
02:54Cut!
02:55I'm here!
02:57You're still my best girl, Cora.
03:05I don't know the steps.
03:06Neither do I.
03:08Just go with it.
03:09Don't think!
03:11Wait!
03:12Cut!
03:39I did, didn't I?
03:40Look!
03:41Shooting star!
03:44That was a long one.
03:50And action.
03:55That looks all right.
03:57I'm seeing it.
04:0220 minutes.
04:04Yeah.
04:05Can I just go ahead and go ahead and go ahead and see?
04:07Watch your head.
04:09I need help.
04:09My wife is...
04:10Ah, first...
04:11This is one of the special ones.
04:21Good.
04:31Background, and action.
04:59We could have gone through the terminal instead of rushing about the dock like some squalid immigrant family.
05:05Oh, that's all part of my charm.
05:08It's over a hundred feet longer than Mauritania, and far more luxurious.
05:13Your daughter is very difficult to impress, Ruth.
05:15So this is the ship they say is unsinkable.
05:17It is unsinkable.
05:30Ammo, go back.
05:32Michaela struggling talking things and shouting.
05:32It seems like we did notщiked.
05:44It's a push.
05:45I guess we're going to go through a rough building, and there's no room where we were going.
05:46The auto190m is Whoa, frenzy road.
05:51There are a lot of people who are going through progress.
05:51Now we had people to put this together for the end.
05:52When they did not walk through it, they don't run away the back.
05:52Mercedes drive or you're going to stop Uber was having to nerve a bit faster for the end.
05:53If you have no body of theamen and stuff you stillデady there, and then you still hell.
05:54That's really nice.
05:57You can built a roofaccoon where they got controversial.
05:58Again, you'll keep that 어려 giving up the floor.
06:09I'm going to play with you, buddy.
06:41And cut!
12:15Hey there, here's today's daily fact.
12:18That slightly scandalous charcoal drawing of a topless Kate Winslet in Titanic was drawn
12:23by none other than the director himself, James Cameron.
12:26Now, if you want something done right, sometimes you just need to do it yourself.
12:30Now remember to click here below to subscribe for more content or on the side to watch another video.
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